Here are 20 books that Anno Dracula fans have personally recommended once you finish the Anno Dracula series.
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I have been writing for more than 40 years, and while I don’t normally write gothic literature, it is a genre that has fascinated me since my early youth. While I have written a couple of gothic or horror short stories, I tend to write other types of literature. However, I was pulled into this novel by something I saw on the TV news, and so I put away the novel I was originally working on and set to work on this one instead. The setting and the characters immediately pulled me in. I hope that it’s mystery and unusual characters will do the same for you.
I love this book so much, I have read it at least three times. It is a classic gothic novel with an eerie setting and interesting characters, including those with psychosis that add to the mystery of he novel.
While the film version is undoubtedly a classic, the novel is by far better.
30
authors picked
Dracula
as one of their favorite books, and they share
why you should read it.
This book is for kids age
17.
What is this book about?
'The very best story of diablerie which I have read for many years' Arthur Conan Doyle
A masterpiece of the horror genre, Dracula also probes identity, sanity and the dark corners of Victorian sexuality and desire. It begins when Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, and makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England - an unmanned ship is wrecked; strange puncture marks appear on a young woman's neck; a lunatic asylum inmate raves about the imminent arrival of his 'Master' - and a determined group of adversaries…
I’ve always loved horror stories. At the age of 7 or 8, I’d be reading The Pan Book Of Horror Stories or Aidan Chambers’ Haunted Houses by flashlight with the bed sheets pulled over my head (not because I should have been asleep, but to guard against vampires creeping up on me!) I always found these stories strangely comforting, a world of adventure into which a shy kid like me could retreat. Ghosts and monsters became part of my cultural DNA, constant companions through life. That’s why I write horror today, to make my own tiny contribution to the genre, which has given me so much.
This is an absolutely brilliant pastiche of Victorian literature, starring the era’s two greatest fictional characters.
It weaves Holmes and Watson into the basic plot of Dracula, with Watson grumbling about setting the record straight because that ‘spurious monograph’ by some fella called Stoker missed out on Holmes’s involvement in the case!
The discovery off the coast of England of a crewless ship, whose only passenger is a mysterious black dog, leads to a confrontation between Sherlock Holmes and Count Dracula
I’ve always loved reading but really fell in love with fantasy in my mid teens when I discovered the Lord of the Rings and Steve Jackson and Ian Livingstone’s Fighting Fantasy gamebook series. I haven’t looked back since. My love of fantasy literature and games led me into a degree in English Lit and writing. My first novel, Demonheart, dark fantasy, was published in 2017. As a fantasy writer, I have to fuel up on a steady diet of fantasy novels and I hope you enjoy my recommended list!
I loved a number of things about Pennyblade. For starters, the main character’s (Kyra’s) race, the Commrach, who are like elves, are ruthless libertines and hedonists.
The Pennyblade world is a fascinating and grim place where same sex relationships are punishable by death and the action, which is visceral and very explicit, just keeps coming.
I really liked that this is a novel about prejudices, it appealed to me as someone from an ethnic minority group who grew up in London in the late 1970s / early 80s and experienced racism.
Fortunately, Pennyblade has plenty of humour which makes the grimdark nature of the book more palatable.
A sharp-tongued disgraced-noble-turned-mercenary has to stop the world collapsing into chaos in this gripping, savagely funny epic fantasy packed with unforgettable characters, for fans of Joe Abercrombie.
Exile. Mercenary. Lover. Monster. Pennyblade.
Kyra Cal'Adra has spent the last four years on the Main, living in exile from her home, her people, her lover and her past. A highblood commrach - the ancient race of the Isle, dedicated to tradition and the perfection of the blood - she's welcome among the humans of the Main only for the skill of her rapier, her preternatural bladework. They don't care which of the…
I’ve always loved reading but really fell in love with fantasy in my mid teens when I discovered the Lord of the Rings and Steve Jackson and Ian Livingstone’s Fighting Fantasy gamebook series. I haven’t looked back since. My love of fantasy literature and games led me into a degree in English Lit and writing. My first novel, Demonheart, dark fantasy, was published in 2017. As a fantasy writer, I have to fuel up on a steady diet of fantasy novels and I hope you enjoy my recommended list!
The first big draw of this novel is the characterisation.
The protagonists and antagonists are all wonderfully sketched, giving them depth and life, especially Tormalin the Oathless, of a vampire-like race, and Lady Vincenza de Grazon – eccentric old scholar and wine fiend. The book is full of humour and the plot is well drawn with perfect pacing.
At the heart of the novel is a mystery – where are the Jurelia – the fearsome race that invaded millennia ago, and are they going to return? What will happen when they do?
