Books like Fingerprints of the Gods — picked by fans

I’m a fan of many kinds of stories, but the novel is my favorite form. I love most genres, especially historical and literary. My favorite reads are sagas, not to escape life but rather to experience more of life, immersing myself in a sweeping yet intimate journey into someone else’s world. In my favorite fiction, the protagonists are women or girls who discover their power. Not superpowers, but the real deal: intelligence, compassion, courage. The secret sauce is when an author accomplishes this without a wink—without the heroic woman becoming a caricature of unexpected masculinity or precious femininity. I want novels about women with potential as unlimited as men.

I grew up when the space race was starting, and I became fascinated by all things regarding the planets, rockets, and the cosmos. For several years, I lived in the Houston area and spent hours and hours at the Johnson Space Center, where the history and future of space exploration are on display. The books on my list represent a major theme in my writing, which is futuristic in concept and asks the question: what we would do if our planet became uninhabitable. The answer provides the canvas to explore the advantages of technology, but most importantly, the determination of the human spirit.

I have always been fascinated by stories where faith, myth, and the human condition collide in unexpected ways. The kinds of books that don’t just tell a story, but make you question God, morality, suffering, and what remains of humanity when everything collapses. These are the kinds of stories that stay in your head long after you finish reading. They mix faith, myth, and the end of the world in ways that feel strangely personal and unsettling. They are not simple fantasy, not traditional horror, and not religious fiction in the usual sense. They sit in a strange space where belief, suffering, and human nature all collide.

I am a lover of romance. I feel love is one feeling that no one can get rid of; it is one of the elements that can patch up hurt, and it is also an element that can be expressed in many different forms. Having a wide imagination also adds to this passion. I grew up watching Disney movies such as Ariel and FairyTopia. Not only do I draw my inspiration from movies but also from books. I love reading romance books, the image we create in our mind can take us beyond some images created in movies. It takes us to a world we normally don't see in real life.

I learned the Western Canon at school and from various teachers during my youth; all along, I was yearning for something other, different, and, possibly, truer. Since my early twenties I've been exploring another canon, which exists in opposition to the Aristotelian-Euclidean-Cartesian-Newtonian-Darwinian/Spencerian one. While the western world in the 21st century is free from alacritous canon-enforcing enterprises such as the Holy Inquisition, it nevertheless operates by a canon that remains very much the mentioned Aristotelian-Euclidean-Cartesian-Newtonian-Darwinian/Spencerian one, inculcated into us all from kindergarten to the grave, echoed not only by schools of all levels, but by governments, the media, official institutions and nonofficial entities, and, last but not least, by the entertainment industry. 

My passionate scientific interest in cosmology began several decades ago as a Stanford student while moon-lighting as a cloud chamber photo scanner at the Stanford Linear Accelerator Center (SLAC). An initial interest in particle physics merged with an interest in cosmology because the Big Bang theory is about both. Developing a unique cosmology model and collaborating with other cosmologists around the world was a natural extension. Following numerous peer-reviewed scientific publications, our book summarizing them was one, as well. Taking a passionate interest in anything and sharing it with others is an important first step!

I’ve been an explorer since I was young. My first short trip was to Cahokia Mounds, a site so little is known about that researchers have yet to discover the name of the people who built the famous city of mounds. As I grew into an adult, I was drawn to visit the Pyramid of Chichen Itza in Mexico and Stonehenge in England. As a writer, I decided the one thing missing from the mysterious places field was a fun way to learn about them. So I wrote a mysterious places book in a trivia game format, as learning something new is always more fun when presented as a  game.  

As a child, I was fascinated with astronomy but discouraged from investigating the UFO phenomenon due to religious reasons. Not until I was in my forties, did I begin to see the strange Biblical hints of what ended up in my writing my book UFOs In The Bible. Along the way, my research led me to diverse related topics including Sumerian mythology and astrobiology which have resulted in a few more books (and more to come). I see logic as a fundamental tool for this line of investigation, and so, I embrace books that engage with the evidence logically. I firmly believe we must all make room for experiencers to tell their stories without recrimination.

I learned the Western Canon at school and from various teachers during my youth; all along, I was yearning for something other, different, and, possibly, truer. Since my early twenties I've been exploring another canon, which exists in opposition to the Aristotelian-Euclidean-Cartesian-Newtonian-Darwinian/Spencerian one. While the western world in the 21st century is free from alacritous canon-enforcing enterprises such as the Holy Inquisition, it nevertheless operates by a canon that remains very much the mentioned Aristotelian-Euclidean-Cartesian-Newtonian-Darwinian/Spencerian one, inculcated into us all from kindergarten to the grave, echoed not only by schools of all levels, but by governments, the media, official institutions and nonofficial entities, and, last but not least, by the entertainment industry. 

I started my career as a New York magazine editor and cynical journalist writing about art, celebrities, and show designers. Eventually I had an existential meltdown where I realized I was trapped in reductive materialism. I didn’t believe in a soul or a spirit or anything that wasn’t tangible. I decided to explore psychedelics and wrote my first book, Breaking Open the Head, after visiting indigenous cultures in Africa and South America where I took Iboga, ayahuasca, and mushrooms in initiation ceremonies. I learned we are facing an ecological and geo-political meta-crisis. I tried to find the roots of this, hoping to save humanity from extinction by unifying us around a mystical realization of oneness.