Here are 14 books that The Legend of All Wolves fans have personally recommended once you finish the The Legend of All Wolves series.
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I love the mystery and wisdom of wolves. When I began researching wolves to write my own wolf stories, I discovered they had not only keen instincts but shocking intuition. I read stacks of nonfiction books on wolves and wolf stories, too. I toured a wolf conservation. One of the wolves, a white wolf, looked me straight in the eye and held me there. A wolf’s eyes do more than see you. Her communication was almost a prayer. I went home and wrote a short story about a white wolf—"Sky Wolf, A Fairy Tale." And then I wrote a wolf novel. I’m in love with wild wolf spirit.
These six short stories by G.J. Fene showed me the soul of a wolf.
OMG, I’m not kidding. What a dive into the mystery, strength, and wisdom that wolves possess. Mythology and folklore play vital roles, motivating the characters to shun wolf beasts and wolf monsters, but also to search deeper into who the wolf is.
Wolf destiny, their soul purpose, is one of the most blessed parts of the stories. I couldn’t stop reading. Only 100 pages. Loved it!
WOLFBLOOD is a mythic anthology of seven interwoven tales, where wolves are more than beasts, they are omens, guardians, judges, and mirrors of the human soul. Across ancient empires, frozen wilderness, feudal mountains, modern highways, and even the courtroom of law, the wolf shape-shifts through time and legend to confront one timeless question:Are we the hunters… or the hunted within ourselves?From the she-wolf who nurses the founders of Rome, to Fenrir chained by prophecy, to the spirit guide who leads a grieving father through snow, each story explores loyalty, hunger, exile, and transformation. Some wolves protect. Some devour. Some simply…
I love the mystery and wisdom of wolves. When I began researching wolves to write my own wolf stories, I discovered they had not only keen instincts but shocking intuition. I read stacks of nonfiction books on wolves and wolf stories, too. I toured a wolf conservation. One of the wolves, a white wolf, looked me straight in the eye and held me there. A wolf’s eyes do more than see you. Her communication was almost a prayer. I went home and wrote a short story about a white wolf—"Sky Wolf, A Fairy Tale." And then I wrote a wolf novel. I’m in love with wild wolf spirit.
A pack of wolves is terrorizing Paris. This is after the Hundred Years’ War, so historical fiction (and based on historical accounts).
Courtaud, the alpha male, is a mixed wolf-dog breed who leads his pack of wolves into the streets of Paris to survive on adventurous killing sprees. The loyalty of the pack, their family, all that aggressive protection is the star quality here, revealing the true spirit of wolf.
Courtaud stole my heart, no matter the savage attacks to survive or his wicked head-grip that he used masterfully to subdue his victims. Declared to be a monster and a wolf king, Courtaud falls in love with Silver, his wolf mate, with rich white fur. A love story to match Romeo and Juliet. I cried at the end.
The award-winning author of The Way of the Gladiator brings to life medieval Paris and the wolves who held it hostage, in a novel based on real events. Praised as "nature writing at its best," The Wolves of Paris takes readers to fifteenth-century France, a country so decimated by the Hundred Years' War that its people became prey for marauding wolf packs (Hartford Courant). With France split among the English, the Burgundians, and the forces of the weak Charles VII, a wolf-dog rises to ensure the existence of his pack by any means necessary . . . Courtaud begins his…
I love the mystery and wisdom of wolves. When I began researching wolves to write my own wolf stories, I discovered they had not only keen instincts but shocking intuition. I read stacks of nonfiction books on wolves and wolf stories, too. I toured a wolf conservation. One of the wolves, a white wolf, looked me straight in the eye and held me there. A wolf’s eyes do more than see you. Her communication was almost a prayer. I went home and wrote a short story about a white wolf—"Sky Wolf, A Fairy Tale." And then I wrote a wolf novel. I’m in love with wild wolf spirit.
In this stunning werewolf story, Reuben Golding struggles with “the gift” of transformation.
What happens to the soul of a human when the body transforms into a hungry, beastly werewolf? I enjoyed the mystical aspects of this fiction because Reuben awakens. The opening Christmas theme is a perfect background. I very much like that Reuben’s consciousness remained human. A very different take on the usual cursed werewolf.
Reuben is truly gifted. I admired how Anne Rice brings a beauty and a morality to the werewolf. Wolf spirit triumphs made this story five stars for me.
NATIONAL BESTSELLER • The tale of The Wolf Gift continues ... It is winter at Nideck Point and for Reuben Golding, now infused with the Wolf Gift, this promises to be a season like no other.
