Here are 100 books that The Border Trilogy fans have personally recommended once you finish the The Border Trilogy series.
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I have always been fascinated by stories where faith, myth, and the human condition collide in unexpected ways. The kinds of books that don’t just tell a story, but make you question God, morality, suffering, and what remains of humanity when everything collapses. These are the kinds of stories that stay in your head long after you finish reading. They mix faith, myth, and the end of the world in ways that feel strangely personal and unsettling. They are not simple fantasy, not traditional horror, and not religious fiction in the usual sense. They sit in a strange space where belief, suffering, and human nature all collide.
I love this book because it explores the end of the world in the most intimate and emotional way possible.
What moved me deeply was not the apocalypse itself, but the quiet relationship between father and son, trying to preserve goodness in a world where goodness no longer seems to matter. I felt a constant weight while reading, as if hope itself was fragile and rare.
It made me reflect on what it truly means to carry faith and humanity when everything else is gone.
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
I am a writer and novelist who comes to storytelling via several curious paths. I am a historian trained in archival research and the collection of oral histories. I also come from a long line of ghost magnets–all of the women in my family have been for generations. And while I am living in blissful exile on the West Coast, my heart remains bound to my childhood home, the Great State of Texas.
This remains one of the most haunting novels I have ever read. I cannot shake the character of Judge Holden, a formidable man both physically and intellectually, who deploys his insidious intellect to justify acts of abject violence seemingly only for the sake of violence itself. I was mesmerized by a world where “all covenants were brittle.” This was no straight-up Western as I had expected. It was something more.
McCarthy pushed the boundaries of the classic Western by challenging the notion that good will ultimately overcome evil and the hero will save the day. There was no hero here, and the day was truly lost to forces beyond the characters’ control, hallmarks of the Southern Gothic tradition. I was hooked on this curious blend of genres!
Blood Meridian by Cormac McCarthy is an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennessean who stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.
I am an author, attorney, artist, and entrepreneur. My experience as a litigator for over forty years, as well as my experience as a painter and an investor, has inspired and influenced me to write the Chance Cormac legal thrillers series.
There isn’t an author more frightening than Cormac McCarthy.
No Country for Old Men is an existential novel about the pure evil that exists in a barren landscape. The antagonist Anton Cigurth is the darkest character imaginable in a world where there is no justice or remorse.
The sheriff pursuing Cigurth is forced to accept the reality that in the modern world, there is no way to control pure evil.
Llewelyn Moss, hunting antelope near the Rio Grande, instead finds men shot dead, a load of heroin, and more than $2 million in cash. Packing the money out, he knows, will change everything. But only after two more men are murdered does a victim's burning car lead Sheriff Bell to the carnage out in the desert, and he soon realizes that Moss and his young wife are in desperate need of protection. One party in the failed transaction hires an ex-Special Forces officer to defend his interests against a mesmerizing freelancer, while on either side are men accustomed to spectacular…
I used to think of television as a third parent. As a child of immigrants, I learned a lot about being an American from the media. Soon, I realized there were limits to what I could learn because media and tech privilege profit over community. For 20 years, I have studied what happens when people decide to make media outside of corporations. I have interviewed hundreds of filmmakers, written hundreds of blogs and articles, curated festivals, juried awards, and ultimately founded my own platform, all resulting in four books. My greatest teachers have been artists, healers, and family—chosen and by blood—who have created spaces for honesty, vulnerability, and creative conflict.
Published in 1995, Parable starts in July 2024 amidst the election of an autocrat who, by the sequel Parable of the Talents, literally pledges to “make America great again.” I started my platform in 2015 in the same context.
This novel pulled me into its harrowing tale of how to survive civilizational collapse: the dismantling of systems, norms, and climate change that we are all currently going through.
The lesson is ultimately about embracing change, caring for and trusting each other in community, and coming up with our own ways of being together. So many of our ancestors have survived periods of collapse by the same principles. These ancestral lessons still guide me, and I believe are critical to surviving AI dystopia.
The extraordinary, prescient NEW YORK TIMES-bestselling novel.
'If there is one thing scarier than a dystopian novel about the future, it's one written in the past that has already begun to come true. This is what makes Parable of the Sower even more impressive than it was when first published' GLORIA STEINEM
'Unnervingly prescient and wise' YAA GYASI
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We are coming apart. We're a rope, breaking, a single strand at a time.
America is a place of chaos, where violence rules and only the rich and powerful are safe. Lauren Olamina, a young woman with the extraordinary power to…
As a writer, I consider myself lucky to be born and raised in the Deep South. Although I currently live near Los Angeles, I continue to draw upon the region’s complex history, regional color, eccentric characters, and rich atmosphere for inspiration. I also love to read fiction set in the South, especially mysteries and thrillers—the more atmospheric, the better!
Not for the squeamish, this gothic tale of a depraved serial killer in rural Tennessee is probably the closest Cormac McCarthy ever came to writing a horror novel. For all the sordidness, the power of the author’s language shines through. I enjoyed the humor, pathos, and psychological insight woven in throughout
As with other McCarthy novels I’ve read, this book contains beautiful sentences and phrases, as well as searing images, that have lingered in my mind for years.
