Here are 100 books that Book of the Art fans have personally recommended once you finish the Book of the Art series.
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I've been a student of horror since my mother first sat me down in front of the TV to watch the old monster movies with her. It's a genre for the outsiders, the underdogs, which I've certainly felt at several points throughout my life. Good horror is both an escape and a vessel to affect change in the world. Many people in my life believe horror is just boobs and blood, so I feel like it's my job to educate them. This is why I started hosting my horror movie nights, which later developed into my first cookbook. Horror is a major part of my life and I hope it gets the appreciation it deserves.
It is a beautifully gruesome story about love, desire, and greed. Though I found it to be absolutely frightening, I also found it strangely comforting.
As a young gay man in the early 00s, as the AIDS epidemic was slowing down a bit, Barker's depiction of sexuality and openness was quite refreshing. I can only imagine what it must have been like reading this story for the first time as a gay man in the 1980s.
The classic tale of supernatural obsession from the critically acclaimed master of darkness—and the inspiration for the cult classic film Hellraiser
From his scores of short stories, bestselling novels, and major motion pictures, no one comes close to the vivid imagination and unique terrors provided by Clive Barker. The Hellbound Heart is one of Barker’s best—a nerve-shattering novella about the human heart and all the great terrors and ecstasies within its endless domain. It is about greed and love, desire and death, life and captivity, bells and blood. It is one of the most frightening stories you are likely to…
My PhD work focused on horror fiction and film, and I spent ten years teaching about horror (I even included two of my recommended books in courses). The academic stuff is more a symptom than a cause of my passion for the scary. I’ve been a horror freak forever, becoming interested in vampires by age four, reading Stephen King and writing stories to frighten classmates by age nine, and putting a poster of Freddy Krueger on my wall at age ten. Extremes of fiction take me away from extremes of real life, which are much harder to handle.
This book originally consisted of six short collections of novellas and stories, but they’ve since been gathered into a two-volume set, so I’m hoping I can count them as one. They go together, and I think they’re nearly all excellent.
When I was a kid, these stories helped build a bridge for me, from the likes of Stephen King (whom I still adore) to new imaginative worlds of horror that include all kinds of transgressive imagery.
I love how Barker combines the fantastic with the visceral, blurs lines between the monstrous and the human, and makes desire dark, dirty, and wonderful. I also love these stories for all they taught me and helping usher in modern extreme/hardcore horror.
Rediscover the true meaning of fear in this collection of horror stories from Clive Barker, New York Times bestselling author and creator of the Hellraiser series.
Everybody is a book of blood; wherever we're opened, we're red.
In this tour de force collection of brilliantly disturbing tales, Clive Barker combines the extraordinary with the ordinary, bringing to life our darkest nightmares with stories that both seduce and devour. As beautiful as they are terrible, the pages of this volume are stained with unsettling imagery, macabre humor, and visceral dread. Here then are the…
To understand why I write macabre stories, you could ask my therapist if I had one. I’ve had this bent since my mother read me Dr. Seuss’ What Was I Scared Of? (A title that inspired the title of my TV series Are You Afraid of the Dark?) Blame it on her. My reading was dominated by the short stories I mentioned and magazines like Eerie and Creepy. I also consumed a steady diet of Twilight Zone and Saturday matinee horror movies. Why? I believe it’s because these stories offer imaginative conflicts that are far removed from reality yet told through the perspective of common experience. And they’re always wrapped in a compelling mystery.
Like Stephen King, Clive Barker has an impressive list of horror-themed novels for all tastes, ranging from fantasy to deeply disturbing and graphic horror tales like Books of Blood. This book skews more toward fantasy but still has its share of scares and disturbing imagery.
A young boy is sent on a whimsical and horrifying imaginative adventure. It’s like a modern-day Grimm fairy tale, right up my alley.
