Here are 51 books that Stalingrad Trilogy fans have personally recommended once you finish the Stalingrad Trilogy series.
Book DNA is a community of authors and super-readers sharing their favorite books with the world.
I’m a historian who studies conflict while teaching military professionals about geopolitics. For many of them, and for me, the Second World War is a period of enduring fascination. No conflict has forced humanity to confront its existence at a more fundamental level. No conflict has inspired more questions about our humanity and more reflection on the cost of war. The nature of the war was so extraordinary that many authors have felt the need to explore its questions through the lens of fiction. I read the books below because they use the power of fiction to help readers grapple with the realities of war—realities that are seared into our collective consciousness and mark us to this day.
“I ask for freedom for my book.” This was the plea the Ukrainian-Jewish writer and war correspondent Vassily Grossman sent to Premier Nikita Khrushchev after the manuscript of his novel, Life and Fate, was confiscated by the KGB.
Set during the Battle of Stalingrad, Life and Fate (in the tradition of Tolstoy) follows an enormous cast of soldiers, scientists, prisoners, bureaucrats, mothers, and children whose lives intersect as Grossman moves seamlessly from freezing trenches and shattered apartment blocks to extermination camps, interrogation rooms, and laboratories haunted by political fear.
What made the book unforgivable to Soviet censors was Grossman’s daring choice to portray Stalinism and Nazism not as ideological opposites, but as terrifying reflections of one another. Both are regimes built upon fear, conformity, and the crushing of individual freedom. Few books convey so powerfully both the scale of historical horror and the stubborn endurance of human dignity.
Based around the pivotal WWII battle of Stalingrad (1942-3), where the German advance into Russia was eventually halted by the Red Army, and around an extended family, the Shaposhnikovs, and their many friends and acquaintances, Life and Fate recounts the experience of characters caught up in an immense struggle between opposing armies and ideologies. Nazism and Communism are appallingly similar, 'two poles of one magnet', as a German camp commander tells a shocked old Bolshevik prisoner. At the height of the battle Russian soldiers and citizens alike are at last able to speak out as they choose, and without reprisal…
I am a Ukrainian American artist and author and I have always been interested in the “story behind the story” about Ukraine, the home of my parents and ancestors. I love books that explain things through stories. Much like, I think, paintings explain things through visuals. Russia’s war on Ukraine has only sharpened my interest. In my paintings, I discovered that much of U.S. history and geography enjoys an unexpected similarity to the situation of Ukraine. And, just as Ukraine includes the many disparate nationalities of its inhabitants, the U.S., a nation of immigrants, is comprised of people of every skin color, religion, and outlook.
I love this book because it presents the story of a man in a very complex situation. He lives in the area of the Ukrainian Donbas region that is occupied by Russians who took over the area by force. So, his freedom is limited.
The time period in the book is just before the recent Russian invasion of Ukraine. He is a beekeeper and lives a very simple life. I like that the book takes you into his mind as he makes his way through the period covered by the story. Things that first seem good, after thinking, may be bad, and vice versa.
I felt that his thinking accurately relates to the process of how people think. It is a very gentle story, but so compelling that I wanted to apportion reading the book so that I could digest, understand and most of all enjoy the story.
With a warm yet political humor, Ukraine’s most famous novelist presents a balanced and illuminating portrait of modern conflict.
Little Starhorodivka, a village of three streets, lies in Ukraine's Grey Zone, the no-man's-land between loyalist and separatist forces. Thanks to the lukewarm war of sporadic violence and constant propaganda that has been dragging on for years, only two residents remain: retired safety inspector turned beekeeper Sergey Sergeyich and Pashka, a rival from his schooldays. With little food and no electricity, under constant threat of bombardment, Sergeyich's one remaining pleasure is his bees. As spring approaches, he knows he must take…
I’m a historian who studies conflict while teaching military professionals about geopolitics. For many of them, and for me, the Second World War is a period of enduring fascination. No conflict has forced humanity to confront its existence at a more fundamental level. No conflict has inspired more questions about our humanity and more reflection on the cost of war. The nature of the war was so extraordinary that many authors have felt the need to explore its questions through the lens of fiction. I read the books below because they use the power of fiction to help readers grapple with the realities of war—realities that are seared into our collective consciousness and mark us to this day.
