Here are 100 books that The Shining fans have personally recommended once you finish the The Shining series.
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I’ve been fascinated by how people behave and how in-group bias can change who they are. That interest led me into computational sociology (I study human behavior for a living), with my work appearing in The New York Times, USA Today, WIRED, and more. But my deepest fascination has always been with people’s propensity for the horrific. I LOVE the liminal space where fear, secrecy, and belonging collide. Being neurodivergent, living in a small Virginia town with my wife and our neurodivergent, queer son, I see how communities can both shelter and suffocate. That tension is why I’m drawn to stories saturated in dread, beauty, and what lives in the shadows.
This is the book that taught me how powerful loneliness can be.
Every time I return to it, I feel one character’s ache settle into me, that desperate want to belong somewhere, even if it’s a house that doesn’t love you back. I recommend it because it still feels as if I’m attempting to figure out what is happening alongside the characters, the way only great writing can.
Jackson makes you realize that the scariest hauntings aren’t in the walls, they’re the ones we carry within us.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
I’m an oral historian as well as a writer, so I’ve always been fascinated by how people speak and how they interact with each other through dialogue. I soon realized some of the ways spoken language differs from written language and began exploring those differences. When I started writing, the dialogue came fairly easily, but this was deceptive, as I wasn’t being rigorous enough–I wasn’t making the dialogue really work for the script. So, I’m always trying to get better at that. I’ve had over 60 scripts performed on stage, radio, and screen, but I still gobble up books about speech and dialogue–there is always more to be learned.
I loved the voice of this book–it’s the voice of Stephen King, clever, yes, and a brilliant novelist, of course, but also absolutely down-to-earth. King is a perfectionist, continually going back through his writing to hone it–a useful reminder to all of us not to be satisfied with a first or second draft.
The book shows how, in the best writing, both dialogue and plot arise out of character. And I particularly valued his emphasis on cutting, cutting, cutting–dialogue and everything else. He’s made me do that more than ever!
Twentieth Anniversary Edition with Contributions from Joe Hill and Owen King
ONE OF TIME MAGAZINE’S TOP 100 NONFICTION BOOKS OF ALL TIME
Immensely helpful and illuminating to any aspiring writer, this special edition of Stephen King’s critically lauded, million-copy bestseller shares the experiences, habits, and convictions that have shaped him and his work.
“Long live the King” hailed Entertainment Weekly upon publication of Stephen King’s On Writing. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer’s craft, comprising the basic tools of the…
I have traveled almost my entire life as a US Navy Sailor and civilian, and I still am. The cities, countries, and locations are composites of places I have visited. I have been a Correctional Counselor and a Criminal Investigator in addition to other positions. My extensive travel and background provide me with a unique view of the world that I try to reflect in my stories.
This isn’t a typical murder story, but it has it all: personal dilemmas, paranormal lines, and killings wrapped around a dystopian world where good and evil are on a collision course. This is, perhaps my favorite book.
It was King’s gold standard for decades. The traveling east to west, the sages met, the people killed. Those turned against their friends. Twists galore. It is a long read, a bit over 1,100 pages. Don’t let that scare you, it is a page turner from start to finish.
Stephen King's apocalyptic vision of a world blasted by virus and tangled in an elemental struggle between good and evil remains as riveting and eerily plausible as when it was first published.
Soon to be a television series.
'THE STAND is a masterpiece' (Guardian). Set in a virus-decimated US, King's thrilling American fantasy epic, is a Classic.
First come the days of the virus. Then come the dreams.
Dark dreams that warn of the coming of the dark man. The apostate of death, his worn-down boot heels tramping the night roads. The warlord of the charnel house and Prince of…
Scary books and movies hooked me early in life and never let go. I’m fascinated by the themes that are explored in all of the various sub-genres of horror. I’m intrigued by the lore that’s created, and I’m impressed with the imagination of so many horror creators. Horror remains and always will be one of the most popular genres of storytelling.
I read this as a teenager, just as I was diving into the horror genre. I already knew at this point that I wanted to be a storyteller. What struck me while reading It was the jumping back and forth between time periods.
I had never read a book structured that way, and it seemed that every chapter ended on a cliffhanger, forcing me to keep reading. There aren’t many books that I would say I had a hard time putting down (I get bored easily), but It was certainly one of them!
