Here are 46 books that Redwall fans have personally recommended once you finish the Redwall series.
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As a child, my imagination and love of art drew me to comic books, and later, to immersive, worldbuilding fantasy. My 26-year hiatus from devoted creative pursuits while serving in the Air Force rewarded me with amazing experiences around the globe. As an Airman, naturalist, and scuba diver, I have been immersed in worldly ‘extremes’: the best and worst of humankind; nature’s most remote places and incredible creatures; and troubled regions afflicted by climate change and conflict. I now distill my experiences and creativity into the genre of “eco-fantasy.” The books of my diverse selection also leverage and explore worldly and otherworldly ‘extremes’ to elevate their stories. Enjoy!
It would be the most extreme of criminal acts for this beloved book not to be my ‘list topper!’ Reading this book instilled an instant love of good fantasy storytelling in me early on. It defines the fantasy genre, exemplifying the absolute best extremes in great world-building, characters, and epic storytelling.
Tolkien set the high bar I strive for in all areas in my own writing with one of the most memorable stories in one of the most unforgettable worlds of all time … and he managed to pull it all off within the context of a single book! No matter how many times I go back and re-read this one, I find something new to cherish, and you will too!
Special collector's film tie-in hardback of the best-selling classic, featuring the complete story with a sumptuous cover design inspired by THE HOBBIT: AN UNEXPECTED JOURNEY and brand new reproductions of all the drawings and maps by J.R.R. Tolkien.
Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End.
But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey 'there and back again'. They have a plot to raid…
I have been an ardent fantasy reader since I was very young, and have been a writer for nearly as long. The idea of being able to weave together an original narrative that can be entertaining, educational, and instructive at the same time is a concept that has fascinated me well into adulthood, and one that I continue to explore in my reading and writing to this day, whether short form or long; fiction or non.
This is another series I found completely by accident, but was not disappointed. In this series, though they can speak and talk like humans, the animals truly are and live as animals.
While some may find this a bit slow compared to some of the more anthropomorphic stories out there, it is really a fascinating mixture of a survival tale combined with societal commentary regarding the age-old conflict of nature versus nurture, in this case asking whether a group of different animals—some carnivorous and some herbivorous—can cooperate long enough to reach the safety of a new home.
ANIMALS OF FARTHING WOOD: THE ADVENTURE BEGINS by Colin Dann is the exciting prequel to The Animals of Farthing Wood which takes the reader right back to the very beginning.
There had always been otters in the stream running through Farthing Wood - and that had never been a problem for the other animals before but when there is a shortage of fish in the stream, the otters are forced to hunt on land.The otters are taking valuable prey and the foxes and other Farthing Wood animals have to compete for food. Lean Vixen is determined to protect her family…
I have been an ardent fantasy reader since I was very young, and have been a writer for nearly as long. The idea of being able to weave together an original narrative that can be entertaining, educational, and instructive at the same time is a concept that has fascinated me well into adulthood, and one that I continue to explore in my reading and writing to this day, whether short form or long; fiction or non.
I first discovered The Mistmantle Chronicles completely by accident, and a happy accident it was, as this 5-book series turned out to be my absolute favorite of all time!
As I said in a blog post a couple of years ago, this series has it all—heroic deeds, clever villains, and enough action and intrigue to satisfy readers of every stripe. And this very first book is an excellent starting point.
However many times I read it, it never ceases to thrill and immerse me in that beautifully crafted world populated by some amazingly 3-dimensional characters. And with its underlying Christian themes and symbolism, I would especially recommend the Mistmantle series for any Narnia lovers out there.
On a night of riding stars, a tiny squirrel is found abandoned and close to death on a distant beach. Adopted and raised by a welcoming colony of animals, Urchin has no idea of his powerful destiny or of his mysterious origins.
The rule of the good King Brushen and Queen Spindle is threatened by an evil plot from within the court. When a murder is committed, the isle is thrown into turmoil. Behind the scenes, ruthless animals are determined to seize the throne. But to underestimate the power of the islanders and the ancient prophecies is a big mistake...…
I have been an ardent fantasy reader since I was very young, and have been a writer for nearly as long. The idea of being able to weave together an original narrative that can be entertaining, educational, and instructive at the same time is a concept that has fascinated me well into adulthood, and one that I continue to explore in my reading and writing to this day, whether short form or long; fiction or non.
I first read this book when I was 10 years old, and from then on I was utterly devoted to the genre of fantasy series.
With its mixture of childlike wonder and rather advanced concepts, this first book in the extensive Guardians of Ga’Hoole series succeeds in making the reader think while remaining an entertaining piece of literature. And the choice of owls as the main characters proves a worthwhile gamble on the part of the author that makes the series informative as well as unique.
Introducing the newest heroes to children's fiction; the owls of Ga'Hoole. Meet Soren and his friends, the owls charged with keeping owldom safe. Based on Katherine Lasky's work with owls, this adventures series is bound to be a hit with kids. Join the heroic owls in the first of a series of mythic adventures.
