100 Books Like The Animals of Farthing Wood

Reading this book feels like soaring through the skies on Dragonback, experiencing a world filled with magic, danger, and destiny. From the moment Eragon discovers Saphira’s egg, we’re thrown into an adventure that takes us across vast landscapes—towering mountains, ancient forests, and bustling cities full of secrets.

The bond between dragon and rider is at the heart of this story, and it’s impossible not to feel a sense of awe as they grow together. Christopher Paolini builds a world so rich and immersive that every battle, every piece of lore, and every new land explored feels like stepping into something legendary. It’s a book that makes us want to go on our own epic journey—if only we had a dragon to take us.

Brave mice defend a monastery from marauding pirate rats! An evil snake haunts the forest, eating gentle beasts!

Redwall is a medieval Viking tale populated by animals. But what animals! Speedy hares with bottomless appetites evoke British Army captains. Quarreling shrews must pass around an object to speak at the council, reminding us of The Lord of the Flies. We meet tiny sparrows who follow a Spartan warrior ethos, and Friar Tuck-like fieldmice who cook great feasts that will make you salivate.

Yes, it’s a young adult book, but it’s also one of the reasons I became a writer in the first place. Let me throw down a glove here: the vitality of Redwall’s characters equals anything found in Dickens, Dumas, or Stevenson. 

Sidenote: the first piece of fiction I produced was an imitation of this very title, fulfilling an elementary school assignment. I folded ten pages of… show more.

I first read this book when I was 10 years old, and from then on I was utterly devoted to the genre of fantasy series.

With its mixture of childlike wonder and rather advanced concepts, this first book in the extensive Guardians of Ga’Hoole series succeeds in making the reader think while remaining an entertaining piece of literature. And the choice of owls as the main characters proves a worthwhile gamble on the part of the author that makes the series informative as well as unique.

I first discovered The Mistmantle Chronicles completely by accident, and a happy accident it was, as this 5-book series turned out to be my absolute favorite of all time!

As I said in a blog post a couple of years ago, this series has it all—heroic deeds, clever villains, and enough action and intrigue to satisfy readers of every stripe. And this very first book is an excellent starting point.

However many times I read it, it never ceases to thrill and immerse me in that beautifully crafted world populated by some amazingly 3-dimensional characters. And with its underlying Christian themes and symbolism, I would especially recommend the Mistmantle series for any Narnia lovers out there.

I’m a big fan of mixing books about space facts with space fiction. So, after reading all about space facts little ones can read about Otter’s fictional space adventure. Have you ever dreamed of flying to the moon? Well after a trip to the museum, where Otter does not get the space rock he so desperately covets, Otter does! An elaborate moon-landing plot evolves. Otter will build his own rocket, fly to the moon and get his own moon rock! Teddy and Giraffe are tasked with special missions, although Otter feels like he ends up doing most of the work. Kids will love Otter’s adventurous spirit, whilst adults may well sympathize with the Otter Keeper, responsible for such a mischievous creature!

An old-time favourite and, like Enid Blyton, a good link between picture and chapter books. It was one of my childhood favourites and one I have read to my son more than once. It is a story of the bullied overcoming the bullies and perhaps something that resonates with kids as the small foxes manage to outwit three rich men and their machines trying to dig them out. The fox characters are anthropomorphised and so outside of the ‘real’ and yet there is a strong sense of place, and although the characters of Boggis, Bunce, and Bean are exaggerated, they are recognisable and realistic.

Miriam Darlington is my favourite author and Otter Country is one of the most thumbed, tatty-cornered, precious books that I own. I love it: for its voice, its humour and its beautiful prose. Darlington takes you on a gentle meander through the world of the otter in the most relatable of writing styles. She doesn’t start out as an otter expert; she learns as she goes, and so do you. Everything about this book is wonderful, and I would say the same about her other book, Owl Sense, which I have only left off this list because I wanted to cover five different authors!

Tarka the Otter was first published in 1927 which means it looks very different to modern children’s books—mostly in the absence of dialogue. Some would say that you won’t be able to read it because ‘children today have no concentration span.’ But you are still reading this aren’t you, so I say give it a go. I have lived in Kenya for over a decade now and I love the way that this book reminds me of the landscape of my first home: “Twilight over meadow and water, the eve-star shining above the hill, and Old Nog the heron crying kra-a-ark! as his slow dark wings carried him down the estuary.”

This little cookbook is beautifully illustrated and quite simply, magical. Fans of The Redwall series know that it was filled with delightful feasts made and enjoyed by its equally delightful woodland characters. The recipes in this book are based on the novels and arranged by seasons, which I find really immersive and fun. A sip of Strawberry Fizz in the summertime, a gulp of spicy hotroot soup in winter… It really makes you feel like a fieldmouse nestled in your cozy little burrow.

I don't ordinarily care for stories about dragons or speaking animals, but this book's beautifully written descriptions of them and their world made it compelling, and the singing dragons remained in my memory long after the first time I read it. Moreover, the familiar elements of such fantasy–a hidden prince, animal companions, magical objects, imprisonment in a dungeon, and so forth--are here presented in unique and believable ways. The protagonists are heroic but vulnerable and the villains who seek to enslave the world are truly evil, so that the reader feels that what happens to them really matters. And looking it over recently, I was struck by the realization that in the years since its first publication in the 1980s the timeliness of the story has increased.