Here are 47 books that Canopus in Argos: Archives Series fans have personally recommended once you finish the Canopus in Argos: Archives Series series.
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I was a child of empire myself, which can have uncomfortable associations. In my case, this came with a sense of guilt as I grew up in apartheid South Africa, and while still a young man, I felt compelled to leave. Thus disconnected, I became a wanderer in Asia and the Far East, developing an enduring love of India. Africa drew me back as a foreign correspondent when the independence of Zimbabwe appeared to herald a new age of hope. I returned to report too from my homeland after Nelson Mandela’s release. At bottom, my interests – and I’m never sure where they will go next – have always been unpredictable.
It is a novel out of Africa and one that anticipated the end of the empire with relish. Although raised on a farm in Southern Rhodesia, Lessing was always a rebel, and her debut work took an astonishingly bold line in exploring the doomed relationship between a white farmer's wife and a black servant.
The employer is vindictive and racist yet also a hapless dependent and, ultimately, a victim.
The Nobel Prize-winner Doris Lessing's first novel is a taut and tragic portrayal of a crumbling marriage, set in South Africa during the years of Arpartheid.
Set in Rhodesia, 'The Grass is Singing' tells the story of Dick Turner, a failed white farmer and his wife, Mary, a town girl who hates the bush and viciously abuses the black South Africans who work on their farm. But after many years, trapped by poverty, sapped by the heat of their tiny house, the lonely and frightened Mary turns to Moses, the black cook, for kindness and understanding.
I started reading sci-fi in 1962 with 1957's Miss Pickerell Goes to Mars and have loved it ever since. I became a sci-fi writer with my first three books in utopian speculative fiction, The Spanner Series. Unfortunately, I stalled out due to a TBI, a cross-country move, and other distractions, but I do plan to continue with the other 7 volumes in my utopian speculative fiction series some day. The writers in my “best of” list are some of my lifelong inspirations, so I hope newer readers can enjoy and learn from their works as much as I have.
Ray Bradbury and I share birthdays, so I wanted to include him, and he is one of the greats included in this anthology. It also features Philip K. Dick, Stephen King, Roger Zelazny, Ursula K. Le Guin, Neil Gaiman, and more amazing authors. The story, “All Summer in a Day,” is so powerful that it stayed with me my entire life (I read it in 1964, age 9!). I think it stuck with me because it depicts a group of kids my age at that time bullying another classmate into missing out on a once-in-a-lifetime opportunity out of sheer meanness and children's callousness and carelessness. Bradbury masterfully uses an almost typical classroom setting in an alternate world to show us how WE behave badly regardless of our world setting. Fabulous and sad. Read ANYTHING of his and learn a lot as well as be entertained, but please start here.
Collecting more than two dozen stories that appeared for the first time in The Magazine of Fantasy & Science Fiction—the premiere speculative fiction magazine—this extraordinary anthology celebrates sixty years of top-notch genre fiction. Many of these highly acclaimed, award-winning authors’ careers were jump-started by their appearances in Fantasy & Science Fiction.
I started reading sci-fi in 1962 with 1957's Miss Pickerell Goes to Mars and have loved it ever since. I became a sci-fi writer with my first three books in utopian speculative fiction, The Spanner Series. Unfortunately, I stalled out due to a TBI, a cross-country move, and other distractions, but I do plan to continue with the other 7 volumes in my utopian speculative fiction series some day. The writers in my “best of” list are some of my lifelong inspirations, so I hope newer readers can enjoy and learn from their works as much as I have.
Wilhelm is credited with having the best writing that inhabits “speculative fiction” (Robert Heinlein's coined term in 1947). I agree with that wholeheartedly, even though many others have contributed. She has dozens of novels, including mystery, suspense, and speculative sci-fi, but start with this book. Each story is unique and they don't actually connect in any way except that she put them all into this book, so I can't summarize them. Please read them all: every single one is a gem and an amazing example of great sci-fi writing.
Contents: Unbirthday Party (1968) Baby, You Were Great (1967) When the Moon Was Red (1960) Sirloin and White Wine (1968) Perchance to Dream (1968) How Many Miles to Babylon? (1968) The Downstairs Room (1968) Countdown (1968) The Plausible Improbable (1968) The Feel of Desperation (1964) A Time to Keep (1962) The Most Beautiful Woman in the World (1968) The Planners (1968) Windsong (1968) The stories range from speculative fiction, to science fiction, to fantasy. “The Planners” (1968) was a Nebula winner, for example.
I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
Le Guin is a literary force, and this is her most emotionally elegant work.
