8 books like The Daevabad Trilogy

I studied Dracula as a university student, so I love the way this book turns the latent homophobia, misogyny, and racism on its head by putting the “Brides of Dracula” and persecuted East European Traveller community center stage and giving us a tender, sapphic love story.

It’s set in the fifteenth-century Romania of Vlad The Impaler—here called the Dragon—when people believed in lele (forest spirits) and strigoi (undead). For me, the most memorable setting is Boyar Valcar’s castle, where twin sisters Lil and Kizzy are taken as slaves. The black-and-red uniforms, the cliff-edge pool, and the unforgettable incident with the bite wine put even the Dragon’s strigoi court in the shade.

How could I not love a book set in an alternate Renaissance Venice? When modern-day teenager Lucien “stravagates” in his sleep to Belezza, he discovers a world of gondolas and bridges, spies and alchemy. I love the way Venetian customs are ramped up to fantasy proportions—for example, the traditional “marriage with the sea” involves the ruling Duchessa actually plunging into the lagoon—or does it?

The book moves between the fantastical Bellezza and the “real world” of modern-day Britain, where Lucien is a teenage cancer patient. Lucien’s increasing illness in our world provides added jeopardy to the adventures in Belezza, where Lucien teams up with Ariana—a plucky girl who wants to become the city’s first female mandolier (gondolier)—to save Belezza from the machinations of Rinaldo di Chimici.

The Viper stalks at night. Esha the rebel’s highly trained assassin tasked with the murder of General Hotha and the undermining of King Vardaan’s rule. Kunal is an equally impressive soldier, the nephew of Hotha, and on the hunt for the Viper. When their paths cross, sparks fly, and loyalties are tested. 

Y.A. is ahead of general fantasy for representation, both of BIPOC and LGBTQA*. The Tiger at Midnight is heavily inspired by Hindu mythology and Indian cultures, bringing an incredible setting to an excellent Y.A. story. And the cover is absolutely stunning.

Sometimes, you just want to retire and have a nice, quiet cup of tea. And world-ending magical plots keep getting in the way. Adoulla Mahmoud, once the best Ghul hunter alive, is just trying to retire. Unfortunately, the world has other plans for him. Alongside the pious warrior Raseed bas Raseed, and the shapeshifting Zamia Badawi, Adoulla faces the greatest threat yet. One that could destroy not just his favorite teahouse, but the world. 

While there is some good-natured humor within this book, Saladin Ahmed establishes right away with a torture-scene prologue that Throne of the Crescent Moon will be dark and gory. I love the magic system and the Arabia-inspired world. The only downside to this book is that Ahmed doesn’t seem to be working on the sequel. 

I first read this book when I was ill in bed, on strong painkillers, so the setting had a heightened quality in my mind that can never be replicated. But I’ve now read it several times (and watched the Netflix TV series), and it remains a wonderful book with great settings and characters, romance, and danger. 

Before I read this book, I knew very little about Chinese Malaysian society in the late nineteenth century, and it was fascinating to learn. I also loved the Plains of the Dead, where ghosts live in houses and eat food that corresponds to the paper funeral offerings burned by their families. Seventeen-year-old Li Lan must go there to seek the deceased young man whose “ghost bride” she is and stop him from haunting her.

I love everything Juliet Marillier writes. She is so good at using her knowledge of folklore to create magical stories in which the heroine must save the day. This book departs from her usual Celtic setting, taking us instead to Transylvania in the time of the Ottoman Empire and a reimagining of the Twelve Dancing Princesses.

The setting takes five sisters from a crumbling castle at the edge of the Wildwood to the Faerie Kingdom at the heart of that wood. I love how the Wildwood seems to tailor itself to the ages and personalities of the sisters. So, five-year-old Stela spends her time with cute and playful creatures, while elder sister Tatiana falls under the spell of Sorrow, one of the Night People. Protagonist Jena has her own love story with the talking frog Gogu.

I was deeply moved by Rin's relentless struggle to earn a spot at Sinegard, the elite military academy.

I loved how the story started with rigorous academic and martial testing before plunging into the grim realities of war. The shamanic magic system felt wild, dangerous, and atmospheric. I resonated with Rin's fierce determination as an outsider forced to prove herself among privilege and political intrigue.

R. F. Kuang created an uncompromising, emotionally heavy narrative that shows the true, brutal cost of power and vengeance.

I was absolutely blown away by the sheer, unfiltered female rage in this novel.

I love how the protagonist, Zetian, completely obliterates the patriarchal systems designed to crush her, refusing to conform to the role of a sacrificial, obedient woman. I felt an exhilarating rush watching her weaponize the expectations placed upon her to rise to absolute power.

It is a fierce, relentless, and wildly unapologetic story that resonated deeply with my belief that women shouldn’t have to play nice to win. I highly recommend it for anyone who wants to watch a woman burn the world down to rebuild it on her own terms.