Here are 17 books that Marcus Goldman fans have personally recommended once you finish the Marcus Goldman series.
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France claimed me early, when I was a teenager. A French major, a Rotary scholarship year in the Loire Valley, and decades of return visits later, I'm still not done with this gorgeous country. Since retirement, my husband and I spend at least several weeks there every year, and in 2011, we lived in France for three months during an adult gap year. My third book, a novel set in Paris and Normandy, is the most recent evidence that France and her food, wine, culture, literature, art and landscapes, have never loosened their hold on me.
I loved this book so much I experienced it twice, first on audio, where the narration is beautiful, and then in print, because the prose deserved to be read on the page.
It is not a plot-driven novel, and that's the point. I found it to be philosophical, unhurried, and deeply attentive: a study of three main characters of different ages and backgrounds in Paris that asks you to slow down and look carefully at the people around you, especially those we tend to overlook. Muriel Barbery finds extraordinary interior lives in ordinary places, and by the end, you may find yourself doing the same.
This is a book that gave me things to think about long after I finished—about beauty, about class, about what it means to truly see another person.
Rene is the concierge of a grand Parisian apartment building. She maintains a carefully constructed persona as someone uncultivated but reliable, in keeping with what she feels a concierge should be. But beneath this facade lies the real Rene: passionate about culture and the arts, and more knowledgeable in many ways than her employers with their outwardly successful but emotionally void lives. Down in her lodge, apart from weekly visits by her one friend Manuela, Rene lives with only her cat for company. Meanwhile, several floors up, twelve-year-old Paloma Josse is determined to avoid the pampered and vacuous future laid…
France claimed me early, when I was a teenager. A French major, a Rotary scholarship year in the Loire Valley, and decades of return visits later, I'm still not done with this gorgeous country. Since retirement, my husband and I spend at least several weeks there every year, and in 2011, we lived in France for three months during an adult gap year. My third book, a novel set in Paris and Normandy, is the most recent evidence that France and her food, wine, culture, literature, art and landscapes, have never loosened their hold on me.
As a Francophile with a lifelong fascination with Jackie Kennedy, I felt that this book was written for me—and it delivered on every count.
Jacqueline in Paris follows a college-age Jackie through her junior year abroad in 1949, and the author gets both the woman and the moment exactly right. The Paris on these pages is beautiful but not romanticized. It is a city still visibly scarred by war, rebuilding itself with fragile dignity. That historical texture gives the story real weight.
What makes this a page-turner is how completely the author inhabits Jackie's inner life. You don't just observe her discovering Paris—you feel it alongside her, the enchantment and the disillusionment in equal measure. I finished it in two sittings and didn't want it to end.
"Captivating...Mah channels Kennedy and brings postwar Paris to life with exquisite detail and insight." -- People
From the bestselling author of The Lost Vintage, a rare and dazzling portrait of Jacqueline Bouvier's college year abroad in postwar Paris, an intimate and electrifying story of love and betrayal, and the coming-of-age of an American icon - before the world knew her as Jackie.
In September 1949 Jacqueline Bouvier arrives in postwar Paris to begin her junior year abroad. She's twenty years old, socially poised but financially precarious, and all too aware of her mother's expectations that she make a brilliant match.…
France claimed me early, when I was a teenager. A French major, a Rotary scholarship year in the Loire Valley, and decades of return visits later, I'm still not done with this gorgeous country. Since retirement, my husband and I spend at least several weeks there every year, and in 2011, we lived in France for three months during an adult gap year. My third book, a novel set in Paris and Normandy, is the most recent evidence that France and her food, wine, culture, literature, art and landscapes, have never loosened their hold on me.
From the first page, this novel transported me to Paris so completely I could almost smell the bread and feel the cobblestones underfoot.
The writing is sensory and assured. It is filled with descriptions of food, fashion, art, and wine that don't just set a scene but make you ache to be there. What elevates this beyond a love letter to Paris is Stella herself. She's a young woman in the middle of becoming, and watching her navigate that is quietly compelling.