The political subtlety, the blizzards, the alien humanity—it all works together in perfect cold harmony. It reshaped how I think about empathy and otherness. I reread it any time I start to lose faith in quiet stories.
50TH ANNIVERSARY EDITION-WITH A NEW INTRODUCTION BY DAVID MITCHELL AND A NEW AFTERWORD BY CHARLIE JANE ANDERS
Ursula K. Le Guin's groundbreaking work of science fiction-winner of the Hugo and Nebula Awards.
A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants' gender is fluid. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters...
Embracing the aspects of psychology, society, and human emotion on an…
I started reading sci-fi in 1962 with 1957's Miss Pickerell Goes to Mars and have loved it ever since. I became a sci-fi writer with my first three books in utopian speculative fiction, The Spanner Series. Unfortunately, I stalled out due to a TBI, a cross-country move, and other distractions, but I do plan to continue with the other 7 volumes in my utopian speculative fiction series some day. The writers in my “best of” list are some of my lifelong inspirations, so I hope newer readers can enjoy and learn from their works as much as I have.
Zenna Henderson's entire The People series is worth reading, including the original short stories. These were all published at a time when very few female sci-fi authors were published. There is also a film that is fairly faithful to the books. Her creativity, her understanding the experience of immigrants and those who are “different,” and her depictions of the ways humans and immigrants are likely to re/act are timeless, offering stellar insights into our modern-day experiences. Sci-fi authors would do well to read all her books to learn how to do world-building, draw parallels between non-human species and humans, and analogize modern dilemmas as speculative fiction plots.
I was a child of empire myself, which can have uncomfortable associations. In my case, this came with a sense of guilt as I grew up in apartheid South Africa, and while still a young man, I felt compelled to leave. Thus disconnected, I became a wanderer in Asia and the Far East, developing an enduring love of India. Africa drew me back as a foreign correspondent when the independence of Zimbabwe appeared to herald a new age of hope. I returned to report too from my homeland after Nelson Mandela’s release. At bottom, my interests – and I’m never sure where they will go next – have always been unpredictable.
Dalrymple's wonderful book is a saga of the enduring love affair – cultural, aesthetic, imaginative – that a certain kind of Briton enjoyed with India.
At the heart of it, though, lies the tragic figure of Khair un-Nissa, a Mughal princess who won the heart and soul of James Kirkpatrick, the resident at Hyderabad, and bore him two children, yet whose life in dissipated European society after his early death is symbolic of female vulnerability in empire.
From the author of the Samuel Johnson prize-shortlisted 'Return of a King', the romantic and ultimately tragic tale of a passionate love affair that transcended all the cultural, religious and political boundaries of its time.
James Achilles Kirkpatrick was the British Resident at the court of Hyderabad when he met Khair un-Nissa - 'Most Excellent among Women' - the great-niece of the Prime Minister of Hyderabad. He fell in love with her and overcame many obstacles to marry her, converting to Islam and, according to Indian sources, becoming a double-agent working against the East India Company.
I was a child of empire myself, which can have uncomfortable associations. In my case, this came with a sense of guilt as I grew up in apartheid South Africa, and while still a young man, I felt compelled to leave. Thus disconnected, I became a wanderer in Asia and the Far East, developing an enduring love of India. Africa drew me back as a foreign correspondent when the independence of Zimbabwe appeared to herald a new age of hope. I returned to report too from my homeland after Nelson Mandela’s release. At bottom, my interests – and I’m never sure where they will go next – have always been unpredictable.
Harry Flashman called Lady Sale a vinegary old dragon with a tongue like a carving knife. Well, what else would one expect from a cad who quailed before spirited women as hastily as he fled an enemy?
In reality, Lady Sale was cultured as well as tough. Her diary of Kabul life in 1842 records the pleasure of sharing her geraniums with "Afghan gentlemen" who she thought "a fine, manly-looking set". The British officers, on the other hand, she perceived as a pathetic lot, from the hapless General Elphinstone to various "reprehensible croakers".
Her own mettle was visible during the massacre that followed – her wound was dismissed: "I had fortunately only one ball in my arm; three others passed through my [coat] near the shoulder” – and nine months’ captivity.
A remarkable diary that recounts the dramatic unfolding of the West's first intervention in Afghanistan.