Out of the darkness a hero will rise... Soren the enthusiastic and young owl is busy learning the rituals of being a barn owl- First Meat Ceremony, how to fly and of course, about the legendary Guardians of Ga'Hoole. However, his life is quickly transformed when…
My training is in Classics (especially Greek drama), which has given me an appreciation for clever writers who tweak conventional themes to surprise readers, foil expectations, and explore new ideas—or new sides of old ideas. Greek epic and tragedy also exhibit fairly rigid expectations about personal responsibility: even if a god made you do it, it’s still your responsibility. Agamemnon has to pay for sacrificing his daughter; Heracles has to perform his labors. Madness and possession are vivid ways to explore where one’s autonomy leaves off and another power takes over. They’re excellent tools for poking at humans to see how a thinking, feeling individual deals with unintended disaster.
Greek tragedy is similar to fantasy except for matters of form (e.g. the chorus). Euripides was a startlingly modern playwright, especially when it comes to psychology.
Heracles can be portrayed as a monstrous monster-slayer (I’m looking at you, Sophocles), but in Euripides he’s noble, brave, and domestic. He performs his labors because he’s the kind of guy to use his powers for good.
Hera, being a jealous jerk, drives him mad; Madness herself is unenthusiastic about the whole affair, recognizing that Heracles has made the world a better place.
But insane Heracles knows that he’s murdering innocent people. Is that who he really is? Is it all Hera’s fault?
Or is Heracles a good, normal person who’s lost a bit of his decency after so much fighting?
Euripides' Heracles is an extraordinary play, innovative in its treatment of the myth, bold in its dramatic structure, and filled with effective human pathos. The play tells a tale of horror: Heracles, the greatest hero of the Greeks, is maddened by the gods to murder his wife and children. But this suffering and divine malevolence are leavened by the friendship between Heracles and Theseus, which allows the hero to survive this final and most painful labor. The Heracles raises profound questions about the gods and mortal values in a capricious and harsh world.
My training is in Classics (especially Greek drama), which has given me an appreciation for clever writers who tweak conventional themes to surprise readers, foil expectations, and explore new ideas—or new sides of old ideas. Greek epic and tragedy also exhibit fairly rigid expectations about personal responsibility: even if a god made you do it, it’s still your responsibility. Agamemnon has to pay for sacrificing his daughter; Heracles has to perform his labors. Madness and possession are vivid ways to explore where one’s autonomy leaves off and another power takes over. They’re excellent tools for poking at humans to see how a thinking, feeling individual deals with unintended disaster.
You’re soon going to notice that I like clever variations on a common theme.
This book is a really fun mishmash of possible ways for possession to happen: a person can be possessed by a friendly ghost, a malevolent demon—or both at once! The heroine travels back in time (unusual for fantasy) and possesses the ghost when she was still alive. Two good guys can occupy the same body without surrendering their autonomy; but one can also take over when the other’s strength fails.
I also like the interweaving of the protagonist’s adventures in both the past and the present with chapters from a thousand-year-old journal. The temporal complexity works well with the way the characters fold into each other.
Magic, danger, and adventure abound for messenger Karigan G'ladheon in the second book in Kristen Britain's New York Times-bestselling Green Rider fantasy series
Karigan G'ladheon was once a Green Rider, one of the king of Sacoridia's elite magical messengers. In the messenger service, she was caught up in a world of deadly danger, and though she defeated the rogue Eletian who cracked the magical D'Yer Wall-which had protected Sacoridia for a thousand years from the dark influence of Blackveil Forest, and Mornhavon the Black's evil spirit imprisoned within it-she had nonetheless been tainted by his wild magic.
My training is in Classics (especially Greek drama), which has given me an appreciation for clever writers who tweak conventional themes to surprise readers, foil expectations, and explore new ideas—or new sides of old ideas. Greek epic and tragedy also exhibit fairly rigid expectations about personal responsibility: even if a god made you do it, it’s still your responsibility. Agamemnon has to pay for sacrificing his daughter; Heracles has to perform his labors. Madness and possession are vivid ways to explore where one’s autonomy leaves off and another power takes over. They’re excellent tools for poking at humans to see how a thinking, feeling individual deals with unintended disaster.
This book features a sort of contest between “real-world” and “fantasy-world” accounts of the hero’s behavior.
Some warriors experience “the Thrill” when they fight: battle is invigorating (because it gets your blood, oxygen, and adrenaline flowing); this is the stuff of modern psychology or biology.
No, wait, the Thrill is basically a supernatural being. Naturally: Sanderson’s world incorporates creatures who appear when various strong emotions are in play. But his handling of psychology is realistic in other respects, so that explanation makes sense, too….
But why does the Thrill affect the hero more than others? Maybe he’s just a bloodthirsty barbarian. No, wait, he has a special relationship with the supernatural creature. But doesn’t that mean they’re kindred spirits, and maybe the hero is a bloodthirsty barbarian?
