Here are 9 books that The Unity fans have personally recommended once you finish the The Unity series.
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Science fiction for grownups not only means avoiding magic and supernatural elements but grounding the stories’ “what-ifs” in hard science and/or narrative anthropology. When we (readers) are invited to a story, we come with a willing suspension of disbelief, and I have as strong a suspension of disbelief as anyone—what if dinosaurs could be grown from ancient DNA, or what if an asteroid struck the earth? However, the ground rules of what-ifs should be laid out and should not include a sweeping suspension of the laws of physics, nature, and common sense. So, no hundred-and-ten-pound woman, with toothpick arms and dressed in cleavage-revealing spandex, beating up twelve burly guys.
I love Charles Sheffield’s good, hard science fiction. An astronomer and mathematician, Charles Sheffield, could craft plotlines supported by hard science like few others.
I'm drawn to his competent, realistic characters and the way his narratives create drama reminiscent of Edgar Rice Burroughs. Unfortunately, he passed away in 2002.
Jay Hara is an ordinary young man growing up on the isolated planet of Erin. But Jay dreams of adventure and escapades and the legend of the lost “Godspeed” drive which allowed humans to travel at faster-than-light speeds.
His life changes when he joins up with the seedy spacer, Paddy Enderton and Captain Daniel Shaker. Captain Shaker is a charming but ruthless adventurer who inspires both fear and admiration in equal measure, and he and his questionable crew are joined by Jay as they race to find the legendary drive Jay Hara used to dream about.
Science fiction for grownups not only means avoiding magic and supernatural elements but grounding the stories’ “what-ifs” in hard science and/or narrative anthropology. When we (readers) are invited to a story, we come with a willing suspension of disbelief, and I have as strong a suspension of disbelief as anyone—what if dinosaurs could be grown from ancient DNA, or what if an asteroid struck the earth? However, the ground rules of what-ifs should be laid out and should not include a sweeping suspension of the laws of physics, nature, and common sense. So, no hundred-and-ten-pound woman, with toothpick arms and dressed in cleavage-revealing spandex, beating up twelve burly guys.
I loved the complex plot structure and the moral questions!
Earth discovers a sentient civilization with the potential to surpass our own. But the aliens are trapped in a solar system that they cannot escape without Earth’s faster-than-light technology. How should Earth respond?
Aliens - Moties - were first contacted in AD3017 in the region of space known as the Coalsack. The eponymous mote in his eye, which has winked out, much to the distress of pious Himmists, just might have been Motie laser light. It might even indicate the position of their home planet.
Ever since reading Heir to the Empire (Timothy Zahn), I’ve been fascinated by science fiction stories with amazing characters and intriguing concepts. I love finding a new story, especially one that isn’t being talked about, and falling into that world. I still get lost in the worlds of the Deathgate Cycle and Rose of the Prophets because they introduced me to concepts and places I’d never imagined or thought to imagine before reading them. I crafted a world and characters both familiar and alien because of these influences and I’m still drawn to them when I start a new book no one is talking about, like those on this list.
From the moment I first began listening to the audiobook, I fell in love with this story. I was all in the moment Ryland Grace stumbled through answering the question “What is 2 plus 2?” The layering of the story, the threat to Earth concept, the educational presentation of very high-level scientific concepts to an audience of all ages, and the way Andy Weir made this reader feel so many emotions over a rock just keep drawing me back to it.
I literally just finished another listen less than a month ago and already want to go back to a story. I still don’t see many people talking about it. And the ending? Every story has its own perfect dismount landing, and this one nailed it.
Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish.
Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it.
All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company.
His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through…
Whereas many seek out stories of human triumph and heroic deeds, I have always been captivated by stories that show humanity for what it is–a bastion of innovation and wonder but also a complex and ethically questionable force of nature. I began writing my book when I was twelve years old, and I immediately knew that my characters would not be one-sided, cast in light or shadow. Instead, they would love at times and hate others, try their hardest to do what is right, but sometimes end up doing more harm than good. Remember that a ‘hero’ is a product of perspective when reading these books.
This book takes everything amazing about the mystery genre and transposes it into an endlessly fascinating, well-developed sci-fi world. I was captivated by the web of interconnected plot lines, told from the perspectives of rich and multi-faceted characters throughout the entire story.
Specifically, the fact that all of their seemingly disconnected backstories converge to form the real picture of the story was masterfully done. Furthermore, the final reveal of the story was quite literally the only plot twist in fiction that has given me a verbal “oh my god” moment.
It was a massive inspiration for me and led to my love of a combination of morally gray mystery, sci-fi, and action adventure.
In this Hugo nominated science fiction thriller by Mur Lafferty, a crew of clones awakens aboard a space ship to find they're being hunted-and any one of them could be the killer.
Maria Arena awakens in a cloning vat streaked with drying blood. She has no memory of how she died. This is new; before, when she had awakened as a new clone, her first memory was of how she died.
Maria's vat is one of seven, each one holding the clone of a crew member of the starship Dormire, each clone waiting for its previous incarnation to die so…
I’m a Virginia-based science fiction and fantasy writer who’s lived variously-enriching lives as a coroner’s assistant, customer service manager, university lecturer, secretary, factory technician, and clerk. I’ve bounced all around the Midwest, from Minnesota to Ohio to Colorado to Missouri and now out on the East Coast.
