38 books like Runaways: The Complete Collection

A nearly wordless comic about a cute little owl who goes on adventures and meets new friends. Not only is Owly adorable – but it’s practically wordless. This series is perfect for an early reader who wants to start reading graphic novels on their own. Its non-intimidating approach makes it a great start for any reluctant reader. Plus, did I mention that Owly is super cute? 

I had aspirations of making comics for Marvel or DC, but could never get a handle on drawing realistically. So I found inspiration in newspaper comics, one in particular.

Calvin & Hobbes is a work of art, and the perfect representation of childhood creativity. But Calvin’s imaginary tiger is only the tip of the iceberg here. Between his life-sized dioramas of snowmen acting out, to cardboard transmogrifiers, Calvin’s wicked imagination just spoke to me. And Bill Watterson helped jet-propel me down my own artistic path.

Bone was the first book I ever read on my own as a 5th grader. For the first time, I didn’t use an audiobook or need a parent/teacher to read it to me. For that alone, I’ve put it at the top of the list. Bone follows the story of three wayward brothers as they each find their way to a fantastical valley filled with mythical dragons, bizarre creatures, and a lost princess. What starts off as this fun and goofy comic, spirals into this adventure of epic proportions as the author-illustrator takes young readers into a world they never imagined before. 

This fast-paced saga helped captivate me from the first page to the last and I personally owe a lot to this book for helping me overcome my dislike for reading as a young person. This book helped me on my journey to becoming a reader and it… show more.

My newspaper comic strip had just finished its run, and I was looking for my next big thing. That’s when I came across Diary of a Wimpy Kid.

The drawings were simple and hilarious, and the clever writing didn’t seem to be just for kids. Greg Heffley has this flawed prickly everyman edge which makes him easy to identify with. But as good as this book and series are, I was more impressed with the new way Jeff Kinney had found to sneak comics into chapter books. 

There are lots of graphic novels and memoirs with medical themes, but I want to shine a light on this unique collaboration by brothers who capture their shared experience of schizophrenia, one diagnosed with the condition and the other who accompanies him through difficult navigation of an inadequate health care system and the struggle of managing a disease that isolates individuals and families from their communities.

Each brother works side-by-side to tell their interrelated stories: Olivier is a visual artist, and Clem is an author and playwright. Olivier’s drawings are on the verso, in simple black and white sketches, often unframed, of family holidays, from picnics to Christmas, with obscuring smudges, stiff figures, and unsmiling faces that belie the sun, picnic baskets, and decorated trees of the settings.  He draws his world of meetings with doctors, attending group meetings, and struggling to get and hold jobs.

Using text on the… show more.

This 4-volume serialized graphic novel tells the story of an Indigenous family across centuries and generations, stretching from Indigenous history before colonialism to ongoing colonial violence in Residential Schools until the present world of a Cree youth in existential crisis as he attempts to take his own life. His mother then guides him on a path of personal healing from his intergenerational trauma through stories about their history and traditions; Edwin’s journey takes him into the heart of ceremony and connection with his culture and history. He discovers his own strength to heal and then offers his father the opportunity to find his own healing path.

In this graphic novel, we are educated about Indigenous history through stories of struggle, resilience, and resurgence across the centuries. As Edwin, guided by his mother, meets with Elders, embraces his Cree identity, and pursues a path of healing through traditional teachings and practices,… show more.

This compelling graphic novel adaptation captures Butler’s Afrofuturist science fiction in its dark-toned palette and relentless movements in and across panels, with pages crammed with characters traveling within and outside of an urban enclave surrounded by gangs and criminals. The red of apocalypse and the California desert saturate pages, signaling current and immanent violence and danger and a landscape in environmental crisis. Through it all, Lauren reflects on how a new vision is required to liberate the oppressed without reproducing the conditions that brought it about. Amidst the bleak and violent scenes, we read excerpts from her Earthseed journaling of an unfolding religion where God is Change.

A futuristic world portrays the ongoing struggles of Black Americans for equity, racial justice, and economic and cultural futures. Its spirituals and Black culture form a new platform for Lauren’s exodus to a new land, a journey fraught with danger and difficult decisions,… show more.

This is a great story about a Muslim Pakistani high school student in Jersey City who suddenly body-morphs as she develops superhero powers. As Kamala discovers, being Ms Marvel is about following her faith’s call to help others regardless of who they are. Ms. Marvel’s engaging story educates readers on immigrant culture, debates, and shared values within Muslim families and communities and how closely aligned Islam is with the central tenets of superhero life to address wrongs while at the same time challenging Islamophobic ideas. 

Why is this comic important? It is a great way for teens, both inside and outside Islam, immigrants or not, to learn about this faith as one set of characters live it and to follow a character whose life is, in a variety of ways, not so different from their own. It’s also a series that invites readers to think about shared values and norms,… show more.

Y takes place on 20th-century Earth, but with a twist: all men have been exterminated by a mysterious virus except one. You’d think setting the story on Earth in the current time period would be easy, but I think that kind of setting is even harder because we know what that world should feel like and if things deviate, we’ll be quick to notice. And yet, although the premise of Y has not happened on Earth, the worldbuilding makes it plausible that it could. Y dives into the past and jumps into the future, it travels from one end of the U.S. to the other, it tangles international conspiracies with a lovelorn hero and a monkey that won’t stop flinging its poop—and you accept it because the foundation—the worldbuilding—is secure.