Here are 72 books that The Repository of Lost Souls fans have personally recommended if you like
The Repository of Lost Souls.
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I’ve been fascinated by how people behave and how in-group bias can change who they are. That interest led me into computational sociology (I study human behavior for a living), with my work appearing in The New York Times, USA Today, WIRED, and more. But my deepest fascination has always been with people’s propensity for the horrific. I LOVE the liminal space where fear, secrecy, and belonging collide. Being neurodivergent, living in a small Virginia town with my wife and our neurodivergent, queer son, I see how communities can both shelter and suffocate. That tension is why I’m drawn to stories saturated in dread, beauty, and what lives in the shadows.
This is the book that taught me how powerful loneliness can be.
Every time I return to it, I feel one character’s ache settle into me, that desperate want to belong somewhere, even if it’s a house that doesn’t love you back. I recommend it because it still feels as if I’m attempting to figure out what is happening alongside the characters, the way only great writing can.
Jackson makes you realize that the scariest hauntings aren’t in the walls, they’re the ones we carry within us.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I wasn’t a fan of reading when I was young. I was a lazy reader. Subjects and genres were always chosen for me during education, until I hunted for my own. I used to write a lot more than reading in early high school. I wrote a horror journal, submitted to my English teacher every week. He told me that my writing was good but advised me that reading the genre could help develop my ideas. Funny, a young teenager couldn’t work that out? So, off I went to the local bookstore and bought my first horror novel. I devoured it within a week. I've been a reader and writer of horror ever since.
A book I’d wanted to read for a long time, but it wasn’t until later in life I was able to get it. When I was just on the early stages of my writing career, my now longtime friend, Marty, said he had a spare copy of Cabal laying around and offered to send it to me. Marty was my writing mentor at the time as he’d been writing horror for many years previous, and his work is inspiring. So, knowing I was getting a book in the mail from my mentor, to whom I hadn’t met in person yet, was very exciting. The book itself was a tired secondhand copy (which I was told it was) yet this gave it more special meaning. Even the cover was a little torn and it was a pocket edition. So, I sat back with this little book, which I still have as…
A fabulous journey through the mind of the master of dark imaginative fiction, Clive Barker.
The nightmare had begun....
Boone knew that there was no place on this earth for him now; no happiness here, not even with Lori. He would let Hell claim him, let Death take him there.
But Death itself seemed to shrink from Boone. No wonder, if he had indeed been the monster who had shattered, violated and shredded so many others' lives.
And Decker had shown him the proof - the hellish photographs where the last victims were forever stilled, splayed…
I’ve been writing stories and poems with erotic themes since I first entered the spoken word scene in 1980s San Francisco. As a young queer boy, raised in the highly eroticized Catholic Church, I was actually comfortable talking about and writing about sex and eros as I’d been stigmatized by it, and it got me fascinated with what the big deal was and why writers were afraid to approach it or why they did so in a corny/predictable/idealized and/or often dishonest and clumsy way. Soon I was teaching erotic writing and have been integrating it into my writing in honest, fresh, and enlivening ways—and helping others do so—ever since.
In my opinion, one of the finest living writers in the English language, Winterson masterfully spins a tale of historical, poetic, eccentric, dreamy and highly sensual, and gender-bending eroticism involving an androgynous hero during the Napoleonic era, and taking place in the kitchens of the emperor, on the battlefield and along the freezing march into Russia, as well as amid the canals of Venice. Always thought-provoking and rife with magical realism and plain heart-stopping imagery, tension, and poetry, Winterson tells her story in a manner that will—if not change your ideas about everything—certainly challenge them. I always feel inspired to stretch my understanding wider—and I actually fall deeply in love with the world all over again—each time I finish a novel by Winterson.
From the frozen Russia of Napoleon's campaign, to the canals of Venice, this novel journeys through curious waterways of war and chance, where destiny and the heart cannot be forgotten - nor passion which is to be found somewhere between fear and sex passion, somewhere between God and the Devil. Jeanette Winterson is author of "Oranges Are Not the Only Fruit" which was winner of the 1985 Whitbread First Novel Award.
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
Ever since I was a little kid, I've loved scary stories. But more than the thrill of being afraid, I was drawn to the notion of befriending the ghosts, of making the frightening familiar, of finding meaning and comfort in the horrific. Maybe that's why I'm now a queer old goth, and maybe it's why my favourite themes to both read and write are those of identity, belonging as an outsider, and the 'monstrous' elevated to the beautiful.