Oak fires burn in the stately flickering hearths, and the community organizes its annual celebration of music and pageantry. Reuben is preparing to honor an ancient Midwinter festival with his fellow Morphenkinder—a secret gathering that takes place deep within the verdant recesses of the surrounding forests.
However, Reuben is soon distracted by a ghost. Tormented, imploring, and unable to speak, it haunts the…
I love the mystery and wisdom of wolves. When I began researching wolves to write my own wolf stories, I discovered they had not only keen instincts but shocking intuition. I read stacks of nonfiction books on wolves and wolf stories, too. I toured a wolf conservation. One of the wolves, a white wolf, looked me straight in the eye and held me there. A wolf’s eyes do more than see you. Her communication was almost a prayer. I went home and wrote a short story about a white wolf—"Sky Wolf, A Fairy Tale." And then I wrote a wolf novel. I’m in love with wild wolf spirit.
Reintroducing the wildlife into their natural habitat to flourish. Wolves! These gray wolves that are transported back into the wild changed my perspective about the beastly wolf vs. the gentle wolf who truly understands the wilderness within.
Inti Flynn is a young woman and the protector of wolves. She does this remarkably by giving all her love to them. And is love returned? Yes. I became fascinated and envious to be loved by a wolf after reading this beautiful story.
A wild and gripping novel about one woman's quest to reintroduce wolves to the Scottish Highlands at any cost.
Inti Flynn arrives in the Scottish Highlands with fourteen grey wolves, a traumatised sister and fierce tenacity.
As a biologist, she knows the animals are the best hope for rewilding the ruined landscape and she cares little for local opposition. As a sister, she hopes the remote project will offer her twin, Aggie, a chance to heal after the horrific events that drove them both out of Alaska.
But violence dogs their footsteps and one night Inti stumbles over the body…
The 14th century had it all: the 100 Years' War, near-constant famines, and, of course, the Black Plague. As a medievalist studying the art of the time, I was struck by the representations of Death that emerged from this near-perfect storm of misery. Yes, Death was often portrayed accompanied by demons and devils, lumped willy-nilly with evil. But it was more often portrayed in the Danse Macabre as a skeletal partner, leading everyone—Pope and Emperor, Lord and Laborer—on a merry dance. I know it was meant as a warning, but I found the Danse Macabre to be oddly comforting, a vision of an ultimate democracy, with Death the final partner and companion to us all.
The older sister of Dream, Death of the Endless manifests as a perky goth girl, a fan of Mary Poppins.
The most powerful of the Endless, she is also the warmest and most caring. For one day out of every century, Death consigns herself to take on the form of a mortal fated to die in order to remember the value of the gift she is taking. This is the setting of The High Cost of Living, my favorite of the Sandman comics featuring Death. "It always ends," Death says when her day is over. "That's what gives it meaning."
Written by Neil Gaiman; Art by Chris Bachalo, Mark Buckingham, and Dave McKean From the pages of Neil Gaiman's SANDMAN comes the young, pale, perky, and genuinely likable Death. One day in every century, Death walks the Earth to better understand those to whom she will be the final visitor. Today is that day. As a young mortal girl named Didi, Death befriends a teenager and helps a 250-year old homeless woman find her missing heart. What follows is a sincere musing on love, life and (of course) death.
I love food. From watching my grandma bake pie as a kid, to learning to bake vegan cookies in my college co-op, to checking out a new restaurant—whether it’s old family favorites or a chef’s tasting menu, I’m happiest when I’m eating something delicious and sharing it with others. I incorporate tasty food into my books wherever I can (bonus points if I “have” to try some things as research), and it was inevitable that I’d write a series like The Infinite Pantry where food plays a starring role. I hope this list gives you some mouthwatering new reads!
T.J. Klune has a gift for making me feel better about humanity, and this book is no exception.
Cozy fantasies set in tea shops often feel samey, to me, but Whispering Door brings all the things I love in cozy fantasy—tasty food, a lovable quirky cast, a setting with lots of personality—and it feels fresh thanks to a fun, charming twist: a redemption story straight out of A Christmas Carol (one of my all-time favorites).
Plus, the tea and food sound delectable, truly lovingly described. Give me a food-driven love story any day!
When a reaper comes to collect Wallace Price from his own funeral, Wallace suspects he really might be dead. Instead of leading him directly to the afterlife, the reaper takes him to a small village. On the outskirts, off the path through the woods, tucked between mountains, is a particular tea shop, run by a man named Hugo. Hugo is the tea shop's owner to locals and the ferryman to souls who need to cross over. But Wallace isn't ready to abandon the life he barely lived. With Hugo's help, he finally starts to learn about all the things he…
The 14th century had it all: the 100 Years' War, near-constant famines, and, of course, the Black Plague. As a medievalist studying the art of the time, I was struck by the representations of Death that emerged from this near-perfect storm of misery. Yes, Death was often portrayed accompanied by demons and devils, lumped willy-nilly with evil. But it was more often portrayed in the Danse Macabre as a skeletal partner, leading everyone—Pope and Emperor, Lord and Laborer—on a merry dance. I know it was meant as a warning, but I found the Danse Macabre to be oddly comforting, a vision of an ultimate democracy, with Death the final partner and companion to us all.
