Here are 31 books that Book of the Ancestor fans have personally recommended once you finish the Book of the Ancestor series.
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I’ve been heavily immersed in the fantasy and sci-fi world since the age of nine, across fiction novels, role-playing games, tabletop miniature gaming, and movies. My first love was fantasy, and that’s one of the reasons why the post-apocalyptic genre particularly appeals to me when it comes to sci-fi. It plays in that dark, gritty place between futuristic, sci-fi, technology, and dark-age style fantasy. In addition, I’ve always felt socially conscious and value writing that highlights themes that are relevant today. This is another place that the post-apocalyptic genre slides comfortably into. And, of course, there’s the zombies. Another fantasy element that works beautifully in post-apocalyptic, sci-fi settings.
I loved that this book took me back to my fantasy roots and is epic fantasy at its best.
The post-apocalyptic theme in this book is not obvious at first and is only really explained as the trilogy progresses. I love that Kelsea is nothing like a normal protagonist, perhaps a result of this mysterious and uncertain history. I found it authentic that she was inexperienced, lacking in confidence, and had to labour hard to mature and find her place and role in the story.
I loved the dark, sinister, and mysterious nature of the antagonist, the Red Queen. And I loved the setting, the kingdoms, the threat of war, the chivalry of knights, and the threat of assassins.
Kelsea Glynn is the sole heir to the throne of Tearling but has been raised in secret after her mother - a monarch as vain as she was foolish - was murdered for ruining her kingdom. For 18 years, the Tearling has been ruled by Kelsea's uncle in the role of Regent however he is but the debauched puppet of the Red Queen, the sorceress-tyrant of neighbouring realm of Mortmesme. On Kelsea's nineteenth birthday, the tattered remnants of her mother's guard - each pledged to defend the queen to the death - arrive to bring this most un-regal young woman…
I’ve been reading science fiction and fantasy since I was a kid, and I love when the two genres meet. I’m also fascinated by the power of stories and language, which has led me to work as an intern at a literary agency and later as an editor at a website that reviewed and gave feedback on unpublished manuscripts. I love finding ways to imbue stories with the kind of magic that can transport us to new worlds.
I read it at eleven and thought it was cool and exciting and different. I read it at seventeen and thought there might be some meaning behind the story.
I read it as a young father and thought, “Holy cow! It’s the meaning of life! A sci-fi/fantasy exploration of the creation and the fall of man… it’s an allegory for Adam and Eve leaving the Garden of Eden. And it’s so good!” But don’t let the depth intimidate you; it’s a super compelling story about a young man in hyper-advanced society who has a gift that gets him in trouble. A total page-turner.
Now I want to go read it again. I wonder what I’ll notice this time…
It was a miracle of science that permitted human beings to live, if not forever then for a long, long time. Some people, anyway. The rich, the powerful, they lived their lives at the rate of one year every ten. Somec created two societies: that of people who lived out their normal span and died, and those who slept away the decades, skipping over the intervening years and events. It allowed great plans to be put into motion. It allowed interstellar empires to be built. It came near to destroying humanity. After eons of decadence and stagnation, a few seed…
My first two lessons as a geophysicist were confusing opposites. My supervisor told me that I must carry my investigations to professional conclusions, while the very best physicists showed me that good scientists are the most parsimonious about what they conclude. It's a battle between humility and the need to tell a story. We human beings crave a nice, neat ending, and we often only get one in fantasy, for the real world is complex. It was this insight that led me to start every story I ever wrote with at least a concept for the ending. If we are going to go anywhere with our narratives, we better first consider where that is.
I stopped and blinked at the end of the first chapter, knowing the author had touched on something brilliant. His character, Kit, asked something I never expected to read in a fantasy novel. I broke out in goose bumps as I thought to myself, where will this go? An ending is a conclusion, and both feel best when they are strong and unquestionable. So, what happens when we find a book that makes us question what is true? Not an abstract quest towards the meaning of life or epistemology, but an indictment of human dogmatism, The Dragon’s Path will make you laugh at your own desire for simple, unquestionable answers.
"Everything I look for in a fantasy." -- George R. R. Martin
All paths lead to war. . .
Marcus' hero days are behind him. He knows too well that even the smallest war still means somebody's death. When his men are impressed into a doomed army, staying out of a battle he wants no part of requires some unorthodox steps.
Cithrin is an orphan, ward of a banking house. Her job is to smuggle a nation's wealth across a war zone, hiding the gold from both sides. She knows the secret life of commerce like a second language, but…
My first two lessons as a geophysicist were confusing opposites. My supervisor told me that I must carry my investigations to professional conclusions, while the very best physicists showed me that good scientists are the most parsimonious about what they conclude. It's a battle between humility and the need to tell a story. We human beings crave a nice, neat ending, and we often only get one in fantasy, for the real world is complex. It was this insight that led me to start every story I ever wrote with at least a concept for the ending. If we are going to go anywhere with our narratives, we better first consider where that is.
