Here are 34 books that Ghost World Sequence fans have personally recommended once you finish the Ghost World Sequence series.
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Ever since I was a little kid, I've loved scary stories. But more than the thrill of being afraid, I was drawn to the notion of befriending the ghosts, of making the frightening familiar, of finding meaning and comfort in the horrific. Maybe that's why I'm now a queer old goth, and maybe it's why my favourite themes to both read and write are those of identity, belonging as an outsider, and the 'monstrous' elevated to the beautiful.
I read this tiny collection of stories after chatting to the author on social media, and it's what got me reading again after two years of barely reading a thing.
Nostalgic, atmospheric, and vivid, these stories are sometimes stomach-churningly brutal. Even though a lot of them deal with the supernatural, it's the most mundane of situations that are the most anxiety-inducing. They took me right back to my own Northern childhood, with all the mystery, boredom, wonder, and terror it entailed. A very emotional collection with as much heart as heartbreak, wrapped up in chiming prose.
Welcome to The Repository of Lost Souls. A place for tales – and the people who walk within them – to step inside and rest their weary heads. Meet the vengeful mermaid, the weary ghost. The sibling vampire and the curious child. The family damaged by war. Join the final journey of the Bone Queen.Follow the hare.The Repository of Lost Souls is the debut short story collection of Jane Roberts-Morpeth. Twelve short stories of birth, life, death and beyond, that draw on personal experience and the North East of England, where she lives. Some have a ghostly or paranormal element…
I’ve been writing stories and poems with erotic themes since I first entered the spoken word scene in 1980s San Francisco. As a young queer boy, raised in the highly eroticized Catholic Church, I was actually comfortable talking about and writing about sex and eros as I’d been stigmatized by it, and it got me fascinated with what the big deal was and why writers were afraid to approach it or why they did so in a corny/predictable/idealized and/or often dishonest and clumsy way. Soon I was teaching erotic writing and have been integrating it into my writing in honest, fresh, and enlivening ways—and helping others do so—ever since.
In my opinion, one of the finest living writers in the English language, Winterson masterfully spins a tale of historical, poetic, eccentric, dreamy and highly sensual, and gender-bending eroticism involving an androgynous hero during the Napoleonic era, and taking place in the kitchens of the emperor, on the battlefield and along the freezing march into Russia, as well as amid the canals of Venice. Always thought-provoking and rife with magical realism and plain heart-stopping imagery, tension, and poetry, Winterson tells her story in a manner that will—if not change your ideas about everything—certainly challenge them. I always feel inspired to stretch my understanding wider—and I actually fall deeply in love with the world all over again—each time I finish a novel by Winterson.
From the frozen Russia of Napoleon's campaign, to the canals of Venice, this novel journeys through curious waterways of war and chance, where destiny and the heart cannot be forgotten - nor passion which is to be found somewhere between fear and sex passion, somewhere between God and the Devil. Jeanette Winterson is author of "Oranges Are Not the Only Fruit" which was winner of the 1985 Whitbread First Novel Award.
I wasn’t a fan of reading when I was young. I was a lazy reader. Subjects and genres were always chosen for me during education, until I hunted for my own. I used to write a lot more than reading in early high school. I wrote a horror journal, submitted to my English teacher every week. He told me that my writing was good but advised me that reading the genre could help develop my ideas. Funny, a young teenager couldn’t work that out? So, off I went to the local bookstore and bought my first horror novel. I devoured it within a week. I've been a reader and writer of horror ever since.
A book I’d wanted to read for a long time, but it wasn’t until later in life I was able to get it. When I was just on the early stages of my writing career, my now longtime friend, Marty, said he had a spare copy of Cabal laying around and offered to send it to me. Marty was my writing mentor at the time as he’d been writing horror for many years previous, and his work is inspiring. So, knowing I was getting a book in the mail from my mentor, to whom I hadn’t met in person yet, was very exciting. The book itself was a tired secondhand copy (which I was told it was) yet this gave it more special meaning. Even the cover was a little torn and it was a pocket edition. So, I sat back with this little book, which I still have as…
A fabulous journey through the mind of the master of dark imaginative fiction, Clive Barker.
The nightmare had begun....
Boone knew that there was no place on this earth for him now; no happiness here, not even with Lori. He would let Hell claim him, let Death take him there.
But Death itself seemed to shrink from Boone. No wonder, if he had indeed been the monster who had shattered, violated and shredded so many others' lives.
And Decker had shown him the proof - the hellish photographs where the last victims were forever stilled, splayed in the last obscene…
I’ve been fascinated by how people behave and how in-group bias can change who they are. That interest led me into computational sociology (I study human behavior for a living), with my work appearing in The New York Times, USA Today, WIRED, and more. But my deepest fascination has always been with people’s propensity for the horrific. I LOVE the liminal space where fear, secrecy, and belonging collide. Being neurodivergent, living in a small Virginia town with my wife and our neurodivergent, queer son, I see how communities can both shelter and suffocate. That tension is why I’m drawn to stories saturated in dread, beauty, and what lives in the shadows.
