Here are 9 books that The Deptford Mice fans have personally recommended once you finish the The Deptford Mice series.
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I’m an outdoors-loving person but I'm writing this in the last gasps of winter and I'm done with being cold. The best answer to a long winter has always been curling up somewhere warm with a book that makes me forget about the rest of the world. My books – it was pointed out to me recently – are usually set in the middle of summer because I think deep down I will always love a long summer holiday. (As I write this, I also realise there’s a lot of Famous Five in my DNA too.) Books you read as a kid do stick with you your whole life and can really form your personality.
This is my friend Claire and her books are so beautifully written, while their plots grip me like a vice!
This one is about spying on your neighbours, and whether you can always believe what you see… and I will say no more as you don’t need spoilers from me.
I’m an outdoors-loving person but I'm writing this in the last gasps of winter and I'm done with being cold. The best answer to a long winter has always been curling up somewhere warm with a book that makes me forget about the rest of the world. My books – it was pointed out to me recently – are usually set in the middle of summer because I think deep down I will always love a long summer holiday. (As I write this, I also realise there’s a lot of Famous Five in my DNA too.) Books you read as a kid do stick with you your whole life and can really form your personality.
Now look, Stephen hardly needs the bump in sales but I do love this book.
I read it in one sitting one night as a kid and was engrossed. I read it for too young for the adult themes, but I feel like that is an official stage of most peoples’ adolescence and should be in textbooks.
A thing I love about detective stories is that, from the moment they were probably invented by Edgar Allen Poe in 1841, authors have been playing with the form. Poe’s The Murders in the Rue Morgue begins with a display of Dupin’s ratiocinative powers, and detective stories do often involve a protagonist reasoning through clues and red herrings on the way toward the resolution of a central mystery. But the kinds of “clues” we use to make sense of (or make peace with) the world are varied, and the mysteries that obsess us are vast—as illustrated over and over again in this mutable genre.
A reader begins a book only to discover that the same sixteen pages are printed over and over—so begins a journey across the beginning of novels and through continents. This is a book that breaks rules and taught me how to read it page by page—and I love that feeling.
Though first published in 1979, Calvino’s novel is remarkably timely with respect to the impact of data science and artificial intelligence on literature, as well as the “author’s position with regard to Trends of Contemporary Thought and Problems That Demand a Solution.”
Some might not consider this detective fiction, but I think—like The Aspern Papers (James) and The Savage Detectives (Bolaño)—the quest to find an obscure or missing text (or artist) fits within the genre and, indeed, is one of my favorite kinds of detective stories.
"You are about to begin reading Italo Calvino's new novel...Relax. Concentrate. Dispel every other thought. Let the world around you fade." —from If On A Winter's Night a Traveler
Italo Calvino's stunning classic imagines a novel capable of endless possibilities in an intricately crafted, spellbinding story about writing and reading.
If on a Winter's Night a Traveler is a feat of striking ingenuity and intelligence, exploring how our reading choices can shape and transform our lives. Originally published in 1979, Italo Calvino's singular novel crafted a postmodern narrative like never seen before—offering not one novel but ten, each with a…
I love 'Show, Don’t Tell' because it really brings a novel to life for the reader. It’s something so many writers struggle with, but it can turn a so-so novel into one readers can’t put down. Losing yourself in a story is the sign of great writing, and when a writer can show me what’s in their head and do it in a way that makes me forget I’m reading, well, that’s a book that keeps me turning the pages until it’s done. And that’s my favorite part of reading, writing, and teaching writing.
This book is one of my all-time favorites, because even though I knew it was fiction, it felt like nonfiction as I was reading it. It was that authentic, and that alive. I truly felt like I was reading an actual history book about an event from my own world.
The narrative structure was also amazing, telling the entire story through interviews with survivors of the zombie war, and I was riveted by those stories. They showed me what it was like to face that zombie horror, which made me desperate to know what happened, how they survived, and how they managed. Although I was reading, it felt like I was watching actual people tell their tales.
It began with rumours from China about another pandemic. Then the cases started to multiply and what had looked like the stirrings of a criminal underclass, even the beginning of a revolution, soon revealed itself to be much, much worse.
