Here are 28 books that Saga fans have personally recommended once you finish the Saga series.
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I’ve always been interested in personal, character-driven stories set in huge speculative worlds. Not every story should be about saving the world/galaxy/multiverse. Sometimes, the best story is just about surviving growing up or navigating a rocky relationship. If that happens on a spaceship or in the Wild West, great. And if that spaceship happens to be in the Wild West, all the better! Making the fantastic ordinary through a personal POV lets us see the otherworldly as plainly as we see the mailman or grumpy alien cowboy. Fortunately, my dueling careers as a UX designer, historian, and writer give me a lot of material and appetite for cross-genre storytelling.
If Bridget Jones and Black Mirror had a baby with Arrival/“Story of Your Life” and a crime thriller, you might get something close to Drunk. In it, we encounter a familiar-but-changed post-First Contact world where Lydia (an alien in her own right, being a small-town Brit in Manhattan) works as a translator for a telepathic alien cultural attaché. The narrator’s lack of technical expertise and her fluency with the alien Logi keep the science-fiction elements of the book familiar and largely devoid of exposition. I actually listened to this book and Amy Scanlon does a great job putting you in Lydia's (and Fitz’s!) head.
Lydia works as translator for the Logi cultural attache to Earth. They work well together, even if the act of translating his thoughts into English makes her somewhat wobbly on her feet. She's not the agency's best translator, but what else is she going to do? She has no qualifications and no discernible talent in any other field. So when tragedy strikes and Lydia finds herself at the center of an intergalactic incident, her future employment prospects look dire-that is, if she can keep herself out of jail! But Lydia soon discovers that help can appear from the most unexpected…
I love reading mysteries, ever since I started back in junior high with Hercule Poirot, I have loved an atmospheric murder and ensuing investigation. As I’ve gotten older and started writing my own books, though, I’ve gotten pickier about what kinds of detective novels I can stick with—I now require that they also be excellent on the sentence level, which isn’t always easy to find. I also find that I gravitate towards books that have pockets of dry humor from time to time and a unique investigator.
I am in awe of this book! I think it’s close to perfect, if not perfect. The detective here is Meyer Landsman, who “only has two moods: working and dead.” The novel is set in an alternate history that imagines Sitka, Alaska as a sprawling, Yiddish-speaking metropolis where all the Jews have fled after World War II.
The dead body is a mysterious young drug addict with connections to Sitka’s seedy underbelly. The story is a page-turner, but the sentences are truly incredible. It’s also very funny. I keep returning to this book year after year and every time it blows me away.
The brilliantly original new novel from Michael Chabon, author of THE ADVENTURES OF KAVALIER & CLAY and WONDER BOYS.
What if, as Franklin Roosevelt once proposed, Alaska - and not Israel - had become the homeland for the Jews after the Second World War? In Michael Chabon's Yiddish-speaking 'Alyeska', Orthodox gangs in side-curls and knee breeches roam the streets of Sitka, where Detective Meyer Landsman discovers the corpse of a heroin-addled chess prodigy in the flophouse Meyer calls home. Marionette strings stretch back to the hands of charismatic Rebbe Gold, leader of a sect that seems to have drawn its…
To be honest, and this will sound strange, but suspense is the air I breathe. I’m a pretty calm, boring human being, and the only thing that gets my heart pumping are films, TV, books, and video games in this genre. Suspense and thrillers are genres that make up ninety percent of the entertainment that I consume, and one hundred percent of the entertainment that I write.
I can only speak from my experience and, wow, this book hooked me right at the end of that first chapter, “but it’s happening faster.” Now to go into what that means, I will remain spoiler-free, but my jaw dropped. And the story only ramped up after that.
I love stories where the protagonist finds themselves in genuine peril, and Claire puts Harry August in a particular type of peril that truly had me terrified for his well-being in every chapter. The best type of suspense escalates in every chapter and it escalates here in this book in the best possible ways.
'ONE OF THE FICTION HIGHLIGHTS OF THE DECADE' Judy Finnigan, Richard and Judy Book Club
Featured in the Richard and Judy Book Club, the BBC Radio 2 Book Club and the Waterstones Book Club Winner of the John W. Campbell Award Shortlisted for the Arthur C. Clarke Award
SOME STORIES CANNOT BE TOLD IN JUST ONE LIFETIME
No matter what he does or the decisions he makes, when death comes, Harry always returns to where he began, a child with all the knowledge of a life he has already lived a dozen times before.
I’ve always firmly believed that, being an all-encompassing genre, speculative fiction represents nearly everything I love about writing and storytelling. I’m therefore very proud to have established myself in that world over the past several years and hope to positively impact others in the way I’ve been positively impacted by the sorts of works I’ve mentioned here.
