Here are 31 books that Living Autobiography fans have personally recommended once you finish the Living Autobiography series.
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If one of the main reasons we marry is to raise a family, what happens to the couple once the children grow up and no longer need daily care?
A few years ago, I completed an MSc in Psychology, and my dissertation explored exactly this question. After interviewing many couples, it became clear that unless parents are emotionally prepared for life after children, the sense of loss can be overwhelming. That research raised deeper questions about why we commit—and what keeps us committed.
Reading this book made me blush, gasp and giggle—a lot!
Difficult to describe without spoilers—a literal and metaphorical road trip with surprises at every stop. The moving, shocking and very funny story follows 45-year-old Los Angeles–based multimedia artist, navigating midlife, parenting and a marriage that had lost its narrative under the weight of routine and thwarted expectations.
The New York Times bestselling author returns with an irreverently sexy, tender, hilarious and surprising novel about a woman upending her life
“A frank novel about a midlife awakening, which is funnier and more boldly human than you ever quite expect….the bravery of All Fours is nothing short of riveting.”—Vogue
“A novel that presses into that tender bruise about the anxiety of aging, of what it means to have a female body that is aging, and wanting the freedom to live a fuller life…Deeply funny and achingly true.” —LA Times
I have always tried to find books that explain and explore my life stage. When I was a young mother of little babies, I read many books about early motherhood. When I was studying and travelling and working as a waitress, those topics were represented in my reading too. Now that I’m a woman writer in midlife, with growing children and an art practice, I’m keen to read books by and about women writers who evoke the joys and struggles of this period: aging, the tensions between freedom and responsibility, marriage and separation, ambition and desire.
I have never read a book about motherhood or writing like this one. As I read Debre’s autofictional account of losing custody of her child after leaving her marriage, I couldn’t shake the feeling that I was reading something truly original.
Women are not supposed to leave their families to pursue their artistic ambitions, but Debre’s queer character does just that. This is a really slim, sometimes shocking book. I will admire and continue thinking about this book forever.
'Destined to become a classic of its kind' Maggie Nelson
'One of the most compulsive voices I've read in years' Olivia Laing, Observer
When Constance told her ex-husband that she was dating women, he made a string of unfounded accusations that separated her from her young son, Paul. Laurent trained Paul to say he no longer wants to see his mother, and the judge believed him.
She approaches this new life with passionate intensity and the desire for an unencumbered existence, certain that no love can last. Apart from cigarettes, two regular lovers and women she has brief affairs with,…
I have always tried to find books that explain and explore my life stage. When I was a young mother of little babies, I read many books about early motherhood. When I was studying and travelling and working as a waitress, those topics were represented in my reading too. Now that I’m a woman writer in midlife, with growing children and an art practice, I’m keen to read books by and about women writers who evoke the joys and struggles of this period: aging, the tensions between freedom and responsibility, marriage and separation, ambition and desire.
This is the diary Australian writer Helen Garner kept during a difficult period of her life: the period when she was married to (and eventually separated from) her third husband.
The writing is exquisite, which is why I love this book. Garner records the intricacies and intimacies of the marriage in such exacting terms. Her observations about marriage and the world leave me breathless.
Bold, original and never one to shy away from the truth, Helen Garner's writing has shaped Australian literature. The author has kept a diary for almost all her life. But until now, those exercise books filled with her thoughts, observations, frustrations and joys have been locked away, out of bounds, in a laundry cupboard. Finally, Garner has opened her diaries and invited readers into the world behind her novels and works of non-fiction. Recorded with frankness, humor and steel-sharp wit, these accounts of her everyday life provide an intimate insight into the work of one of Australia’s greatest living writers.…
In Six Memos for the Next Millennium, Italo Calvino writes that “we can distinguish between two types of imaginative processes, one that begins with words and ends with the visual image, and another that begins with the visual image and ends with its verbal expression.” All of my writing projects begin with the visual image. It is difficult for me to verbalize what precisely about art that captivates me. But when I stand in front of certain artworks, I feel a magnetic pull, and something in the piece—the brushstrokes, the colors, the materiality—compels me to write something in response to it.
A brilliant blend of narrative and non-fiction, Optic Nerve follows the narrator, an art critic, as she frequents art galleries in Buenos Aires and reflects on the artworks, which act as prisms that refract her own memories and experiences.
This is a book that moves forward by dint of impressions and ekphrastic encounters, eschewing a conventional plot. It explores the interconnections between image and text by incorporating art criticism into the fictional space.