Her friendship with the elderly art collector is one of the book's great pleasures: two people at very different stages of life, each with something essential to offer the other. That dynamic felt true and earned. I loved Stella and was rooting for her the whole way.
'No one writes about food like Ruth Reichl... I consider her essential nourishment.' NIGELLA LAWSON
Ripping open the envelope, she read Celia's last words to her. There was just one line written on the paper: 'Go to Paris.'
The last word anyone would use to describe Stella St. Vincent is adventurous. She's perfectly comfortable with the familiar, strict routines of her life as a copyeditor in New York. Or at least, she is until she receives a mysterious note from her late mother and a one-way plane ticket to Paris.
France claimed me early, when I was a teenager. A French major, a Rotary scholarship year in the Loire Valley, and decades of return visits later, I'm still not done with this gorgeous country. Since retirement, my husband and I spend at least several weeks there every year, and in 2011, we lived in France for three months during an adult gap year. My third book, a novel set in Paris and Normandy, is the most recent evidence that France and her food, wine, culture, literature, art and landscapes, have never loosened their hold on me.
Paris in the 1920s and Hemingway—what more could I want?
I'll admit I'm not a devoted fan of Hemingway's prose, but I've always been captivated by the man himself, and this novel more than satisfied that fascination. What unfolds is a love story as beautiful as it is devastating: Hemingway and his first wife, Hadley, set against the glittering, restless backdrop of 1920s Paris.
The author's prose is quietly stunning, and her historical rendering of the era feels fully alive. But it's Hadley who stayed with me. Watching her fight to hold her marriage together, to hold him together, is at times almost unbearable. She's drawn with such sympathy and complexity: a woman of real intelligence and grace, loving someone who was always partly beyond reach.
NEW YORK TIMES BESTSELLER • A deeply evocative novel of ambition and betrayal that captures the love affair between two unforgettable people, Ernest Hemingway and his wife Hadley—from the author of Love and Ruin and When the Stars Go Dark
“A beautiful portrait of being in Paris in the glittering 1920s—as a wife and as one’s own woman.”—Entertainment Weekly
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY People • Chicago Tribune • NPR • The Philadelphia Inquirer • Kirkus Reviews • The Toronto Sun • BookPage
Chicago, 1920: Hadley Richardson is a quiet twenty-eight-year-old who has…
I can’t count the number of conversations where I’ve been asked to slow down, or take a breath, or talk in a straight line. My neurodivergent heroes are versions of me: me if I were an alien, or a dying old lady, or a zombie. Gus is the closest I’ve come yet to writing my true self. He’s just me. I want readers who identify with Gus to feel seen and accepted and those who don’t—to understand what it’s like to live like this. And, just maybe, to have a little fun along the way.
Plot and style matter, but character is what I engage with. This book is a hilarious and touching portrait. Lionel Essrog doesn’t ‘suffer’ from Tourette’s Syndrome, but he happens to have it. He’s so natural that he completely normalizes his condition.
The plot involves an investigation that is told in Chandleresque prose, a very private-eye noir. Essrog is an unexpected narrator who nevertheless manages to own the story. I don’t use the phrase ‘pitch-perfect’ very often, but it fits here.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A complusively readable riff on the classic detective novel from America's most inventive novelist.