Faced with a future of mindless man-eating horror, humanity was forced to accept the logic of world government and face events that tested our sanity and our sense of reality. Based on extensive interviews with survivors and key players in the ten-year fight against the horde, World War Z brings the finest traditions of journalism to bear on what is…
GK Chesterton reportedly said that "fairytales are more than true: not because they teach us that dragons are real, but because they teach us dragons can be beaten." This rings true to me; I've been fascinated by the darker side of fairytales since childhood, when I used them to escape and make sense of my own dark experiences. Stories that began as oral traditions are my favourite, a blend of entertainment for long nights around a fire, and cautionary tales that teach us to fear the wolf, and beware of that which seems too good to be true. Old stories teach us what it means to be human. I hope you enjoy these.
The Fourth Bear is possibly too light to be included in a list of dark fairytales, but the main character is a classic, almost noir type detective, so maybe it's ok. Nursery Crime Division, to be exact. I think Jasper Fforde may be to blame for my desire to write Jack and the Beanstalk as a dark gritty courtroom drama (maybe one day!), he blends genres together so seamlessly, and I long to be able to do it as well as he does. There's a terrifying serial killer on the loose, and I was as on the edge of my seat as I am with any thriller, even though I knew that killer was The Gingerbread Man. It follows the plot of a standard police procedural/thriller, while including Punch and Judy, Goldilocks, an illegal porridge ring, and a murderous biscuit....or is The Gingerbread Man a cake? I absolutely adore the…
Return to the world of the Nursery Crime Division in this novel from Jasper Fforde, the New York Times bestselling author of the Thursday Next series and The Constant Rabbit
The inimitable Jasper Fforde gives readers another delightful mash-up of detective fiction and nursery rhyme, returning to those mean streets where no character is innocent. The Gingerbreadman-sadist, psychopath, cookie-is on the loose in Reading, but that's not who Detective Jack Spratt and Sergeant Mary Mary are after. Instead, they've been demoted to searching for missing journalist "Goldy" Hatchett. The last witnesses to see her alive were the reclusive Three Bears,…
GK Chesterton reportedly said that "fairytales are more than true: not because they teach us that dragons are real, but because they teach us dragons can be beaten." This rings true to me; I've been fascinated by the darker side of fairytales since childhood, when I used them to escape and make sense of my own dark experiences. Stories that began as oral traditions are my favourite, a blend of entertainment for long nights around a fire, and cautionary tales that teach us to fear the wolf, and beware of that which seems too good to be true. Old stories teach us what it means to be human. I hope you enjoy these.
As a teen, I'd visit my aunt, in her flat above a laundrette. The flat had a small attic room with a little window and a few old boxes of junk. My cousins and sister and I would play up there, or sit up there telling ghost stories, because it was one of those unclaimed spaces, overlooked by adults, that children colonise. A liminal space almost, where adult rules and laws don't quite apply and therefore magic can happen. One day I was snooping up there and found a beautiful copy of Friedrich De La Motte's Undine, illustrated by Arthur Rackham. It was so stunningly beautiful, it felt like a book that had been plucked out of some fairytale land. I lost myself in the illustrations or weeks before I even read the words. And when I did my heart broke for Undine, who loved so hard, but left…
Undine is a fairy-tale novella, written by Friedrich de la Motte Fouqué (1777 – 1843). A true classic of the genre, it tells the story of Undine (a water spirit), who marries a knight named Huldebrand in order to gain a soul. It is an early German romance, which has subsequently been translated into English and many other languages. It was immensely popular on its initial publication in the nineteenth century, with The Times in 1843 describing it as ‘a book which, of all others, if you ask for it at a foreign library, you are sure to find engaged’.…
I’ve loved folklore and fantasy literature since I was tiny, but I’ve also had a lifelong fascination with science, history, and the natural world. As a disabled mother of two, I’ve not (yet) had the opportunity to see as much of our world as I’d like, but I love building fantasy worlds and weaving within them stories that blend a grounded earthiness with the supernatural and metaphysical. My writing always begins with a single mental image, the seed of an idea that I explore and build around until I have a full-fledged story ready to commit to paper. I love stories that break the mould, take you somewhere unexpected, and then make you never want to leave.
