Here are 48 books that Doc Holliday fans have personally recommended once you finish the Doc Holliday series.
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I am a child sexual abuse survivor who struggled for years with the help of therapy to become the person I am today. My sister, my mother, and I suffered years of emotional abuse by my father. When I was a child, my best friend (who also suffered abuse by her brother) and I made up stories that helped us navigate the situations in our families. I read, hiked, backpacked, and traveled alone for years in order to take
risks and develop strength before attempting to write at age sixty-one. I love books that put me solidly in time and place and deeply empathize with characters who struggle and grow to become their genuine selves.
I love this book because I became deeply involved with every one of the characters and how they were changed by their interactions with one another and by the results of their first experience with another salient species. The book involves the age-old questions of faith, God, religion, and humanity. Beautiful and haunting.
'The Sparrow is one of my favourite science fiction novels and it destroyed me in the best way when I read it. It is so beautifully written and the construction of the narrative is masterful.' Emma Newman, acclaimed author of Planetfall
Set in the 21st century - a number of decades from now - The Sparrow is the story of a charismatic Jesuit priest and talented linguist, Emilio Sandoz, who - in response to a remarkable radio signal from the depths of space - leads a scientific mission to make first contact with an extraterrestrial culture.
I’m an amalgam of all of my varied interests and varied employments from actress and singer to corporate paralegal at a movie studio. Since my teenage years, I’ve loved to research. That joy leads into writing factually-accurate historical fiction set in the West. Delving into the private lives of both the fictional and the real people gives the reader a better understanding of the characters’ designated paths leading to the events upon which my novel is based. My recommendations for the best books set in the West with in-depth characters have qualities I’ve employed in my novel. Some of these books also delve into characters from differing races, reflecting most towns in the Old West.
To my experience, this was the first novel of alternative historical fiction.
What if General George Armstrong Custer had survived the Battle of Little Bighorn? I loved the idea that history could be turned on its ear. The most fascinating parts of the book are the court appearances of Major Reno and Captain Benteen, who both survived the Little Bighorn.
Author Jones used their actual testimonies from Reno’s 1879 trial in Chicago. Having been to the battlefield, I understood better how the fight turned against Custer after reading this book. It’s well worth the read.
Suppose that George Armstrong Custer did not die at the Battle of Little Bighorn. Suppose that, instead, he was found close to death at the scene of the defeat and was brought to trial for his actions. With a masterful blend of fact and fiction, The Court-Martial of George Armstrong Custer tells us what might have happened at that trial as it brings to life the most exciting period in the history of the American West. About the Author Douglas C. Jones served in the U.S. Army until his retirement in 1968. He has taught at the University of Wisconsin.
I’m an amalgam of all of my varied interests and varied employments from actress and singer to corporate paralegal at a movie studio. Since my teenage years, I’ve loved to research. That joy leads into writing factually-accurate historical fiction set in the West. Delving into the private lives of both the fictional and the real people gives the reader a better understanding of the characters’ designated paths leading to the events upon which my novel is based. My recommendations for the best books set in the West with in-depth characters have qualities I’ve employed in my novel. Some of these books also delve into characters from differing races, reflecting most towns in the Old West.
Bass Reeves, a real individual, was a slave in Texas and, as personal attendant and crack shot, accompanied his owner, an officer in the 11th Texas Cavalry Regiment, into battle during the Civil War.
The lyrical and colorful narrative closely resembles Bass Reeves’s speech and thoughts, so that one flows into the other. That’s fine writing. Thompson reveals in meticulous detail behavioral traditions between owner and slave and between the slaves themselves that reflect the injustice rife at that time.
This is the first novel in a trilogy, and I’m eagerly awaiting the next two books.
Adapted for the Paramount+ miniseries Lawmen: Bass Reeves, directed by Taylor Sheridan and starring David Oyelowo
2022 National Indie Excellence Awards Finalist for Western Fiction
2021 Phillip H. McMath Post Publication Book Award Finalist for Prose
2021 International Afro-American Historical & Genealogical Society Book Award for Historical Fiction in Event/Era
2021 Oklahoma Book Award Finalist for Fiction from the Oklahoma Center for the Book
2021 Will Rogers Medallion Book Award Finalist for Western Fiction
2021 Spur Award Finalist for Historical Novel from the Western Writers of America
2021 Next Generation Indie Book Award Finalist for Historical Fiction (Pre 1900s)
2020…
I’m an amalgam of all of my varied interests and varied employments from actress and singer to corporate paralegal at a movie studio. Since my teenage years, I’ve loved to research. That joy leads into writing factually-accurate historical fiction set in the West. Delving into the private lives of both the fictional and the real people gives the reader a better understanding of the characters’ designated paths leading to the events upon which my novel is based. My recommendations for the best books set in the West with in-depth characters have qualities I’ve employed in my novel. Some of these books also delve into characters from differing races, reflecting most towns in the Old West.