Set in a world of “faded women” and “ragged boys” where “the price of human flesh was slumping from day to day,” Curzio Malaparte’s The Skin is a fictionalized autobiographical account of life in Southern Italy under the occupation of American forces.
An unforgettable read due to its relentless moral ambiguity, Malaparte refuses to portray anyone as innocent. Occupiers and occupied, victors and defeated, are all trapped within a world where traditional ideas of honor and civilization have disintegrated. His famous dedication to the “brave, good, and humble” American soldiers “who died in vain in the cause of European freedom” drips with ambiguity. Is he conveying sincere gratitude, bitter irony, or both simultaneously? The novel never provides easy answers.
At times grotesque, even hallucinatory, The Skin contains scenes so strange and horrifying they linger long after reading: banquets amid starvation, children transformed into commodities, entire social classes reduced to scavenging…
This is the first unexpurgated English edition of Curzio Malaparte’s legendary work The Skin. The book begins in 1943, with Allied forces cementing their grip on the devastated city of Naples. The sometime Fascist and ever-resourceful Curzio Malaparte is working with the Americans as a liaison officer. He looks after Colonel Jack Hamilton, “a Christian gentleman . . . an American in the noblest sense of the word,” who speaks French and cites the classics and holds his nose as the two men tour the squalid streets of a city in ruins where liberation is only another word for desperation.…
I’m a historian who studies conflict while teaching military professionals about geopolitics. For many of them, and for me, the Second World War is a period of enduring fascination. No conflict has forced humanity to confront its existence at a more fundamental level. No conflict has inspired more questions about our humanity and more reflection on the cost of war. The nature of the war was so extraordinary that many authors have felt the need to explore its questions through the lens of fiction. I read the books below because they use the power of fiction to help readers grapple with the realities of war—realities that are seared into our collective consciousness and mark us to this day.
Few novels examine the resistance of ordinary, unarmed civilians against occupation. Robert Crichton’s The Secret of Santa Vittoria is one of those books.
After the fall of Mussolini in July 1943, German troops occupy the (fictional) village of Santa Vittoria, distinguished only for its wine. The Germans are there to steal it. In the face of losing their wine, their livelihood, and their dignity, the villagers—usually fractious and commonplace—discover unity and extraordinary courage to resist. Hiding the wine, they confront the Germans with a stalwart moral courage.
Crichton’s novel explores both the humor and horror of life at war and the potential of the human spirit. The result is both deeply entertaining and emotionally stirring. Its celebrated film adaptation starring Anthony Quinn helped preserve the story’s legacy, but the novel itself remains one of the great overlooked treasures of wartime fiction.
Santa Vittoria is a fictional town, still remote from the rest of war-torn Italy, where the citizens, led by their wine-loving mayor Bombolini, scheme and plot to prevent the Germans from locating and looting the town's only treasure - its fabulous wine cellars.
A best seller and the inspiration for the famous film starring Anthony Quinn, this warm, rich novel has already drawn thousands upon thousands into the exuberant and perilous life of Santa Vittoria and its affirmation of the fundamental dignity of man.
I am a Ukrainian American artist and author and I have always been interested in the “story behind the story” about Ukraine, the home of my parents and ancestors. I love books that explain things through stories. Much like, I think, paintings explain things through visuals. Russia’s war on Ukraine has only sharpened my interest. In my paintings, I discovered that much of U.S. history and geography enjoys an unexpected similarity to the situation of Ukraine. And, just as Ukraine includes the many disparate nationalities of its inhabitants, the U.S., a nation of immigrants, is comprised of people of every skin color, religion, and outlook.
I love this book because its author presents the story of the protagonist in such a flip, offhand way that it reminds me a bit of JD Saliger’s Catcher in the Rye. There is dark humor, sarcasm, and total disregard of any possible opposing perspective—yet the main character struggles as a sort of Everyman.
This book also reminds me of Kennedy’s Confederacy of Dunces, parts are laugh aloud funny. I couldn’t help but go along with the joke. Underneath it all, however, is a lot of deep thought (and knowledge) about Ukrainians, Jews, and Russians.
Lots of history, or should I say anti-history. As I plowed through this short novel, I kept wondering how Motyl would top each chapter, only to find that his rampant ingenuity has no bounds. This one stuck with me!