Sometimes we think we are reading fiction as an exercise in entertainment, and fantasy as a guilty pleasure. Abercrombie is a favorite writer of mine because his work does all that, but he also surprises with sharp insight every single time. Last Argument of Kings ends his First Law Trilogy with the most surprising reveal of all—that the moral center does not exist. Not at all. All the blood and death that his characters have dealt out and survived are not in service to some higher good. More than just an exercise in cynicism or a service to violence, this story shines a light on power, politics and the people who stand atop the heap. And somehow Abercrombie does this all while making you laugh and shake your head in amazement.
Logen Ninefingers might only have one more fight in him - but it's going to be a big one. Battle rages across the North, the King of the Northmen still stands firm, and there's only one man who can stop him. His oldest friend, and his oldest enemy. It's past time for the Bloody-Nine to come home.
With too many masters and too little time, Superior Glokta is fighting a different kind of war. A secret struggle in which no-one is safe, and no-one can be trusted. His days with a sword are far behind him.…
I have long been fascinated by what makes us human. Great art is about the human condition. We are very quick to reject art that gets that human condition wrong. I’m a poet, a playwright, and a scientist. While my science has found itself at the center of fields such as computational psychiatry and neuroeconomics, I find myself turning again and again to the insights from great novels to understand the subtleties of the human condition. So to complement the scientific questions of morality (because morality is all about the human condition), one should start with great novels that ask who we are and why we do what we do.
The best description of sainthood I have ever found. In The Curse of Chalion, Bujold starts from a world of visceral reality with a new religion based on family archetypes.
In her world, these gods are real and play very specific roles within the society, and well-constructed prayer opens up a space for the gods to use one for their purposes. As the main character learns what it means to be a saint, to allow miracles to flow through him (as he says, “like a mule being whipped up the mountain pass”), we see the difference between supportive and unsupportive roles, how failure can lead one astray and how the journey home can be long and difficult.
Warning: This book contains scenes and situations not suitable for children.
A man broken in body and spirit, Cazaril returns to the noble household he once served as page and is named secretary-tutor to the beautiful, strong-willed sister of the impetuous boy who is next in line to rule. It is an assignment Cazaril dreads, for it must ultimately lead him to the place he most fears: the royal court of Cardegoss, where the powerful enemies who once placed him in chains now occupy lofty positions.
But it is more than the traitorous intrigues of villains that threaten Cazaril and the Royesse Iselle here, for a sinister curse hangs like a…
Ross and I have backgrounds in academia, in the finest liberal arts tradition. Although we are currently in the fields of Information technology and public health, between us we have read extensively in military history, sociology, economics, feminist theory, Buddhist philosophy, mythology and all manner of fantasy fiction. This list of books reflects our favorites, in large part because of their focus on character and historical world-building. We are always eager to share our favorite fantasy fiction with other readers who love deeply complicated stories with unforgettable characters.
I’m a complete sucker for fantasy built around a seemingly unremarkable protagonist who responds to extraordinary circumstances with remarkable strength and courage. Add in a cross-dressing bad-ass heroine, and I’m hooked. This book is, in part, the story of Winter Ihernglass, a young woman who escapes her past by dressing as a man and enlisting in the Vordanai Colonials.
This is a complex novel reminiscent of the Napoleonic wars. The world-building was wonderful, the writing gritty, the military action realistic, but it was the way Winter earned the respect of her fellow soldiers that wouldn’t let go of me.
Set in an alternate nineteenth century, muskets and magic are weapons to be feared in the first "spectacular epic" (Fantasy Book Critic) in Django Wexler's Shadow Campaigns series.
Captain Marcus d'Ivoire, commander of one of the Vordanai empire's colonial garrisons, was serving out his days in a sleepy, remote outpost-until a rebellion left him in charge of a demoralized force clinging to a small fortress at the edge of the desert.
To flee from her past, Winter Ihernglass masqueraded as a man and enlisted as a ranker in the Vordanai Colonials, hoping only to avoid notice. But when chance sees…
I’m a Canadian author who thought too much about death as a child. But I was also a happy little goblin who grew up watching Disney fairytales and Transformers cartoons—all of which shine in my blend of twisting horror meeting tales of love and friendship. My degree in History helps me add depth and a political thriller edge. Bands of brothers, found family, and loyal hounds round out my books. I adore being scared, but I also want my characters to find happiness. So I’ll put you on the edge of your seat and have you jumping at the next twist—but don’t worry, the dog always lives.
When zombies meet the political thriller energy of 24 or Designated Survivor, I’m always going to be in. So it blows my mind that I’m late to the party when it comes to Mira Grant’s Newsflesh trilogy.
This means that I have to confess that I’m not quite finished reading Feed. I know, I know. Rather bold of me to go ahead and include it in a recommendation list, huh? But when you know, you know.
This book has far too many things I love not to include it. It’s got a survivable, post-zombie world. A scary-believable viral premise. Two reporters who are determined to break the story of a lifetime, no matter the risk. And a deadly, twisting political conspiracy. I mean, this is so much story candy all wrapped up in an undead bow.