As well as being a novelist, I am also a script editor for film and TV. I specialise in thriller narratives and big themes in screenwriting, so it's no accident I am drawn to them in fiction too. Dystopian worlds offer such a rich backdrop for the BIG questions and observations. By putting new societies and threats under the microscope in stories, it can hold a mirror up to what's going on in real life. I think of dystopian novels as being akin to the canaries in the coal mine: they are not only cathartic, they sound the warning bell on where we are going as a society ourselves.
Barker's theory of parallel worlds in this book totally captivated me. The story world is so layered and nuanced—and nightmarish! Themes of God, gender, sex, and death weave together effortlessly.
I love it so much that I read this book at least once a year! What I liked most was the journey of the dual protagonists, Gentle and Jude, not to mention that killer twist at the end.
The story of three people on an epic journey through five Dominions to the border of the greatest mystery of all - the First Dominion. On the other side, if they dare to venture, lies the Holy City of the Unbeheld, where their highest hopes or deepest fears will be realized.
I am a Pulitzer-nominated writer who began as a poet, then shifted to prose during a period of aesthetic and personal crisis in my life. I am interested in how the novelist can gather and curate fascinating facts for the reader and incorporate them into the text. I see writing as a great adventure and investigation into issues of empathy, power, and powerlessness, and the individual in an increasingly technological world.
When I wrote my first novel, I began investigating modern-day technology—robotics, bioengineering, AI, and information technology—and have read and worked in this area for over 15 years. It is a pleasure to share some of the books that have informed my own journey.
Truly a book for the ages, how could I not recommend this? It is THE iconic book about a constructed being and his consequent travails.
Made by Victor Frankenstein from all sorts of collected detritus, when the monster opens his “yellow, watery eyes,” the scientist flees from him and never looks back. The monster is left to negotiate the world on his own, but much like a newborn baby, he is ignorant and unequipped to do so.
I love how, unlike the popular concept of the monster, he is, in fact, a vegetarian, and at the start, very vulnerable and peaceful. He learns to read by sitting outside a cottage where he can hear the cottagers teaching a foreigner to read.
I wrote a whole novel about him, A Monster’s Notes, which transports him into the 21st century.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
I wasn’t a fan of reading when I was young. I was a lazy reader. Subjects and genres were always chosen for me during education, until I hunted for my own. I used to write a lot more than reading in early high school. I wrote a horror journal, submitted to my English teacher every week. He told me that my writing was good but advised me that reading the genre could help develop my ideas. Funny, a young teenager couldn’t work that out? So, off I went to the local bookstore and bought my first horror novel. I devoured it within a week. I've been a reader and writer of horror ever since.
A book I’d wanted to read for a long time, but it wasn’t until later in life I was able to get it. When I was just on the early stages of my writing career, my now longtime friend, Marty, said he had a spare copy of Cabal laying around and offered to send it to me. Marty was my writing mentor at the time as he’d been writing horror for many years previous, and his work is inspiring. So, knowing I was getting a book in the mail from my mentor, to whom I hadn’t met in person yet, was very exciting. The book itself was a tired secondhand copy (which I was told it was) yet this gave it more special meaning. Even the cover was a little torn and it was a pocket edition. So, I sat back with this little book, which I still have as…
A fabulous journey through the mind of the master of dark imaginative fiction, Clive Barker.
The nightmare had begun....
Boone knew that there was no place on this earth for him now; no happiness here, not even with Lori. He would let Hell claim him, let Death take him there.
But Death itself seemed to shrink from Boone. No wonder, if he had indeed been the monster who had shattered, violated and shredded so many others' lives.
And Decker had shown him the proof - the hellish photographs where the last victims were forever stilled, splayed in the last obscene…
I’ve always been fascinated with the unseen hidden inside what is seen. In my life, I’ve tried to peer into dark corners and see reflections in lightless rooms. I’m captivated by ancient ways and alternate realities, and I love it when a new idea bends my mind and makes room for possibilities. I try to illuminate the subtle shadows many don’t notice or consider through my books, and I write Speculative and Literary Fiction to offer the potential of my imagination. I feel, in many ways, it’s the greatest contribution to humanity I can make.
