52 books like Serpentwar Saga

I was always on the lookout for new fantasy books when I was younger, and found this in the library one day. So glad I did!

I know it’s a familiar theme to have a young person coming of age and being super powerful, but it’s a good theme, and done brilliantly in Magician.

I appreciate it when authors don’t waffle too much, keep things to the point, and let their characters breathe in an interesting world. Krondor is certainly an interesting world, and I ended up loving quite a few of the books in this series. 

I’ve always had a fascination with prophecies and the ubiquitous role they play in works of fantasy—it’s a tried-and-true literary device, and I don’t think there is another series that embodies the principle of fate better than Eddings’ Belgariad series.

The title of this first book sets that up most perfectly. From the first few pages, I was instantly drawn into this world, which takes the concept of uniquely varied traveling companions to a whole other level.

Not only are the characters all well fleshed out with personalities and motivations that kept me invested the whole way, but the book (and series) was also replete with another thing I love so much about fantasy novels—going on a grand, action-filled journey through numerous, fascinating locations.

What moved me is how much it means to belong to the Acoma estate.

Nacoya with her sharp wisdom, Keyoke with his unyielding honor, Arakasi with his chosen allegiance, even the grey warriors—they all belong to something bigger than themselves. When danger hits, the fear ripples through everyone. When triumph comes, it lifts all of them.

A big draw of the book was seeing people pull together not because they’re supposed to, but because they genuinely care. The Acoma isn’t just a political house; it feels like a place where being needed gives everyone a kind of quiet dignity. 

I’ve always enjoyed dark stories, and the first book of The Coldfire Trilogy did not disappoint. I also read this series in high school.

It was the first fantasy series I read that felt more rooted in the dark reality of life, which gave it a familiar grittiness that I hadn’t experienced in the books I’d read.

I had been reading Heroic and Epic Fantasy for years, and I’d purposely avoided reading Sci-Fi, convinced that it would influence my burgeoning plot development. I wanted to maintain my plot integrity and not be subconsciously led by other authors in the genre (but of course I couldn’t avoid the influence of the SF I watched on TV). Of course, I was missing out on some great writing. I was enthralled by this story—it combined an undead trope with space opera, as the ‘risen empire’ maintains its territory while facing an external threat from the technologically hybrid Rix. There’s a fascination with the potential of biological augmentation and the place of AI in our distant future (consider ‘immortal’ humans against potentially ‘eternal’ hybrid humans), but this story is extremely character-driven and concerned with the place of the individual. The fictional science was breathtaking and not without research, but what stuck… show more.

I’m cheating a little here by recommending a trilogy but this was one of the best historical fiction I’ve read.

The series is about Prince Aeneas and the legendary story of the war between the Trojans and the Greeks. David Gemmell sets the scene prior to war from the POV of Aeneas, who was regarded as pirate but as the story progresses you learn more about his actions and why he keeps roaming the sea.

It is full of action and stays true to the unfolding drama of the Trojan War. For me, the historical backdrop and the research the author included was one of the main reasons this series wins.

I listened to the audiobook edition of this story and was completely blown away.

The narration is superb, with the reader performing songs and really making the story come alive, but the prose was just wonderful. Seriously, I would hear lines and think, “Oh my God, I wish I could write like that!”

I haven’t read much fantasy that was written in the past 20 years, but I can see why this is regarded as a modern classic. I loved it and wish he would finally complete the trilogy! 

The medieval Polish backwoods community feels startlingly alive—crude, superstitious, and the rest of it.

The Okoits, and later Conrad’s people, are rough villagers who drink, farm, and then get up the next day and do it again. At the same time, their sense of being part of a genuine community is unmistakable. 

Frankowski doesn’t just portray a functional medieval society in an alternate timeline; his engineer protagonist builds one, bolt by bolt. There’s this no-nonsense optimism coursing through the story: the conviction that one can literally make a better world equipped with nothing but grit, crudely smelted iron, and the guts to try.

What stuck with me is how this villager society absorbs innovation in a matter-of-fact manner. It’s messy, uneven, and wildly productive. You don’t have to co-sign every norm of its community to be impressed by how solidly it holds together. 

Mammoths grazing outside the protagonist’s dwelling—yeah, that was love at first sight.

And the lived-in environment? Homes carved into colossal, cultivated trees, and people served by public, stackable electric vehicles—yes, please. The land thrives, and no species has been driven to oblivion.   

Sawyer’s parallel-Earth Neanderthals truly appealed to me: the emotional restraint, the honesty, the structural elegance of their culture. Even their norms around maintaining a sustainable population are handled with startling clarity—seasonal, communal parenting. 

No prisons, no poverty, no religion weaponized into hierarchy. Life runs on calm confidence, as if evolution took a gentler branch, and society—as it’d scaled up—managed to keep its soul. 

The Dragonlance series is rightly regarded as a classic of fantasy fiction, but I feel the main trilogy doesn’t hold up quite as well these days as the Legends trilogy that begins with Time of the Twins.

This book has slightly more grown-up writing than other books in the series, and I think the two main characters, Raistlin, the sickly mage, and his physically powerful brother, Caramon, are two of the best ever created.

The plot over the trilogy is really exciting and draws the reader in, with some unexpectedly emotional events and lots of character development. I wanted to be Caramon when I was a youngster, and, actually, I still do!