77 Books Like The Sparrow

Though I did enjoy the earlier Wolf Hall I found Bring Up the Bodies more readable and compelling.

Hilary Mantel paints intimate word pictures of Henry VIII, Anne Boleyn, Jane Seymour, and especially Thomas Cromwell, struggling to make his way through the minefield of political intrigue at Henry’s court. Though it is against almost every principle he holds dear, Cromwell charts a course which one step at a time ultimately brings Anne Boleyn down.

Finding himself in an almost impossible situation, he agonizes over every decision, looking at it from many sides: legal, political, ethical, spiritual, and religious. Meanwhile not far in the background we see the Church’s Pope Clement trying desperately, like Oz’s man behind the curtain, to control events.

Mantel’s genius was her ability to transform dry history into compelling, character-driven stories.

I thought it was great to have Circe herself narrate her love affair with Odysseus.

The first half of the novel interestingly shares her tribulations growing up as a child in a family of gods. I found that this establishes a theme of immortality vs. mortality that the book explores in profound ways. Especially fascinating was Circe’s personal story of her love affair with Odysseus.

I was surprised and delighted that Miller included the resulting child, Telegonus, who is not in Homer but is in ancient myth. Even more surprising to me was Circe falling in love with Telemachus, Odysseus’ son by Penelope (also not in Homer!). This relationship allows the novel to end on a positive note as Circe learns to live like a mortal in her new life with Telemachus.

A novel that is partly based on the real-life anthropologist Margaret Mead and her work in New Guinea in the 1930s, this book had me gripped from the start as it evoked the complex dynamics between the three main characters and their very different approaches to studying Indigenous people.

I was in awe of the power of story-telling in this short book. It shows us how anthropologists might hope to be impartial observers of the people they study, but in reality, these encounters change everyone.

I read this book many years ago as a young adult. Along with other classics such as Alice in Wonderland, I fell in love with a world of imagination, and imagination that pushed the envelopes in terms of literature.

Time travel for me had a place in changing the lives of characters and teaching them about love and growth. Taking on one’s life challenges and force play, good vs. evil…  

Jonas is our youngest protagonist on the list. He is destined to be the receiver of memories in a futuristic utopian society. Those memories are to be passed down to him by an old man, the Giver.

Jonas lives in a society where people are innocent—innocent of emotion, pain, and suffering. He must lose his innocence to experience the joys and pains of humane experience. 

That’s a heavy responsibility. And it’s Jonas’ thoughtfulness and curiosity that draws me to him. He faces difficult ethical choices. His awakening is unique to the fictional world he inhabits, but it is universal in theme. His quest to gain knowledge, his willingness to question authority to get to the truth, and his ability to make tough choices to experience the depth of what it means to be human make him someone I would want in my corner. 

I’ve read The Name of the Wind twice, and each time it feels like sitting down to hear a bard weave his life into song.

Kvothe isn’t perfect—he’s brilliant, arrogant, reckless—but that’s why I believe him. Rothfuss’s prose has a rhythm that lingers in my head like music. What struck me most wasn’t the magic or mystery, but the small human moments: playing the lute for coins, hungering for knowledge, fumbling through mistakes.

For me, it was less about answers and more about the act of telling one’s story, flaws and all.

This is the only book I reread regularly (life is short, so many titles!) because it is gobsmackingly brilliant. The story is about a woman visiting an English country town who’s mistaken for a former resident and convinced to take that person’s place. It’s beautifully written, with great characters, typically compelling plot, but the twist! I gasped out loud the first time and have never failed to get chills on every reread. You don’t see the surprise coming, and yet it is absolutely logical and perfect. I keep trying to find someplace where Stewart trips up or gives it away, and there’s nothing. I bow down.

This book inspired my love of sci-fi romance. I adore the characters and the deceptively simple premise. Cordelia Naismith is a badass survey captain stranded on a wild planet with only her enemy, Aral Vorkosigan, known as The Butcher of Komarr, for company.

As they trek through the wilderness, Cordelia gets to know Aral and realizes her assumptions about him are all wrong. Originally published in 1986, this book launches the Vorkosigan Saga—my favorite sci-fi series. What I love about this book is how Bujold takes the time to let Cordelia and Aral get to know each other as people and bond on a deep emotional and intellectual level. They may be on opposite sides of a war, but they recognize the humanity in each other.

I loved the humor of this novel: Prot – who claims to be an alien from the planet K-PAX – is charming and funny and absolutely wins over everyone he meets. You can’t not want him to be who he says he is. Is K-Pax a real planet? Is Prot a real alien or does he suffer from a mental illness? If you’ve seen the movie, that’s a start, but the book is better and there are sequels. It’s told from his psychiatrist’s point of view so we get a lot of background on him and how he relates to Prot. In many ways, the book tells us more about what it’s like for us to be humans than for Prot to be an alien.

This is a big sprawling story. Do you love books like that or hate them? I love them because they feel like giant puzzles: you kind of lose yourself in them and enjoy the constant twists and turns. DeLillo is a postmodern master so you can trust that he has it all under control. In this book, Billy, a teen mathematician prodigy, wins the Nobel Prize in Mathematics and is spirited away to help decipher a mysterious message from aliens. It’s been compared to Alice in Wonderland for its down-the-rabbit-hole and through-the-looking-glass aspects of plot twists and characters. What makes this satire accessible, however, is the comedy. Billy is us, the readers, and he takes us on a philosophical journey while being surrounded by the strangest of characters.