Here are 18 books that Mike Romeo Thrillers fans have personally recommended once you finish the Mike Romeo Thrillers series.
Shepherd is a community of authors and super-readers sharing their favorite books with the world.
I wanted to write an action crime book, and it turned into a vigilante book. With military skills (West Pointer/Infantry & Aviation Officer) and lots of cop friends, I was able to draw on real experiences. I also read about 80 novels a year and write crime thriller novels. I’ve won more than a few awards and keep studying my craft. It makes me feel young. I love stories with action that make you think and are a little different and unique. I want to make a reader cry and laugh, which is what I look for in a good novel. So, when I write about vigilantes, I try to keep it real.
A vigilante, who happens to be a medical doctor, takes justice on the people who put others in the emergency room.
The story is great, with all the medical details. Only a real doctor could know, and the author is a real doctor. The story has a strong sense of justice, and it is a message for us all to be aware of.
If you like seeing bad guys, who beat up women, children, and LGBT, get what’s coming to them, this is the place. There is a strong romance story too. Shining a light on the injustice done to women, children, and the LGBT community makes this more than just a story.
Doctor by day. Vigilante by night. Robert lives a double life in New York City. He spends his days treating patients at the St. Jude’s Hospital ER and his nights going after the psychopaths who wrong them: the child molesters, wife beaters, and rapists. But when the fiery, beautiful new social worker discovers his secret identity and their love affair takes off, Robert is forced to face some hard questions: Do the ends justify the means? After years of hunting down psychopaths, is Robert turning into one himself? An action thriller with strong, distinct characters, filled with suspense and surprise,…
I wanted to write an action crime book, and it turned into a vigilante book. With military skills (West Pointer/Infantry & Aviation Officer) and lots of cop friends, I was able to draw on real experiences. I also read about 80 novels a year and write crime thriller novels. I’ve won more than a few awards and keep studying my craft. It makes me feel young. I love stories with action that make you think and are a little different and unique. I want to make a reader cry and laugh, which is what I look for in a good novel. So, when I write about vigilantes, I try to keep it real.
I love the action. The main character’s first kill was more of an impulse and was very brutal and messy. Then he planned and learned as he went.
What made this story most different for me is the slow evolution the main character took to being a vigilante. It was fun being in Canada for the story and watching the characters evolve.
I loved the big twist that saves the vigilante. I enjoyed the multiple storylines that all converged. A very engaging psychological thriller. It kept me guessing until the end.
Doesn't everyone fantasize a bit about vigilante justice? Haven't you ever read or heard of some despicable act of violence and secretly wished you could have the opportunity to make the predator pay? Welcome to the VIGILANTE Series, a growing collection of suspense best sellers best described as thrillers and mysteries which will have you cheering for the assassin as justice is delivered in a clandestine fashion. But remember, this is fiction so it's not a crime. Available in kindle and print books.Book 1 of the VIGILANTE Series#1 KINDLE BEST SELLER in VIGILANTE JUSTICE!". . . hits you like a…
I wanted to write an action crime book, and it turned into a vigilante book. With military skills (West Pointer/Infantry & Aviation Officer) and lots of cop friends, I was able to draw on real experiences. I also read about 80 novels a year and write crime thriller novels. I’ve won more than a few awards and keep studying my craft. It makes me feel young. I love stories with action that make you think and are a little different and unique. I want to make a reader cry and laugh, which is what I look for in a good novel. So, when I write about vigilantes, I try to keep it real.
The lead is a kick-ass, take no poop Italian/American young woman, Gia. She’s so Italian I could smell the garlic. A no-nonsense woman. Great character development.
There were many scenes centered around a church, great descriptions and use of the location. I’ll always remember this, just one of those scenes. The dive bar and what happens to the owner was an interesting added dimension. I could smell the “dive” in the bar. Might have been in one of these in my younger years.
I enjoyed learning about the City of the Dead in SF and a few very good twists. I loved Gia. I felt like I was in San Francisco, and I enjoyed a short trip to Italy. Read all 15 in the series.
Gia Santella stands out as an indomitable new heroine in this action-packed thriller series from USA Today bestselling author Kristi Belcamino.
Exotic cars. Glittering nightclubs. Steamy interludes with beautiful strangers.
Gia Santella is all about the fast life. Ever since her parents died in a tragic accident, she’s been burning through her inheritance, chasing desperate highs in the hopes of forgetting her past.
But when an unexpected letter arrives, the past finally catches up to her.
Because her parents’ death was no accident…and now their killer is coming for her.
