Here are 37 books that Rabbit fans have personally recommended once you finish the Rabbit series.
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I come from a long line of women who are survivors. Survivors of transportation, imprisonment, assault, poverty, illness. In all of them was a clawing determination to endure. My ancestors were not shrinking violets; they bore their pain with dignity, used their voices and their hopes for a better future to boost the next generation of girls to a better life. I am the recipient of their courage. I believe this is how our sisterhood should roll. What we fight for today, what we give a voice to, should not have to be fought for again. It is this passion that drives my work, my reading, and my life.
This has been my favourite book since I read it as a child.
I love Jane’s courage in the face of adversity, both in her childhood and as a woman. It is her moral compass that guides her through her life, determining the rightness and wrongness of situations. She grows up in a world that believes she should be silent and accept the single path offered to her.
The message in the book emboldened me as I grew up and had to make decisions to challenge the expected norms. I can’t help but find joy in the cyclic nature of the love story here. In patience, in steadfastness, she finds love and does not lose herself in the process.
Little treasures, the FLAME TREE COLLECTABLE CLASSICS are chosen to create a delightful and timeless home library. Each stunning, gift edition features deluxe cover treatments, ribbon markers, luxury endpapers and gilded edges. The unabridged text is accompanied by a Glossary of Victorian and Literary terms produced for the modern reader.
Perhaps one of the most well-known books in the world, Jane Eyre follows the life of its eponymous orphaned protagonist. From her early life Jane is strong-willed, passionate and kind but comes up against a lot of struggles. She lives with her aunt and uncle during early childhood, where she…
I am an English professor, and for the past decade I’ve focused my attention on the fiction that is money. I’ve also been a magazine writer for many years and came to money by a circuitous route – through writing about food, which led to writing about global hunger, which in turn led to writing about how food gets its price, which finally and lastly led me to the strange ways of Wall Street – options, futures, and the idea that money can be manipulated into a story, a narrative, or as we say in English departments, a plot.
This is one of the most lucid explanations of our modern culture of numbers, and deals with topics ranging from music and architecture to, of course, money. It was the “big think” book that most inspired me to consider money not as something in and of itself, but as an artifact of a culture, transformed by time, place, and the genius of individuals.
Western Europeans were among the first, if not the first, to invent mechanical clocks, geometrically precise maps, double-entry bookkeeping, precise algebraic and musical notations, and perspective painting. By the sixteenth century more people were thinking quantitatively in western Europe than in any other part of the world. The Measure of Reality, first published in 1997, discusses the epochal shift from qualitative to quantitative perception in Western Europe during the late Middle Ages and Renaissance. This shift made modern science, technology, business practice and bureaucracy possible.
I am an English professor, and for the past decade I’ve focused my attention on the fiction that is money. I’ve also been a magazine writer for many years and came to money by a circuitous route – through writing about food, which led to writing about global hunger, which in turn led to writing about how food gets its price, which finally and lastly led me to the strange ways of Wall Street – options, futures, and the idea that money can be manipulated into a story, a narrative, or as we say in English departments, a plot.
This is one of those lost academic works of genius of the 1950s, in which Burke, an English Professor, uses the idea of “grammar” to explain the motivations of characters in dramatic situations. This book inspired me to write about money as a quite literal “plot”—a way people tell stories about themselves and the universe.
Mr. Burke contributes an introductory and summarizing remark, "What is involved, when we say what people are doing and why they are doing it? An answer to that question is the subject of this book. The book is concerned with the basic forms of through which, in accordance with the nature of the world as all men necessarily experience it, are exemplified in the attributing of motives. These forms of though can be embodied profoundly or trivially, truthfully or falsely. They are equally present in systematically elaborated or metaphysical structures, in legal judgements, in poetry and fiction, in political and…
I am an English professor, and for the past decade I’ve focused my attention on the fiction that is money. I’ve also been a magazine writer for many years and came to money by a circuitous route – through writing about food, which led to writing about global hunger, which in turn led to writing about how food gets its price, which finally and lastly led me to the strange ways of Wall Street – options, futures, and the idea that money can be manipulated into a story, a narrative, or as we say in English departments, a plot.
This is an academic book, but don’t let it scare you. As for me – it blew my mind! I had no idea of the level of economic sophistication and advance of Medieval Europe. Lopez explains in extraordinary detail the time period when our modern conception of money—as debt, as mortgage, as loans, and as an international object of commerce—was born.
