Here are 24 books that Nero Wolfe fans have personally recommended once you finish the Nero Wolfe series.
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When I was nine years old, I joined a book club. The members were me and my dad. He’d throw detective books into my room when he was done with them, and I’d read them. We’d never discuss them. But that’s why hard-boiled detective fiction is comfort food for me and how I know it so well. I’ve been binging on it most of my life and learning everything the shamus-philosophers had to teach me. Now I write my own, the Ben Ames series, for the joy of paying it forward.
You know what I like about Donald Strachey? His boyfriend. I’m kidding—Strachey’s fine.
He’s a smart, tough detective in the hard-boiled tradition so of course I like him, but do you ever think way more of someone because they had the good taste to pick the partner they did? Timothy Callahan is a Jesuit-educated political aide, former Peace Corps volunteer and one of those characters who gets called a “moral centre” because they are one.
I was half in love with him before he (accurately) dissed Mother Teresa but I adored him after that. I came to the Strachey books for canny, realistic and never twee gay detective fiction but I’ve stayed for Timmy. He’s a soothing, reaffirming, hilarious wonder and you never know—he might smack-talk Gandhi next.
Shocked to discover the body of the grandson of the godfather of Albany's political machine in his car, P.I. Donald Strachey knows he is in for trouble. But when he learns that the murder victim left a $2.5 million legacy with instructions that it be used to destroy that machine, along with a personal letter to Strachey asking for his help, his suspicions are confirmed. Faced with power-brokers at all levels, Albany's only gay P.I. tries to fulfill the dead man's mission-with his own survival at stake.
I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.
The intricacies of the investigation multiply, but all of the clues are laid before the reader, though often veiled. The suspects are intriguing characters. Poirot, the little Belgian, is arrogant, but his arrogance seems justified by his brilliant investigative insights.
I love this complex character immersed in a complex mystery. This is classic Christie.
Car brakes fail A boulder misses Accidents? Or not?
On holiday in Cornwall, Poirot meets a pretty young woman with an unusual name, 'Nick' Buckley.
Upon discovering a bullet-hole in Nick's sun hat, the great detective decides the girl needs his protection. He also begins to unravel the mystery of a murder that hasn't been committed. Yet.
I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.
Like Paretsky’s V. I. and Grafton’s Kinsey Milhone, six-foot, former police officer and intrepid Boston P.I. Carlotta Carlyle is dogged, street smart, and tough while navigating the vagaries of big city corruption and big money influence.
She is bored by her desk job undercover assignment investigating fraud in Boston’s Big Dig construction project. She craves the action that I, as a reader, want to see her undertake. I hope this is also the type of character I have created in my book.
Carlotta Carlyle, the six-foot-tall redhead private investigator, thought that working undercover searching out fraud on Boston's Big Dig would be a challenging assignment. After all, the Big Dig, the creation of a central artery highway through downtown Boston, is a USD 14 billion project, the largest urban construction undertaking in modern history. But playing a mild-mannered secretary working out of a construction trailer is not quite the thrill ride she had in mind, so Carlotta starts moonlighting, taking on a missing person case. The mysterious death of a construction worker stirs up a storm of events and soon enough Carlotta…
I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.
A damsel in distress, the mob, bent cops, well-drawn characters, and an intricate plot make this one of the most exciting Perry Mason novels.
As a lawyer myself who practiced some criminal law with the public defender's office, I appreciate Mason's clever legal maneuvers and his “never say die” pursuit of justice for his clients. Mason shows off his cerebral side as well as his toughness.
Perry Mason orders a double serving of trouble the night he and Della Street dine at an intimate restaurant after a hard day at law. In the middle of their steaks a waitress flees the premises in terror, leaving the puzzled proprietor holding her mink coat.
Why a humble working girl abandons such a pricey wrap is only the first question in a cop-killer case that traps Mason's client with both an impossible story and the murder weapon, makes Perry himself a prime suspect, and blazes a gunpowder trail that leads straight to the heart of the police department itself.
I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.
I particularly like the way V. I. vigorously pursues every lead, no matter how dangerous the quest. I also appreciate the vignettes of Chicago, where I was born and raised.
Dual mysteries challenge the tough, savvy, energetic private investigator, V.I. Warshawski. In the process of solving these mysteries, V. I. confronts current social issues of extreme importance, to wit, political corruption, sex trafficking, immigration opponents, and her own familial skeletons in the closet.
Acclaimed detective V. I. Warshawski tackles a pair of perplexing cases involving those closest to her in this compelling and timely adventure that centers on some of the most divisive and pressing issues of our time
When V. I Warshawski gets word that her closest friend and mentor Lotty Herschel’s nephew has become a suspect in a murder, the legendary detective will do everything she can to save him. The cops found Felix Herschel’s name and phone number on the unknown victim’s remains, but Felix insists…
I have a lifelong respect for the true sociopaths among us who just happen to side with the good rather than the bad element in society. From Sherlock Holmes’ disregard for the shackles of Scotland Yard and the totally criminal world of Don Pendleton’s Mack Bolan I have cheered on my champions for half a century. My heroes share a common trait – the willingness to break the law to uphold the law. The 21st century has brought an entire new set of protagonists whom I consider to be arbiters of justice. While I believe in jurisprudence, I also subscribe to the tenet that most often the end justifies the means.
Jack Reacher can’t catch a break. Who else steps off a bus at a random stop and ends up in a turf war between Ukrainian and Albanian gangs in the middle of the United States. This is one of my favorites from the Reacher series. Lee Child has crafted a character that strikes at the heart of all of us who cheer on the forces of good and want to punish the bad actors. Lovers of justice will love Jack Reacher. His means might be harsh, but the end is satisfactory.