Armed with nothing but her own instincts, Gia must go…
I wanted to write an action crime book, and it turned into a vigilante book. With military skills (West Pointer/Infantry & Aviation Officer) and lots of cop friends, I was able to draw on real experiences. I also read about 80 novels a year and write crime thriller novels. I’ve won more than a few awards and keep studying my craft. It makes me feel young. I love stories with action that make you think and are a little different and unique. I want to make a reader cry and laugh, which is what I look for in a good novel. So, when I write about vigilantes, I try to keep it real.
I love the war dog, Cody. He has PTSD that makes his rear leg shake, but he is otherwise brilliant with a big personality. He’s not the main character, but he steals the show. Jake (the main character) takes Cody everywhere.
What happens?
Electronic murder, regular murder, Mob wars, kidnapping, police brutality, deadly drones, terrorists, and tons of action. And then there’s the Italian mob, the Russian mob, the FBI, the U.S. Marshalls Service, the Secret Service, the CIA, and the San Francisco PD and the stories about the hero, Jake, a former CIA assassin pulled back into service. Plus, the ladies are everywhere, good girls, bad girls, and victims.
When Jake Wolfe and his adopted war dog are asked to do a K-9 search for a missing person, they uncover a shocking conspiracy, are targeted for death, and must fight for their lives against a gang of cold-blooded killers.
The threat begins when wealthy socialite Lauren Stephens awakens to find her husband, Gene, has vanished from their mansion during the night, leaving his luxury car behind. Cody searches the estate and the dog uncovers a frightening secret that shocks a trusting wife to the core. Gene has enemies, and now they want something from Lauren. Her world is about…
I grew up in a family of writers; my parents and three sisters were all successful writers, and I was the odd one out with a passion for teaching. I love to simplify, diagram, and make the complex graspable. And what’s not to like about a career in which people listen to you tell them what to do? I began writing after years of teaching, and my first novel was a mystery—a genre that no one in my family had yet written and which I’d been loving since my first Nancy Drew and Agatha Christie. Now, I combine the two: teaching and writing. Playing to both strengths and passing along what I’ve learned.
Another book that focuses on story structure, and explains the difference between literary and commercial fiction without talking down to those of us who aspire to the latter. I found it full of illuminating visuals, excellent examples, and exercises to help me immediately apply his advice. And above all, remember that advice weeks later as I write more and more pages.
It works because he does more than expound. He *engages* the reader–mentally and physically. Reading the book is like taking a master class.
How does plot influence story structure? What's the difference between plotting for commercial and literary fiction? How do you revise a plot or structure that's gone off course?
With Write Great Fiction: Plot & Structure, you'll discover the answers to these questions and more. Award-winning author James Scott Bell offers clear, concise information that will help you create a believable and memorable plot, including:
• Techniques for crafting strong beginnings, middles, and ends • Easy-to-understand plotting diagrams and charts • Brainstorming techniques for original plot ideas • Thought-provoking exercises at the end of each chapter •…
I grew up in a family of writers; my parents and three sisters were all successful writers, and I was the odd one out with a passion for teaching. I love to simplify, diagram, and make the complex graspable. And what’s not to like about a career in which people listen to you tell them what to do? I began writing after years of teaching, and my first novel was a mystery—a genre that no one in my family had yet written and which I’d been loving since my first Nancy Drew and Agatha Christie. Now, I combine the two: teaching and writing. Playing to both strengths and passing along what I’ve learned.
This is not a how-to book. It’s a series of essays written by a really smart and funny guy about something at which he excels: writing fiction.
He offers great advice, often with his tongue planted firmly in cheek. His essay on rewriting is titled Washing Garbage. His essay on getting to the finish line is titled Do It Anyway. His great advice: “Give yourself permission to write badly.” I like to have it on my bedside table for leavening those moments when I take myself too seriously.
Characters refusing to talk? Plot plodding along? Where do good ideas come from anyway? In this wonderfully practical volume, two-time Edgar Award-winning novelist Lawrence Block takes an inside look at writing as a craft and as a career.
From studying the market, to mastering self-discipline and "creative procrastination," through coping with rejections, Telling Lies for Fun & Profit is an invaluable sourcebook of information. It is a must read for anyone serious about writing or understanding how the process works.
I grew up in a family of writers; my parents and three sisters were all successful writers, and I was the odd one out with a passion for teaching. I love to simplify, diagram, and make the complex graspable. And what’s not to like about a career in which people listen to you tell them what to do? I began writing after years of teaching, and my first novel was a mystery—a genre that no one in my family had yet written and which I’d been loving since my first Nancy Drew and Agatha Christie. Now, I combine the two: teaching and writing. Playing to both strengths and passing along what I’ve learned.
When I was struggling to write my first mystery novel, I realized that I hadn’t a clue what makes a mystery novel a compelling page-turner. My Beta readers thought that my main character was flat. A cipher. I needed to transform the manuscript into a story that made the reader care about the characters (especially the protagonist). Not just present a clever trail of clues and red herrings.