Professor Robert Lopez provides an incisive analysis of the economic structure of the Middle Ages. He makes use of modern economic concepts to explain how an underdeveloped economic system gave birth to the commercial revolution through which Europe succeeded in developing itself. The book goes far beyond the familiar picture of medieval European society, with its magnificent cathedrals and imposing castles, to concentrate instead on the walled cities and open countryside, for it was here that the revolution was born. Deftly and concisely, Professor Lopez traces the history of this remarkable economic upheaval which saw the rise of merchants and…
I’ve always been fascinated by outsiders, people who don’t quite fit into societal expectations and exist on the fringes, just trying to get by or be left alone. I relate deeply to characters who are trapped between their own inner turmoil and the need to navigate a world full of contradictions and absurdities. I suppose one could argue that I’m comparing notes. Despite these books being dark and unsettling, they are also comforting. As a writer of psychological literary fiction, I can say it’s clear that these novels inspire me creatively and resonate deeply with me; they offer a window into the quiet chaos that resides in many of us.
I read this probably when I was in my early twenties. Randle McMurphy was, and still is, to some degree, an inspiring character: a rebellious soul, a flawed genius, a bit of a wrong’un at times, but also a hilariously cocky piss-taker.
There’s something deeply human in the portrayal of this character and his conflict with institutionalised authority, as represented by the frankly terrifying Nurse Ratched. It may be set in a psychiatric hospital, but I find the themes relatable to the wider world, the constant pressure to conform or be crushed. I still feel incensed by it.
Boisterous, ribald, and ultimately shattering, Ken Kesey's 1962 novel has left an indelible mark on the literature of our time. Now in a new deluxe edition with a foreword by Chuck Palahniuk and cover by Joe Sacco, here is the unforgettable story of a mental ward and its inhabitants, especially the tyrannical Big Nurse Ratched and Randle Patrick McMurphy, the brawling, fun-loving new inmate who resolves to oppose her. We see the struggle through the eyes of Chief Bromden, the seemingly mute half-Indian patient who witnesses and understands McMurphy's heroic attempt to do battle with the powers that keep them…
I’ve studied the art of fiction for many years and was fortunate to have great teachers along the way who knew how to analyze novels to help anyone interested in writing fiction to better see how they work. I also enjoy editing fiction written by other novelists, as this invariably leads to a better understanding of what is possible through the written word. I worked for many years as a bookseller and within the publishing industry. As a bookseller, I set a goal of reading at least one novel from every author in the classics section, and managed to do that.
The omniscient narrator in this classic novel speaks to the reader in a dispassionate present-tense voice that helps reinforce the satirical tone and immediacy of the novel. Dickens, who grew up in a debtor’s prison and included his bleak observations of life in a debtor’s prison in many of his great novels, used his fiction to shine a light on the social injustices of Victorian life. Bleak House shines much of that light on the punitive legal system (sound like today?), which Dickens exposed in some of his other novels as well. In thinking about the many theatrical and film adaptations made of this novel, we can see how much easier that work was due to the present tense writing, which creates the immediacy and suspense found in many great films.
Esther, at fourteen, has never known love. Determined to live well, earn some love and overcome the shadow of her birth, she takes her first steps into an unknown world. A family curse, a manipulating lawyer, poverty and secrets threaten to destroy Esther's world. Are the walls of Bleak House strong enough to protect her and her new friends from such powerful forces? The reader will be caught up in an unfolding mystery, full of surprises. Perhaps the biggest mystery of all is: Who is Nemo?
As well as being a novelist, I am also a script editor for film and TV. I specialise in thriller narratives and big themes in screenwriting, so it's no accident I am drawn to them in fiction too. Dystopian worlds offer such a rich backdrop for the BIG questions and observations. By putting new societies and threats under the microscope in stories, it can hold a mirror up to what's going on in real life. I think of dystopian novels as being akin to the canaries in the coal mine: they are not only cathartic, they sound the warning bell on where we are going as a society ourselves.
I love this book because of Katniss Everdeen's depth. She’s not just another “kickass hottie”, she’s complex, with a powerful character arc driven by a deep sense of responsibility.
The book’s commentary on mental health and Katniss' parentification resonated with me personally. The story world of all the districts and President Snow's iron grip on them is well-drawn and has parallels to our own, too.
Sixteen-year-old Katniss Everdeen regards it as a death sentence when she is forced to represent her district in the annual Hunger Games, a fight to the death on live TV. But Katniss has been close to death before - and survival, for her, is second nature. The Hunger Games is a searing novel set in a future with unsettling parallels to our present. Welcome to the deadliest reality TV show ever...