'Gripping, thrilling and brutal . . . a masterpiece of suspense' Publishers Weekly
'The zombie novel Robert A. Heinlein might have written' Sci-Fi Magazine
The year was 2014. We had cured cancer. We had beaten the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, virus blocks taking over bodies and minds with one, unstoppable command: FEED.
Now, twenty years after the Rising, bloggers Georgia and Shaun Mason are on the trail of the biggest story of their lives -…
If you regard science fiction, fantasy, and horror as throwaway literature, think again. It is within such tales that the contest between good and evil is given center stage, wherein heroic acts are celebrated, and virtue discussed in all its many permutations. I would call speculative fiction a worthy successor to the medieval morality play, a dramatic form that used allegorical characters to teach moral lessons. To wit—stories are an instrument of culture, a way to promote common values and an important activity for any civilization that intends to stick around. You won’t find an abundance of this vibe in ‘serious’ fiction—and when you do, it’s not as much fun.
I was 9 years old when I read this title for the first time—which is not to say the John Carter series is suitable for that age group. In 1959, I was given a junior bookworm card for the library at Union Church, Metro Manila, Philippines, where I discovered a lot of material I was too young to read.
Burroughs was a man of his times—scholar, cowboy, rancher, drifter, would-be soldier—a young adult at the turn of the 19th century when every house on every street was occupied by durable, resilient people. That was his reality. It shows in the work.
In 1866, a U.S. Army captain is mysteriously transported into conflict on the planet Mars. Airships, monsters, warring clans, beautiful women, giant doglike creatures. You name it, Mars has it. Preposterous, right? I took another read just to see and suspended disbelief right away. There’s that Magical Realism act…
Rediscover the adventure-pulp classic that gave the world its first great interplanetary romance-now featuring an introduction by Junot Diaz
In the spring of 1866, John Carter, a former Confederate captain prospecting for gold in the Arizona hills, slips into a cave and is overcome by mysterious vapors. He awakes to find himself naked, alone, and forty-eight million miles from Earth-a castaway on the dying planet Mars. Taken prisoner by the Tharks, a fierce nomadic tribe of six-limbed, olive-green giants, he wins respect as a cunning and able warrior, who by grace of Mars's weak gravity possesses the agility of a…
Growing up, books weren’t just something I read—they were portals to futures filled with wonder, adventure, and possibility. There was something captivating about science fiction in particular: it was more than just space battles and shiny gadgets. It was about what the future could be—our potential, our challenges, and how we might navigate the unknown. Looking back, a few books and authors had a lasting impact on me, not just as a reader but as a writer. I’ll walk you through five that really stood out and shaped the way I see the world and, ultimately, likely inspired my series.
I love this book for its poetic, dreamlike quality. Bradbury’s writing pulled me in and didn’t let go, painting a picture of Mars that was both beautiful and tragic. As a pre-teen and a teen, in my imagination, I had red dust stuck to my feet, and I was there with the characters. What captivated me was the way the stories felt timeless—each one was like a snapshot of a moment layered with meaning.
I felt like I wasn’t just reading a book about colonizing Mars; I was exploring humanity’s deepest fears, hopes, and regrets. We have companies only today working on getting to Mars, I feel so upset that I know I will likely never set foot on those dusty red shores, but I am thrilled to know it may still happen for others.
Bradbury’s work made me think about the consequences of exploration—how, in our quest to conquer…
The Martian Chronicles, a seminal work in Ray Bradbury's career, whose extraordinary power and imagination remain undimmed by time's passage, is available from Simon & Schuster for the first time.
In The Martian Chronicles, Ray Bradbury, America’s preeminent storyteller, imagines a place of hope, dreams, and metaphor— of crystal pillars and fossil seas—where a fine dust settles on the great empty cities of a vanished, devastated civilization. Earthmen conquer Mars and then are conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race. In this classic work…
Ross and I have backgrounds in academia, in the finest liberal arts tradition. Although we are currently in the fields of Information technology and public health, between us we have read extensively in military history, sociology, economics, feminist theory, Buddhist philosophy, mythology and all manner of fantasy fiction. This list of books reflects our favorites, in large part because of their focus on character and historical world-building. We are always eager to share our favorite fantasy fiction with other readers who love deeply complicated stories with unforgettable characters.
I have read the six books in Michael J. Sullivan’s First Empire series multiple times, in part because of the sweeping storyline that spans the entire series. Although the main protagonist is male, for me, the real heroes are Persephone and Suri.
As with my other recommendations, these characters respond to extraordinary circumstances by becoming extraordinary themselves.
One of fantasy’s finest next-generation storytellers continues to break new ground.
Michael J. Sullivan’s trailblazing career began with the breakout success of his Riyria series: full-bodied, spellbinding fantasy adventures whose imaginative scope and sympathetic characters won a devoted readership and comparisons to fantasy masters Brandon Sanderson, Scott Lynch, and J.R.R. Tolkien himself. Now Age of Myth inaugurates an original five-book series.
Since time immemorial, humans have worshipped the gods they call Fhrey, truly a race apart: invincible in battle, masters of magic, and seemingly immortal. But when a god falls to a human blade, the balance of power between humans…