Here are 56 books that Ash fans have personally recommended once you finish the Ash series.
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I have always loved history, ever since my childhood obsessions with Boudica, Anne Boleyn, and the witch trials. I love exploring different historical periods through literature, as books can help us develop real feelings of connection and empathy with people who lived in times and places very different from our own. I like to think that, in turn, this encourages us to be more empathetic with others in our own time. Since coming out as lesbian when I was 14, I have read a great deal of queer fiction, seeking to immerse myself in my own queer heritage and culture.
This is a coming-of-age novel set in 1950s San Francisco. As teenagers my best friend and I shared a mutual hyperfixation with the Cold War. It beautifully explores that era, from the Space Race to the McCarthyism that targeted both queer Americans and Chinese Americans. My best friend now lives in San Francisco, and when I last went to visit her I treated myself to going on a little walking tour of some of the places mentioned in the novel, all around Chinatown and Russian Hill.
The desire Lily feels towards her butch friend is beautiful and stirring, and the excitement she feels at exploring the underground gay scene is absolutely infectious.
"That book. It was about two women, and they fell in love with each other." And then Lily asked the question that had taken root in her, that was even now unfurling its leaves and demanding to be shown the sun: "Have you ever heard of such a thing?"
Seventeen-year-old Lily Hu can't remember exactly when the question took root, but the answer was in full bloom the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club.
America in 1954 is not a safe place for two girls to fall…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
I loved McLemore’s retelling of “The Red Shoes” because the novel felt uniquely historical and modern due to its dual timelines, with one storyline in 1518 and the other five centuries later. Despite being so far apart, the timelines were connected by the intriguing mystery of a dancing fever.
Another element I loved is that the 1518 timeline featured a queer romance with a trans character, which you don’t see often, even in queer retellings, and added another layer of richness to the story.
I’m a fan of everything McLemore writes because of their lush prose and compelling characters, but this one remains my favorite of theirs.
With Anna-Marie McLemore's signature lush prose, Dark and Deepest Red pairs the forbidding magic of a fairy tale with a modern story of passion and betrayal.
Summer, 1518. A strange sickness sweeps through Strasbourg: women dance in the streets, some until they fall down dead. As rumors of witchcraft spread, suspicion turns toward Lavinia and her family, and Lavinia may have to do the unimaginable to save herself and everyone she loves.
Five centuries later, a pair of red shoes seal to Rosella Oliva’s feet, making her dance uncontrollably. They draw her toward a boy who knows the dancing fever’s…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
No novelization of “The Goblin Market,” a poem by Christina Rosetti, has convinced me of the market’s allure like Not Good for Maidens. Lou, the novel’s main character, reflected my feelings in the beginning of the story, expressing confusion as to why anyone would enter the market knowing its horrors.
But as the past timeline of the novel developed, in which Lou’s Aunt May visited the market and began an unexpected sapphic romance, and as Lou had her own experiences related to the market in the present timeline, it was easier to understand why someone would be tempted.
In their respective timelines, Lou and May search for themselves, desperate to forge identities unbound by family and duty. The market, in a way, grants them unique paths toward freedom, and I found that to be a compelling take on a classic I was never enchanted by before. Bovalino’s prose, illuminating…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
What I loved most about Ferraro’s retelling of The Mysteries of Udolpho was his unique take on the classic YA love triangle. Not only does this love triangle stand out because it’s queer (all three characters involved are young men), but because it wasn’t obvious to me from the beginning how the love triangle would resolve. Typically, in love triangle stories, I can tell who the character – and thus the author – prefers. I’m pretty confident about who is going to win out in the end.
But Ferraro took his time developing each love interest, and his main character’s struggle to pick one over the other is palpable and well-written. I was left guessing until the very end, and the way the love triangle resolved was both surprising and satisfying.
In this queer gothic romance, a young marquis caught between freedom and passion, honor and love will have to unravel a centuries-old curse to find his own happy ending.
Trapped in a world of straight expectations, queer marquis Emile longs for independence. So, when his aunt declares he must marry to produce an heir or be disowned, he runs away disguised as a servant until he can come of age and reclaim his inheritance.