"A half-satirical cross between a literary novel and a hard-boiled crime story narrated by an amateur detective with Tourette's syndrome.... The dialogue crackles with caustic hilarity.... Unexpectedly moving." —The Boston Globe
Brooklyn's very own self-appointed Human Freakshow, Lionel Essrog is an orphan whose Tourettic impulses drive him to bark, count, and rip apart our language in startling and original ways. Together with three veterans of the St. Vincent's Home for Boys, he works for small-time mobster Frank Minna's limo…
I’m a fiction writer and visual artist. My volunteer work with Amnesty International on a documentary photography project introduced me to 15 people from all over the world. During that time, I volunteered at a camp in Maine for kids who had life-threatening illnesses. I met a boy who had Progeria. Those two experiences fueled the writing of What Ben Franklin Would Have Told Me. I’m interested in characters who don’t fit the traditional mold and have to carve their own paths. People who are born with life-threatening diseases, imperfections, handicaps, brilliance. I see a kind of bravery in these characters, and in all they have to do to overcome the odds.
Trevor Conklin is a teenager in the advanced stages of Duchenne Muscular Dystrophy and is wheelchair-bound. His new caretaker, Ben Benjamin, has lost his family to an accident (the details of which we don’t learn until the end of the book) and is financially broke. He has taken a 28-hour course on caregiving at a local church and afterward is hired by Trevor’s single mother to dress, bathe, and do everything that Trevor can’t do for himself. At first, there’s a lot of friction between Ben and Trevor, but after a while they become close and begin to trust one another. Together, they go on a road trip from Washington state to Utah to visit Trevor’s dad, the two haven’t seen one another for years. Along the way, they pick up some hitchhikers and Trevor has an encounter with a young woman. Alongside the road trip, are several flashbacks to…
In The Revised Fundamentals of Caregiving (releasing June 24, 2016 as a Netflix Original Film titled The Fundamentals of Caring, starring Paul Rudd and Selena Gomez), Jonathan Evison, author of the new novel This Is Your Life, Harriet Chance! and the New York Times bestseller West of Here, has crafted a novel of the heart, a story of unlikely heroes in a grand American landscape.
For Ben Benjamin, all has been lost--his wife, his family, his home, his livelihood. Hoping to find a new direction, he enrolls in a night class called The Fundamentals of Caregiving, where he will learn…
I love stories so much I majored in English at UVa. Though I showed up in New York with only reading and waitressing skills, I’ve somehow enjoyed the privilege of working in the arts at some of the greatest institutions (Paul Taylor, Cooper Union, ABT). I respond to art, people and especially art-people. Encountering their deep love (and glorious dysfunction) in books enables me to extend the special communion that grows around audiences and artists. This is central to me. It reminds me that beauty is important. It helps me hold on.
This is a great book without a great title. It refers to Spinoza’s Ethics and speaks to the strength of emotions.
Philip Carey has it rough from the outset: he’s disabled, he’s an orphan, and the story traces his travails—bullying, neglect, career misfires, and romantic and other calamities—along with his triumphs. These include some of my very favorite topics (beauty and belonging) along with the questions of adolescence that never leave us.
You could never get away with a book like this now—a 600-page chronological coming-of-age with one POV and narrator, swelling with social commentary and philosophical musings? But it’s a classic for a reason, and it saved my life during the pandemic (I listened, whereas I usually read).
It’s an inspiration and a great ride if you can slow down and savor.
Selected by the Modern Library as one of the 100 best novels of all time
"It is very difficult for a writer of my generation, if he is honest, to pretend indifference to the work of Somerset Maugham," wrote Gore Vidal. "He was always so entirely there."
Originally published in 1915, Of Human Bondage is a potent expression of the power of sexual obsession and of modern man's yearning for freedom. This classic bildungsroman tells the story of Philip Carey, a sensitive boy born with a clubfoot who is orphaned and raised by a religious aunt and uncle. Philip yearns…
My taste in music is as eclectic as my bookshelf. I read everything from poetry to Greek tragedies and listen to both historical and contemporary music. When I first imagined Shelby’s story, I aimed to capture how music transforms us, how it shifts our moods and shapes our memories. As I set out to write the first draft, I had never heard of social-emotional learning. However, writing this book, along with my YA novel, A Song for the Road, inspired me to pursue a master’s degree in Humanities focusing on Social-emotional Learning and Creative Writing. I also teach teens and adults how to write compelling emotional fiction.