Finally, Williams has created an intriguing world full of powerful oppressed witches alongside steam trains and the remnants of the previous Jurelia invasion.
**Winner of the British Fantasy Award for Best Fantasy Novel**
The first book in the award-winning Winnowing Flame trilogy. Epic fantasy for fans of Robin Hobb and Jay Kristoff.
'Fantasy adventure at its very best' Starburst
'Williams excels at eldritch world-building' Guardian
'An original new voice in heroic fantasy' Adrian Tchaikovsky
The great city of Ebora once glittered with gold. Now its streets are stalked by wolves. Tormalin the Oathless has no taste for sitting around waiting to die while the realm of his storied ancestors falls to pieces - talk about a guilt trip. Better to be amongst the…
Here are words I like for their feel, especially when they describe fantasy: surprise; twist; subvert. I am generally a mild-mannered writer, but I do love the passing strange. By that I mean, twisty, not shocking. Surprising and intriguing, but grounded in a relatable story. A story with something wondrous and unexpected but also deeply human. I’ve written eighteen fantasy and science fiction novels, and each time, though I am creating a strange—hopefully wondrous, place—central in the story are people who desire, fear, love, and strive.
This story subverted many of my usual expectations, like the dark view of a few historical characters and the idea of a demon lover.
I like when a story is grounded in reality and then challenges me to see things differently in a persuasive way. Her skillful mash ups of the fantastic, gothic, historical, horror, and social commentary kept surprising me.
True, this is a harsh story, but I feel reading something like that clears the palate. My favorite bit: the demon’s bog kingdom, twisted in the Oates way.
This eerie tale of psychological horror sees the real inhabitants of turn-of-the-century Princeton fall under the influence of a supernatural power. New Jersey, 1905: soon-to-be commander-in-chief Woodrow Wilson is president of Princeton University. On a nearby farm, Socialist author Upton Sinclair, enjoying the success of his novel 'The Jungle', has taken up residence with his family. This is a quiet, bookish community - elite, intellectual and indisputably privileged. But when a savage lynching in a nearby town is hushed up, a horrifying chain of events is initiated - until it becomes apparent that the families of Princeton have been beset…
I love imperfect characters. They are more interesting, memorable, and three-dimensional than characters who have everything figured out. Imperfect characters are the most believable and readable because they are mirrors of ourselves. We live their stories more easily, and imperfect characters live the most awesome stories. Finding an imperfect female main character inhabiting a world full of conflict and then watching her strength emerge through a well-told story is one of my favorite reading experiences.
Vlad the Impaler reimagined as an ugly, vicious girl named Lada? Yes, please. This novel is very loosely based on history. The best part is how unlikeable Lada is. She is violent, she is cruel, and she wants to take down the Ottoman empire all by herself.
This book is all about finding political and societal power and learning how to wield it to your advantage. And even though I didn’t like her, I loved watching Lada go up against forces much more powerful than she and fight tooth and nail against them.
“Absolutely riveting.” —Alexandra Bracken, #1 New York Times bestselling author of The Darkest Minds
This vividly rendered novel reads like HBO’s Game of Thrones . . . if it were set in the Ottoman Empire. Ambitious in scope and intimate in execution, the story’s atmospheric setting is rife with political intrigue, with a deftly plotted narrative driven by fiercely passionate characters and a fearsome heroine. Fans of Victoria Aveyard’s THE RED QUEEN and Sabaa Tahir’s AN EMBER IN THE ASHES won’t want to miss this visceral, immersive, and mesmerizing novel, the first in the And…
I’ve always loved horror stories. At the age of 7 or 8, I’d be reading The Pan Book Of Horror Stories or Aidan Chambers’ Haunted Houses by flashlight with the bed sheets pulled over my head (not because I should have been asleep, but to guard against vampires creeping up on me!) I always found these stories strangely comforting, a world of adventure into which a shy kid like me could retreat. Ghosts and monsters became part of my cultural DNA, constant companions through life. That’s why I write horror today, to make my own tiny contribution to the genre, which has given me so much.
This is a comprehensive anthology of non-Dracula short stories (although it does include Bram Stoker’s Dracula’s Guest!) covering the whole of the nineteenth century and beyond, including John Polidori’s The Vampyre and Sheridan le Fanu’s influential Carmilla.
It even has an extract from the hugely popular Victorian ‘penny dreadful’ Varney The Vampire, which is so awful that it’s hilarious.
They're lurking under the cover of darkness and between the covers of this book. Here, in all their horror and all their glory, are the great vampires of literature: male and female, invisible and metamorphic, doomed and daring.