This is the book that taught me how powerful loneliness can be.
Every time I return to it, I feel one character’s ache settle into me, that desperate want to belong somewhere, even if it’s a house that doesn’t love you back. I recommend it because it still feels as if I’m attempting to figure out what is happening alongside the characters, the way only great writing can.
Jackson makes you realize that the scariest hauntings aren’t in the walls, they’re the ones we carry within us.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
I’m a British author for children and young adults, and was lucky to have a wonderful father who loved wildlife of all kinds. He took me on walks where we picked blackberries and hazelnuts, and spotted birds, foxes, rabbits, and deer. With him, I watched hours of wildlife programmes. (I saw so much of David Attenborough, I thought he was an uncle.) Dad also made sure I had many books about every sort of animal, from insects to whales, wolves, and big cats. So, when I was looking for stories to read, I always especially enjoyed folklore about animals—I think these tales were invented by someone like my Dad.
I don’t know how old I was when I first read some version of Aesop’s Fables.
Probably very young, as many are retold for small children, and have become proverbial. For instance, the fox who, unable to reach the bunch of grapes he wants, sulks and says, "I don’t want them anyway, they’re sour." Thereby giving us the expression, "Sour grapes."
Almost all of the stories feature animals. There’s the tale of the tortoise and the hare, where the tortoise wins the race, and the tale of the strong, fierce lion whose life is saved by a tiny mouse. These ancient stories mix observation of animals and observation of human behaviour in many vivid, telling, and very short stories.
A slave who represented his masters in court and negotiations, Aesop relied on allegorical animal stories, collected here in The Complete Fables, to convey his key points. This Penguin Classics edition is translated from the Greek by Olivia and Robert Temple with an introduction by Robert Temple.
In a series of pithy, amusing vignettes, Aesop created a vivid cast of characters to demonstrate different aspects of human nature. Here we see a wily fox outwitted by a quick-thinking cicada, a tortoise triumphing over a self-confident hare and a fable-teller named Aesop silencing those who mock him. Each jewel-like fable provides…
I’m a British author for children and young adults, and was lucky to have a wonderful father who loved wildlife of all kinds. He took me on walks where we picked blackberries and hazelnuts, and spotted birds, foxes, rabbits, and deer. With him, I watched hours of wildlife programmes. (I saw so much of David Attenborough, I thought he was an uncle.) Dad also made sure I had many books about every sort of animal, from insects to whales, wolves, and big cats. So, when I was looking for stories to read, I always especially enjoyed folklore about animals—I think these tales were invented by someone like my Dad.
As a lover of folk-tale, legend, and myth—and having an especial love for Norse Myth—I soon sought out the folk-tales of Norway.
Asbjorsen and Moe are the Norwegian answer to the Brothers Grimm. Their collection is superb. There’s the Ash-Lad, who is rather like Jack of Beanstalk fame, and many trolls. There are twelve princes searching for twelve lost princesses, helpful griffins, abandoned babies, and ancient Norse gods pitching up in thin disguise.
And, of course, as the people who told these tales lived between mountains, sky, and sea, there are many tales of animals and birds.
The definitive English translation of the celebrated story collection regarded as a landmark of Norwegian literature and culture-now in paperback
The extraordinary folktales collected by Peter Christen AsbjOrnsen and JOrgen Moe began appearing in Norway in 1841. Over the next two decades the publication of subsequent editions under the title Norske folkeeventyr made the names AsbjOrnsen and Moe synonymous with Norwegian storytelling traditions. Tiina Nunnally's vivid translation of their monumental collection is the first new English translation in more than 150 years-and the first ever to include all sixty original tales.
Magic and myth inhabit these pages in figures both…
I’m a British author for children and young adults, and was lucky to have a wonderful father who loved wildlife of all kinds. He took me on walks where we picked blackberries and hazelnuts, and spotted birds, foxes, rabbits, and deer. With him, I watched hours of wildlife programmes. (I saw so much of David Attenborough, I thought he was an uncle.) Dad also made sure I had many books about every sort of animal, from insects to whales, wolves, and big cats. So, when I was looking for stories to read, I always especially enjoyed folklore about animals—I think these tales were invented by someone like my Dad.
In this mighty two-volume work, Katherine M. Briggs set out to bring together every folk-tale, myth, and local legend written down in the British Isles, in the English language.
Tales from Scotland, Wales, Ireland, and England: stories of how places gained their names, tales of witches, ghosts, wizards, mermaids, elves, changelings…And also many tales of animals, including The Three Bears and Three Little Pigs.