We all know what happens when Death takes a holiday, but what happens when Death is given notice?
Dismissed from the only job he’s ever known, Death must decide how to spend the time he has left. Taking on the random name “Bill Door,” he offers his talents scything hay, “one blade at a time, one time, one blade.” Death is a recurring character in Discworld and has the casually brutal forbearance of someone who has seen it all.
Seen, but not experienced and it is the dawning comprehension that I love most about Reaper Man: “[Death] wondered if he’d ever felt wind and sunlight before. Yes, he’d felt them, he must have done. But he’d never experienced them like this; the way wind pushed at you, the way the sun made you hot. The way you could feel Time passing. Carrying you with it.”
One of the "Discworld" humorous fantasy series. Death is missing. Dead Rights activist Reg Shoe suddenly has more work than he'd ever dreamed of, and newly-deceased wizard Windle Poons wakes up in his coffin to find that he has come back as a corpse.
I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
This is probably the most powerful example of literary pastiche novels I’ve read, not just because it takes on one of the most beloved novels in English literature—Jane Eyre—but because it brutally turns that novel’s premises on their gentrified heads.
I am truly awed by how vibrantly Rhys inhabits Antoinette, Rochester’s doomed wife, weaving in themes of colonialism and gendered power into Charlotte Brontë’s Gothic romance and, in the process, making it a kind of subversive and gritty feminist and anti-colonial manifesto.
Rhys’s depiction of Antoinette’s descent into madness is so visceral and believable that you are (or at least I am) all but cheering as she literally burns the patriarchy to the ground. I also love that while it’s generally considered Rhys’s masterpiece, she wrote it in her seventies.
Wide Sargasso Sea, a masterpiece of modern fiction, was Jean Rhys's return to the literary center stage. She had a startling early career and was known for her extraordinary prose and haunting women characters. With Wide Sargasso Sea, her last and best-selling novel, she ingeniously brings into light one of fiction's most fascinating characters: the madwoman in the attic from Charlotte Bronte's Jane Eyre. This mesmerizing work introduces us to Antoinette Cosway, a sensual and protected young woman who is sold into marriage to the prideful Mr. Rochester. Rhys portrays Cosway amidst a society so driven by hatred, so skewed…
I have always been fascinated with various myths and legends, as I think they are all based on actual events and personalities. I see mythology and folklore as a connection between that distant past, which otherwise would have been lost to us. I started reading Greek and Norse mythology at an early age, and my interest only grew stronger. At the same time, I had an issue with the dry and gloomy stories and always wanted to insert humor and entertainment into the old myths to make them more acceptable to the general public. I always longed for a blend of mythology and humor.
To read this book was such a pleasurable experience.
I truly loved the idea of a mythical creature mixing it with the modern world and trying to fit in. In some places, it resonated with me and some of my prior experiences, which made the book even more enjoyable. I read it twice, both times on long trips to Europe, and it made my journey easy and fulfilling.
This is an inspiring story that became personal to me and, in a way, served as inspiration for me to try my own hand in writing. I keep this book as one of the several that I take on my trips.
Five thousand years out of the labyrinth, the Minotaur finds himself in the American South, living in a trailer park and working as a line cook at a steakhouse. No longer a devourer of human flesh, the Minotaur is a socially inept, lonely creature with very human needs. But over a two-week period, as his life dissolves into chaos, this broken and alienated immortal awakens to the possibility for happiness and to the capacity for love.
Steven Sherrill is a graduate of UNC Charlotte and holds an MFA in poetry from the Iowa Writers' Workshop. The recipient of a…
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I find that Frankenstein transcends eras by posing critical questions about the ways we develop and use new technology.
I first read a comic-book version in elementary school and have returned to Shelly’s novel over the years because it stimulates my critical thinking about technology, particularly the current rise of AI and our response to it. Frankenstein raises a fundamental ethical question about technology in real life: just because humans can create something, should they actually create it?
For me, the novel also creates the opportunity to explore questions about how we engage technology once we choose to invent it. Dr. Frankenstein abandons his creation, and the creature becomes an angry monster. I ask myself, is this an allegory for our own response to technology?
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