When I was a teenager, I would have felt very much at home at the vintage record store in London where this story is set. (In fact, my hometown is named London, except my London is in Canada.) The quirky clerks who work there adore their boss, Rob Fleming, and spend their days attempting to outwit one another with music trivia and compiling funny and far-reaching Top Five lists.
As Rob negotiates a recent breakup, he must sort through his ex-girlfriend’s belongings and the emotional baggage he’s collected over the years. Though Rob is an adult, this still feels like a coming-of-age tale. I came away from the book resonating with the bittersweet awareness of what it means to become an adult with a list of careers if time and money were no object.
"I've always loved Nick Hornby, and the way he writes characters and the way he thinks. It's funny and heartbreaking all at the same time."—Zoë Kravitz
From the bestselling author of Funny Girl, About a Boy, A Long Way Down and Dickens and Prince, a wise and hilarious novel about love, heartbreak, and rock and roll.
Rob is a pop music junkie who runs his own semi-failing record store. His girlfriend, Laura, has just left him for the guy upstairs, and Rob is both miserable and relieved. After all, could he have spent his life with someone who has a…
I’ve been intrigued with the mind for as long as I can remember. As a child, I imagined shrinking myself down and worming my way into other people’s brains to discover how their thoughts differed from mine. When I realized that was impossible, I started creating characters and imagining how they would think, react, and feel. This led to writing novels and motivated me to get my bachelor’s in abnormal psychology and my master’s in forensic psychology. Now, with an innate curiosity for the mind and a background in how it works, I find myself drawn to reading and writing books that take me into characters’ heads.
A book rarely brings me to tears. I didn’t know what to expect when I first picked up this one. The main thing I love about this book is that it takes you right into the head of the main character, who happens to be a very precocious nine-year-old boy. Outwardly, the main character is on an adventure to solve a mystery, but inwardly, he’s on a journey to come to terms with his father’s death.
The protagonist–who, on the surface, is nothing like me–made me feel and address things I had not come to terms with in my life. I felt myself struggling along with the character, and then I ultimately began to heal with him, too. It’s a powerful, tragic, yet absolutely hilarious story that allowed me to forget myself for a while before realizing that I was learning about myself the entire time I read it.
From the critically acclaimed author of Here I Am, Everything is Illuminated and We are the Weather - a heartrending and unforgettable novel set in the aftermath of the 9/11
'Utterly engaging, hugely involving, tragic, funny and intensely moving... A heartbreaker' Spectator
'The most incredible fictional nine-year-old ever created... a funny, heart-rending portrayal of a child coping with disaster. It will have you biting back the tears' Glamour
'Pulsates with dazzling ideas' Times Literary Supplement
'It's a miracle... So impeccably imagined, so courageously executed, so everlastingly moving' Baltimore Sun
Anyone who’s attended high school knows it’s often survival of the fittest outside class and a sort of shadow-boxing inside of it. At my late-1970s prep school in the suburbs of Los Angeles, some days unfolded like a “Mad Max” meets “Dead Society” cage match. While everything changed when the school went coed in 1980, the scars would last into the next millennia for many. Mine did, and it’d thrust me on a journey not only into classic literature of the young-male archetype, but also historical figures who dared to challenge the Establishment for something bigger than themselves. I couldn’t have written my second novel, Later Days, without living what I wrote or eagerly reading the books below.
For years, I refused to re-embrace Holden Caulfield, because Mark David Chapman, John Lennon’s assassin, declared it inspired him to bloodshed. I’m glad I did, getting the juices circulating for my novel.
Holden, manic-depressed over his brother’s death, cut loose from his prep school, may speak in a stream-of-consciousness babble, but he enunciated an old-soul contempt of Ivy-League elitism that reverberates today.
When Holden declares, “The more expensive a school, the more crooks it has,” it’s a literary MRI on American classism still tearing us asunder.
