136 books like Derkholm

“Doors are very powerful things. Things are different on either side of them”’

I love this quote. There’s nothing like the threshold of a door when it comes to story magic! It’s steeped in tradition since long before Roman times. And Diana Wynne Jones is the underrated Queen of this whimsical genre. Her words flow so beautifully, and not only that, her characters are the cutest. I fell in love with Calcifer, the little fire demon, and the headstrong Sophie. 

This is quite literally the book that made me decide to become a writer.

It draws on two Scottish ballads (“Tam Lin” and “Thomas the Rhymer”), but rather than retelling them straight, it uses them as a springboard for its own original plot. The relationship between the two main characters and the story they are telling together instilled in me a burning desire to tell my own stories for other people to read, and it also sent me off down a lifelong path of reading about the folklore that underpins the novels I pick up.

I love oddball books that don’t quite fit into any of the standard categories. (Is this book YA or adult? Does it matter? What are questions?) This book reminded me of Pushing Daisies meets Harry Potter, and god I love it.

I love the deadpan humor and the flawed characters. But mostly, I just love the wacky audacity of the whole thing. This is one of those books where things start off slightly weird (the dead coming back to life) and gets progressively stranger until, about halfway through the book, I had to just laugh at how far from reality Ms. Painter had taken me, and had done so in such a seamless way that I would have applauded except I didn’t want to weird out the people sitting next to me on the plane.

Oliver, a financial analyst befriends a stray cat who begins talking to him one night. And then things start to get really strange.

This is an ‘all the myths are true’ adventure fantasy set in modern-day San Francisco, where absurd things just keep happening while Oliver runs for his life from an inhuman assassin, and finds himself allied with a werewolf with excellent baking skills and a grumpy gunslinger who take orders from an (apparently) immortal child.

I love this story not only for the talking cat (though admittedly it’s what made me start reading), but for the way Oliver is forced to rethink his perceptions of both the world and himself. 

I haven’t found many fantasy books with a talking cat as a lead character, much less as a private investigator, so I was excited to read this one.

Gobbelino and his human Callum run a detective agency; they’re hired to find an evil tome of power that is making a mess of reality.

The descriptions of chaos from Gobbelino’s perspective are especially imaginative; I saw scenes in my mind like a mashup of live action and animation, which was really fun.

Callum and Gobbs have a strong dynamic as partners, aloof yet deeply loyal to each other, which is a strong emotional theme that resonates throughout their capers. 

When it comes to building a world the readers can get involved in, you have to be careful not to reveal too much in the beginning. You want to captivate your readers, have them invest more and more time into exploring the world, allowing it to open up. The Ropemaker shows how well a fantasy story can be written this way. The distant and frightful empire is shrouded in mystery as Tilja and the others begin their adventure, but said mystery is slowly dismantled as they progress through their journey, coming to understand their enemy by living amongst them, all while seeking out a way to protect their home from invasion. 

One of the earliest books of fiction I ever read, Andre Norton’s character Kerovan and his adventures has stuck with me ever since. The way she wrote the tale of a young outcast exploring a fantastical world of magic and myth and discovering who they are in the process was truly engaging. The world came to life through the eyes of the characters themselves. Ever since, I have loved the trope of the young hero who travels the world, exploring and learning. It is something I feature in my own work heavily, as I truly believe that the best way to grow a character is to have them get to know themselves and others.

I had to include this first Harry Potter book because Harry is the epitome of a gifted child and I loved these books from the first.

When my own book, The Meme Machine, came out in 1999, someone rang me excitedly to tell me that my book was number 5 on Amazon!!! (There were not so many books listed on Amazon in those days!!).

I was so thrilled that, of course, I had to find out what the top four were. And guess what – they were the hardback and paperback versions of the first two Harry Potter books, which I’d never even heard of. I bought them immediately and never looked back, receiving each one in the post on its publication day.

What terrific books they were and are.

The late Sir Pratchett was a hero of mine. The Discworld universe is one of the most well-put-together, zany, yet relatable places. The amount of depth that he was able to achieve with a setting that others might consider a joke is astounding.

In order for a universe to connect with me, it has to have characters that I love dearly. Granny Aching and her granddaughter Tiffany are among the few literary characters that have ever brought me to tears on multiple occasions. I used to read this book to my students, and there is one scene in particular towards the end that causes me to choke up every time I read it.

It’s simple and powerful, and it speaks to me on a personal level. I lost my mom back in 2008, and the scene to which I am referring here hits on that sense of loss so well… show more.

This is possibly the best known book on my list, yet it took me a long time to discover it.

This is a thriller-style adventure that follows Nathaniel, a young magician’s apprentice on a quest for revenge, who summons Bartimaeus, an all-powerful djinni. Nathaniel (unwittingly) and Bartimaeus (unwillingly) get caught up in a tangled plot of magic-fueled mayhem in which they have to work together to survive.

Bartimaeus’ sarcastic observations and side tangents add an element of humor that keep it from staying dark and somber, while also highlighting the underlying threads of slavery and social injustice in this fantasy world.