Here are 13 books that One Thousand White Women Series fans have personally recommended once you finish the One Thousand White Women Series series.
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I read voraciously and have been fortunate to interact with people and situations such as those on my list. I also grew up in New York City, the melting pot displayed in Humans of New York. There I lived, jumped double-dutch, studied, and worked in a multicultural community. After moving to St Louis, I discovered it was a place that did not always embrace “others.” That inspired me to write my first book,Sugar Hill. Living in St Louis also strengthened my appreciation for diversity in race, religion, and to appreciate people whose sexual identity, or mental and physical ability might differ from mine.
I love photography books but, my hands-down favorite is Humans of New York.New York City is truly America’s melting pot, a gourmet stew of nationalities, personalities, fragile seniors, young billionaires, paupers, and everything in between. The city has much of what’s right with the world and its burst of humanity can all be seen in this book.
Unlike many photo books, this one has no excess verbiage. Stanton lets the pictures or their subjects tell the stories. There are hairstylists, hipsters, mommies, cute kids, teens with tattoos and purple hair, and a guy busking in the park with his viola while wearing a pink gorilla suit. The caption reads: “Damn liberal arts degree.” The author created this as a summer project and ended with 300 pages of delight.
An instant Number One New York Times bestseller, Humans of New York began in the summer of 2010, when photographer Brandon Stanton set out on an ambitious project: to single-handedly create a photographic census of New York City. Armed with his camera, he began crisscrossing the city, covering thousands of miles on foot, all in his attempt to capture ordinary New Yorkers in the most extraordinary of moments. The result of these efforts was "Humans of New York," a vibrant blog in which he featured his photos alongside quotes and anecdotes. The blog has steadily grown, now boasting nearly a…
I have always been drawn to the ocean. When I decided to start writing novels, I knew that I wanted to set them in coastal locations. I live in the Boston suburbs and spend time whenever I can at the beach. I have written books centered in Cape Elizabeth, Maine, Portsmouth, New Hampshire, and Cape Cod. I am working on a story set on the north shore of Massachusetts. I am a high school social studies teacher of twenty-four years and a parent of two teenagers. All of my writing includes cooking and the enjoyment of good food as a major focus. I hope my books make you hungry!
Although not coastal, this book’s Palm Springs setting is full of swimming pools and a feeling of escape to somewhere new. I laughed, I cried, and I adored the dynamic between Patrick and his adorable niece and nephew.
Secondary characters, such as the three neighbors and other family members, added depth and emotion to the story. I seriously read this book in 24 hours!
National Bestseller • Wall Street Journal Bestseller • USA Today Bestseller An NPR Book of the Year Semi-finalist for the Thurber Prize for American Humor Finalist for the 2021 Goodreads Choice Awards
From the bestselling author of Lily and the Octopus and The Editor comes a warm and deeply funny novel about a once-famous gay sitcom star whose unexpected family tragedy leaves him with his niece and nephew for the summer.
Patrick, or Gay Uncle Patrick (GUP, for short), has always loved his niece, Maisie, and nephew, Grant. That is, he loves spending time with them when they come out…
As a child in Oklahoma and Texas during the 1960s and 1970s, I remember being told two things: “Oklahoma is OK” and “The Eyes of Texas” were upon me. My grandparents and great-grandparents helped carve the new state of Oklahoma out of nothing within the span of only a few years. For a long time, I accepted the party line, but as an adult, I realized I wasn’t—the picture was incomplete. Underneath the inspiring tales of grit and heroism was something darker. That’s a big part of what my writing is about.
My great-grandfather came to Oklahoma during the Run of 1893, the fourth of the five land runs that officially opened the state to white settlement. As a kid, I was spoon-fed, uplifting stories about the state’s founding while being kept in the dark about its bleaker episodes.
One of them was the theft by white men in the 1920s of oil rights owned by the Osage people of northern Oklahoma. A story of murder, theft, and betrayal, Grann’s book made me angry about the lies I was told as a child, not to mention the injustice still shownto Oklahoma’s indigenous population.
In the 1920s, the richest people per capita in the world were members of the Osage Indian nation in Oklahoma. After oil was discovered beneath their land, they rode in chauffeured automobiles, built mansions and sent their children to study in Europe.
Then, one by one, the Osage began to be killed off. As the death toll climbed, the FBI took up the case. But the bureau badly bungled the investigation. In desperation, its young director, J. Edgar Hoover, turned to a former Texas Ranger named Tom White to unravel the mystery. Together with the Osage he and his undercover…
I started reading mysteries in elementary school: Nancy Drew, Agatha Christie, and Stephen King fed my thirst for story, puzzles, and the “super-psychological.” There’s so much about the mind we don’t understand—including our relationships with animals (like an octopus detective)—or the bond between twins (like the one in my Cici series). When I worked with Irene Webb as an associate literary agent in the 2000s, my fascination with the written word and “super-psychological” blossomed. I enjoy connecting motivations, secrets, and passions into a tapestry of humanity. At their core, stories teach us how to be more human, and I want to be part of that lesson. Please enjoy this book list I’ve curated for you.