First published in 1843, Lady Sale's Journal describes the first moves in what was to be known as "The Great Game" - the strtegic maneuvring between Russia nd Great Britain on the Northwest Frontier of India. Opening her narrative during the British occupation of Cabul (sic), she records assassinations, tribal insurrection, the disastrous withdrawal of the occupying force, and her own captivity - and eventual release as a result of judicious bribes. recognized as a significant documentary of these events, Lady sale's Journal is an…
I was a child of empire myself, which can have uncomfortable associations. In my case, this came with a sense of guilt as I grew up in apartheid South Africa, and while still a young man, I felt compelled to leave. Thus disconnected, I became a wanderer in Asia and the Far East, developing an enduring love of India. Africa drew me back as a foreign correspondent when the independence of Zimbabwe appeared to herald a new age of hope. I returned to report too from my homeland after Nelson Mandela’s release. At bottom, my interests – and I’m never sure where they will go next – have always been unpredictable.
Thanks to E.M. Forster, who described Mrs Fay as a work of art and arranged the publication of her letters, this indefatigable character remains as vivid today as when recounting her first journey to India in 1779, across the desert in Egypt and the Indian Ocean.
She was unknown, unconnected, and suffered misfortune upon misfortune, including imprisonment under Hyder Ali, but still made no fewer than four voyages to the East – one was quite enough for most travelers in those days – where she died penniless. No extract can do justice to her sharp eye and sharper pen. Mrs Fay must be read.
Eliza Fay's origins are obscure; she was not beautiful, rich, or outlandishly accomplished. Yet the letters she wrote from her 1779 voyage across the globe captivated E. M. Forster, who arranged for their British publication in 1925. The letters have been delighting readers ever since with their truth-is-stranger-than-fiction twists and turns, their earthy humor, and their depiction of an indomitable woman.
When the intrepid Mrs. Fay departed from Dover more than two hundred years ago, she embarked on a grueling twelve-month journey through much of Europe, up the Nile, over the deserts of Egypt, and finally across the ocean to…
I grew up blocks from Hollywood Boulevard in the late ‘60s and early ‘70s and had something like a front-row seat to the greatest pop culture five-car pile-up in American history. At the Canteen on Hollywood and Vine, where my aunt would take me on summer weekdays for the “Extras for Extras Smorgasbord,” you’d rub shoulders with aging starlets, cowpokes, starry-eyed young hopefuls, and “leading men” in five-and-dime ascots who never had a leading role. Even Billy Barty, always of good cheer, would make the scene—he was so nice to me, and I had no idea he played my hero, Sigmund the Sea Monster!
Lessing was the rare woman among Britain’s pack of Angry Young Men in the late Fifties and early Sixties, and, among her primary targets, was Hollywood’s sometimes thin, hyper-sentimental, maudlin version of love.
The centerpiece of this collection is the gut-punching title story, all about an aging theater actor who tries and fails to rekindle an old flame and then ends up with a brash actress half his age.
His new lady’s view of romance is contemporary—which is to say, ice cold. After sleeping with him, she says, “You know what, George? You’ve just got into the habit of loving. You just want something in your arms, that’s all. What do you do when you’re alone? Wrap yourself in a pillow?”
I’m a lecturer in medical humanities at the University of Leeds in England and I’m currently writing a book about the portrayal of traumatic pregnancy in fantastic literature (science fiction, horror, fantasy…). ‘Medical humanities’ is a field of study that looks at medical issues using the tools of the humanities, so it encompasses things like history of medicine, bioethics, and (my specialty) literature and medicine. Thinking about literature through the lens of traumatic pregnancy has led me to some fascinating, gory, and philosophical books, some of which I’m including on this list.
In this book, Doris Lessing tells the story of the Lovatts, a perfectly normal middle-class English family with four children and a seemingly idyllic life. The idyll is spoiled when the wife, Harriet, becomes pregnant with her fifth child.
The novel tells the story of the child's (Ben’s) life until he is in his teenage years, but the early scenes that describe Harriet’s difficult pregnancy and her foreboding that something is deeply wrong with her unborn child are the ones that I find particularly sinister.
Here, Lessing shows how pregnancy can be an experience that wreaks unpredictable consequences on the smooth functioning of life.
Doris Lessing's contemporary gothic horror story—centered on the birth of a baby who seems less than human—probes society's unwillingness to recognize its own brutality.Harriet and David Lovatt, parents of four children, have created an idyll of domestic bliss in defiance of the social trends of late 1960s England. While around them crime and unrest surge, the Lovatts are certain that their old-fashioned contentment can protect them from the world outside—until the birth of their fifth baby. Gruesomely goblin-like in appearance, insatiably hungry, abnormally strong and violent, Ben has nothing innocent or infant-like about him. As he grows older and more…