In this taut, chilling novel from the bestselling, Pulitzer Prize–winning author of The Road, Lester Ballard—a violent, dispossessed man falsely accused of rape—haunts the hill country of East Tennessee when he is released from jail.
While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance.
"Like the novelists he admires-Melville, Dostoyevsky, Faulkner-Cormac McCarthy has created an imaginative oeuvre greater and deeper than any single book. Such writers wrestle with the gods themselves." —Washington Post
Look for Cormac McCarthy's new novel, The Passenger.
I‘ve been thinking about the forces that drive humanity together and pull us apart at the same time since my late teens; back then, I started reading the classical dystopian tales. The (perceived) end of time always speaks to me, because I think it‘s in those moments of existential dread that we learn who we really are. That‘s why I like reading (and reviewing) books, and also why those topics are an undertone in my own writings. I do hope you enjoy these 5 books as much as I have.
I‘ve always been fascinated by the dividing line between human and monster. Because, what is a monster?
I know, this kind of question will usually get a quick answer, but I have been thinking about this particular question for quite some time now. I am Legend revolves around this question, and I love it for that. I also love it for the somewhat unexpected twist in the end, and that one can be interpreted as an answer.
Anyway, for me, this book got me thinking about morale and ethics and other stuff. I just like it when a book gets me to that point where I think: wait a moment, but what if…?
An acclaimed SF novel about vampires. The last man on earth is not alone ...Robert Neville is the last living man on Earth ...but he is not alone. Every other man, woman and child on the planet has become a vampire, and they are hungry for Neville's blood. By day he is the hunter, stalking the undead through the ruins of civilisation. By night, he barricades himself in his home and prays for the dawn. How long can one man survive like this?
I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I find Tom Ripley such a wonderful character—a con man who commits crimes under the guise of someone else, a male protagonist written by a lesbian.
I love the levels of deception the reader is pulled in, so is on the side of the criminal throughout, hoping for him not to get caught in his awful, amoral behaviour.
It is a masterful use of the narrative voice in crime fiction at its best.
It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a "sissy." Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. "Sinister and strangely alluring"…
I grew up in central Arkansas, which means I experienced first-hand the fiction I describe here. The South in these books - its religion, poverty, and beauty, not to mention its capacity for real ugliness - is not simply an atmosphere these authors have used to decorate their sets. The South in these books is a place where real people live, in exactly the ways these writers have described. My novella, Six Mile Store, is my own take on the real South. These are the books that showed me that these kinds of Southern stories are worth telling.
The film adaptations make True Grit look like a Western. It is not.
It is an Arkansas book, and Mattie Ross is an Arkansas character: fourteen years old, tiny, and completely on board with the violence she knows avenging her father's murder will require. She has courage and goal-oriented ruthlessness.
Mattie’s fortitude underlines the gap between what my characters can see for themselves and what they can actually reach. That gap is at the heart of what my novella is about.
There is no knowing what lies in a man's heart. On a trip to buy ponies, Frank Ross is killed by one of his own workers. Tom Chaney shoots him down in the street for a horse, $150 cash, and two Californian gold pieces. Ross's unusually mature and single-minded fourteen-year-old daughter Mattie travels to claim his body, and finds that the authorities are doing nothing to find Chaney. Then she hears of Rooster - a man, she's told, who has grit - and convinces him to join her in a quest into dark, dangerous Indian territory to hunt Chaney down…
I’ve loved fiction that excites my mind and imagination since I was very young. I spent a lot of time in the library growing up, mostly reading horror and historical narratives. Later, I became interested in music, painting, film, philosophy, psychology, cognitive science, religion, and politics. I’m not an expert in anything—I’m too driven to make things to be a good scholar—but these are the subject areas that inform what I write.
McCarthy’s second novel is an underappreciated masterpiece, one that combines the author’s distinct style and notoriously difficult subject matter with a genuinely sublime vision of the world. Simultaneously a horror novel, a historical fiction, a Gnostic heresy, a cosmic joke, and act of spiritual seeking, I cannot recommend it enough.
By Cormac McCarthy, the author of the critically acclaimed Border Trilogy, Outer Dark is a novel at once mythic and starkly evocative, set in an unspecified place in Appalachia sometime around the turn of the century. A woman bears her brother's child, a boy; the brother leaves the baby in the woods and tells her he died of natural causes. Discovering her brother's lie, she sets forth alone to find her son. Both brother and sister wander separately through a countryside being scourged by three terrifying and elusive strangers, headlong toward an eerie, apocalyptic resolution.
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
I’d read the reviews, so I was prepared for a great book. I wasn’t prepared to be thrown out of my comfort zone—but in the best possible way.
Mandel made me sit with what it really means to lose everything and still create something beautiful. It’s not about saving the world; it’s about creating a new dream and making it your home. I loved how it celebrates art, memory, and the strange persistence of humanity even when everything else is gone.
This book reminded me that hope is often raw, painful, and ultimately necessary.
'Best novel. The big one . . . stands above all the others' - George R.R. Martin, author of Game of Thrones
Now an HBO Max original TV series
The New York Times Bestseller Winner of the Arthur C. Clarke Award Longlisted for the Baileys Women's Prize for Fiction National Book Awards Finalist PEN/Faulkner Award Finalist
What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in…