'A highly original, piercingly beautiful work, full of beautiful shocks... I felt like a door had been kicked open in my brain' Johanna Thomas-Corr, Observer
A woman searches Buenos Aires for the paintings that are her inspiration and her refuge. Her life -- she is a young mother with a complicated family -- is sometimes overwhelming. But among the canvases, often little-known works in quiet rooms, she finds clarity and a sense of who she is . . .
'I was reminded of John Berger's Ways of Seeing, enfolded in tender and exuberant personal narratives' Claire-Louise Bennett
I’m the author of the short story collection I Meant It Once. I often say it’s a book about being a mess in your twenties, but to speak more personally, writing it was a necessity, a way to make sense of both the intensity and mundanity of my own experiences. I love a book where you can palpably feel the author working to make sense of their own life, through language—and, in turn, sorting out what it is for any of us to be a person. Books like these are essential reading when life feels thorny, beautiful, and impossible to make sense of, and all you can do is try to write it down.
I don’t set much store by orderly chronology, in life or writing—as might be clear from my book, where old memories live vividly alongside the present moment!
More interesting to me is how memory accumulates and morphs over time, and how stories live in our minds. Needless to say I adore Julavits’s non-chronological diary The Folded Clock (and what a title)! In gorgeously detailed individual sections, she immerses us in her life without regard for the precise sequence of events. We’re left with a beautiful jumble, which is surely truer than how life is anyway.
Rereading her childhood diaries, Heidi Julavits hoped to find incontrovertible proof that she was always destined to be a writer. Instead, they “revealed me to possess the mind of a phobic tax auditor.” Thus was born a desire to try again, to chronicle her daily life—now as a forty-something woman, wife, mother, and writer. A meditation on time and self, youth and aging, friendship and romance, faith and fate, and art and ambition, in The Folded Clock one of the most gifted prose stylists in American letters explodes the typically confessional diary form with…
I’m the author of the short story collection I Meant It Once. I often say it’s a book about being a mess in your twenties, but to speak more personally, writing it was a necessity, a way to make sense of both the intensity and mundanity of my own experiences. I love a book where you can palpably feel the author working to make sense of their own life, through language—and, in turn, sorting out what it is for any of us to be a person. Books like these are essential reading when life feels thorny, beautiful, and impossible to make sense of, and all you can do is try to write it down.
The narrator of Chang’s debut novel keeps referencing this project she’s working on, and it just might be the book we’re reading.
The novel brilliantly messes around in the gray area between life and art, author and narrator, truth and fiction—as our narrator, adrift in a new town after a cross-country move, writes as a way to make sense of where she’s been and where she’s going.
“Startlingly original and deeply moving.... Chang here establishes herself as one of the most important of the new generation of American writers.” — George Saunders
A Recommended Book From Buzzfeed * TIME * USA Today * NPR * Vanity Fair * The Washington Post * New York Magazine * O, the Oprah Magazine * Parade * Wired * Electric Literature * The Millions * San Antonio Express-News * Domino * Kirkus
A wry, tender portrait of a young woman—finally free to decide her own path, but unsure if she knows herself well enough to choose wisely—from a captivating new literary…
We had money for a while when I was a kid in the Midwest and then, suddenly, we did not. I watched my world of opportunity change dramatically almost overnight, and my mother struggle to redefine herself as not only a mother but now also a breadwinner. It took time for me to understand that the questions I was asking then about gender and access to money weren’t unique to my life, or the lives of Midwestern white women; they got at some grand-scale problems that people had been writing about for a long time about gender and capitalism. Those are the works that helped me formulate my own memoir.
When respected journalist Ulrike Meinhof abandoned her middle-class, job-holding lifestyle to join a group of revolutionaries she’d been covering as a reporter, she was talked about as if she’d been kidnapped. But her own writing reveals a far more devastating reckoning with notions of social class, privilege, and the urgent need for cultural change.
No other figure embodies revolutionary politics and radical chic quite like Ulrike Meinhof, who formed, with Andreas Baader and Gudrun Ensslin, the Red Army Faction (RAF), also known as the Baader–Meinhof Gang, notorious for its bombings and kidnappings of the wealthy in the 1970s. But in the years leading up to her leap into the fray, Meinhof was known throughout Europe as a respected journalist, who informed and entertained her loyal readers with monthly magazine columns. What impels someone to abandon middle-class privilege for the sake of revolution? In the 1960s, Meinhof began to see the world in increasingly stark…
We had money for a while when I was a kid in the Midwest and then, suddenly, we did not. I watched my world of opportunity change dramatically almost overnight, and my mother struggle to redefine herself as not only a mother but now also a breadwinner. It took time for me to understand that the questions I was asking then about gender and access to money weren’t unique to my life, or the lives of Midwestern white women; they got at some grand-scale problems that people had been writing about for a long time about gender and capitalism. Those are the works that helped me formulate my own memoir.