The Jew Who Was Ukrainian is a blackly comedic, anti-historical, and absurdist novel about a tortured Jewish-Ukrainian man who struggles vainly to find meaning at the intersection of Hitler's Holocaust and Stalin's Gulag. The hero of this preposterous story is Volodymyr Frauenzimmer, a man with a preposterous name and a preposterous past. His Ukrainian mother was a Nazi concentration camp guard and hates Jews. His Jewish father was a Stalinist butcher and hates Ukrainians. Poor Volodymyr doesn't know how to cope with his dreadful past until he discovers the redeeming power of hatred and resolves to kill the Exceptionally Great…
I am a Ukrainian American artist and author and I have always been interested in the “story behind the story” about Ukraine, the home of my parents and ancestors. I love books that explain things through stories. Much like, I think, paintings explain things through visuals. Russia’s war on Ukraine has only sharpened my interest. In my paintings, I discovered that much of U.S. history and geography enjoys an unexpected similarity to the situation of Ukraine. And, just as Ukraine includes the many disparate nationalities of its inhabitants, the U.S., a nation of immigrants, is comprised of people of every skin color, religion, and outlook.
I love this book of poetry because there is no question that once you start reading it in Ukrainian or in English translation, you are aware that it is by a genius.
No person I know would have the knowledge of human relationships, national character, historical insight, and vocabulary to present such a forceful account of the Ukrainian culture, mind, and traditions. I felt that I learned much more about my own background than had I read libraries full of books, volumes of newspapers, or watched thousands of YouTube videos.
I had to stick with it many times, but the journey was well worth it. I felt that I was reading the Bible of Ukraine—but it explains the story of a people, pointing fingers where necessary.
Masterfully fulfilled by Peter Fedynsky, Voice of America journalist and expert on Ukrainian studies, this first ever English translation of the complete Kobzar brings out Ukraine's rich cultural heritage. As a foundational text, The Kobzar has played an important role in galvanizing the Ukrainian identity and in the development of Ukraine's written language and Ukrainian literature. The first editions had been censored by the Russian czar, but the book still made an enduring impact on Ukrainian culture. There is no reliable count of how many editions of the book have been published, but an official estimate made in 1976 put…
I am a Ukrainian American artist and author and I have always been interested in the “story behind the story” about Ukraine, the home of my parents and ancestors. I love books that explain things through stories. Much like, I think, paintings explain things through visuals. Russia’s war on Ukraine has only sharpened my interest. In my paintings, I discovered that much of U.S. history and geography enjoys an unexpected similarity to the situation of Ukraine. And, just as Ukraine includes the many disparate nationalities of its inhabitants, the U.S., a nation of immigrants, is comprised of people of every skin color, religion, and outlook.
I enjoyed this book because it presents escapism, pure and simple. The story is much like the James Bond books and movies. Lots of violence and sex. Maybe it will someday be made into a movie.
I liked that the protagonist is a Ukrainian American woman. The author makes her very resourceful but somewhat jaded and sarcastic about everything. I found this to be a short, fun read.
Themes of identity, faith, and redemption combine as a disillusioned KGB assassin and an insecure female U.S. diplomat track down an Ivy League professor running a prostitution ring in Ukraine. Anatoly Filatov is the "whiskey priest," a despairing Communist true believer, whose world comes crashing down with the collapse of the USSR. Jane Sweet is the foreign-service officer, a Ukrainian-American woman who discovers her identity, as both a woman and a Ukrainian, while liberating herself from her past. The action heats up as Filatov, who is a part-time hit man for the Russian Mafia, kills three American professors in Vienna.…
I grew up in the United States, completed my undergraduate degree there, and then pursued a doctorate in Modern History at the University of Cambridge. Now, I teach European history at Oxford Brookes University and publish research on Russia and the Soviet Union. I have always been fascinated by revolutions and civil conflicts, especially how people navigate the disruption of stability and normality. How they process fragmentary information, protect themselves, and embrace new ideas to give meaning to their threatened lives is central to my work as a historian. The Russian Revolution and Civil War offer a rich tapestry for exploring these dilemmas.
The disasters of the revolution and civil war were experienced differently across the empire and by distinct social groups. For those of material means in European Russia who understood that their lives could never be the same, the priority was escape; most often, this was initially to a safe part of the former empire, and then, as the civil war and the prospect of Soviet rule encroached upon their safe enclave, into a life of exile abroad.