All Emile needs to do is keep his head down and bide his time, but he quickly stumbles into a mystery beyond his imagination. While working…
I’m a science fiction and fantasy author with a love of fairytales. I enjoy genre-bending, genre-blending, and new takes on old stories. As a child, I had a book of fairytales illustrated with embroidered illustrations. In high school and college, when I had the opportunity, I always chose to read fairytales—I've even taken classes that exclusively explore fairytales. Now as an author, I’ve leaped feet first into fairytale retellings. My first series, Rove City, features fairytale retellings set in an intergalactic spaceship, and my second series is made up of collections of original fairytales. Next, I’m planning to take the original fairytales and turn them into my own retellings.
This story kicks off a series of fairytale retellings filled with intrigue and adventure by sweeping the main character into a world of complex political machinations. She’s offered an opportunity for freedom from her conniving and overbearing family—all she has to do is deliver a message in exchange. But it turns out, the message was more dangerous than she could have imagined. This Cinderella retelling is unique in that there isn’t much magic in it, but it is filled with mystery, conspiracy, and swirling political machinations.
She has one job—attend a masqued ball and dance with a handsome prince. What could possibly go wrong?
Everything, that’s what.
After years of submitting to her stepmother’s unreasonable demands, Trystan finally has a chance to be free. The promise of a new life, in exchange for her help. Simple, right? After all, the old woman has only asked for one night. One night, one beautiful gown, one dance… and one message to be delivered to a mysterious recipient.
It should be easy. Maybe even fun. Especially when she can slip away into the night after the dance, leaving no…
I’m a science fiction and fantasy author with a love of fairytales. I enjoy genre-bending, genre-blending, and new takes on old stories. As a child, I had a book of fairytales illustrated with embroidered illustrations. In high school and college, when I had the opportunity, I always chose to read fairytales—I've even taken classes that exclusively explore fairytales. Now as an author, I’ve leaped feet first into fairytale retellings. My first series, Rove City, features fairytale retellings set in an intergalactic spaceship, and my second series is made up of collections of original fairytales. Next, I’m planning to take the original fairytales and turn them into my own retellings.
Lighthearted and fun, this retelling is centered on Cinderella’s stepsister, Charlotte. Charlotte is burdened with the unenviable responsibility of finding a wealthy husband, as their small family is nearly destitute. When they make it to the ball, Charlotte is smart and lucky enough to make an acquaintance with the prince. But Cinderella, aka Blanche, keeps getting in her way. This cute and sweet tale blends fantasy, humor, and a dash of philosophy with its new spin on this classic tale.
What if the prince fell in love with the stepsister?
Lady Charlotte needs a rich husband, and fast. Good thing she has plenty of beauty and charm, with no foolish ideas of love to get in the way of her plans. When the chance to catch the wealthiest, most eligible bachelor in the kingdom appears, she will do everything in her power to win such a prize; even if she must break a few hearts along the way. But in the end, it is her own heart that's troubled. Perhaps true love really does exist, but if so, it’s not…
I’m a science fiction and fantasy author with a love of fairytales. I enjoy genre-bending, genre-blending, and new takes on old stories. As a child, I had a book of fairytales illustrated with embroidered illustrations. In high school and college, when I had the opportunity, I always chose to read fairytales—I've even taken classes that exclusively explore fairytales. Now as an author, I’ve leaped feet first into fairytale retellings. My first series, Rove City, features fairytale retellings set in an intergalactic spaceship, and my second series is made up of collections of original fairytales. Next, I’m planning to take the original fairytales and turn them into my own retellings.
This fairytale retelling is set in a land recovering from war. Cinderella is a landowner, but due to her late father’s poor management of funds, her estate owes significant debts. When she meets Friedrich, an intriguing noble who belongs to the enemy who won the war, everything becomes much more complicated. This fairytale retelling is clever and interesting, with a very different feel than most Cinderella retellings. It is engaging and definitely worth a read.
Cinderella may be a duchess, but her life is in tatters.