This tie-in edition will be available from 16 July
TIE IN TO A NEW MAJOR MOTION PICTURE, IT: CHAPTER 2, ADAPTED FROM KING'S TERRIFYING CLASSIC
27 years later, the Losers Club have grown up and moved away, until a devastating phone call brings them back...
Derry, Maine was just an ordinary town: familiar, well-ordered for the most part, a good place to live.
It was a group of children who saw- and felt- what made Derry so horribly different. In the storm drains, in the sewers, IT lurked, taking on the shape of every nightmare, each one's deepest dread. Sometimes…
I’ve been a fan of horror and dark fantasy for as long as I can remember. There’s something irresistible about slipping into stories that could happen, however unlikely. The closer a tale inches toward reality, the more thrilling it becomes. As a writer in this genre, my appreciation has only deepened. I’ve learned how delicate the balance is walking that fine line between realism and fantasy, all while keeping the darkness close enough to unsettle, but not so overwhelming that it drives the reader away. These books walk that line better than any I’ve read.
This book messed with my head in all the right ways. I expected scares, but I didn’t expect the emotional gut-punch.
It’s not just about death; it’s about grief, denial, and how far someone will go to outrun the pain.
You feel the characters trying to escape what’s coming, running from fear, from loss, from truth, but it always catches up. The horror creeps in slowly, then hits like a truck, literally. Once the line between life and death is crossed, there’s no turning back.
It’s one of the few books that left me genuinely unsettled because I understood the choices, even when they led straight into darkness.
Now a major motion picture! Stephen King’s #1 New York Times bestseller is a “wild, powerful, disturbing” (The Washington Post Book World) classic about evil that exists far beyond the grave—among King’s most iconic and frightening novels.
When Dr. Louis Creed takes a new job and moves his family to the idyllic rural town of Ludlow, Maine, this new beginning seems too good to be true. Despite Ludlow’s tranquility, an undercurrent of danger exists here. Those trucks on the road outside the Creed’s beautiful old home travel by just a little too quickly, for one thing…as is evidenced by the…
As a genre reader since childhood, I’m all-too-familiar with the tropes of the Chosen One, the Prophecy and all those things that lead the unsuspecting child of humble birth to fulfil their Great Destiny. I’ve no complaint against it, it’s been the source of many rich and inventive stories, but I find myself increasingly drawn to stories where the protagonist is an ordinary Joe (or Jo), sucked into uncommon events beyond their normal lives and forced to find a way to survive. It’s easy to grab attention with the threatened destruction of the galaxy. How much more satisfying, then, to make a reader care about the soul of one character.
For all the highly enjoyable shenanigans around using time travel to prevent JFK’s assassination, I came away loving this book for reasons I don’t normally associate with King–I genuinely loved his characters. Jake Epping is a sympathetic lead, and I became far more invested in his love for Sadie than in the assassination-thwarting.
I’d hesitate to say this is King’s finest book, but of those I’ve read, it’s definitely my favourite. I found the climax so emotionally satisfying; it genuinely moved me.
Now a major TV series from JJ Abrams and Stephen King, starring James Franco (Hulu US, Fox UK and Europe, Stan Australia, SKY New Zealand).
WHAT IF you could go back in time and change the course of history? WHAT IF the watershed moment you could change was the JFK assassination? 11.22.63, the date that Kennedy was shot - unless . . .
King takes his protagonist Jake Epping, a high school English teacher from Lisbon Falls, Maine, 2011, on a fascinating journey back to 1958 - from a world of mobile phones and iPods to a new world of…
I’m tired of playing by the rules of a game I’m not allowed to win. I’m tired of being bound to a standard of being in the world that we know isn’t working but are too scared to confront head-on. I’m tired of being told to beat around the bush when pruning it, uprooting it, or burning it altogether would serve it better. I reject the tenet of white supremacy that claims a constant right to comfort. Brave and honest discourse matters. Our commitment to each other and to the future of every single creature on this earth matters. Bring on the badasses who love passionately, laugh loudly, and live bravely.
You know what any misfit with telekinetic powers should do to her enemies after years of torment culminate into a single act of spiteful cruelty? Carrie does! I love how she gains awareness and control of her abilities. I love how she wields her power against her nasty, dim-witted bullies.
I cheer when she locks the door and slowly walks away, leaving them to their fate. I love how she takes revenge on her vicious mother in a way that flies in the face of her vindictive fundamentalist beliefs. A sweet-natured girl, maligned by an entire community, taking a final, violent stand against unbridled ignorance? BADASS.