Nadezhda Teffi was an exceptionally popular writer and humorist at the time of the revolution, and her memoir (written a few years after departing Russia) is an account of how her world was turned upside down in 1917, and it documents the ways in which life had been similarly upended in each place she observed during her journey into exile.
The book is unusual in that it retains her light touch and humor,…
WINNER OF THE 2018 READ RUSSIA PRIZE AND THE PUSHKIN HOUSE BEST BOOK IN TRANSLATION IN 2017
Considered Teffi’s single greatest work, Memories: From Moscow to the Black Sea is a deeply personal account of the author’s last months in Russia and Ukraine, suffused with her acute awareness of the political currents churning around her, many of which have now resurfaced.
In 1918, in the immediate aftermath of the Russian Revolution, Teffi, whose stories and journalism had made her a celebrity in Moscow, was invited to read from her work in Ukraine. She accepted the invitation eagerly, though she had…
I grew up in the United States, completed my undergraduate degree there, and then pursued a doctorate in Modern History at the University of Cambridge. Now, I teach European history at Oxford Brookes University and publish research on Russia and the Soviet Union. I have always been fascinated by revolutions and civil conflicts, especially how people navigate the disruption of stability and normality. How they process fragmentary information, protect themselves, and embrace new ideas to give meaning to their threatened lives is central to my work as a historian. The Russian Revolution and Civil War offer a rich tapestry for exploring these dilemmas.
While Russia had had a parliament for nearly a decade before the outbreak of World War One, its politics were extremely limited by the Tsarist government, which clung to the ideal of autocracy. The Revolution of 1917 produced an explosion of politics, with the Russian people either saturated in political speech and conflicting claims or otherwise desperate for information about what was going on in the capital and with the direction of the revolution.
Boris Kolonitskii is the foremost contemporary Russian historian of 1917. His book explores the chaotic and contradictory political culture of this moment by focusing on Alexander Kerensky, the central figure of the revolution in 1917. This is not a biography of Kerensky, although it does cover his activities over the course of much of 1917.
Instead, by describing Kerensky as both a central actor in the drama and as a symbolic figure and touchstone for so…
As one of the heroes of the 1917 February Revolution and then Prime Minister at the head of the Provisional Government, Alexander Kerensky was passionately, even fanatically, lauded as a leader during his brief political reign. Symbolic artefacts - sculptures, badges and medals - featuring his likeness abounded. Streets were renamed after him, his speeches were quoted on gravestones and literary odes dedicated to him proliferated in the major press. But, by October, Kerensky had been unceremoniously dethroned in the Bolshevik takeover and had fled to Paris and then to the US, where he would remain exiled and removed from…
I grew up in the United States, completed my undergraduate degree there, and then pursued a doctorate in Modern History at the University of Cambridge. Now, I teach European history at Oxford Brookes University and publish research on Russia and the Soviet Union. I have always been fascinated by revolutions and civil conflicts, especially how people navigate the disruption of stability and normality. How they process fragmentary information, protect themselves, and embrace new ideas to give meaning to their threatened lives is central to my work as a historian. The Russian Revolution and Civil War offer a rich tapestry for exploring these dilemmas.
The history of the revolution in Russia has changed both in terms of chronology and geography. Over the past 25 years, historians have documented the multifaceted ways in which the First World War set in motion the collapse of the Russian Empire.
At the same time, much recent research has explored how that collapse was experienced and how the revolution was processed across the expanse of the empire, in effect de-centering the narrative of the revolution in new and insightful ways.
Laura Engelstein’s book is an up-to-date narrative history of the revolution and civil war that manages the challenging trick of knitting all of those disparate threads together.
October 1917, heralded as the culmination of the Russian Revolution, remains a defining moment in world history. Even a hundred years after the events that led to the emergence of the world's first self-proclaimed socialist state, debate continues over whether, as historian E. H. Carr put it decades ago, these earth-shaking days were a "landmark in the emancipation of mankind from past oppression" or "a crime and a disaster." Some things are clear. After the implosion of the three-hundred-year-old Romanov dynasty as a result of the First World War, Russia was in crisis--one interim government replaced another in the vacuum…
