32 books like Earth's Children

Although Sula is my favorite Toni Morrison protagonist, I’ve found the most profound revelation of power in the four women I consider the collective protagonist of A Mercy. Florens is the primary protagonist, but the communal self she forms with the others leaps off the page.

In a society where men value independence, I rooted for these women as they leaned into interdependence: Rebekka, white Mistress of the house; Lina, the Native American servant; Sorrow, the servant suspected of being mixed-race and feeble-minded; and Florens, the enslaved black girl taken as payment for a debt.

This multiracial cast pools their skills to survive in a society suspicious of any woman sans man. A Mercy seems timely to me as America still struggles to accept women and minorities as partners.

This is one of the strongest survivors I've met in historical fiction. I related to Gussie feeling like an outsider in her family, though for different reasons. I’m a mixed-race woman of Latina, Asian, and Anglo roots, and grew up bouncing between family members in an ethnic patchwork of neighborhoods. Like Gussie, I don’t look or act like anyone in my family—or anywhere.

Like Gussie, I’ve never conformed to society’s expectations of “ladies.” Some see my opinionated, independent, wandering nature as masculine—again, like Gussie. Her confidence, adventurousness, and determination are qualities I’ve cultivated with gusto. Her loneliness feels familiar, but it clarifies the bonds she creates and her loyalty to those she loves. Though most folks in Gussie’s world consider her plain, I find her beautiful.

In this book, I admire how author Vanessa Hua blends intimate storytelling about one teenager into a vast historical saga—drawing on her research skills as a journalist, a background we have in common. In this coming-of-age tale about a secret enclave of pampered and abused teenage girls, I could see why Mei was lured by a promise with feminist allure: that girls can become heroes.

My life experience told me she would get used, yet I loved Mei’s awakening: an idealist transformed into a sexual slave sharpens her wits against Chairman Mao’s even as she becomes his prey, then must use all she’s learned to save herself. Mei’s story is a wake-up call about the dangers women face when societies decline and the price we pay to become heroes.

The story of a curious young woman on a quest for knowledge and insights into the deeper mysteries of the world.

With the guidance of a wise shaman and a witch who have both walked the path of truth before her in different ways, she learns magic and how to overcome fear. It is a book that takes the reader on a journey alongside Brida and leaves space for one’s own moments of self-discovery, learning, and growth.

Of course, the title leapt out at me from the bookshop shelf! And on reading the first page I fell in love with Shafak’s lyrical writing.

As I read further, I was drawn into the stories of love in many guises within its pages. I was intrigued by the way the author wove a modern narrative of a deeply unhappy American housewife with a story about the historical character, thirteenth-century Sufi poet, Rumi, and his friendship with wandering dervish, Shams of Tabriz.

The story took me to a place and time far from mine and I learned about a very different culture—yet in its philosophical concerns and themes, not so different after all. And I really loved that both Shams and Rumi were storytellers so that the novel had layers of nested stories.

This author is the master of alternative history. I love where he takes me. I enjoy his humanization of characters often seen as wooden or stone.

He examines the “what-ifs?” of the historical record. I find the twists and turns remarkable. Small events could so easily have altered major social, political, and cultural evolutions. Imagine a South victorious in our civil war. Imagine if there were no Lincoln assassination. Imagine Robert E. Lee as the newly elected President of the Confederacy with a platform of ending slavery.

As a historian, I am well aware that the smallest alterations in the fabric of time can have huge consequences. I love how Turtledove presents these possibilities to me.

All adventures begin with The Odyssey.

Before there was Don Quixote, Huckleberry Finn, or Bilbo Baggins, there was brave Odysseus. It was Homer who first taught us what it means to desperately desire “to make it there and back again.” For me, The Odyssey struck a personal cord. As a warrior who once answered his nation’s call, it often wasn’t the battles in far distant lands, but the journey home, that was most difficult. Home, that beautiful, powerful word, holds great magic for Odysseus, and for me, too. Many ideas can send a hero on an adventure, but only love of home can bring him back again. These are the greatest adventures of all, and why The Odyssey is foundational for my own novel.

Every myth has an origin, a root. Perhaps the root of all human mythos originated deep in the mountains that lay east of the Black Sea. Nart Sagas from the Caucuses, by John Colarusso, brims with exciting stories of an ancient mythological race of heroic demigods called Narts. These stories were almost lost to history when the Caucus mountain tribes suffered genocide at Russia’s hands. Through “linguistic archeology,” Colarusso rediscovered and breathed new life into this nearly extinct folklore. The author postulates the Nart Sagas not only heavily influenced more familiar European and Asian myths, but may pre-date them and may be the direct link to humanity’s Indo-European roots.

Graham Hancock's book has inspired me to learn more about mysterious places like Stonehenge and Machu Pichu.

Graham is a former newspaper reporter, which is evident when reading his works. He goes to the site and gives you a report on what he saw and learned about the place. He includes history, native beliefs, and mainstream archaeological theory to help the reader develop a clear understanding of the mystery and the differing viewpoints about the mystery.

I highly recommend this book to anyone interested in mysterious places. 

I must be honest: this is perhaps my favorite novel. I love Stockett’s narrative voice, showcased wonderfully in the POVs of three characters: Abilene, Minnie, and Skeeter. Stockett recreates the Jackson, Mississippi, of the early 1960s, and I easily got sucked into the dramas of each character. The only downside to this book is that it’s a one-hit wonder without a sequel. The movie was excellent, too.