The #1 New York Times bestselling sequel to Words of Radiance, from epic fantasy author Brandon Sanderson at the top of his game.
In Oathbringer, the third volume of the New York Times bestselling Stormlight Archive, humanity faces a new Desolation with the return of the Voidbringers, a foe with numbers as great as their thirst for vengeance.
Dalinar Kholin’s Alethi armies won a fleeting victory at a terrible cost: The enemy Parshendi summoned the violent Everstorm, which now sweeps the world with destruction, and in its passing awakens the once peaceful and subservient parshmen to the horror of their…
My training is in Classics (especially Greek drama), which has given me an appreciation for clever writers who tweak conventional themes to surprise readers, foil expectations, and explore new ideas—or new sides of old ideas. Greek epic and tragedy also exhibit fairly rigid expectations about personal responsibility: even if a god made you do it, it’s still your responsibility. Agamemnon has to pay for sacrificing his daughter; Heracles has to perform his labors. Madness and possession are vivid ways to explore where one’s autonomy leaves off and another power takes over. They’re excellent tools for poking at humans to see how a thinking, feeling individual deals with unintended disaster.
The brand of possession is fairly standard: a Drakhaoul possesses a man, enabling him to transform into a dragon—but the man must replenish his strength vampirically.
I like the interplay of personal responsibility and victimization, the use of supernatural powers to protect one’s friends at the cost of innocent suffering.
The Drakhaoul has a name and personality; it’s definitely a discrete being, but it’s also a part of the hero.
But then the hero successfully exorcises his demon.
But the demon’s memories are left behind, and the hero starts to wonder if he’s going mad.
The demon’s absence, not its presence, drives the hero to madness and despair (even though he hates the demon).
The hero simultaneously hates and longs for a dark power, which is and is not uniquely his.
A weaver of tales, a caster of spells, and a writer of rare imagination, Sarah Ash lends her unique vision to epic fantasy. In this captivating continuation to her story, the author of Lord of Snow and Shadows revisits a realm filled with spirits and singers, daemons and kings.
Gavril Nagarian has finally cast out the dragon-daemon from deep within himself. The Drakhaoul is gone—and with it all of Gavril’s fearsome powers. Though no longer besieged by the Drakhaoul’s unnatural lusts and desires, Gavril has betrayed his birthright and his people. He has put the ice-bound princedom of Azhkendir at…
I've always loved fiction, fantasy, and adventure stories. Growing up in the Star Wars generation, I was seven whenA New Hope was released at the theaters. Living in the hollows of West Virginia there weren’t libraries close by, and movies were a great, though seldom, treat. Suggestive material and cursing was not something that we saw in books or movies growing up in a more simple period of time. I still thoroughly enjoy many well-written, clean, books or shows. As an active member of the body of Christ, I now serve with my writing, and hope that kids of all ages can enjoy epic fantasy and adventure books from a clean and wholesome perspective.
The Green Ember is a beautifully descriptive book for children. SD Smith’s ability to weave a picture in your mind is wonderful. I have this on audiobook and loved listening to the story. As a kid at heart, I don’t mind storytelling from the animal’s perspective. 😉 A good story is a good story, no matter who it is written for, and these books are described as “new stories with an old soul.”
Heather and Picket are extraordinary rabbits with ordinary lives until calamitous events overtake them, spilling them into a cauldron of misadventures. They discover that their own story is bound up in the tumult threatening to overwhelm the wider world.
Kings fall and kingdoms totter. Tyrants ascend and terrors threaten. Betrayal beckons, and loyalty is a broken road with peril around every bend.
Where will Heather and Picket land? How will they make their stand?
I currently reside in my home state of Connecticut with my darling wife and a duo of sweet cuddly dogs. I am a renaissance man having dabbled in Acting for Film and Theater, Fencing and Mixed Martial Arts, Professional Dorkary, and a bevy of other passions before coming to land on writing. Having stepped into numerous fantasy worlds over the years I have had the chance to sample many different flavors of imagination and developed a refined taste for all things dark, mystical, and tragic.
Despite being a work of fantasy the level of research and authenticity has to be gravely respected. The storytelling is organic and feels effortlessly natural while still delivering a compelling mix of action and intrigue. Students of Celtic history will eat up the genuine feel that Nicholas is able to produce in her work from cover to cover.
When the magical secrets of The Emerald Isle beckon, will she survive answering the call?
Pittsburgh, 1846. Valentia McDowell wishes she could rest. Plagued by nightmares of her grandmother’s mysterious brooch lost in Ireland, the well-off woman grows more troubled when a fire ravages her family’s business. But as she buries herself in the rebuilding efforts, she can’t shake the sense that a powerful inheritance awaits her across the ocean… if she can weather the treacherous journey.
Horrified when the voyage claims her brother’s life and afflicts her with malaria, Valentia believes her grief will be for nothing if she…
