Here are 14 books that The Schuler Sisters Novels fans have personally recommended once you finish the The Schuler Sisters Novels series.
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As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
Kate Morton is the penultimate professional at combining sweeping historical fiction and a mystery element. Any of her books are a delight, but I chose to showcase The House at Riverton because of its English aristocratic setting and the heavy mystery element. I adore Morton’s almost magical ability to successfully weave two or even three plotlines, all in different eras, into one tight story.
Summer 1924: On the eve of a glittering Society party, by the lake of a grand English country house, a young poet takes his life. The only witnesses, sisters Hannah and Emmeline Hartford, will never speak to each other again.Winter 1999: Grace Bradley, 98, one-time house-maid of Riverton Manor, is visited by a young director making a film about the poet's suicide. Ghosts awaken and memories, long consigned to the dark reaches of Grace's mind, begin to sneak back through the cracks. A shocking secret threatens to emerge; something history has forgotten but Grace never could.Set as the war-shattered Edwardian…
As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
I read all of Catherine Cookson’s novels at a much too-young age, having “borrowed” them from my mom’s bookshelf when she wasn’t looking. I was immediately hooked. So many of Cookson’s books, not just The Girl, pit the wealthy, landed class against their poorer servants, and this theme made a deep impression on me. In fact, I think that Cookson, along with Dickens, probably had the most influence on my personal writing style.
She appeared in Ned Riley's stable yard like some wraith of the morning mist to seek Ned's help. Her name was Hannah Boyle, she was eight years old, and she had walked many miles from Newcastle with her mother, who was seriously ill.
As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
While walking through a Barnes and Noble some thirty years ago, I stumbled upon Anthony Trollope—probably because he took up about three whole shelves. Curious, I chose one of his fifty novels and then another and another until I concluded that he is undoubtedly one of the most underrated authors in the English language. Both of his series—The Chronicles of Barsetshire and The Pallisers—make Downton Abbey look like upstairs/downstairs-lite. Highly recommended!
As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
I came upon this 3-part series almost by accident and quickly gobbled it up, surprised that it is not more well known. It is a fabulous upstairs/downstairs type of saga in which both the aristocracy and the servants who wait upon them are upended by the outbreak of WW1. Excellent writing; hard to put down.
Before Downton Abbey, there was Abingdon Pryory, the elegant country home of the Grevilles - a titled English family who, along with their servants, see their world turned upside down when England goes to war - and their well-kept lawns and whirling social seasons give way to the horrors of battle leaving no one, upstairs or downstairs, untouched.
I live in a 200+ year old house and have always been drawn to stories with dual timelines where the past and present intersect. Living in an old house where people lived and died, and exploring historic sites for my blog Past Lane Travels, I’m constantly aware of the lives that came before mine. I love the idea that something hidden in the past can still shape the present – and sometimes it seems like it’s just waiting to be uncovered by the right person. When stories are set in real places, it adds even more intrigue—I can visit, walk the same ground, and experience it for myself.
This novel is a little outside of my usual genre, but Steve Berry never disappoints.
The reason I like this one is because Berry weaves so much factual detail about the real Amber Room’s creation and theft into his fictional suspense plot. Overall, he is really good at blending authentic history with his fictional adventure plots – making it hard for a reader to know what is fact and what if fiction.
This book kept me turning pages (long after I should have stopped).
Rachel Cutler loves her job and her kids, and remains civil to her ex-husband, Paul. But everything changes when her father dies under suspicious circumstances, leaving behind clues to a treasure called the Amber Room, one of the most intriguing mysteries of the last century.
Desperate for the truth, Rachel takes off for Germany, with Paul close behind. Before long, they're in over their heads. Locked into a treacherous game with professional killers, Rachel and Paul find themselves on a collision course with the forces of greed, power and history itself...
I live in a 200+ year old house and have always been drawn to stories with dual timelines where the past and present intersect. Living in an old house where people lived and died, and exploring historic sites for my blog Past Lane Travels, I’m constantly aware of the lives that came before mine. I love the idea that something hidden in the past can still shape the present – and sometimes it seems like it’s just waiting to be uncovered by the right person. When stories are set in real places, it adds even more intrigue—I can visit, walk the same ground, and experience it for myself.
First of all, as an author, I love that three different authors wrote about three different characters, and it all melds perfectly. That’s a feat in itself.
Secondly, I’m a fan of dual timelines, history, and family secrets, and this book has it all. Third, it has a setting of a Gilded Age mansion in New York City, and that always makes a great setting.
This novel is a wonderful mix of light romance, history, and mystery, a trifecta for my reading tastes.
New York Times bestselling authors Karen White, Beatriz Williams, and Lauren Willig present a masterful collaboration—a rich, multigenerational novel of love and loss that spans half a century....
1945: When critically wounded Captain Cooper Ravenel is brought to a private hospital on Manhattan’s Upper East Side, young Dr. Kate Schuyler is drawn into a complex mystery that connects three generations of women in her family to a single extraordinary room in a Gilded Age mansion.
Who is the woman in Captain Ravenel’s miniature portrait who looks so much like Kate? And why is she wearing the ruby pendant handed down…
I live in a 200+ year old house and have always been drawn to stories with dual timelines where the past and present intersect. Living in an old house where people lived and died, and exploring historic sites for my blog Past Lane Travels, I’m constantly aware of the lives that came before mine. I love the idea that something hidden in the past can still shape the present – and sometimes it seems like it’s just waiting to be uncovered by the right person. When stories are set in real places, it adds even more intrigue—I can visit, walk the same ground, and experience it for myself.