I am a retired professor of philosophy, but my academic training was in modern languages. I am also an active jazz saxophonist. My dissatisfaction with many established approaches to literature led me to look at literary theory, which then made me focus on philosophy. Academic philosophy, though, seemed to me too often to concentrate on questions about theorising knowledge that neglected questions about how we actually make sense of the world. This led me to reassess the importance of art, particularly music, for philosophy. My chosen books suggest alternative ways of looking at the concerns of philosophy at a time when humankind’s relationship to nature is clearly in deep crisis.
I like books that change the very ways in which I see and understand the world.
Polanyi’s The Great Transformation from the end of WW2 made it much clearer to me how a world which regularly finds technological solutions to humankind’s problems could also descend into barbarism. Modern capitalism’s subordinating the functioning of society to the demands of the market changes the status of nature itself in ways that I am increasingly aware of, as the ecological crisis threatens the very survival of humankind.
The book appeals to me not least because of the ways in which it draws important philosophical conclusions from a detailed historical narrative rather than just stating theoretical positions.
In this classic work of economic history and social theory, Karl Polanyi analyzes the economic and social changes brought about by the "great transformation" of the Industrial Revolution. His analysis explains not only the deficiencies of the self-regulating market, but the potentially dire social consequences of untempered market capitalism. New introductory material reveals the renewed importance of Polanyi's seminal analysis in an era of globalization and free trade.
Well, I’ve devoted my life to literature (to a lesser extent, to music) as a critic, professor, and author of eleven books, from fiction to criticism to collected journalism to memoir and poetry. I’ve won several awards and fellowships for my own work. So, literary history and biography/autobiography are in my territory, so to speak. You can find more about me and my books at my website.
Have you been to Paris? If so, you’ll love this book as I did for the great photography, which is the whole point.
Photographs of the places still surviving where Hemingway himself and the characters in his novels visit. A long time ago in Paris, I tried something of the sort myself, finding and visiting the sites named in The Sun Also Rises and A Moveable Feast, with only moderate success.
Friends of mine last year took this book along on a private tour of Hemingway’s Paris and found the guide followed this book closely. Each powerful photograph (mostly what the book contains) is accompanied by a paragraph or so of the site and its connection to the Hem.
I’d call this a photographic biography of Hemingway in Paris. If you place it in front of you while reading the Paris books, you’ll have a whole new experience, as…
Walk through the Streets of Paris with Ernest Hemingway.
In gorgeous black and white images, Hemingway's Paris depicts a story of remarkable passion for a city, a woman, and a time. No other city in any of his travels was as significant, professionally or emotionally, as was Paris. And it remains there, all of the complexity, beauty, and intrigue that Hemingway described in the pages of so much of his work.
It is all still there for the reader and traveler to experience the history, the streets, and the city. Restaurants, hotels, homes, sites and favorite bars are all detailed…
Well, I’ve devoted my life to literature (to a lesser extent, to music) as a critic, professor, and author of eleven books, from fiction to criticism to collected journalism to memoir and poetry. I’ve won several awards and fellowships for my own work. So, literary history and biography/autobiography are in my territory, so to speak. You can find more about me and my books at my website.
This book is a great companion volume to Adam Begley’s Updike biography of some years ago, but it is more like reading a lively autobiography because we follow Updike in his own words from his school years, through Harvard, his first publishing successes, and his many letters to friends and fellow authors, to the end of his life.
Mary McCarthy, Joyce Carol Oates, and Ian McEwan are just the few we witness Updike in fascinating and intimate “conversation” with on every topic imaginable, including theories of fiction, the publishing industry, personal problems and conflicts, good and bad behaviors, you name it.
That the letters are so uncensored is what grabbed me as a reader, especially. The material is raw but presented still through Updike’s high, articulate, often humorous style. I found the reading experience delightful, especially for such a long book from such a prolific author.
THE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE • The arc of literary giant John Updike's life emerges in these luminous daily letters to family, friends, editors, and lovers—a remarkable outpouring over six decades, from his earliest consciousness as a writer to his final days.
As James Schiff writes in the introduction to this volume, of the writer who would eventually “express himself in written form as copiously and as elegantly as any American writer” before him, “Updike needed to write the way the rest of us need to breathe or eat.” With his stunning rhetorical gifts—enabling him to thrive…