For me, the Dark Tower series is an easy first pick as it so thoroughly encompasses everything I love about speculative fiction: big ideas, compelling, at times mysterious but ultimately fully realized characters, and a healthy, rich, and potent dose of world-building.
Over the years, I’ve reluctantly come to accept that this book and series are not necessarily for everyone, but they are absolutely for me, and I always find myself feeling a sort of kinship with other readers who love them as much as I do.
The Dark Tower is now a major motion picture starring Matthew McConaughey and Idris Elba.
'The man in black fled across the desert, and the gunslinger followed.' The iconic opening line of Stephen King's groundbreaking series, The Dark Tower, introduces one of his most enigmatic and powerful heroes: Roland of Gilead, the Last Gunslinger.
Roland is a haunting figure, a loner, on a spellbinding journey toward the mysterious Dark Tower, in a desolate world which frighteningly echoes our own.
On his quest, Roland begins a friendship with a kid from New York named Jake, encounters an alluring woman and faces…
I chose these stories because as a Black woman, seeing characters like me in stories as the main character instead of the sidekick or friend is always so refreshing. Like the main characters of my own novels, Black women taking charge is something to be celebrated.
This group of graphic novels will take you on a time traveling, inter-dimensional, coming-of-age journey for a group of 12-year-old girls. I include this choice because of the versatility of the characters. It's easy for the reader to see themselves in any of the leads including Tiff Quilkin, a smart, video game-loving young woman from a mixed-race family. She learns a lot about herself as a Black woman, learns about what it means to have white loved ones in modern society, and learns about what she stands for as an individual. It is her quick thinking that helps the others navigate the future they are suddenly transported to and it is her prudent planning that gives the girls a way to escape when they are being hunted.
As a whole, Paper Girls is an amazing series. The fact that a young Black woman plays an integral part in the story…
Brian K. Vaughan and Cliff Chiang's Eisner Award winning series Paper
Girls is coming Amazon Prime Video in July 2022!
From Brian K. Vaughan,
#1 New York Times bestselling writer of SAGA, and Cliff Chiang, legendary artist
of WONDER WOMAN, comes the first volume of an all-new ongoing
adventure.
In the early hours after Halloween of 1988, four 12-year-old
newspaper delivery girls uncover the most important story of all time. Suburban
drama and otherworldly mysteries collide in this smash-hit series about
nostalgia, first jobs, and the last days of childhood.
Collecting Issues
#1-5 for only $9.99! "Along with Paper Girls,…
I believe worldbuilding is as important as realistic dialogue, engaging characters, and a well-paced plot. Worldbuilding is a key component of stories that take place in a contemporary high school, in the court of Henry VIII, or in some far-off land that only exists in the author’s imagination. I worldbuild in layers: 1. What happens in the characters’ daily lives; 2. Environment: religion, culture, social hierarchies, setting; and 3. Relevant historical events/figures/details. Worlds should be so well thought out that there’s no room for the reader to be distracted or confused. When the worldbuilding is good, you’ll be so engrossed that the only distraction you’ll have is wondering what happens next.
Y takes place on 20th-century Earth, but with a twist: all men have been exterminated by a mysterious virus except one. You’d think setting the story on Earth in the current time period would be easy, but I think that kind of setting is even harder because we know what that world should feel like and if things deviate, we’ll be quick to notice. And yet, although the premise of Y has not happened on Earth, the worldbuilding makes it plausible that it could. Y dives into the past and jumps into the future, it travels from one end of the U.S. to the other, it tangles international conspiracies with a lovelorn hero and a monkey that won’t stop flinging its poop—and you accept it because the foundation—the worldbuilding—is secure.
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author picked
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why you should read it.
This book is for kids age
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What is this book about?
Written by Brian K. Vaughan Art by Pia Guerra & Jose Marzan, Jr. Cover by Massimo Carnevale The first ten issues of the award-winning series written by Brian K. Vaughan (EX MACHINA, Lost) are collected in an oversized hardcover with a new cover! Don't miss the amazing SF epic that Stephen King called "The best graphic novel I've ever read." Advance-solicited; on sale October 15 * 256 pg, FC, $29.99 US 7.0625" x 10.875" * MATURE READERS
I love imperfect characters. They are more interesting, memorable, and three-dimensional than characters who have everything figured out. Imperfect characters are the most believable and readable because they are mirrors of ourselves. We live their stories more easily, and imperfect characters live the most awesome stories. Finding an imperfect female main character inhabiting a world full of conflict and then watching her strength emerge through a well-told story is one of my favorite reading experiences.