Stephen King's legendary debut, about a teenage outcast and the revenge she enacts on her classmates, is a Classic. CARRIE is the novel which set him on the road to the Number One bestselling author King is today.
Carrie White is no ordinary girl.
Carrie White has the gift of telekinesis.
To be invited to Prom Night by Tommy Ross is a dream come true for Carrie - the first step towards social acceptance by her high school colleagues.
But events will take a decidedly macabre turn on that horrifying and endless night as she is forced to exercise her…
Growing up very pale in a sun-washed Australian coastal town, I often found myself retreating to the cool shadows. It was in the darkness that I felt most at home—which may be why I’ve always been drawn to stories with a darker edge. My fascination with creatures in those frightening tales—immortal, dark, and possessed of terrible appetites—led to Winter’s Shadow, my debut YA novel, and the reason I still write today. I love books that blur the line between horror and the mundane—tales that feel like nightmares recalled in the comforting light of day. These are the stories that linger, and this list is a love letter to them.
I discovered Stephen King when I was eight (I was a precocious reader), sneaking The Shining off my parents’ bookshelf. That book scared me, but it was King’s story of vampires descending on a small Midwestern town that truly kept me up at night and taught me the power of horror fiction.
In recent years, especially in the YA genre, vampires became a little overexposed, so I find it instructive to return to Salem’s Lot periodically to remind myself just how terrifying the monster can be in the hands of a gifted storyteller.
#1 BESTSELLER • Ben Mears has returned to Jerusalem’s Lot in hopes that exploring the history of the Marsten House, an old mansion long the subject of rumor and speculation, will help him cast out his personal devils and provide inspiration for his new book.
But when two young boys venture into the woods, and only one returns alive, Mears begins to realize that something sinister is at work.
In fact, his hometown is under siege from forces of darkness far beyond his imagination. And only he, with a small group of allies, can hope to contain the evil that…
I’ve always firmly believed that, being an all-encompassing genre, speculative fiction represents nearly everything I love about writing and storytelling. I’m therefore very proud to have established myself in that world over the past several years and hope to positively impact others in the way I’ve been positively impacted by the sorts of works I’ve mentioned here.
For me, the Dark Tower series is an easy first pick as it so thoroughly encompasses everything I love about speculative fiction: big ideas, compelling, at times mysterious but ultimately fully realized characters, and a healthy, rich, and potent dose of world-building.
Over the years, I’ve reluctantly come to accept that this book and series are not necessarily for everyone, but they are absolutely for me, and I always find myself feeling a sort of kinship with other readers who love them as much as I do.
The Dark Tower is now a major motion picture starring Matthew McConaughey and Idris Elba.
'The man in black fled across the desert, and the gunslinger followed.' The iconic opening line of Stephen King's groundbreaking series, The Dark Tower, introduces one of his most enigmatic and powerful heroes: Roland of Gilead, the Last Gunslinger.
Roland is a haunting figure, a loner, on a spellbinding journey toward the mysterious Dark Tower, in a desolate world which frighteningly echoes our own.
On his quest, Roland begins a friendship with a kid from New York named Jake, encounters an alluring woman and faces…
A few years ago, while researching my novel Incarnate, I sought out Arctic, Alaskan, and winter horror novels. These books explored the dangers of such places—brutal nature, isolation, depression, fear, and suicidal tendencies. Combined with the supernatural, Lovecraftian, and unexplainable, they created gripping stories.
I also read non-fiction essays, books, articles, and watched YouTube videos about these harsh environments. The authors captured the reality of isolation and danger perfectly. If you're curious about what it’s like to venture into these perilous, frozen landscapes—without risking frostbite—these novels are a thrilling way to experience it.
I grew up reading Stephen King, and one of the earlier titles I read by him, is Misery. When I think about isolation, danger, and being trapped in a cabin—this book comes to mind.
Of course, his number one fan, she has different ideas for the protagonist of this book, Paul Sheldon. She wants his novel/s to end differently, a different fate for the characters she has grown to love. And she’ll go to great lengths to get him to change his mind. After his car accident, she ties him to the bed and hobbles him—one of the most intense (and violent) scenes in the book. And who can ever forget her calling him a Dirty Birdie—that phrase will echo in my head forever.
Of course the movie is well done, too—a stellar performance by Kathy Bates. As the wind and ice howl outside the cabin, we are trapped…