What I loved the most about this book was setting and time-period of colonial America.
Since I’ve written some historical fiction, I know how much research it takes to create a plot in a different era, and this book not only entertains, but educates! It’s chock-full of history and mystery – and kept me guessing until the end.
The author also has a very distinct writing style that is a joy to read.
NATIONAL BESTSELLER • GMA BOOK CLUB PICK • AN NPR BOOK OF THE YEAR • From the New York Times bestselling author of I Was Anastasia and Code Name Hélène comes a gripping historical mystery inspired by the life and diary of Martha Ballard, a renowned 18th-century midwife who defied the legal system and wrote herself into American history.
"Fans of Outlander’s Claire Fraser will enjoy Lawhon’s Martha, who is brave and outspoken when it comes to protecting the innocent. . . impressive."—The Washington Post
"Once again, Lawhon works storytelling magic with a real-life heroine." —People Magazine
As a girl growing up in the 1960s, I loved books that were set in the past—Anne of Green Gables, A Little Princess, and A Tree Grows in Brooklyn were among my favorites. But those books weren’t historical fiction because they were written back then. So discovering that I could set my own books in the past was a thrill. I love evoking the sights, sounds, and smells of the past. And I especially love describing what my characters wear. Vintage clothes are my passion and being able to incorporate that love into my work is an ongoing delight.
Here’s another one about tony people leading their tony lives, this time in the hills of West Virginia which is home to the Greenbrier Resort, a real place that catered to the rich and famous. This novel follows the story of four members of the Zelner family—Jews in a decidedly inhospitable environment.
It’s the women who really stand out. First, there is scrappy, defiant Sylvia, unhappy in her marriage and seeking consolation in another man’s bed, and then later, her daughter Doree, who, like her mother, chafes against the restrictions imposed by class and religion. But Doree is more adept at navigating a hostile world and finds happiness in a way her mother never did.
The mother-daughter relationship, by turns fraught, contentious, and tender is at the heart of this story, and it won my heart too.
Four generations. One remarkable hotel. Countless secrets.
Nestled in the hills of West Virginia lies White Sulphur Springs, home to the Greenbrier Resort. Long a playground for presidents and film stars, the Greenbrier has its own gravitational pull. Over ten decades, four generations of the Zelner family must grapple with their place in its shadow . . . and within their own family.
In 1942, young mother Sylvia is desperate to escape her stifling marriage, especially when it means co-running Zelner’s general store with her husband. When the Greenbrier is commandeered for use as a luxury prison, Sylvia finds her…
As a girl growing up in the 1960s, I loved books that were set in the past—Anne of Green Gables, A Little Princess, and A Tree Grows in Brooklyn were among my favorites. But those books weren’t historical fiction because they were written back then. So discovering that I could set my own books in the past was a thrill. I love evoking the sights, sounds, and smells of the past. And I especially love describing what my characters wear. Vintage clothes are my passion and being able to incorporate that love into my work is an ongoing delight.
I love a novel that probes the lives and habits of the rich and reticent.
In this one, set mostly in the summer of 1951, young Miranda Schuyler arrives on elite, exclusive Winthrop Island. She’s from a fancy family that’s lost their money and the man of the house, as her father was killed in the war, so she’s a bit of a wannabe. But her mother marries super-wealthy Hugh Fisher, and so things are looking up, at least financially. Then Miranda falls in love with the wrong boy—the son of a local fisherman, and things get complicated.
There are secrets and surprises, jealousy and threats and finally, there is a murder. But who did it? That’s just one of the things that’s revealed in this nuanced and richly detailed story of young love that manages, against all odds, to survive.
“The Summer Wives is an exquisitely rendered novel that tackles two of my favorite topics: love and money. The glorious setting and drama are enriched by Williams’s signature vintage touch. It’s at the top of my picks for the beach this summer.”
—Elin Hilderbrand, author of The Perfect Couple
New York Times bestselling author Beatriz Williams brings us the blockbuster novel of the season—an electrifying postwar fable of love, class, power, and redemption set among the inhabitants of an island off the New England coast . . .
In the summer of 1951, Miranda Schuyler arrives on elite, secretive Winthrop…
As a girl growing up in the 1960s, I loved books that were set in the past—Anne of Green Gables, A Little Princess, and A Tree Grows in Brooklyn were among my favorites. But those books weren’t historical fiction because they were written back then. So discovering that I could set my own books in the past was a thrill. I love evoking the sights, sounds, and smells of the past. And I especially love describing what my characters wear. Vintage clothes are my passion and being able to incorporate that love into my work is an ongoing delight.
Did you know that during Hitler’s time in power, unmarried pregnant women who could prove their babies were racially pure were lavishly housed, fed, and supported in something called the Lebensborn program, which then gave their babies to Arayan families? Neither did I!
Coburn researched this little-known part of the Nazi story and creates three complex female characters who all were ensnared in this despicable breeding program. Read it and weep. Or vomit.
"Every historical fiction novel should strive to be this compelling, well-researched and just flat-out good." - Associated Press
For fans of The Nightingale and The Handmaid's Tale, Cradles of the Reich uncovers a topic rarely explored in fiction: the Lebensborn project, a Nazi breeding program to create a so-called master race. Through thorough research and with deep empathy, this chilling historical novel goes inside one of the Lebensborn Society maternity homes that existed in several countries during World War II, where thousands of "racially fit" babies were bred and taken from their mothers to be raised as part of the…
