Here are 47 books that Avalon fans have personally recommended once you finish the Avalon series.
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Ever since I was a child, I’ve loved anything fantasy-related, and I especially loved stories where the world around you would completely melt away as you read. I used to write my own stories then, too, and I’ve always had a passion for diving into it headfirst and immersing myself in the world entirely. I went through a period in my life where I was dealing with depression, and fantasy books that I could escape into were very important to me at that time.
I’ve never read anything with such a well-thought-through and descriptive world as the one in this book. The more you read, the richer it becomes, creating such an incredible story.
I was such a sucker for this book because it had a little of everything that I loved, and it is absolutely a story that’ll leave you wanting to make a Pinterest board. I love books with strong aesthetics, and I find them enjoyable to read. This book was absolutely that!
Experience Feyre Archeron's journey all over again with the beautiful collector's edition of A Court of Thorns and Roses, the seductive first book in the #1 New York Times bestselling series by Sarah J. Maas, featuring a deluxe new package, an updated map, ribbon pull, and more!
When nineteen-year-old Feyre kills a wolf in the woods, a beast-like creature arrives to demand retribution for it. Dragged to a treacherous magical land she only knows about from legends, Feyre discovers that her captor is not an animal, but Tamlin-one of the lethal, immortal faeries who once ruled their world.
As she…
I have been writing for years and reading forever. Fantasy books have always been my number one go-to as far as genres. I loved how they would teleport me to a new world, allowing me to leave behind reality. The characters became my friends. The worlds became my home. I couldn’t get enough and still can’t. As I got older, my imagination never stopped. I was constantly creating dreamworld and character plots in my head. Eventually, I started writing, needing the characters to stop talking. The only way to do that was to get them on paper. Since then, I haven’t been able to stop.
I read this for a women’s study class and LOVED it. The telling of a story back in the biblical times from a woman’s perspective… sign me up.
This one took me through an emotional journey, blending fact with fiction to the point where I didn’t know where one ended and the other began. My heart was put through the ringer. I cried. I laughed. I fell in love. I felt the bond between mother and daughter and the rage of the oppression the FMC went through. It made me take a look at these biblical stories in a whole new light.
In The Red Tent Anita Diamant brings the fascinating biblical character of Dinah to vivid life.
'Intensely moving . . . feminist . . . a riveting tale of love' - Observer
Her name is Dinah. In the Bible, her fate is merely hinted at in a brief and violent detour within the verses of the Book of Genesis that recount the life of Jacob and his infamous dozen sons. Anita Diamant's The Red Tent is an extraordinary and engrossing tale of ancient womanhood and family honour. Told in Dinah's voice, it opens with the story of her mothers -…
I am an American citizen who taught Classical Studies at the University of Toronto, Canada. I have taught Homer (in translation and in Greek), ancient myth, and “reception” of ancient myth. All the books that I discuss below I have taught many times in a first-year seminar about creative “reception” of the Odyssey. Other topics include comparable stories (like The Tempest by Shakespeare) and other great works of reception (like Derek Walcott’s stage version of the Odyssey and his epic poem "Omeros"). Every time I’ve taught the class, I’ve learned the most from free-wheeling discussions with students.
I thought it was great to have Circe herself narrate her love affair with Odysseus.
The first half of the novel interestingly shares her tribulations growing up as a child in a family of gods. I found that this establishes a theme of immortality vs. mortality that the book explores in profound ways. Especially fascinating was Circe’s personal story of her love affair with Odysseus.
I was surprised and delighted that Miller included the resulting child, Telegonus, who is not in Homer but is in ancient myth. Even more surprising to me was Circe falling in love with Telemachus, Odysseus’ son by Penelope (also not in Homer!). This relationship allows the novel to end on a positive note as Circe learns to live like a mortal in her new life with Telemachus.
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child - not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift threatens…
I came to the Arthurian legends through the medium of medieval Welsh literature, a subject that had intrigued and challenged me since I was an undergraduate. I found the language impenetrable and yet beautiful, while the literature it encoded was fascinatingly unlike the literary traditions of England and France. I wanted to connect with a version of Arthur that preceded the romance traditions of France and England and bears witness to a much older culture and social organisation. Though I've learned to love other versions of Arthur, and indeed I teach the Arthurian legends as part of my academic work, the stark drama of the Welsh poems and tales continues to intrigue me.
This book-length study of the magical figure of Merlin is the most authoritative account of the literary lives of Merlin, Arthur’s wizard guide, from his earliest incarnation in Welsh poetry to his reinvention in modern novels and films.
