The best mystery books for Agatha Christie readers...after you've read all of Agatha Christie

A friend recommended this series to me and, because we both enjoy British literature, I knew I’d give it a go.

What I didn’t expect was to be so utterly charmed, not just by the Britishism, but by the premise: literary detectives must stop her former professor before he can murder Jane Eyre…and have the heroine disappear from literature forever.

The alternative reality is a surreal, quirky 1985 that I reveled in (who wouldn’t want a pet dodo, airships, literary detectors, or a Prose Portal?), but it’s Thursday Next’s insights into her own mistakes, human motivation, and the beauty of the written word that gripped me until I’d finished the last page.

I almost chose the Sookie Stackhouse series because those are a rollicking treat! C’mon, a vampire detective is pretty fantastic!

But Lizbeth’s story starts with a bang—literally. The novel (and Lizbeth) is grittier than the sweet-as-pie Sookie, which we learn in the first chapter. This dystopian world of the failed United States in the mid to late twentieth century incorporates Russian magicians called grigoris, and a complex gotta-catch-‘em plot with shootouts a la the Old West.

Yup, Charlaine Harris produced another page-turner that’s quite a departure from her Sookie days.

Agatha Christie's perfectly plotted stories, including the twenty short ones in this collection, remain crisply relevant even now, a century after their origination, which is the reason for her selling over two billion books.

I always believe I’ve caught her carefully dropped clues, only to realize I missed one…or three…that pointed toward the culprit. While Hercule Poirot remains my favorite Christie detective, I enjoyed meeting a slew of new characters in these fascinating tales of the “super-psychological” as noted in The Fourth Man. Plus, this collection is perfect for a quick evening read, though a few made falling asleep challenging!

I realize this book isn’t one of King’s supernatural thrillers like Kujo or The Shining, both of which petrified my middle-school self into turning the pages late, late into the night. But Misery is the best of King’s work because this “super-psychological” thriller pits two antithetical forces against one another.

The police interview setup seems a straightforward approach to story-telling, but it turns into a deeply emotion, personal journey for Paul, the book’s hero. We learn in subsequent pages that Paul’s “number one fan,” Annie Wilkes, refuses to allow Paul to continue on a journey of self-aggrandizement...to the point she’s willing to brutalize and imprison him…all while claiming to love his mind. Paul’s imagination becomes his only viable tool to escape Annie’s machinations.

Misery is powerful, brilliant work and the reason I now write mysteries and thrillers.

I loved the idea of such an unconventional—and markedly uncommunicative—detective.

I’m a sucker for animal-human friendships, and this cross-species connection brought forth many questions about intelligence and fair treatment of animals, and if these questions are ever even posited to the animals.

I was interested in how Marcellus (the octopus) and Tova (the widowed mother looking for answers about her son’s disappearance) learn to communicate across the vast gulf that separates their realities and understanding of their world. They do, and the story turns poignant even as we understand the only conceivable end isn’t the one we wished for Marcellus…except that it is.