I almost chose the Sookie Stackhouse series because those are a rollicking treat! C’mon, a vampire detective is pretty fantastic!
But Lizbeth’s story starts with a bang—literally. The novel (and Lizbeth) is grittier than the sweet-as-pie Sookie, which we learn in the first chapter. This dystopian world of the failed United States in the mid to late twentieth century incorporates Russian magicians called grigoris, and a complex gotta-catch-‘em plot with shootouts a la the Old West.
Yup, Charlaine Harris produced another page-turner that’s quite a departure from her Sookie days.
From the beloved #1 New York Times bestselling author of the Sookie Stackhouse series, the inspiration for HBO’s True Blood, comes “a gripping, twisty-turny, thrill ride of a read” (Karin Slaughter, New York Times bestselling author) following a young gunslinging mercenary on deadly mission through the American Southwest.
In a fractured United States, a new world where magic is acknowledged but mistrusted, a young gunslinger named Lizbeth Rose takes a job offer from a pair of Russian wizards. Lizbeth Rose has a wildly fearsome reputation but these wizards are desperate. Searching the small border towns near Mexico, they’re trying to…
Growing up in West Texas, westerns were just as good as bedtime stories to me. I grew up with all the greats… and the not as greats. The quality didn’t always matter because the spirit was the same. Freedom, opportunity, and possible lawlessness. Survival of the quickest draw. An untamed place where anything could happen. Someone once said that the western genre was America’s genre. It was invented here and our frontier spirit inspired the world. When I decided to write Hour Glass, I channeled the independent spirit of those westerns I grew up with. I wrote the first draft in sixteen days out of pure passion for the subject matter.
I should preface this with some bit of transparency. One reason I love Tinsmith is because I personally know the author. Not only is she a great writer, but she’s one of the only female tinsmiths working in the United States. She makes her own cookware, and it is amazing.
The main character, Marie Kotlarczyk, moves to the Dakota territories with her tinsmith family. When the family encounters disaster, Marie has to learn the family trade in order to survive. It’s not an easy task when women were not meant to do such things.
Sarah puts so much of herself in this book, it’s enchanting. Since she’s a professional tinsmith, every scene is tangible. I can’t recommend it enough.
When her tinsmith father and brothers head West, Polish immigrant Marie Kotlarczyk has no choice but to go along. Family, after all, is family. The Dakota Territories are anything but welcoming to the Kotlarczyks, and as the months trip by, Marie must pick up the hammers she’s secretly desired but also feared. When she faces the skeptical people of Flats Town, the demands of the local Army commander, and her public failures, her inner voice grows destructively, forcing Marie to decide exactly who she is and what it means to be a woman smith.
Growing up in West Texas, westerns were just as good as bedtime stories to me. I grew up with all the greats… and the not as greats. The quality didn’t always matter because the spirit was the same. Freedom, opportunity, and possible lawlessness. Survival of the quickest draw. An untamed place where anything could happen. Someone once said that the western genre was America’s genre. It was invented here and our frontier spirit inspired the world. When I decided to write Hour Glass, I channeled the independent spirit of those westerns I grew up with. I wrote the first draft in sixteen days out of pure passion for the subject matter.
This book is probably the closest title to my own. Doc is centered around everyone’s favorite dandy gunslinger, Doc Holliday. It is a truly entertaining and informative tale of the real Doc’s life before his legendary stand at the O.K. Corral in Tombstone. While Wyatt and Morgan Earp play important roles in the story, Doc Holliday is definitely your Huckleberry.
If you love it like I do, the author wrote a continuation called Epitaph: An O.K. Corral Story. You won’t be sorry.
The year is 1878, peak of the Texas cattle trade. The place is Dodge City, Kansas, a saloon-filled cow town jammed with liquored-up adolescent cowboys and young Irish hookers. Violence is random and routine, but when the burned body of a mixed-blood boy named Johnnie Sanders is discovered, his death shocks a part-time policeman named Wyatt Earp. And it is a matter of strangely personal importance to Doc Holliday, the frail twenty-six-year-old dentist who has just opened an office at No. 24, Dodge House. Beautifully educated, born to the life of a Southern gentleman, Dr. John Henry Holliday is given…
I’ve always been drawn to stories about wrongful convictions. I can think of nothing worse than losing your freedom for something you did not do. More importantly, I think it’s important to hold those responsible accountable. I believe in the sentiment that it is better to let ten guilty men go free than to have one innocent man convicted.
This book deals with the death penalty. The author covers several cases involving people who were on death row and were subsequently found to be innocent.
The book also covers related topics, such as mass incarceration, mandatory sentencing, racial bias, prison overcrowding, cruel and unusual sentences for minors, the psychological impact of long-term solitary confinement, and a host of other crime and punishment issues.
