Here are 100 books that Mars Trilogy fans have personally recommended once you finish the Mars Trilogy series.
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I'm an apocalyptic optimist—but I didn’t start that way. For over 25 years, I’ve studied climate action efforts and documented why governments and businesses are falling short. It’s become clear that the systemic changes we need will only come through civil society mobilizing for climate action. I’ve explored this in books, articles, and as a contributor to the most recent Intergovernmental Panel on Climate Change (IPCC) assessment. I hope my writing inspires you to embrace your own apocalyptic optimism—not as despair, but as a hopeful, urgent call to action. It’s a powerful first step toward what I believe is still possible: Saving Ourselves.
I am simultaneously inspired and repulsed by this book because it presents a terrible and wonderful fictionalized case study in apocalyptic optimism. In the novel, Robinson weaves a story of hope embedded in despair.
Having studied efforts to solve the climate crisis for over 25 years while witnessing its growing effects, the novel is pitch-perfect on the tensions we must overcome to save ourselves.
“The best science-fiction nonfiction novel I’ve ever read.” —Jonathan Lethem
"If I could get policymakers, and citizens, everywhere to read just one book this year, it would be Kim Stanley Robinson’s The Ministry for the Future." —Ezra Klein (Vox)
The Ministry for the Future is a masterpiece of the imagination, using fictional eyewitness accounts to tell the story of how climate change will affect us all. Its setting is not a desolate, postapocalyptic world, but a future that is almost upon us. Chosen by Barack Obama as one of his favorite…
I have been an enthusiast of aviation, space, and science fiction since I was a child. I graduated in aerospace engineering while the Apollo missions reached the Moon, but then in the post-Apollo days, I worked mostly in the mechanical engineering field. In the 1990s, as a professor of machine design, I could return to aerospace. Later, as a member of the International Academy of Astronautics, I led a study group on human Mars exploration and wrote some research books in this field and a few science fiction novels. I have always been fascinated by the idea that humans can become a multi-planetary species, returning to the Moon and going beyond.
I liked both this book and the movie, even if it has practically just one character. The castaway is so well described that after a few pages, the reader feels like a long-time friend and gets emotionally involved in the story.
I felt like traveling with him across half the planet to reach the Schiaparelli crater, which may mean a possibility of returning home. The other characters who risk their lives to save him also become friends, working with the reader on this common goal.
Six days ago, astronaut Mark Watney became one of the first people to walk on Mars.
Now, he's sure he'll be the first person to die there.
After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he's alive--and even if he could get word out, his supplies would be gone long before a rescue could arrive.
Chances are, though, he won't have time to starve to death. The damaged machinery, unforgiving environment, or plain-old human error are…
Growing up, books weren’t just something I read—they were portals to futures filled with wonder, adventure, and possibility. There was something captivating about science fiction in particular: it was more than just space battles and shiny gadgets. It was about what the future could be—our potential, our challenges, and how we might navigate the unknown. Looking back, a few books and authors had a lasting impact on me, not just as a reader but as a writer. I’ll walk you through five that really stood out and shaped the way I see the world and, ultimately, likely inspired my series.
I love this book for its poetic, dreamlike quality. Bradbury’s writing pulled me in and didn’t let go, painting a picture of Mars that was both beautiful and tragic. As a pre-teen and a teen, in my imagination, I had red dust stuck to my feet, and I was there with the characters. What captivated me was the way the stories felt timeless—each one was like a snapshot of a moment layered with meaning.
I felt like I wasn’t just reading a book about colonizing Mars; I was exploring humanity’s deepest fears, hopes, and regrets. We have companies only today working on getting to Mars, I feel so upset that I know I will likely never set foot on those dusty red shores, but I am thrilled to know it may still happen for others.
Bradbury’s work made me think about the consequences of exploration—how, in our quest to conquer…
The Martian Chronicles, a seminal work in Ray Bradbury's career, whose extraordinary power and imagination remain undimmed by time's passage, is available from Simon & Schuster for the first time.
In The Martian Chronicles, Ray Bradbury, America’s preeminent storyteller, imagines a place of hope, dreams, and metaphor— of crystal pillars and fossil seas—where a fine dust settles on the great empty cities of a vanished, devastated civilization. Earthmen conquer Mars and then are conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race. In this classic work…
I used to think of television as a third parent. As a child of immigrants, I learned a lot about being an American from the media. Soon, I realized there were limits to what I could learn because media and tech privilege profit over community. For 20 years, I have studied what happens when people decide to make media outside of corporations. I have interviewed hundreds of filmmakers, written hundreds of blogs and articles, curated festivals, juried awards, and ultimately founded my own platform, all resulting in four books. My greatest teachers have been artists, healers, and family—chosen and by blood—who have created spaces for honesty, vulnerability, and creative conflict.