The OG witches of modern fantasy literature. I’ve put down Wyrd Sistersbecause it’s the first of Pratchett’s Witches books to feature the trio of Granny Weatherwax, Nanny Ogg, and Magrat Garlick, but I’d list the whole series if I could. If you haven’t read them, I envy you, because you get to experience this trio and their world for the first time. Granny Weatherwax is a good witch because she has to be, but if she were to go the other way there’s no doubt she would be the greatest evil witch the Discworld has ever known. She plays cards with Death, knows the power of stories, and, most importantly, understands that being Good and Right is not the same as being Nice. Pratchett’s Witches were formative reading for me, and paved the way for many beloved reads on our shelves today.
'Destiny is important, see, but people go wrong when they think it controls them. It's the other way around.'
Three witches gathered on a lonely heath. A king cruelly murdered, his throne usurped by his ambitious cousin. A child heir and the royal crown, both missing.
Witches don't have these kinds of leadership problems themselves - in fact, they don't have leaders.
Granny Weatherwax is the most highly regarded of the leaders they don't have. But even she finds that meddling in royal politics is a lot more complicated than certain playwrights would have you believe. Particularly when the blood…
GK Chesterton reportedly said that "fairytales are more than true: not because they teach us that dragons are real, but because they teach us dragons can be beaten." This rings true to me; I've been fascinated by the darker side of fairytales since childhood, when I used them to escape and make sense of my own dark experiences. Stories that began as oral traditions are my favourite, a blend of entertainment for long nights around a fire, and cautionary tales that teach us to fear the wolf, and beware of that which seems too good to be true. Old stories teach us what it means to be human. I hope you enjoy these.
As a child, one of my favourite stories, that went on to help shape my personal writing style, was The Whitby Witches by Robin Jarvis. As a care leaver I found the main characters, siblings who had been shunted between several foster homes because of the brother's psychic gift, relatable. The sister doesn't believe him - a brilliant source of conflict because all they have is each other, yet there's this huge wedge between them. But the best part is how well the author blends the magical with the mundane. There's a group of almost Lovecraftian creatures that can only be seen by those with The Sight, living alongside the villagers. I loved the idea of unseen people, just a shadow's width away, unknown things living side by side with a blissfully ignorant human populace. That contrast between the ordinary and fantastical had crept into a lot of my stories.
A glorious new edition of Robin Jarvis's classic and the inspiration for The Power of Dark and its sequels. Contains bonus material specially produced for this Egmont Modern Classics title.
When orphans Ben and Jennet arrive in the seaside town of Whitby to stay with Alice Boston, they have no idea what to expect. A lively 92-year-old, Miss Boston is unlike any other foster mother they've known.
Ben is gifted with 'the sight', which gives him the power to see things invisible to other mortals. He soon encounters the mysterious fisher folk who live under the cliffs and discovers that…
GK Chesterton reportedly said that "fairytales are more than true: not because they teach us that dragons are real, but because they teach us dragons can be beaten." This rings true to me; I've been fascinated by the darker side of fairytales since childhood, when I used them to escape and make sense of my own dark experiences. Stories that began as oral traditions are my favourite, a blend of entertainment for long nights around a fire, and cautionary tales that teach us to fear the wolf, and beware of that which seems too good to be true. Old stories teach us what it means to be human. I hope you enjoy these.
Snow, Glass, Apples is my all-time favourite Gaiman story, which is quite staggering given how much of his work I adore, but I'd only seen it in short story form before, in Smoke and Mirrors. Then I was given a copy of just Snow Glass, Apples, illustrated by Colleen Doran. The artwork is stunning, beautifully dark with a tight palette and rich, intricate detailing. Every page is a work of art, allowing you to linger and slowly digest the tale as it unfolds. This story is a huge influence for me, in particular for my collection Once Upon A Twisted Fairytale, because it flips the story of Snow White on its head. All of the elements of the traditional tale - the huntsman, the stepmother queen, the dwarves, the glass coffin - are there, but put together from the perspective of the queen, totally changing the story. I love…
Winner of the 2020 Bram Stoker Award® for Superior Achievement in a Graphic Novel!
A chilling fantasy retelling of the Snow White fairy tale by New York Times bestselling creators Neil Gaiman and Colleen Doran!
A not-so-evil queen is terrified of her monstrous stepdaughter and determined to repel this creature and save her kingdom from a world where happy endings aren't so happily ever after.
From the Hugo, Bram Stoker, Locus, World Fantasy, Nebula award-winning, and New York Times bestselling writer Neil Gaiman (American Gods) comes this graphic novel adaptation by Colleen Doran (Troll Bridge)!