Here are 4 books that Crescent Moon Kingdoms fans have personally recommended once you finish the Crescent Moon Kingdoms series.
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I am a disabled author and podcaster who loves fantasy, but wanted more out of the genre than the Eurocentric Lord of the Rings model. I grew up watching Aladdin, reading Egyptian mythology, and one of my most prized books is an illustrated Shahnameh. There are brilliant stories set in deserts and rainforests, with intense magic and danger, and I hope you’ll enjoy these as much as I do.
The Viper stalks at night. Esha the rebel’s highly trained assassin tasked with the murder of General Hotha and the undermining of King Vardaan’s rule. Kunal is an equally impressive soldier, the nephew of Hotha, and on the hunt for the Viper. When their paths cross, sparks fly, and loyalties are tested.
Y.A. is ahead of general fantasy for representation, both of BIPOC and LGBTQA*. The Tiger at Midnight is heavily inspired by Hindu mythology and Indian cultures, bringing an incredible setting to an excellent Y.A. story. And the cover is absolutely stunning.
The first book in an epic heart-pounding fantasy trilogy inspired by ancient Indian historyand Hindu mythology, perfect for fans of Sabaa Tahir and Renée Ahdieh.
* A Book Riot Most Anticipated Novel of 2019 * B&N Top 50 Most Anticipated Novels *
A broken bond. A dying land. A cat-and-mouse game that can only end in bloodshed.
Esha lost everything in the royal coup—and as the legendary rebel known as the Viper, she’s made the guilty pay. Now she’s been tasked with her most important mission to date: taking down the ruthless General Hotha.
Historical fantasy is my favorite genre, combining my twin passions of history and mythology/folklore. I especially like to read about unfamiliar times, places, identities, and cultures. What I love best about the fantastical is that it allows me to think and write about deep matters symbolically. As someone still discovering my asexuality in middle age, I’ve always identified best with coming-of-age stories, which is why there are so many young protagonists in both my reading and my writing.
There’s not enough Muslim historical fantasy in the world, and this one is so lavish and full of aching romance—my favorite kind! It takes us from 18th-century Cairo, where con-girl Nahri accidentally summons centuries-old deava warrior Dara, to the fabled City of Brass, its walls covered in enchanted statues, home to rival clans of djinn.
I love how the tribes of Deavabad reflect different parts of the Islamic world and its pre-Islamic culture. For example, the main djinn faith reflects Islam, whereas the deava faith with its fire temple reflects the Zoroastrianism of ancient Persia. It’s a complex, believable world in which I can immerse myself, full of revelations, betrayals, tugs of loyalty, and dilemmas of love.
Nahri has never believed in magic. Certainly, she has power; on the streets of eighteenth-century Cairo, she's a con woman of unsurpassed talent. But she knows better than anyone that the trades she uses to get by-palm readings, zars, and a mysterious gift for healing-are all tricks, both the means to the delightful end of swindling Ottoman nobles and a reliable way to survive.
But when Nahri accidentally summons Dara, an equally sly, darkly mysterious djinn warrior, to her side during one of her cons, she's forced to reconsider her beliefs. For Dara tells Nahri an extraordinary tale: across hot,…
I write stories where consequence comes first. I grew up immersed in Greek/Egyptian mythology and fairy tales, but I was always more drawn to the parts they left out. I wanted to know what daily life looked like for someone like Hercules, not just the story beats. Or what happens when the moral of the story isn’t learned. My passion lies in exploring the cost of power, the wounds we carry (that are often excluded from stories), and the myths we create to justify them. I believe the best fantasy doesn’t just help us escape the world, it helps us to look at ours differently.
I picked this up expecting a revenge fantasy story based on what I’d heard, but what I got was something far more brutal.
Much like my #3 pick, this story doesn’t flinch. It dissects power, identity, and the cost of survival with narrative precision. Watching Rin’s descent was nearly voyeuristic; it felt wrong, but you couldn’t help but watch.
This book is an excellent example of fantasy that doesn’t need to pull its punches. It can confront uncomfortable topics head-on and still leaves room for humanity and consequences.
Winner of the Reddit Fantasy Award for Best Debut 2018
'The best fantasy debut of 2018' - WIRED
A brilliantly imaginative epic fantasy debut, inspired by the bloody history of China's twentieth century and filled with treachery and magic.
When Rin aced the Keju - the test to find the most talented students in the Empire - it was a shock to everyone: to the test officials, who couldn't believe a war orphan from Rooster Province could pass without cheating; to Rin's guardians, who had hoped to get rich by marrying her off; and to Rin herself, who realized she…
I’ve always loved things like dragons and dinosaurs, even as a child. And as a Malaysian-born Chinese-Australian, I consumed both Western and Eastern media. I read traditional fantasy books such as The Hobbit and Game of Thrones while simultaneously learning about Chinese folklore and eating zongzi for Dragon Boat Festivals. So, while I’ve always had an interest in dragons, I specifically love the lore, magic, and mythology surrounding East Asian dragons. East Asian dragons are different from the typical fire-breathing dragons we see in Western stories. Unlike in Western media, Eastern dragons are not monsters, and it can be hard to find books that portray them in that light.
This might be cheating a little, as the ‘dragon’ in this book is actually a giant robot-like mecha that is piloted by human soldiers, but I couldn’t leave this list without a mention of Iron Widow.
This is a fierce feminist fantasy re-imagining of China’s only female sovereign, Wu Zetian, and it absolutely pulls no punches. A furiously paced story of vengeance and redemption, this book was a thrill from start to finish.
Pacific Rim meets The Handmaid's Tale in this blend of Chinese history and mecha science fiction for YA readers.
The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain.
When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. But she gets her vengeance in a way nobody expected—she kills him through…
