Books like The Case of the Moth-Eaten Mink

I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.

I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.

I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.

I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.

I write the West Investigations series, a romantic thriller series, centered around the men and women running a private investigations firm. When I began the series I knew I wanted it to be set in an urban city, not just because I’m a city girl at heart, but because of the eclectic nature, diversity, and color that can be found in the big city. Each of the books I’ve recommended below features a big city PI that jumps off the page, grabs you, and doesn’t let go for 200+ pages. 

I’m a contemporary mystery junkie. Realistic tales, set in the modern world always grab my attention. In a creative writing course in college, one professor suggested the old ‘write what you know’ approach. I don’t know everything, but I know what I like. Mysteries! I thrive on distinctive characters, those who are willing to put every effort into getting to the bottom of the situation. Sharp, tight dialogue and descriptions are essential. Give me that, and I’ll be back for more. This is my passion. Come along if you want a thrill and a surprise or two. 

I've been writing since I learned how to write, first poems, then short stories. I spent a decade in the rock music business, writing about and becoming friends with Elton John, John Lennon, Bryan Ferry, among others. But I grew up reading thrillers and wanting to write novels but seemed hesitant to start. One day, I ran into an old high school friend who was writing westerns for Avon Books. I thought if he can, so can I. So I did. I majored in Sociology in college, so the intricacies of individuals within society always fascinated me. After reading The Outsider, I realized I really wanted to write about the people outside of society.

I’ve been fascinated by crime since I was young, at first reading historical true crime and then reading widely in the crime fiction genre. What intrigues me about crime is the sense of the world being broken, and although the perpetrator might be caught and punished, their actions forever change the world. I was a member of a crime book group that focused on crime novels, and I’ve reviewed a number of true crime books. I’ve also attended and spoken at the Bristol Crime Fest–an annual festival of crime writing. I regularly give talks on crime writing and how, as a crime writer, I go about picking the perfect poison. 

I’m a retired surgeon and have no expertise in espionage, law enforcement, or the legal system. But I enjoy thriller novels that feature these things, and I follow the adage, “Write what you like to read.” But I do have medical/surgical expertise and have followed another adage: “Write what you know,” so I have inserted medical situations into many of my stories and one of my published books is a medical thriller. What I like about thrillers is the ability to show each side of the conflict. The good guys against the bad guys, neither side knowing what the other is doing. But the reader knows, and this adds to the suspense.

Having taken up the brush myself, I can attest to some sort of mystical, out-of-body experience that sometimes surfaces as an artist creates. Emotions and senses become directly connected to one’s hands, releasing the unconscious, allowing the artist to bring something to life that was buried deep inside. My favorite class in art school was Aesthetics, which explored the philosophy of art – what possessed the artist to paint – and what passions and beliefs were behind some of the art movements, including Surrealism, Dadaism, and Futurism. Books that delve into the craft and passion behind great works of art are my favorite reads.