Ammonite starts in space and lands on an alien world but brings plenty of Earth’s history along with it. Human settlers that lost an age ago, transformed by a virus that only women survive but allows them to reproduce, have spread across this world. Anthropologist Marghe Taishan faces down nomadic horse archers and gets lost in pastoral folkways both new and familiar. She deconstructs her future and rebuilds herself out of the past. Ammonite’s new world shows us how our world might have looked if different paths were taken.
Winner of the Lambda and Tiptree Awards • “A knockout . . . Strong, likable characters, a compelling story, and a very interesting take on gender.”—Ursula K. Le Guin
Change or die. These are the only options available on planet Jeep. Centuries earlier, a deadly virus shattered the original colony, killing the men and forever altering the few surviving women. Now, generations after the colony lost touch with the rest of humanity, a company arrives to exploit Jeep—and its forces find themselves fighting for their lives. Terrified of spreading the virus, the company abandons its employees, leaving them afraid and…
I’m a Virginia-based science fiction and fantasy writer who’s lived variously-enriching lives as a coroner’s assistant, customer service manager, university lecturer, secretary, factory technician, and clerk. I’ve bounced all around the Midwest, from Minnesota to Ohio to Colorado to Missouri and now out on the East Coast.
Not all books about the past have to be set in the past. In the far-flung future, deep in interstellar space and surrounded by impossible living technologies, an amnesiac takes part in a sociological experiment to reconstruct twentieth-century middle-class living. Glasshouse is, among other things, a playful, bitter, and funny takedown of both the era and the impossibility of actually reconstructing history. The paranoia engendered by twentieth-century living is only far too justified by the interstellar conspiracy that’s ensnared the study’s participants.
“ONE NIGHTMARISH PANOPTICON.” – The New York Times
When Robin wakes up in a clinic with most of his memories missing, it doesn’t take him long to discover that someone is trying to kill him. It’s the twenty-seventh century, when interstellar travel is by teleport gate and conflicts are fought by network worms that censor refugees’ personalities—including Robin’s earlier self.
On the run from a ruthless pursuer and searching for a place to hide, he volunteers to participate in a unique experimental polity: the Glasshouse, a simulated pre-accelerated culture where participants are assigned anonymized identities. But what looks like the…
I’ve been fascinated by science and space since I was a child and naturally gravitated toward science fiction. In many respects, it was a form of escapism, as I didn’t enjoy school. I always preferred escaping into another world or being taken on a journey to another world. It wasn’t until I got older that I realized that most great science fiction is a commentary on our own world and the issues we face daily. Science fiction, more than any other genre, does a better job of exploring and dissecting aspects of our world, which in turn helps us better understand our world and our relationship with it.
Darwinia was the first novel I read by Robert Charles Wilson, who I believe is the best modern-day science fiction writer. Darwinia was a novel I had to read twice to really grasp how brilliantly Wilson had woven everything together. This is one of those novels where the ending can sneak up on you and blow you away and you weren’t even remotely prepared, which is preferred over any ending that I can predict.
In an alternative history of the twentieth century, Europe is replaced by a land of nightmarish jungle and monsters that contains the secret of human destiny.
I’m a Virginia-based science fiction and fantasy writer who’s lived variously-enriching lives as a coroner’s assistant, customer service manager, university lecturer, secretary, factory technician, and clerk. I’ve bounced all around the Midwest, from Minnesota to Ohio to Colorado to Missouri and now out on the East Coast.
It’s too easy, in time travel fantasies, to imagine that you would feel a step above the people around you... that you alone know what’s coming, and just, in general, have your advanced-future-person perspective on the world. That’s not how history should feel. The All Clear series’s time-traveling historians arrive to observe the London Blitz and have that comforting certainty ripped out from underneath them. They’re left lost, alone, and isolated in a well-painted portrait of a world on the edge of collapse.
Award-winning author Connie Willis returns with a stunning, enormously entertaining novel of time travel, war, and the deeds - great and small - of ordinary people who shape history.
Where many people would see an empty package of Oreos, I see the remains of a lost civilization, an artifact crafted galaxies away by beings who flit in and out of existence in order to build rainbows for lonely children and who have left the empty bag, filled with dog poop, flaming on someone’s front step and are laughing uncontrollably as the person stomps on it to put it out. I want to find authors who see more than the bag of Oreos. I want them to be wildly imaginative and to paint what they see with cleverness and humor. I try to do the same.
Kage Baker is an Isaac Asimov compared to Terry Pratchett’s Marx Brothers. In the Garden of Iden is more sci-fi than fantasy, including time travel, cybernetics, and nanotechnologies. And love and loss. This book is part of a series of novels that Baker crafted about time-travelling enhanced humans who carry out critical tasks throughout history.
What I loved most about this book is how very human her main characters are. Like Pratchett and Bill Shakespeare, Baker is a master at showing us human nature. Her comedy is high comedy. I laugh because I recognize myself in her characters. Baker has a fine eye for the subtle and the absurd. And yet unlike many humorous authors, the tragedies of the heart are always at the core of her stories.
This is the first novel in what has become one of the most popular series in contemporary Science Fiction, now back in print from Tor. In the twenty-fourth century, the Company preserves works of art and extinct forms of life (for profit of course). It recruits orphans from the past, renders them all but immortal, and trains them to serve the Company. One of these is Mendoza the botanist, who is sent to Elizabethan England to collect samples from the garden of Sir Walter Iden. Her quest is jeopardized by Nicholas Harpole, who stirs unfamiliar emotions within her about her…