Orphaned, destitute, and living in a country recovering from a hostile takeover, Cinderella is desperate to save her lands and servants. She is so determined that when terrible taxes are placed upon her, she dons servants’ clothes and works like a commoner. Unfortunately, her sacrifices aren’t enough, and she is given one season to pay off her debt.
All seems lost, until Cinderella is befriended by the debonair Colonel Friedrich—a member of the Erlauf military and a citizen of the oppressing country that rules her homeland.
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
To me, what’s most striking about this book, a queer retelling of “Snow White,” is that in addition to the POV of the Snow White character, Lynet, there’s also narration from Mina, the Evil Queen insert. Only in this retelling Mina isn’t a superficial villain.
In fact, she’s no villain at all. I find her to be a complex heroine, and her relationship with Lynet is equally rich and complicated. I was compelled by Lynet and Mina’s struggles under the weight of feminine and royal expectations. Despite their conflicts, they are more alike than they are different, and their journey to realizing this was so satisfying.
The sapphic romance between Lynet and a surgeon provides a lovely subplot that adds to, rather than distracts from, the main storyline. One of my all-time favorite sapphic retellings.
At sixteen, Mina's mother is dead, her magician father is vicious, and her silent heart has never beat with love for anyone-has never beat at all, in fact, but she'd always thought that fact normal. She never guessed that her father cut out her heart and replaced it with one of glass. When she moves to Whitespring Castle and sees its king for the first time, Mina forms a plan: win the king's heart with her beauty, become queen, and finally know love. The only catch is that she'll have to become a stepmother.
C.S. Lewis famously said, “No book is really worth reading at the age of ten which is not equally—and often far more—worth reading at the age of fifty and beyond.” I love this sentiment, and it has had a profound influence on my writing.
Yes, I write books for children, and I hope they’ll love them, but I think adults should enjoy them, too. Some of the best books in the world are children’s books, and there’s no age limit for reading them. In fact, I believe the world would be a better place if more adults read children’s books regularly. Here are five of my favorites.
This is the BEST retelling of Cinderella and one of my all-time favorite books.
I’ve read it at least a dozen times…as an adult. It never gets old.
Despite her curse of obedience, Ella isn’t a passive damsel in distress (the most aggravating trope in all fairytales). She’s witty, bold, and determined. I love how light and fast-paced it is, yet still rich with fantastic world-building and fully developed characters.
If you’ve only seen the movie, you’re missing a treat. Like they say, the book is always better—in this case, it’s way better.
ELLA ENCHANTED is a witty, refreshing take on the popular fairytale, Cinderella which preserves the spirit of the original but adds plenty of humorous twists and a spunky, intelligent female protagonist. "If you've read HARRY POTTER, try ELLA ENCHANTED" Publishers Weekly
Ella is given a blessing at birth by a very stupid fairy: She gets the gift of obedience! but the blessing turns into a horror for Ella who literally has to do what anyone and everyone tells her, from sweeping the floor to giving up a prrecious necklace! She has to battle with ogres and wicked stepsisters, make friends…
I’ve always been a big fan of sci-fi and fantasy, especially anything involving superheroes or D&D-style adventure. For the longest time, I had to find queer representation through subtle glances and creative readings of characters. I loved these stories for the sci-fi and fantasy elements, but it was frustrating that every love story that came up was straight. It didn’t feel possible for queer love to be a part of a plot, and even when there was a queer character it had a “very special episode” vibe to it. Finally, queer characters are becoming part of the story, and it doesn’t have to be a “big deal.”
I love a soft sci-fi and Adam Silvera knows how to deliver.
What makes his world different from ours is a technology that can let people know the day they are going to die, on that day, so they have a chance to say goodbye. It provides such potential for deep introspection (for his readers as much as his characters) and heartbreak.
From the author of the INTERNATIONAL NO. 1 BESTSELLER THEY BOTH DIE AT THE END comes an explosive examination of grief, mental illness, and the devastating consequences of refusing to let go of the past.
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You're still alive in alternate universes, Theo, but I live in the real world where this morning you're having an open casket funeral. I know you're out there, listening. And you should know I'm really pissed because you swore you would never die and yet here we are. It hurts even more because this isn't the first promise you've…