Stephen Knight, a prolific medievalist whose work is always readable and entertaining, takes Merlin’s gifts of knowledge and foresight as his theme, arguing that throughout the many versions of Merlin in literary texts, operations of power are always working to restrict and contain Merlin’s command of knowledge.
Reading this book takes you on a journey that will enrich your understanding of the Arthurian legends.
Merlin, the wizard of Arthurian legend, has been a source of enduring fascination for centuries. In this authoritative, entertaining, and generously illustrated book, Stephen Knight traces the myth of Merlin back to its earliest roots in the early Welsh figure of Myrddin. He then follows Merlin as he is imagined and reimagined through centuries of literature and art, beginning with Geoffrey of Monmouth, whose immensely popular History of the Kings of Britain (1138) transmitted the story of Merlin to Europe at large. He covers French and German as well as Anglophone elements of the myth and brings the story up…
I came to the Arthurian legends through the medium of medieval Welsh literature, a subject that had intrigued and challenged me since I was an undergraduate. I found the language impenetrable and yet beautiful, while the literature it encoded was fascinatingly unlike the literary traditions of England and France. I wanted to connect with a version of Arthur that preceded the romance traditions of France and England and bears witness to a much older culture and social organisation. Though I've learned to love other versions of Arthur, and indeed I teach the Arthurian legends as part of my academic work, the stark drama of the Welsh poems and tales continues to intrigue me.
This was one of the first Arthurian reference books and remains one of the best.
Its comprehensive scope, covering Arthurian legends and characters across many European literatures, provides answers to all possible questions about the world of Arthur. The format of short alphabetical entries is perfect for browsing – you will find all you need to know about the Bleeding Lance or the ‘Gargantuan Chronicles’ among many other lesser-known Arthurian curiosities.
I found this book invaluable when I was preparing my own book and I still dip into it when teaching students.
I came to the Arthurian legends through the medium of medieval Welsh literature, a subject that had intrigued and challenged me since I was an undergraduate. I found the language impenetrable and yet beautiful, while the literature it encoded was fascinatingly unlike the literary traditions of England and France. I wanted to connect with a version of Arthur that preceded the romance traditions of France and England and bears witness to a much older culture and social organisation. Though I've learned to love other versions of Arthur, and indeed I teach the Arthurian legends as part of my academic work, the stark drama of the Welsh poems and tales continues to intrigue me.
I love this description of the power that the Arthurian legends exerted in nineteenth-century Britain and its cultural imagination.
With the re-printing of Thomas Malory’s Morte Darthur, poets, writers, and artists were inspired by these tales of chivalry and sacrifice at a time when the British Empire was at its height and ideals of service, governance, and personal endeavour were central to norms of masculinity.
Girouard perfectly captures the mood of the times and shows us why the vision of Camelot, doomed in its own Arthurian context, was even more flawed, and yet magnetic, in the context of empire.
I have been enthralled with legends of medieval knights and ladies, dark fairy tales and fantasies about Druids, wizards, and magic since childhood. I fell in love with French in junior high school and continued studying the language throughout college. My debut novel, "The Wild Rose and the Sea Raven"--the first of a trilogy-- is a blend of my love for medieval legends, the romantic French language, and paranormal fantasy. It is a retelling of the medieval romance of "Tristan et Yseult", interwoven with Arthurian myth, dark fairy tales from the enchanted Forest of Brocéliande, and otherworldly elements such as Avalonian Elves, Druids, forest fairies and magic— with a decidedly romantic French flair.
The legend of Robin Hood always fascinated me as a young girl, and this paranormal fantasy adaptation offers a smoldering romance set in medieval England in the enchanted Sherwood Forest. Based upon the legend of Robin Hood, this novel blends history, magic, passion, politics, and sacrifice in a compelling, captivating tale of the fabled archer reborn.
Curlew Champion, master archer, has always known his destiny. With his cousin, Heron Scarlet, he will become a guardian of Sherwood Forest and further his people's fight against Norman tyranny. But the third member of the triad is still to be revealed, the woman who will complete the magical circle and, perhaps, answer the longing in Curlew's heart.
Anwyn Montfort has fled disgrace in Shrewsbury and come to Nottingham at her father's bidding. He wishes her to make a good marriage and settle down. But the wildness that possesses her refuses to quiet. She knows she's been searching for something…
I just looked this up. The word is Hibernophile. I love all things Irish even though I'm American, and distantly, Irish American. My inspiration for the Brigid of Ireland trilogy met at the intersection of genealogy research and discovering druids. The novel Druidsby Morgan Llywelyn whichI read soon after The Mists of Avalon impacted so much of my future writing I love research, too. Finding my family roots—immigrants to the New York marble quarries during the Famine—was the impetus for tying these two things together. This—researching Catholicism in Ireland—led me to Patrick and Brigid. I live, teach, and write in the mountains of Virginia.