The West used to begin in Ohio. Some of my ancestors moved there around 1816. Their experiences must have been very similar to those of the Lucketts family depicted in The Trees by the masterful writer, Conrad Richter.
The trees so closely grown and tall, one could not see through them or over them. They had to be toppled. Children got lost in the trees while playing; some never made it back to their homes. Lost forever.
The rich narrative, reminiscent of pioneers’ old diaries the novelist read prior to writing, fills the reader’s ear with character, honesty, pathos, and heart. Richter won the Pulitzer Prize for The Town, the third novel in his Heartland Trilogy. But the trilogy’s first book, The Trees, is my favorite.
“They moved along in the bobbing, springy gait of a family that followed the woods as some families follow the sea.” In that first sentence Conrad Richter sets the mood of this magnificent epic of the American wilderness. Toward the close of the eighteenth century the land west of the Alleghenies and north of the Ohio river was an unbroken sea of trees. Beneath them the forest trails were dark, silent, and lonely, brightened only by a few lost beams of sunlight. Here the Lucketts, a wild, woodsfaring family, lived their roaming life, pushing ever westward as the frontier advanced…
I was never a fan of superheroes, not even as a child. My heroes had to be credible, human, acceptably flawed yet redeemable by a personal moral code that ultimately defined their actions. The heroes in my favorite books are of this ilk, determined to pursue the right thing, regardless of how life challenges them. It speaks to how I’ve tried to live my life–and still do.
An atypical Western, I loved its unusual, yet believable plot.
A drifter, George Briggs, is hired to bring four women, maddened by the bleakness of the Nebraska plains, east to civilizational care.
Briggs fulfills his contract, guiding them through the threat of Indian attacks and other challenges to safety. A feeling pervaded the story that Briggs had been given one shot at elevating himself above an otherwise unremarkable life and he came through. This is a feature that I love in almost any story–the idea of redemption.
I love to believe that potential exists within me.
The Homesman opens in the 1850s, when early pioneers are doing anything they can to survive dreadful conditions. Women especially struggle with broken hearts and minds as they face bitter hardships: One nineteen-year-old mother loses her three children to diphtheria in three days; another woman left alone for two nights is forced to shoot wolves to protect herself. The situation calls for a "homesman"-a person charged with taking these women, driven mad by the conditions of rural life, to asylums in the East. Not exactly a job people are lining up for, it falls to Mary Bee Cuddy, an ex-teacher…
I started reading mysteries in elementary school: Nancy Drew, Agatha Christie, and Stephen King fed my thirst for story, puzzles, and the “super-psychological.” There’s so much about the mind we don’t understand—including our relationships with animals (like an octopus detective)—or the bond between twins (like the one in my Cici series). When I worked with Irene Webb as an associate literary agent in the 2000s, my fascination with the written word and “super-psychological” blossomed. I enjoy connecting motivations, secrets, and passions into a tapestry of humanity. At their core, stories teach us how to be more human, and I want to be part of that lesson. Please enjoy this book list I’ve curated for you.
I almost chose the Sookie Stackhouse series because those are a rollicking treat! C’mon, a vampire detective is pretty fantastic!
But Lizbeth’s story starts with a bang—literally. The novel (and Lizbeth) is grittier than the sweet-as-pie Sookie, which we learn in the first chapter. This dystopian world of the failed United States in the mid to late twentieth century incorporates Russian magicians called grigoris, and a complex gotta-catch-‘em plot with shootouts a la the Old West.
Yup, Charlaine Harris produced another page-turner that’s quite a departure from her Sookie days.
From the beloved #1 New York Times bestselling author of the Sookie Stackhouse series, the inspiration for HBO’s True Blood, comes “a gripping, twisty-turny, thrill ride of a read” (Karin Slaughter, New York Times bestselling author) following a young gunslinging mercenary on deadly mission through the American Southwest.
In a fractured United States, a new world where magic is acknowledged but mistrusted, a young gunslinger named Lizbeth Rose takes a job offer from a pair of Russian wizards. Lizbeth Rose has a wildly fearsome reputation but these wizards are desperate. Searching the small border towns near Mexico, they’re trying to…
I read voraciously and have been fortunate to interact with people and situations such as those on my list. I also grew up in New York City, the melting pot displayed in Humans of New York. There I lived, jumped double-dutch, studied, and worked in a multicultural community. After moving to St Louis, I discovered it was a place that did not always embrace “others.” That inspired me to write my first book,Sugar Hill. Living in St Louis also strengthened my appreciation for diversity in race, religion, and to appreciate people whose sexual identity, or mental and physical ability might differ from mine.
I’ve always been fascinated by American Indian culture. Girls wore intricately beaded dresses and headbands with feathers. Moms carried elaborately decorated baby backpacks. Also, I didn’t understand why the cowboys couldn’t get along with the Indians. In this novel, based on a historical event, the government strikes a deal with the Cheyenne, trading 1000 white women for 1000 horses.