But also ghostly black dogs, talking dogs, cats who spin, seals who turn into people, donkeys, giant worms or dragons, hens, and magpies. These books are treasure-houses of ideas and inspiration.
A classic in folklore scholarship arranged in 2 parts. Folk Narratives contains tales told for edification or delight, but not thought to be factually true. Folk Legends presents tales the tellers believed to be records of actual events.
I’m a British author for children and young adults, and was lucky to have a wonderful father who loved wildlife of all kinds. He took me on walks where we picked blackberries and hazelnuts, and spotted birds, foxes, rabbits, and deer. With him, I watched hours of wildlife programmes. (I saw so much of David Attenborough, I thought he was an uncle.) Dad also made sure I had many books about every sort of animal, from insects to whales, wolves, and big cats. So, when I was looking for stories to read, I always especially enjoyed folklore about animals—I think these tales were invented by someone like my Dad.
Koshchei the Undying, Vassilia the Beautiful, the Firebird, and Father Frost whispering through the forest: "Are you cold, my children? Are you cold?" The fairy tales of Russia, like their folk art, are beautiful and jewel-coloured.
My own fairy tale book was partly inspired by the Russian tale of Sister Alenushka and Brother Ivanushka, where the little boy is told he must not drink water from the hoof-print of a goat—but he does, and turns into a goat!
There are Russian tales of ambitious cats, grumpy bears, and snakes who marry princesses. These vivid tales have inspired artists, playwrights, and composers. Every child should read them.
Translated by Norbert GutermanIllustrated by Alexander AlexeieffIn this most comprehensive collection of classic Russian tales available in English we meet both universal fairy-tale figures—thieves and heroes, kings and peasants, beautiful damsels and terrifying witches, enchanted children and crafty animals—and such uniquely Russian characters as Koshchey the Deathless, Baba Yaga, the Swan Maiden, and the glorious Firebird. The more than 175 tales culled from a centuries-old Russian storytelling tradition by the outstanding Russian ethnographer Aleksandr Afanas’ev reveal a rich, robust world of the imagination that will fascinate readers both young and old.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and…
I’m a British author for children and young adults, and was lucky to have a wonderful father who loved wildlife of all kinds. He took me on walks where we picked blackberries and hazelnuts, and spotted birds, foxes, rabbits, and deer. With him, I watched hours of wildlife programmes. (I saw so much of David Attenborough, I thought he was an uncle.) Dad also made sure I had many books about every sort of animal, from insects to whales, wolves, and big cats. So, when I was looking for stories to read, I always especially enjoyed folklore about animals—I think these tales were invented by someone like my Dad.
Like most children, I met folklore through the Grimm brothers, even though the Grimms were serious scholars and didn’t publish their book for children.
Still, their complete collection of 248 stories includes Hansel and Gretel, Snow White, and Aschenputtel, "Little Ashes," a Cinderella story. Many other Grimm stories are about animals.
The Bremen Town Musicians tells of a donkey, cat, rooster, and dog, all cruelly treated, who band together to make a life for themselves. Old Sultan is about a toothless old dog who’s outlived his usefulness. His owner means to kill him. But Sultan conspires with "his kinsman," a wolf. The wolf pretends to carry off the farmer’s child, so the ancient dog can stage a rescue, becoming a hero and earning a comfortable retirement.
About :Grimms' Fairy Tales, originally known as the Children's and Household Tales is a collection of fairy tales by the Grimm brothers or "Brothers Grimm", Jacob and Wilhelm, first published in 1812. This is a Historical read as well as a popular literary classic.Originality we take every step possible to ensure the original integrity of this book has been upheld to its highest standard. This means that the texts in this story are unedited and unchanged from the original author's publication, preserving its earliest form for your indulgence. This title is one of the best Fantasy, of all timethat you…
I’m a British author for children and young adults and have lost count of the number of books I’ve published. You learn how to write by reading, and I know that I learned to write from the books I loved and read under the blankets with a torch when I’d been told to go to sleep. I think the books I recommend could all teach children a lot about the art of writing—and they would think they were simply enjoying a story!
When I was ten, I collided with the Greek myths and was left all of a heap.
For at least a year, I thought of little else but these wonderful stories. I wrote my own versions, I drew them, I was obsessed. Hermes was my favourite (and still is). Wings on his heels! Wings on his hat!
A deep love of myth and folklore has stayed with me through my life. Many years later, I wanted to introduce my younger brother to the myths and came across this book. It’s superb, especially with Charles Keeping’s powerful illustrations.
The Greek gods were the powers of the universe: fire, wind, sea, earth; love, hate, jealousy… This book, written by authors who also deeply loved the myths, makes you feel their power.
Leon Garfield and Edward Blishen retells some of the most famous Greek myths in this classic of children's literature. This is the epic history of the Greek Gods told from their violent beginnings to the creation of man.