A hard-hitting work of theory that hinges heavily on Despentes’ personal experience in the worlds of punk and sex work, the French writer and filmmaker goes further than most in her demands for feminist solidarity. Brilliant, fun, and captivating, King Kong Theory sits alongside Paolo Freire, James C. Scott, and Emma Goldman in my personal pantheon of thinkers.
'I write from the realms of the ugly, for the ugly, the frigid, the unfucked and the unfuckables, all those excluded from the great meat market of female flesh, and for all those guys who don't want to be protectors, for those who would like to be but don't know how, for those who are not ambitious, competitive, or well-endowed. Because this ideal of the seductive white woman constantly being waved under our noses - well, I'm pretty sure it doesn't exist.'
Powerful, provocative and personal, King Kong Theory is a candid account of how the author of Baise-moi came…
Early observations of power and privilege came from growing up around my Pulitzer Prize-winning father, Richard Eberhart, and his circle of iconic literary friends. During my long career advising top executives, I came to understand the dynamics of male power and privilege and its fit with individual personality. In their corner suites, I listened to CEOs interpret their pasts and envision their futures while the best of them uncovered their real fears and vulnerabilities. As these (mostly) men confronted their own mythologies and legacies, I, too, got to examine mine—recognizing that the best way to change our companies and our lives is to change ourselves.
This book held my hands to a high bar while accumulating, through good storytelling, the truths of a company, both clear and nuanced, as I searched for them in the early George A. Hormel & Company.
Arsenault’s book upends many beliefs we hold about “good companies” that provide stable, long-term jobs to hundreds of employees, like this prominent and popular paper mill in Mexico, Maine, where Arsenault’s family worked through multiple generations. The long-term economic safety and security that employees had felt for years is upended by their numerous life-threatening, sometimes intractable, cancers.
I loved this book for its investigative environmental journalism, its exposure of truths the powerful did not want to be exposed, and its influence on my own research.
In Mill Town "[Kerri] Arsenault pays loving homage to her family's tight-knit Maine town even as she examines the cancers that have stricken so many residents."-The New York Times Book Review
"Mill Town is a powerful, blistering, devastating book. Kerri Arsenault is both a graceful writer and a grieving daughter in search of answers and ultimately, justice. In telling the story of the town where generations of her family have lived and died, she raises important and timely questions." -Dani Shapiro, author of Inheritance
Kerri Arsenault grew up in the rural working class town of Mexico, Maine. For over 100…
I am an award-winning author of two five-star rated memoirs, and the creator/performer of the 90-minute solo show My Whorizontal Life: The Show!. I'm co-host of the podcast My Index to Sex, and I am a Juilliard Drama Graduate and the former #1 escort in the country. My desire in writing about the secret work of love and pleasure is first to create unexpected delight by leading the reader or audience into the surprisingly fascinating, funny, wild, misunderstood, and imagined life underground where so many women secretly work. Through my writing, I hope to give an authentic voice, knowledgeable, true, and uncynical to this experience.
I read this book when it was first published when working low-wage ‘regular’ jobs was something I feared. I had been poor for so long and worked low-wage regular jobs before and through 9 years of college and after until I became an escort. As much as being an escort was shamed, it was nothing compared to the shame of not being able to survive with two low-wage jobs that eat up all your time, your choices, and your health. Then here was this powerful, insightful book.
The author is a journalist who goes underground, takes these jobs, and tries to survive. What is revealed are the lives of so much of the population in America that are working this way. I read this book in one day. Once you see it and have felt it, it’s impossible not to see it and want better for all of us.
Beautifully repackaged as part of the Picador Modern Classics Series, this special edition is small enough to fit in your pocket and bold enough to stand out on your bookshelf.
A publishing phenomenon when first published, Barbara Ehrenreich’s Nickel and Dimed is a revelatory undercover investigation into life and survival in low-wage America, an increasingly urgent topic that continues to resonate.
Millions of Americans work full time, year round, for poverty-level wages. In 1998, Barbara Ehrenreich decided to join them. She was inspired in part by the rhetoric surrounding welfare reform, which promised that a job―any job―can be the ticket…