The women are culled from poorhouses, prisons, and asylums, like May whose father committed her for living in sin. May jumps at the opportunity to escape the asylum. Once on the reservation, the newcomers bond and slowly adapt to their new lives and families. Readers too get an intimate portrait of Indian life, and compared to actions of the US Army, it begs the question, who should be labeled savages?
Based on an actual historical event but told through fictional diaries, this is the story of May Dodd―a remarkable woman who, in 1875, travels through the American West to marry the chief of the Cheyenne Nation.
One Thousand White Women begins with May Dodd’s journey into an unknown world. Having been committed to an insane asylum by her blue-blood family for the crime of loving a man beneath her station, May finds that her only hope for freedom and redemption is to participate in a secret government program whereby women from “civilized” society become the brides of Cheyenne warriors. What…
Growing up in West Texas, westerns were just as good as bedtime stories to me. I grew up with all the greats… and the not as greats. The quality didn’t always matter because the spirit was the same. Freedom, opportunity, and possible lawlessness. Survival of the quickest draw. An untamed place where anything could happen. Someone once said that the western genre was America’s genre. It was invented here and our frontier spirit inspired the world. When I decided to write Hour Glass, I channeled the independent spirit of those westerns I grew up with. I wrote the first draft in sixteen days out of pure passion for the subject matter.
I should preface this with some bit of transparency. One reason I love Tinsmith is because I personally know the author. Not only is she a great writer, but she’s one of the only female tinsmiths working in the United States. She makes her own cookware, and it is amazing.
The main character, Marie Kotlarczyk, moves to the Dakota territories with her tinsmith family. When the family encounters disaster, Marie has to learn the family trade in order to survive. It’s not an easy task when women were not meant to do such things.
Sarah puts so much of herself in this book, it’s enchanting. Since she’s a professional tinsmith, every scene is tangible. I can’t recommend it enough.
When her tinsmith father and brothers head West, Polish immigrant Marie Kotlarczyk has no choice but to go along. Family, after all, is family. The Dakota Territories are anything but welcoming to the Kotlarczyks, and as the months trip by, Marie must pick up the hammers she’s secretly desired but also feared. When she faces the skeptical people of Flats Town, the demands of the local Army commander, and her public failures, her inner voice grows destructively, forcing Marie to decide exactly who she is and what it means to be a woman smith.
I am a writer and novelist who comes to storytelling via several curious paths. I am a historian trained in archival research and the collection of oral histories. I also come from a long line of ghost magnets–all of the women in my family have been for generations. And while I am living in blissful exile on the West Coast, my heart remains bound to my childhood home, the Great State of Texas.
I was about thirteen years old when I picked up Charles Portis’ book, and from the very first line, I wanted to be Mattie Ross. The novel was the first Western I remember reading and remains imprinted on my brain as a first to mash up the traditional themes of the righteous Code of the West and the hopelessness of a world awash in lawlessness and violence, all the while eliciting whoops of laughter.
Mattie was the first female protagonist I remember encountering with pluck and impertinence to match the infamous U.S. Marshal Rooster Cogburn and inspire my own.
There is no knowing what lies in a man's heart. On a trip to buy ponies, Frank Ross is killed by one of his own workers. Tom Chaney shoots him down in the street for a horse, $150 cash, and two Californian gold pieces. Ross's unusually mature and single-minded fourteen-year-old daughter Mattie travels to claim his body, and finds that the authorities are doing nothing to find Chaney. Then she hears of Rooster - a man, she's told, who has grit - and convinces him to join her in a quest into dark, dangerous Indian territory to hunt Chaney down…
In 2015, I moved to Michigan’s Upper Peninsula, a world all its own. I live only four blocks from Lake Superior, and I can’t imagine living anywhere without that lake. I pay much more attention to the weather—those waves really crash during Winter storms—and I’ve become more interested in things like geology and local history since moving to such a unique place. Everything I notice eventually enters my poetry, which has become filled with water, shorelines, copper, and white deer. And best of all, our long winters give me a lot of time to read.
After I moved to the Upper Peninsula, I kept hearing about an event referred to as the Italian Hall Disaster in Calumet, Michigan, when over 70 people were killed, most of them children, in 1913.
This book features that event as part of its plot, but it really drew me in because I felt so sympathetic to its main character, Annie Clements. She cares about people, and she cares about justice, and I admired her from the start. I wanted her to succeed even as I sensed she probably would not. She’s one of the few characters I actually grieved for when I finished the book.
From the bestselling and award-winning author of The Sparrow comes “historical fiction that feels uncomfortably relevant today” (Kirkus Reviews) about “America’s Joan of Arc”—the courageous woman who started a rebellion by leading a strike against the largest copper mining company in the world.
In July 1913, twenty-five-year-old Annie Clements has seen enough of the world to know that it’s unfair. She’s spent her whole life in the mining town of Calumet, Michigan, where men risk their lives for meager salaries—and have barely enough to put food on the table for their families. The women labor in the houses of the…