Vlad the Impaler reimagined as an ugly, vicious girl named Lada? Yes, please. This novel is very loosely based on history. The best part is how unlikeable Lada is. She is violent, she is cruel, and she wants to take down the Ottoman empire all by herself.
This book is all about finding political and societal power and learning how to wield it to your advantage. And even though I didn’t like her, I loved watching Lada go up against forces much more powerful than she and fight tooth and nail against them.
“Absolutely riveting.” —Alexandra Bracken, #1 New York Times bestselling author of The Darkest Minds
This vividly rendered novel reads like HBO’s Game of Thrones . . . if it were set in the Ottoman Empire. Ambitious in scope and intimate in execution, the story’s atmospheric setting is rife with political intrigue, with a deftly plotted narrative driven by fiercely passionate characters and a fearsome heroine. Fans of Victoria Aveyard’s THE RED QUEEN and Sabaa Tahir’s AN EMBER IN THE ASHES won’t want to miss this visceral, immersive, and mesmerizing novel, the first in the And…
I believe worldbuilding is as important as realistic dialogue, engaging characters, and a well-paced plot. Worldbuilding is a key component of stories that take place in a contemporary high school, in the court of Henry VIII, or in some far-off land that only exists in the author’s imagination. I worldbuild in layers: 1. What happens in the characters’ daily lives; 2. Environment: religion, culture, social hierarchies, setting; and 3. Relevant historical events/figures/details. Worlds should be so well thought out that there’s no room for the reader to be distracted or confused. When the worldbuilding is good, you’ll be so engrossed that the only distraction you’ll have is wondering what happens next.
If you’ve ever wondered what life was like for the people living in the Americas after the last ice age, then read this book. Through the eyes of Young Hunter, we explore what we now call New England thousands of years before the first Europeans crossed the Atlantic. And through Young Hunter, we learn to use weapons, how to survive in the wild, Native American folktales and names, and we learn why Young Hunter’s people fear beings called the Ancient Ones. All of these worldbuilding layers are revealed as Young Hunter embarks on a dangerous journey tracking the creatures that attacked his people, with each layer drawing you in until you are as fearful of the Ancient Ones as Young Hunter and just as determined to face them.
I chose these stories because as a Black woman, seeing characters like me in stories as the main character instead of the sidekick or friend is always so refreshing. Like the main characters of my own novels, Black women taking charge is something to be celebrated.
The first time I read this book I was just a teenager. The story of a Black woman escaping domestic abuse and raising children on her own was something I had watched play out in my own family. I could see my grandmother in those pages, my mother in the struggles described, my aunts' resentments, and my uncles' poor choices clearly in the story. It felt like someone had peeked into my own family history and put it to paper.
Although McMillan is often overlooked as a writer, Mama is not a story to be missed.
A “funny [and] touching” novel of an African American woman determined to triumph, by the #1 New York Times–bestselling author of Waiting to Exhale (Detroit Free Press).
Mildred Peacock is fed up with poverty—and with the jealous rampages of her husband, Crook. When Crook runs over her foot with his ’59 Mercury, she finally kicks him out to raise her five kids on her own.
Resourceful and sly, sassy and sexy, she’s willing to do just about anything to pay the bills. But she loses job after job, and one man after another, until alcohol and pills are her only…
Reading certain texts in the Bible growing up began my love for all things supernatural. The more I studied the subject and understood the worldview of the biblical authors and of other ancient cultures, the more I began to see these scenes in vivid color. With my passion for theological study (personally and as part of a master’s program), my work as a police officer, and my love for fantasy fiction perfectly positions me to write stories in which deep supernatural elements intersect with the gritty and real space of everyday life.
Adeyemi’s book features wonderful powers and magic, all set in an epic setting.
The masterful way she writes, the supernatural world she paints, and her expert use of story elements all caused me to emote out loud in fits of “oh my god!”, “don’t do it!”, and “I can’t stand (insert person)!” while reading the book.
I’m always a sucker for writers who construct worlds in which powers fall into categories.
I love the idea of wondering which type of power would be best and which one would I want to have in real life.
Tomi Adeyemi conjures a stunning world of dark magic and danger in her West African-inspired fantasy debut Children of Blood and Bone. Winner of the Tonight Show Summer Reads with Jimmy Fallon.
They killed my mother. They took our magic. They tried to bury us. Now we rise.
Zelie remembers when the soil of Orisha hummed with magic. When different clans ruled - Burners igniting flames, Tiders beckoning waves, and Zelie's Reaper mother summoning forth souls.
But everything changed the night magic disappeared. Under the orders of a ruthless king, anyone with powers was targeted and killed, leaving Zelie without…