NOW A MAJOR MOTION PICTURE, STARRING MICHAEL B. JORDAN, JAMIE FOXX, AND BRIE LARSON.
A NEW YORK TIMES, WASHINGTON POST, BOSTON GLOBE, ESQUIRE, AND TIME BOOK OF THE YEAR.
A #1 New York Times bestseller, this is a powerful, true story about the potential for mercy to redeem us, and a clarion call to fix America's broken justice system, as seen in the HBO documentary True Justice.
The US has the highest rate of incarceration in the world. One in every 15 people born there today is expected to go
to prison. For black men this figure rises to one…
I am a writer and novelist who comes to storytelling via several curious paths. I am a historian trained in archival research and the collection of oral histories. I also come from a long line of ghost magnets–all of the women in my family have been for generations. And while I am living in blissful exile on the West Coast, my heart remains bound to my childhood home, the Great State of Texas.
I was about thirteen years old when I picked up Charles Portis’ book, and from the very first line, I wanted to be Mattie Ross. The novel was the first Western I remember reading and remains imprinted on my brain as a first to mash up the traditional themes of the righteous Code of the West and the hopelessness of a world awash in lawlessness and violence, all the while eliciting whoops of laughter.
Mattie was the first female protagonist I remember encountering with pluck and impertinence to match the infamous U.S. Marshal Rooster Cogburn and inspire my own.
There is no knowing what lies in a man's heart. On a trip to buy ponies, Frank Ross is killed by one of his own workers. Tom Chaney shoots him down in the street for a horse, $150 cash, and two Californian gold pieces. Ross's unusually mature and single-minded fourteen-year-old daughter Mattie travels to claim his body, and finds that the authorities are doing nothing to find Chaney. Then she hears of Rooster - a man, she's told, who has grit - and convinces him to join her in a quest into dark, dangerous Indian territory to hunt Chaney down…
As a young boy, I dreamed of becoming a novelist. I was fascinated and inspired by Les Années Folles, The Crazy Years of 1920’s Paris, when artists of all disciplines, from countries all around the world came together electrifying the City of Lights with an artistic passion. My mother was French. France is my 2nd country, where I spend a portion of each year. While researching my novel, The Memory of Love, I stayed in the actual atelier of my protagonist Chrysis Jungbluth, a young, largely unknown painter of that era. I visited, too, the addresses of dozens of the artists who bring the era alive again in our imagination.
Due to the title, and the fact that the authors of this book edited my 3rd book, this may seem to be a redundant choice on my part. But I can assure the reader that it is not. Although a fine photo of Kiki also graces the cover, she plays a minor, more metaphoric role in the grand scheme of this large-format work, and only a handful of pages are devoted to her.
On the inside of the cover, and the first thick page to its right, one is presented with 96 roughly 1”x 2” black & white thumbnail photographs, not alphabetically arranged, but as it happens, beginning with a photo image of a portrait of Louis XIV in the top left corner and finishing in the bottom right corner of the following page with a photo of James Joyce. All those photos in between should tip off the reader…
Recreates life in the tumultuous world of 1900-1930 Montparnasse. This book presents photographs of legendary figures, among them the model Kiki, Modigliani, Picasso, Satie, Matisse, Leger, Gertrude Stein, James Joyce and Miro. Gossip and anecdotes aim to bring this world alive.
As a young boy, I dreamed of becoming a novelist. I was fascinated and inspired by Les Années Folles, The Crazy Years of 1920’s Paris, when artists of all disciplines, from countries all around the world came together electrifying the City of Lights with an artistic passion. My mother was French. France is my 2nd country, where I spend a portion of each year. While researching my novel, The Memory of Love, I stayed in the actual atelier of my protagonist Chrysis Jungbluth, a young, largely unknown painter of that era. I visited, too, the addresses of dozens of the artists who bring the era alive again in our imagination.
This is an intimate, first-person account of 1920’s Paris, and the life of one of the most central characters of the period—the model, singer, and artist, Kiki of Montparnasse as she was known by all. Born in Burgundy in 1901, christened Alice Prin, and raised by her grandmother in abject poverty, at age twelve she was shipped off to Paris to live with the mother she had never known.
The young Alice’s fierce survival instincts immediately translated into a precocious thirst for experience. At fourteen she had her “first contact with art” when she began posing nude for a sculptor. Thereafter, she assumed the name and embraced life as the irrepressible Kiki. Lover of Man Ray, beloved friend of Soutine, Jean Cocteau, and many other artists of the period, she became the toast of Montparnasse, one of the century’s first truly independent women. Man Ray, Foujita, Kisling, and others immortalized…
Featuring an introduction by Ernest Hemingway and published for the first time in America, the unexpurgated memoirs of a model who reigned over Montparnasse in the twenties created a sensation when they first appeared in France in 1929.
