Books like Ammonite

Kage Baker is an Isaac Asimov compared to Terry Pratchett’s Marx Brothers. In the Garden of Iden is more sci-fi than fantasy, including time travel, cybernetics, and nanotechnologies. And love and loss. This book is part of a series of novels that Baker crafted about time-travelling enhanced humans who carry out critical tasks throughout history. 

What I loved most about this book is how very human her main characters are. Like Pratchett and Bill Shakespeare, Baker is a master at showing us human nature. Her comedy is high comedy. I laugh because I recognize myself in her characters. Baker has a fine eye for the subtle and the absurd. And yet unlike many humorous authors, the tragedies of the heart are always at the core of her stories.

It’s too easy, in time travel fantasies, to imagine that you would feel a step above the people around you... that you alone know what’s coming, and just, in general, have your advanced-future-person perspective on the world. That’s not how history should feel. The All Clear series’s time-traveling historians arrive to observe the London Blitz and have that comforting certainty ripped out from underneath them. They’re left lost, alone, and isolated in a well-painted portrait of a world on the edge of collapse.

Darwinia was the first novel I read by Robert Charles Wilson, who I believe is the best modern-day science fiction writer. Darwinia was a novel I had to read twice to really grasp how brilliantly Wilson had woven everything together. This is one of those novels where the ending can sneak up on you and blow you away and you weren’t even remotely prepared, which is preferred over any ending that I can predict.

Not all books about the past have to be set in the past. In the far-flung future, deep in interstellar space and surrounded by impossible living technologies, an amnesiac takes part in a sociological experiment to reconstruct twentieth-century middle-class living. Glasshouse is, among other things, a playful, bitter, and funny takedown of both the era and the impossibility of actually reconstructing history. The paranoia engendered by twentieth-century living is only far too justified by the interstellar conspiracy that’s ensnared the study’s participants.

This book made me ask myself how far I would go for someone I loved. Would time, distance, and beliefs change me, too?

I like the classic hardcore science fiction setting of this story mixed with a culture based on a mystical belief—science meets faith. Which would I choose if I were living in that world? Or can I have both? The answer is bittersweet because there is no perfect solution.

This is the real-life account of a professor who gets caught up in “The Phenomena,” a term used to describe the appearance and interaction with extraterrestrial activity and encounters.

Diana Pasulka is a professor of religious studies who is researching the similarities between encounters with angels and demons, which are very similar in description to encounters with aliens and UFOs. Professor Pasulka is blindfolded and driven by a NASA scientist to a desert in New Mexico, where she is shown a secret “UFO crash site.” She doesn’t believe any of it. She says the ground is covered for miles by deteriorating aluminum cans that the government placed there over fifty years ago to obscure the UFO crash site and hide it. Later, her friend, Dr. Gary Nolan, a Stanford University scientist, verifies the objects from the crash site are not from this “universe.” 

I love this book because it is… show more.

What I love most about this story is the fresh new take on ‘the aliens among us.’ The author picks a ‘backwoods country boy’ to confront and eventually be chased by powerful creatures from outer space. Lucky for the country boy, he is given some superpowers to help him survive.

I liked how the story moved along with snappy enthusiasm (this is the first of six volumes).

This book is the grandfather of the modern small-town horror story–few novels before or since have developed such a sense of creeping dread and paranoia.

Aside from being impressed with Finney’s writing, the masterful way he manages mood, and the gradual deterioration of trust (which underpins the most admirable qualities of small-town life), I can trace my lineage as a horror writer back to this novel. 

I love the entire Dune series, but most readers don't get past the first book. The characters retained the growth and development from the first book and we see how they continue to deal with their differing struggles, like Chani who desperately wants children, while Paul knows that her desire will bring her death. Unable to marry Chani, Paul has taken a wife, in name only, but the woman loves him and desperately wants to be loved by him. I saw myself in these two women who wanted such simple things, but for reasons out of their control, were not able to have them. It made me realize that sometimes we have to let go of what we want and just be grateful for what we have, for as long as we may have it.

C.S. Lewis is widely known for his children’s book series, The Chronicles of Narnia. His list of publications is, however, much longer. This little volume of essays gives a reader (or a writer) insight into how the form of a story shapes its meaning. For instance, he writes about stories for children and how some authors mistakenly think that children are only interested in childish things. He compares that to people who have the gift of being able to access the child that is still in them and speak with them in a shared experience. 

Of science fiction, he shares the difference between an author who is a creator of worlds, and one who rearranges alien props to make a pedestrian story appear clever. The key is a story that makes contact with the reader.