#1 NEW YORK TIMES BESTSELLER • THE BLOCKBUSTER JACK REACHER SERIES THAT INSPIRED TWO MAJOR MOTION PICTURES AND THE STREAMING SERIES REACHER
“Jack Reacher is today’s James Bond, a thriller hero we can’t get enough of.”—Ken Follett
“This is a random universe,” Reacher says. “Once in a blue moon things turn out just right.”
This isn’t one of those times.
Reacher is on a Greyhound bus, minding his own business, with no particular place to go, and all the time in the world to get there. Then he steps off the bus to help an old man who is obviously…
I have a lifelong respect for the true sociopaths among us who just happen to side with the good rather than the bad element in society. From Sherlock Holmes’ disregard for the shackles of Scotland Yard and the totally criminal world of Don Pendleton’s Mack Bolan I have cheered on my champions for half a century. My heroes share a common trait – the willingness to break the law to uphold the law. The 21st century has brought an entire new set of protagonists whom I consider to be arbiters of justice. While I believe in jurisprudence, I also subscribe to the tenet that most often the end justifies the means.
Lisa Black’s Gardiner and Renner series juxtapose the worlds of law and lawless. Maggie Gardiner is drawn into an untenable alliance with Jack Renner. He is a police detective and a killer, bent only on making the world safer by killing criminals without the bother of arrest and trial. She, as a forensic investigator, finds herself in a catch-22; she cannot finger Jack without incriminating herself as an accessory. While shielding Jack’s identity she inexorably digs an even deeper legal crevasse for herself.
The “taut and haunting” first thriller in the Gardiner and Renner series from the New York Times bestselling author of Every Kind of Wicked (Jeff Lindsay, creator of the Dexter series).
As a forensic investigator for the Cleveland Police Department, Maggie Gardiner has seen her share of Jane Does. The latest is an unidentified female in her early teens, discovered in a local cemetery. More shocking than the girl’s injuries—for Maggie at least—is the fact that no one has reported her missing. She and the detectives assigned to the case (including her cop ex-husband) are determined to follow every lead,…
I have a lifelong respect for the true sociopaths among us who just happen to side with the good rather than the bad element in society. From Sherlock Holmes’ disregard for the shackles of Scotland Yard and the totally criminal world of Don Pendleton’s Mack Bolan I have cheered on my champions for half a century. My heroes share a common trait – the willingness to break the law to uphold the law. The 21st century has brought an entire new set of protagonists whom I consider to be arbiters of justice. While I believe in jurisprudence, I also subscribe to the tenet that most often the end justifies the means.
In a society where law has constraints that law-breakers do not, characters like Lucas Davenport easily capture those for whom justice trumps legality. Davenport carries a badge. Often that is the sole discriminator that separates him from his prey. Sandford’s Prey series is so good that it’s difficult to select one above the other, but Masked Prey is more recent, more topical, and quite honestly, more satisfying than the others in the series.
Lucas Davenport investigates a vitriolic blog that seems to be targeting the children of U.S. politicians in the latest thriller by #1 New York Times-bestselling author John Sandford.
The daughter of a U.S. Senator is monitoring her social media presence when she finds a picture of herself on a strange blog. And there are other pictures . . . of the children of other influential Washington politicians, walking or standing outside their schools, each identified by name. Surrounding the photos are texts of vicious political rants from a motley variety of radical groups.
It's obviously alarming--is there an unstable extremist…
For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.
The First Man-Made Man: The Story of Two Sex Changes, One Love Affair, and a Twentieth-Century Medical Revolution has haunted me since I read it fifteen or so years ago. The book is about a woman, never comfortable in her skin, who participated in an experiment in the 1920s to turn her into a man. Kennedy informs us in dispassionate and informative language about the early technology that eventually led to today's transsexual revolution. But the part of the book that moved me more deeply was Kennedy's ability to report the huge emotional toll that Laura (later, Michael) Dillon paid as a pioneer in the movement. My own friendship with a gutsy coed who became a gutsy man along with Pagan Kennedy's book led me to create Trinity Landrieu, the larger-than-life detective in my book. That's how it goes with me: my writing is a homage to my experiences in…
In the 1920s, when Laura Dillon felt like a man trapped in a woman's body, there were no words to describe her condition; transsexual had yet to enter common usage. And there was no known solution to being stuck between the sexes. In a desperate bid to feel comfortable in her own skin, she experimented with breakthrough technologies that ultimately transformed the human body and revolutionized medicine. Michael Dillon's incredible story, from upper-class orphan girl to Buddhist monk, reveals the struggles of early transsexuals and challenges conventional notions of what gender really means.
For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.
My book is a story about what often happens to some soldiers after a war, in today's lingo, PTSD. As one who is a veteran himself, I’ve always been conflicted about soldiering, war, the aftermath of war, and the American penchant for war. One book put it all into perspective for me, Enduring Vietnam by historian James Wright. Wright gives you the historical context that brought about the war; the politics that influenced the war; and the battles fought during the war. But he tells it all from the perspective of the soldiers who fought the war, from our fellow Americans and allies in South Vietnam, but also from the perspective of the enemy soldiers, the Vietcong and North Vietnamese.
The Vietnam War is largely recalled as a mistake, either in the decision to engage there or in the nature of the engagement. Orboth. Veterans of the war remain largely anonymous figures, accomplices in the mistake. Critically recounting the steps that led to the war, this book does not excuse the mistakes, but it brings those who served out of the shadows. Enduring Vietnam recounts the experiences of the young Americans who fought in Vietnam and of families who grieved those who did not return. By 1969 nearly half of the junior enlisted men who died in Vietnam were draftees.…