Talk about sacrilege. Although my dad’s side of the family is Irish Catholic, he had nothing to do with the Church once he went to college, where he met my mom. Several years later, they split up. I was raised Southern Baptist by my mom, New Age/Buddhism/Unitarianism on alternating weekends from my dad, and rosary prayers and Virgin Mary sightings shared with me from my grandmother. The point is, to read a superb novel about Jesus having a relationship with Mary Magdalene, is something that would have shocked my Baptist Sunday School teacher. What does this have to do with Ireland? Cunningham describes Maeve aka Mary, as a woman raised by witches on a druid isle—where she first meets Jesus who was there for a bit of druid training—and is kidnapped and sold into Roman slavery. From there, she faces numerous challenges before finding the man she knew…
“Cunningham weaves Hebrew scripture, Celtic and Egyptian mythology, and early Christian legend into a nearly seamless whole, creating an unforgettable fifth gospel story in which the women most involved in Jesus’s ministry are given far more representation.”—Library Journal
“This year’s must-have summer reading.”—KINK Radio
“Lavish and lusty . . . Cunningham’s Celtic Magdalen is as hot in the mouth as Irish whiskey.”—Beliefnet (chosen as one of this year’s “heretical beach-books”)
“Explodes off the page with its tales of love, hope, power, and redemption—book clubs looking for a great discussion, take note.”—TheBookBrothel.com
I just looked this up. The word is Hibernophile. I love all things Irish even though I'm American, and distantly, Irish American. My inspiration for the Brigid of Ireland trilogy met at the intersection of genealogy research and discovering druids. The novel Druidsby Morgan Llywelyn whichI read soon after The Mists of Avalon impacted so much of my future writing I love research, too. Finding my family roots—immigrants to the New York marble quarries during the Famine—was the impetus for tying these two things together. This—researching Catholicism in Ireland—led me to Patrick and Brigid. I live, teach, and write in the mountains of Virginia.
Kate Horsely’s writing is exquisite. Every word, every detail is carefully chosen and her language has a beauty all its own. The novel is about an Irish nun, Gwynneve, who was raised pagan. She sought refuge in Saint Brigit’s and is welcomed because of her literacy. She is to transcribe the words of St. Augustine and St. Patrick. She observes the crossroads of paganism and Christianity and witnesses the positive and negative of both sides. I don’t want to give any spoilers, but Gwynneve becomes caught up in the conflict as she records her diary of observations and pays the price for honesty. Again, I’m fascinated by the two belief systems, pagan and Christian, side by side, and searched for how that transition occurred.
A druid-turned-nun writes of faith, love, loss, and religion in this “beautifully written and thought-provoking book” set at the dawn of Ireland’s Christian era (Library Journal)
Cloistered in a stone cell at the monastery of Saint Brigit, a sixth-century Irish nun secretly records the memories of her Pagan youth, interrupting her assigned task of transcribing Augustine and Patrick. She revisits her past, piece by piece—her fiercely independent mother, whose skill with healing plants and inner strength she inherited; her druid teacher, the brusque and magnetic Giannon, who introduced her to the mysteries of the written language.
I just looked this up. The word is Hibernophile. I love all things Irish even though I'm American, and distantly, Irish American. My inspiration for the Brigid of Ireland trilogy met at the intersection of genealogy research and discovering druids. The novel Druidsby Morgan Llywelyn whichI read soon after The Mists of Avalon impacted so much of my future writing I love research, too. Finding my family roots—immigrants to the New York marble quarries during the Famine—was the impetus for tying these two things together. This—researching Catholicism in Ireland—led me to Patrick and Brigid. I live, teach, and write in the mountains of Virginia.
This was the first book that made me realize druids had been real, and that entire belief system was nearly—in historical chronology—stamped out by the Roman Empire. The story focuses on a young druid, Ainvar, who befriends Vercingetorix, the Celtic warrior who was brought to Rome in chains by Julius Caesar. While the setting is in Gaul, I began to understand the beliefs of the druid life that was very nearly lost. Where Rome’s war with the druids of Gaul was bloody and decisive, the Irish conversion took a different path. I wanted to find out why the two histories, the change from druid to Christian, was so dramatically different.
The tale of one man who has the vision and genius to save his Celtic people from destruction at the hands of Julius Caesar, this fantasy novel tells the story of the General's invasion of Gaul from the unusual point of view of the invaded.