The first in a trilogy from vastly underrated author Susan Price. This is on the surface a charming kids’ book, but moved me more and has haunted me for longer than most 'adult' novels (and is also remarkably dark.) Set in a fairy-tale some-when, somewhere in a blizzard-scoured kingdom, the young witch Chingis seeks to rescue a czarevitchfrom the tower in which he's imprisoned. When I first read this book, I cried publicly on a train, it got to me so much. I'm envious of Price's skill at using simple language so exquisitely to conjure vivid, jewel-toned worlds and invoke both deep dread and soaring joy. It's a deceptively simple little tale of freedom, choice, destiny, privilege, responsibility, and love.
'Electrifying . . . breathtaking.' The Times 'Truly stunning and original.' Kirkus 'Highly original, multidimensional tale.' Booklist 'Richly emotional and lavishly written.' TLS
This stunning Carnegie-winning tale takes us to a world of darkness and ice, where a shaman and a prince fight for their freedom.
In the darkest hour of a freezing Midwinter, a night-walking witch adopts a newborn baby and carries her off in her house on chicken legs. She names her Chingis and teaches her the Three Magics. She grows into such a powerful witch that she rouses the jealousy of Kuzma, the bear-shaman.
Tahir Shah has spent his professional life searching for the hidden underbelly of lands through which he travels. In doing so he often uncovers layers of life that most other writers hardly even realise exist. With a world-wide following, Tahir’s work has been translated into more than thirty languages, in hundreds of editions. His documentaries have been screened on National Geographic TV, The History Channel, Channel 4, and in cinemas the world over. The son of the writer and thinker Idries Shah, Tahir was born into a prominent Anglo-Afghan family, and seeks to bridge East with West through his work.
Far too many foreigners, myself included, have rocked up in Morocco and set to work recording versions of traditional tales for an outside audience. Almost all of them have realized that, what they imagined would be a straightforward exercise, was a near-impossible feat. One of the few European writers who have succeeded, and succeeded exceptionally well, is BBC reporter Richard Hamilton. As I read The Last Storytellers, I marvelled at how well he succeeded where so many others failed. The reason is that Hamilton has two qualities in abundance: patience and sensitivity. Reading the stories he presents takes me to the central square in Marrakech, Jma al Fna. I can see it, feel it, smell it, and, most importantly, I can hear the storytellers there recounting tales that pre-date A Thousand and One Nights.
Marrakech is the heart and lifeblood of Morocco's ancient storytelling tradition. For nearly a thousand years, storytellers have gathered in the Jemaa el Fna, the legendary square of the city, to recount ancient folktales and fables to rapt audiences. But this unique chain of oral tradition that has passed seamlessly from generation to generation is teetering on the brink of extinction. The competing distractions of television, movies and the internet have drawn the crowds away from the storytellers and few have the desire to learn the stories and continue their legacy. Richard Hamilton has witnessed at first hand the death…
I’m from North East England, an area of the UK under-represented in contemporary fiction. I love reading books from authors who grew up in the same area as me, and I enjoy stories that deal with issues relevant to our communities and capture the unique spirit of the people here. My writing is infused with social and political issues. I’m passionate about stories that explore the world around us and how it impacts people, and all these books do that in very different ways.
Written by a disabled, northern author, this magical middle-grade novel has such a warm, compassionate voice, and I loved how it reflected the story’s locations, which are inspired by real places in North East England.
The story is full of magic and features a cast of disabled children who live in a lighthouse by the sea and get caught up in an adventure. I think it’s important for all kids to see themselves in fiction, and this book does a wonderful job of improving disability representation.
Although it’s aimed at children, there’s plenty for adults to enjoy, and I thought this was a beautiful book full of illustrations by a local artist, which helped me to picture the characters and setting.
"A charming tale of found families and mermaids, with my favourite kind of hero at its heart" - Elle McNicoll, award-winning author of A Kind of Spark
A stunning literary adventure from an incredible debut talent, perfect for fans of Kiran Millwood Hargrave, Cerrie Burnell and Katherine Rundell.
I was Haven Point's first Wreckling, but I certainly wasn't the last. There are forty-two of us now, not including the mermaids. When you're a Wreckling, you mainly spend your days squabbling, eating and planning adventures. Oh, and Wrecklings also carry out wreckings, which is how we got our name . .…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
Horror is my passion and most things I read and everything I write fits neatly into the genre. But I am also passionate about telling stories from a unique perspective, or if not entirely unique then at least one that is underused. My novella A Man in Winter is told from the perspective of an elderly chap with dementia for instance. I have also found that many people think books with child protagonists must be children’s books and it makes me sad to think of all the wonderful work is being missed out on, I hope that my list has convinced you to try one of the above books.
Another vampire one I’m afraid. But trust me this is so worth your time.