This book is nonfiction. At times, it took me so far out of my comfort zone that I had to put it down.
But when I set aside my own belief system and read the interviews with the mindset of believing what the people were saying, a pattern emerged that made me question everything I thought to be true… in a good way.
In 1958, a successful businessman named Robert Mornroe began to have experiences that drastically altered his life. Unpredictably, and without his willing it, Monroe found himself leaving his physical body to travel via a "second body" to locales far removed from the physical and spiritual realities of his life. He was inhabiting a place unbounded by life or death.
Monroe recorded these experiences in two bestselling, landmark books, Journeys Out of the Body and Far Journeys. Ultimate Journey, his final and career-defining work, takes us further than we thought possible—and reveals to us what it all means.
I’ve always been fascinated with the unseen hidden inside what is seen. In my life, I’ve tried to peer into dark corners and see reflections in lightless rooms. I’m captivated by ancient ways and alternate realities, and I love it when a new idea bends my mind and makes room for possibilities. I try to illuminate the subtle shadows many don’t notice or consider through my books, and I write Speculative and Literary Fiction to offer the potential of my imagination. I feel, in many ways, it’s the greatest contribution to humanity I can make.
I read this book for the first time when I was about ten years old. It was my introduction to Speculative Fiction and opened my heart to what is possible.
It’s a story of darkness and light, of a man wandering through life unaware of his own soul until he is confronted with a past he can’t remember. It’s an old book written in an old-fashioned way, but it changed my mind when I was young and made me want to write.
I’ve always been fascinated with the unseen hidden inside what is seen. In my life, I’ve tried to peer into dark corners and see reflections in lightless rooms. I’m captivated by ancient ways and alternate realities, and I love it when a new idea bends my mind and makes room for possibilities. I try to illuminate the subtle shadows many don’t notice or consider through my books, and I write Speculative and Literary Fiction to offer the potential of my imagination. I feel, in many ways, it’s the greatest contribution to humanity I can make.
This is another favorite short read I’ve read at least a hundred times. If Hughes had made The Deadfall any longer, it would have spoiled the vivid, hypnotic, poetic way he sucks me into the life of a boy camping with his brother.
He has me feeling the warmth of the fire on my face before casting me into the dreary countryside where my feet are cold and the wind nips my nose. The intense atmosphere of nature keeps me going back to this one. The absolute beauty of what happens when the ghost of a fox calls out to a sleeping boy suspends me in disbelief. I never want to let go.
'These nine pieces hang together, in my mind, as an accompaniment to my poems'. So wrote Ted Hughes in the foreword to this collection, taken from forty years of occasional story-telling. Of the nine items, six are from Wodwo, Hughes's 1967 collection of poems and other writings, while 'The Head' has appeared only in a magazine, and 'The Deadfall' in an anthology of ghost stories. 'O'Kelly's Angel', written when the author had just left university, is published for the first time.
I’ve always been fascinated with the unseen hidden inside what is seen. In my life, I’ve tried to peer into dark corners and see reflections in lightless rooms. I’m captivated by ancient ways and alternate realities, and I love it when a new idea bends my mind and makes room for possibilities. I try to illuminate the subtle shadows many don’t notice or consider through my books, and I write Speculative and Literary Fiction to offer the potential of my imagination. I feel, in many ways, it’s the greatest contribution to humanity I can make.
This book is a fast read, but to tell the truth, I’ve never read it once without rereading it at least three times back to back. It’s moody and rhythmic, eerie enough to make the hairs on my neck stand up, and it rings of a desperate hope I know to be doomed.
Yet, it’s so beautiful and atmospheric that I want to be in the grand house anyway, with all the charming but creepy characters stitching away so the story can go on forever.
World-renowned cartoonist Seth returns with three new ghost stories for 2022.
Margaret visits the lavish home of her friend Carla Rhodes for the summer holidays. But when Carla's brother arrives with a mysterious friend, strange occurrences cause tensions to rise within the group, and secrets hidden within the house begin to emerge.