This book focuses on screenwriting, but what McKee says about plotting in general (three-act structure, scene structure, etc.) is completely applicable to writing a mystery novel, and he gives such practical advice. Through this book, I understood the importance of a character arc. Reassuringly, it’s not rocket science.
For more than 15 years, Robert McKee's students have been taking Hollywood's top honors. His "Story Seminar" is the world's ultimate seminar for screenwriters, filmmakers, and novelists. Now, Robert McKee's Story: Substance, Structure, Style, and the Principles of Screenwriting reveals the award-winning methods of the man universally regarded as the world's premier teacher on screenwriting and story. With Hollywood and publishing companies paying record sums for great stories, and audiences clamoring for originality, McKee's Story gives you the strategies you need to win the war on clichés.
Story is about form, not formula. McKee's insights cut to the hidden sources…
I grew up in a family of writers; my parents and three sisters were all successful writers, and I was the odd one out with a passion for teaching. I love to simplify, diagram, and make the complex graspable. And what’s not to like about a career in which people listen to you tell them what to do? I began writing after years of teaching, and my first novel was a mystery—a genre that no one in my family had yet written and which I’d been loving since my first Nancy Drew and Agatha Christie. Now, I combine the two: teaching and writing. Playing to both strengths and passing along what I’ve learned.
Probably the #1 challenge for me as a mystery writer is holding the readers’ attention and keeping them engaged from Page One to The End. The answer is: create suspense. Keep the reader wondering What’s going to happen next. Ask unanswered questions. Not so much “Whodunnit?” but the more complex: “What’s going on here?”
This book contains interviews with Alfred Hitchcock, the premier master of suspense, talking to the great director Francois Truffaut and dissecting the how-to of creating suspense. His examples and explanations made me truly understand the choices I make when I structure a plot, a scene, or even a moment in the book. Do I want the reader to inhale or exhale or gasp, and why does it matter?
One is ravished by the density of insights into cinematic questions...Truffaut performed a tour de force of tact in getting this ordinarily guarded man to open up as he had never done before (and never would again)...If the 1967 Hitchcock/Truffaut can now be seen as something of a classic, this revised version is even better. Phillip Lopate The New York Times Book Review
I grew up in a family of writers; my parents and three sisters were all successful writers, and I was the odd one out with a passion for teaching. I love to simplify, diagram, and make the complex graspable. And what’s not to like about a career in which people listen to you tell them what to do? I began writing after years of teaching, and my first novel was a mystery—a genre that no one in my family had yet written and which I’d been loving since my first Nancy Drew and Agatha Christie. Now, I combine the two: teaching and writing. Playing to both strengths and passing along what I’ve learned.
It was a wake-up call to me when I was a newly published author, and having researched and plotted and written and endlessly revised my book, I was also responsible for selling it. This is compounded by the fact that the ins and outs of the book business are changing at what seems like warp speed. For instance, self-publishing, which used to be poo-pooed as a last resort, has gone mainstream.
Jane Friedman is an expert on what’s happening, the good news and the bad, along with gory details and hard-nosed advice. And her book (and her blog…) helps would-be blissfully ignorant writers like me stay afloat and possibly even make a living writing. Jane doesn’t pull her punches.
Writers talk about their work in many ways: as an art, as a calling, as a lifestyle. Too often missing from these conversations is the fact that writing is also a business. The reality is, those who want to make a full or part-time job out of writing are going to have a more positive and productive career if they understand the basic business principles underlying the industry. The Business of Being a Writer offers the business education writers need but so rarely receive. It is meant for early career writers looking to develop a realistic set of expectations about…
The human mind fascinates me. Perhaps that’s why I got a PhD in Psychology, and have spent decades in the counseling field. That, of course, brought me in touch with all kinds of minds. Why do people do the things they do, make the choices they live with? We learn patterns in childhood that keep us safe. What if those patterns no longer work in adulthood, or worse, were built on false beliefs? Do life’s events shape us or do they merely show who we were all along? In my psychological thrillers, I explore such things. Even the bad guys have their stories.
Families. What can I say? They can be weird beasts, and none less so than the family of detective Eva Rae Thomas. A father who kidnapped her sister from a grocery store when they were children. A brother she didn’t know existed. Ignored by her family for decades, can she refuse their call for help? Many would, in a case where nothing is as it seems.
Former FBI-profiler Eva Rae Thomas is back and embedded in a true nightmare reaching deep into her own family.
What would you do if your brother was accused of a horrible crime, and you were certain he didn’t do it?
Life is not done throwing Eva Rae Thomas curveballs.
A phone call turns her life upside down – once again.
The call is from her father, the man she hasn’t seen in thirty-six years, not since he kidnapped her sister in a supermarket.
Now, he is back in Florida, and he needs her help.