I read this for the first time when I was in college and well into my Goth phase, this book became my aesthetic afterwards. It’s a different take on vampires, explored through a few different groups of vampires. The characters are wonderfully portrayed and unique but what really hooked me into this book was the setting. It's got depth and feels like you could walk through the book and be in Missing Mile.
Abandoned as an infant, Nothing reads his true name on the handwritten note that was pinned to his baby blanket eighteen years earlier, and discovers that he is the son of a vampire
I love noir fiction and the hard-boiled detective novels that often best exemplify the genre. Both Dashiel Hammet’s Sam Spade and Raymond Chander’s Marlowe are two men who will sacrifice everything for the truth, no matter the cost. There is a stark beauty in that. Fantasy, the genre of myth, carries the deepest, most poignant truths. These are the hard truths that can break a hero’s heart, as in Gilgamesh, or give you the bittersweet ending of The Lord of the Rings. Blending them produces some of my favorite stories, stories I love to read as the fog rolls in, listening to the music of heartbreaking jazz.
In this noir story with a philosophical bent, Miles has been hired to track the reincarnation of a demonic guardian by a Tibetan monk on the eve of a visit of the Dali Lama to New York, and Miles finds himself over his head as an apparent gang war erupts in Chinatown, killings that some on the force think he had a role in. He must avoid capture by the cops so that he can find the killer and the demon, if they are not the same, and avoid becoming the demon's next victim.
I loved the weaving of Tibetan myth into a story of gang warfare and revenge.
Miles Landry is trying to put violence behind him when he takes up work as a private detective focused on humdrum adultery cases. But when a Tibetan monk hires him to find a missing person, things get weird fast.
Charged with tracking down the reincarnation of a man possessed by a demonic guardian from the Tibetan Book of the Dead, Miles is plunged into a world of fortune-tellers, gangsters, and tantric rituals. The year is 1991, and a series of grisly murders has rocked New York City in the run up to a visit from the Dalai Lama.
I’ve been fascinated with high fantasy since the moment my grandmother first presented me with Eragon by Christopher Paolini. Then, add in a Nora Roberts book when I turned sixteen, and voila, my love for all things fantasy romance was born. I crave tension, romance, sizzle, and some epic fight-to-love scenes that make my blood run hot. When I started writing, I knew the exact genre I wanted to focus on–romance. All. Things. Romance. Fantasy, paranormal, contemporary–I enjoy writing them all but in every single one of my stories there lies a thread of fight–of sizzle–because what’s a happily ever after if you don’t have to work for it?
This was the first book I read from these authors and it completely captivated me. Drae, a seemingly normal woman plunged into an utterly abnormal–and dangerous situation–it was a completely binge-worthy series and one I re-read. The tension between the two main characters as they fight to deny what is between them is delicious.
I’m an ordinary mortal girl. Lord Irrik is a depraved dragon shifter. King Irdelron is an immortal tyrant.
In the disease ridden land of Verald, life is mapped out much like the established rings of our kingdom. Everyone has a role… Me? I’ll be uselessly serving potato stew for the rest of my life because I can’t make anything grow.
But starvation brews rebellion.
When the king strikes, I’m captured by Lord Irrik. Instantly, I’m embroiled in a deadly game. One where I’m desperate to understand the rules.
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
I’ve always been intrigued with books containing paranormal twists—I’m talking ghosts, mysticism, time travel. I also have, what I like to call, a healthy curiosity about spirits. Having gone on ghost tours in York (England), Salem (MA), and New Orleans, I’ve yet to spot one. But I know what some of you may be saying—be careful what you wish for! My writing career began later in life, when I realized the stories in my head demanded to be released into the world. From the start I attempted writing a straight-up mystery, but paranormal aspects crept into my chapters, and I decided to let them stay.
Another series starter which I’m happy to have found. I can’t get enough of characters talking to dead people while trying to resolve the spirit’s issues. It leads to sticky, sometimes awkward, situations relying on the main character’s wit and tenacity to see them through to the end. Of course, the living aren’t always a delightful picnic to deal with either. Sorting out a victim of a ninety-year-old murder requires some interesting digging into the past, and Bobbi Holmes doesn’t disappoint.
When Danielle Boatman inherits Marlow House, she dreams of turning it into a seaside bed and breakfast. Since she’s never visited the property, Danielle’s not sure what awaits her in Oregon. She certainly doesn’t expect to find one of the house’s previous owners still in residence. After all, the man has been dead for almost ninety years—shouldn’t he have moved on by now?Charming Walt Marlow convinces Danielle the only way he can move on is if she solves the mystery of his death. Danielle soon discovers her real problems may come from the living—those who have their sights on Marlow…