Published in 1995, Parable starts in July 2024 amidst the election of an autocrat who, by the sequel Parable of the Talents, literally pledges to “make America great again.” I started my platform in 2015 in the same context.
This novel pulled me into its harrowing tale of how to survive civilizational collapse: the dismantling of systems, norms, and climate change that we are all currently going through.
The lesson is ultimately about embracing change, caring for and trusting each other in community, and coming up with our own ways of being together. So many of our ancestors have survived periods of collapse by the same principles. These ancestral lessons still guide me, and I believe are critical to surviving AI dystopia.
The extraordinary, prescient NEW YORK TIMES-bestselling novel.
'If there is one thing scarier than a dystopian novel about the future, it's one written in the past that has already begun to come true. This is what makes Parable of the Sower even more impressive than it was when first published' GLORIA STEINEM
'Unnervingly prescient and wise' YAA GYASI
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We are coming apart. We're a rope, breaking, a single strand at a time.
America is a place of chaos, where violence rules and only the rich and powerful are safe. Lauren Olamina, a young woman with the extraordinary power to…
I have been an enthusiast of aviation, space, and science fiction since I was a child. I graduated in aerospace engineering while the Apollo missions reached the Moon, but then in the post-Apollo days, I worked mostly in the mechanical engineering field. In the 1990s, as a professor of machine design, I could return to aerospace. Later, as a member of the International Academy of Astronautics, I led a study group on human Mars exploration and wrote some research books in this field and a few science fiction novels. I have always been fascinated by the idea that humans can become a multi-planetary species, returning to the Moon and going beyond.
I like this novelvery much (I read it 3 times), and I think it is the best novel about Mars exploration I ever read. It mixes good scientific accuracy, with well-described and realistic characters, with adventure and mystery. It is as compelling as a thriller, and I found it very difficult to stop reading to go to sleep.
The main character at the beginning seems to be a loser, but as the story unfolds, he develops into a hero without losing his humanity. In the end, I read the sequel to meet him again and to understand some points which were left unsolved at the end of the first novel.
I know people who are not science fiction fans but liked this novel very much.
To the harsh landscape of Sol's fourth planet travel thirteen astronauts, the best scientists from eleven nations, on a history-making voyage into the unknown. The international crew of the Mars mission have spent nine months in space, crossing 100 million kilometres, to reach the last great frontier. Their voyage is fraught with disputes, both personal and political, and their time on Mars limited to 'footprints and flags'; yet while there they will come face-to-face with the most incredible and shocking discovery of all.
I was always a bookworm, even reading the encyclopedia as a child. I was equally drawn to the sciences and literature and ended up getting a PhD in Chemistry. I visited Asia often for my chemistry work and gradually became interested in the philosophy and religion of Asian cultures. Today, I'm more likely to brag about what I’ve written or read about Chinese culture than I am to mention my technical patents.
I first read the Canticle forty years ago, and yet, when asked to recommend five books, this was the first one that came to mind. It threw me into an insane world, yet one that seemed only too possible.
My favorite character is Abraham, a tent-dwelling timeless man who lives through the several generations that the book follows. I am not a fan of dystopia, but this is an exception. Now that I’ve recommended it- I’m going to go read it again.
In the depths of the Utah desert, long after the Flame Deluge has scoured the earth clean, a monk of the Order of Saint Leibowitz has made a miraculous discovery: holy relics from the life of the great saint himself, including the blessed blueprint, the sacred shopping list, and the hallowed shrine of the Fallout Shelter.
In a terrifying age of darkness and decay, these artifacts could be the keys to mankind's salvation. But as the mystery at the core of this groundbreaking novel unfolds, it is the search itself—for meaning, for truth, for love—that offers hope for humanity's rebirth…
As an autistic person, I was a deeply unhappy and anxious child, so naturally I grew up to be a goth, with scary stories becoming a way for me to manage my constant fear. The Gothic became one of my special interests, and something I’ve always enjoyed studying. Additionally, I’ve always loved imaginative, fantastical tales that helped me feel like I was escaping from the real world I hated (and honestly, still hate) so much. As a result, there’s a special place in my heart for books that combine the weird Gothic trappings I hold so dear with the action and magic of a fantastical adventure novel.