Their skin deathly pale, their nails curved like claws, their fangs sharpened for the attack, they are gathered for the kill and for the chill, brought frighteningly to life by Bram Stoker, Fritz Leiber, Richard Matheson, Robert Bloch, Charles L. Grant, Tanith Lee, and other masters of the macabre. Careful they are all crafty enough to steal their way into your imagination…
Here are words I like for their feel, especially when they describe fantasy: surprise; twist; subvert. I am generally a mild-mannered writer, but I do love the passing strange. By that I mean, twisty, not shocking. Surprising and intriguing, but grounded in a relatable story. A story with something wondrous and unexpected but also deeply human. I’ve written eighteen fantasy and science fiction novels, and each time, though I am creating a strange—hopefully wondrous, place—central in the story are people who desire, fear, love, and strive.
I love stories set in modern times, with the fae living—secretly—in the local woods. It reminds me of the uncanny in real life, and the possibility of adventure.
The pleasure of this rendition of the fae-next-door is that the human realm is brought fully to life and slowly entwines with the fantastical. Also: It gradually dawned on me that the human thread of the story is a fairy tale in its own right. That really twisted my expectations.
Imogen and her sister Marin escape their cruel mother to attend a prestigious artists' retreat, but soon learn that living in a fairy tale requires sacrifices, whether it be art or love in this critically acclaimed debut novel from "a remarkable young writer" (Neil Gaiman, American Gods).
Imogen has grown up reading fairy tales about mothers who die and make way for cruel stepmothers. As a child, she used to lie in bed wishing that her life would become one of these tragic fairy tales because she couldn't imagine how a stepmother could be worse than her mother now. As…
I write stories where consequence comes first. I grew up immersed in Greek/Egyptian mythology and fairy tales, but I was always more drawn to the parts they left out. I wanted to know what daily life looked like for someone like Hercules, not just the story beats. Or what happens when the moral of the story isn’t learned. My passion lies in exploring the cost of power, the wounds we carry (that are often excluded from stories), and the myths we create to justify them. I believe the best fantasy doesn’t just help us escape the world, it helps us to look at ours differently.
I picked this up expecting a revenge fantasy story based on what I’d heard, but what I got was something far more brutal.
Much like my #3 pick, this story doesn’t flinch. It dissects power, identity, and the cost of survival with narrative precision. Watching Rin’s descent was nearly voyeuristic; it felt wrong, but you couldn’t help but watch.
This book is an excellent example of fantasy that doesn’t need to pull its punches. It can confront uncomfortable topics head-on and still leaves room for humanity and consequences.
Winner of the Reddit Fantasy Award for Best Debut 2018
'The best fantasy debut of 2018' - WIRED
A brilliantly imaginative epic fantasy debut, inspired by the bloody history of China's twentieth century and filled with treachery and magic.
When Rin aced the Keju - the test to find the most talented students in the Empire - it was a shock to everyone: to the test officials, who couldn't believe a war orphan from Rooster Province could pass without cheating; to Rin's guardians, who had hoped to get rich by marrying her off; and to Rin herself, who realized she…
I was introduced to vampires through Barnabas Collins of Dark Shadows fame, but I was a child and found the show boring. But, when I was 15, I was handed the paperback edition of Salem’s Lot and it scared me to death. I was hooked, reading books, and watching movies about vampires whenever the chance arose. When I wrote the first draft of Redemption, it sat for years before I reworked it, reading Dracula again and taking notes, researching Vlad the Impaler, and watching lots of vampire movies before re-writing it. Since then, I’ve continued reading vampire fiction and watching movies and shows about the creatures whenever I can.
This Icelandic Dracula remained hidden from the world-at-large as merely a translation of the original for more than a century before Hans Corneel de Roos translated the Icelandic back into English. What he discovered is that Asmundsson took the liberty of making Dracula his own book. A Nordic spin on the vampire is reason enough to discover this interesting take on Stoker’s Dracula. Two-thirds of the book takes place at the Count’s castle in Transylvania where the notorious vampire is given much more depth and voice. Nordic lore spices this story up as well as a very seductive vampiress. The book is also much shorter than Stoker’s, which makes it an easy read.
Powers of Darkness is an incredible literary discovery: In 1900, Icelandic publisher and writer Valdimar Ásmundsson set out to translate Bram Stoker’s world-famous 1897 novel Dracula. Called Makt Myrkranna (literally, “Powers of Darkness”), this Icelandic edition included an original preface written by Stoker himself. Makt Myrkranna was published in Iceland in 1901 but remained undiscovered outside of the country until 1986, when Dracula scholarship was astonished by the discovery of Stoker’s preface to the book. However, no one looked beyond the preface and deeper into Ásmundsson’s story.In 2014, literary researcher Hans de Roos dove into the full text of Makt…