For me, Hyperion epitomizes the Gothic space opera.
It may not sound like it on the surface, with the book often being described as a sci-fi spin on the Canterbury Tales, but the devil’s in the details, and Hyperion has many details indeed, with each character’s story bringing us deeper into both their personal darkness and the darkness of the larger world: the labyrinthine Time Tombs; the Cruciform parasite that turns immortality into a curse; and of course, the eldritch godlike entity known as The Shrike.
As an easily-bored reader, I was floored by how easily Hyperion held my attention, as each of the characters’ stories not only made me care about them more, but also contributed to the adventure they shared...especially when it all came to a head in the sequel, Fall of Hyperion.
Spanning multiple worlds, time periods, and philosophical ideas, Hyperion has everything I want…
As a long-term advocate of space colonization I’ve always been drawn to Mars, not by adventure stories but by the idea that ordinary people may someday live there. So this was the theme of my first novel. I wrote it before we had gone to the moon, though it wasn't published until 1970, after my better-known book Enchantress from the Stars. When in 2006 I revised it for republication, little about Mars needed changing; mainly I removed outdated sexist assumptions and wording. Yet the book still hasn’t reached its intended audience because though meant for girls who aren’t already space enthusiasts, its publishers persisted in labeling it science fiction rather than Young Adult romance.
Robert Zubrin is the foremost authority on how to get to Mars, and in addition to his engineering expertise, he is one of the most prominent advocates of colonizing it. This classic book, now in its updated 25th Anniversary edition, should be read by everyone interested in the future of humankind. It contains more technical detail about space travel than some people will care to learn, but that can be skimmed; the section about colonization, and the concluding chapter explaining why going to Mars is important, are what I chose it for. In Zubrin's opinion and my own, Mars is "the door to an open future, a new frontier on a new world, a planet that can be settled, the beginning of humanity's career as a spacefaring species."
The Case for Marsmakes living in space seem more possible than ever in this updated 25th anniversary edition, featuring the latest information on the planet's exploration and the drive to send humans there.
Since the beginning of human history, Mars has been an alluring dream—the stuff of legends, gods, and mystery. The planet most like ours, it had long been thought impossible to reach, let alone explore and inhabit. But that is changing fast.
In February 2021, the American rover Perseverance will touch down on Mars. Equipped with a powerful suite of scientific instruments—including some that will attempt to make…
I used to love dystopian books, but recently, I’ve become increasingly interested in hopeful narratives. I’ve been a climate activist in a couple of movements, and I care deeply about the world, but with all the challenges and negativity we are facing, it’s easy to fall into despair. That’s why I think stories that show cooperation, community, respect for nature and each other, working for a better world, and making it happen are so important. We need those stories to get inspired to act instead of thinking that we’re all doomed anyway. They are also healing—a refuge for a tormented mind.
This is such a beautiful, gentle and cozy book that I couldn’t put it down. In this story, people were left with no choice but to completely rebuild their society, and they did something wonderful.
This book is like a breath of fresh air, like a quiet, healing journey that doesn’t rely on action—it’s an exploration, a celebration of nature, and society, and connection. It touched me in a profound way. It made me go outside to check if it was raining and stand with my bare feet in the grass, enjoying the coldness and softness of the sensation.
It's been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend.
One day, the life of a tea monk is upended by the arrival of a robot, there to honour the old promise of checking in. The robot cannot go back until the question of 'what do people need?' is answered.
But the answer to that question depends on who you ask, and how. They're going to need to ask it a lot.
I’ve always been drawn to the moments when things shift—when what once made sense stops making sense, and you have to find your way through. As a designer and leader, I’ve spent years learning to read change instead of resisting it. I’m passionate about this space because it’s where growth actually happens. These books remind me that clarity doesn’t come all at once; it arrives through attention, through relationship, and through the slow, often messy work of becoming.
I love this book because it changes the way I see the world every single time.
Powers writes with a patience that feels almost radical. I found myself slowing my breathing as I read, realizing how little I notice in the rush of daily life. I love how he blurs the line between human and nature, reminding me that we’re never outside the system—we are the system.
The Overstory humbles me, and because humility, to me, is where clarity begins.
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of-and paean to-the natural world. From the roots to the crown and back to the seeds, Richard Powers's twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours-vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see…
