Here are 8 books that Harlem Renaissance Mysteries fans have personally recommended once you finish the Harlem Renaissance Mysteries series.
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Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment.
Not a traditional Whodunnit, this queer, YA retelling of Shakespeare’sJulius Caesarleaves the reader wondering what happened to class alpha-lesbian, Jude Cuthbert, when she goes missing under mysterious circumstances. Set just after the 2016 election, this brilliant satire pulls apart the thoughts of each conspirator – Brutus becomes Bronwyn; Cassius, Cass; and Portia is gender-flipped to Bronwyn’s boyfriend, Porter – as well as Jude/Julius’s own perspective on her fall from power.
In this queer YA retelling of Shakespeare’s Julius Caesar,stakes at Augustus Magnet School are cutthroat, scheming is creative, and loyalty is ever-changing.
Overnight, Bronwyn St. James goes from junior class queen to daughter of an imprisoned felon, and she lands in the care of her aunt and younger cousin Cass, a competitive cheerleader who Bronwyn barely knows. Life gets worse when her ex-best friend, the always-cool Jude Cuthbert, ostracizes Bronwyn from the queer social elite for dating a boy, Porter Kendrick.
Bronwyn and Jude are both running for student body president, and that means war. But after Bronwyn, Porter, and…
Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment.
It might ruffle some feathers to think of the early aughts era of hipster Williamsburg, NY as a “period piece,” but there’s no other setting for this dynamite novel. Cudmore evokes that perfect blendof cigarette smoke, eggs benedict, and the lingering scent of vinyl records in her mystery novel for those of us who grew up emulating High Fidelitybut wish for it with a hidden track of murder. It takes me back to my own college days, when I was reading mystery novels… before it was cool. 😎
Raymond Chandler meets Nick Hornby in this clever noir romp through hipster Brooklyn as a mysterious mix tape puts a young amateur sleuth on the hunt for a killer-and for the truths hidden within her own heart. To listen to someone else's mix tapes is a huge breach of trust. But KitKat was dead...and curiosity got the better of me. When a mix tape destined for her friend KitKat accidentally arrives in Jett Bennett's mailbox, she doesn't think twice about it-even in the age of iTunes and Spotify, the hipster residents of the Barter Street district of Brooklyn are in…
Bad things happen to good people every day, and it seems unfair. I’ve lost friends to cancer, heart disease, and accidents, and I always wonder why it had to be someone who was decent and good and kind. At the same time, other people get away with all sorts of crimes, including murder. I can’t change the way the world works. So, in my own books and the books I like to read, the good guys might have some tough times, but in the end, they win. And the bad guys get what they deserve.
I love learning how people lived in other times via historical fiction, and Cadfael, a Benedictine monk who practiced healing arts in England in the 1100s, is one of my favorite characters.
I like hearing his opinions about the civil war that raged at that time and the church’s role in it. I like the fact that he’s a bit of a maverick who pushes beyond the bounds of his role as a monk to solve mysteries.
In the gentle Shrewsbury spring of 1140 the midnight matins at the Benedictine abbey suddenly reverberates with an unholy sound - a hunt in full cry. Pursued by a drunken mob, the quarry is running for its life. When the frantic creature bursts into the nave to claim sanctuary, Brother Cadfael finds himself fighting off armed townsmen to save a terrified young man. Accused of robbery and murder is Liliwin, a wandering minstrel who performed at the wedding of the local goldsmith's son. But his supposed victim, the miserly craftsman, is still alive, although a strongbox lies empty. Brother Cadfael…
Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment.
Try as I might, I can’t get into Marple. But T.E. Kinsey’s Lady Hardcastle series, beginning with the debut A Quiet Life in The Country turns the cozy genre on its head. In this case, the dithering, older busybody is Lady Emily Hardcastle, with her trusty ladies’ maid, Florence Armstrong. As the book and series progress, we find that neither woman is quite the helpless Edwardian female the neighbors believe. Come for the murder mystery and stay for the… knife throwing?
Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life.
But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...
As Lady Hardcastle and Flo delve deeper into rural rivalries…
I love historical fiction in all its forms, from the multi-volume family epics to the Dear America middle-grade books I grew up with. And I really, truly don’t understand why historical fiction has a reputation for being dry, dull, or worst of all, like homework. Sure, there are some novels written for history buffs only, but the vast majority aren’t, and neither is mine. When I wrote A Tip for the Hangman, my goal was to write historical fiction that reads like a page-turner, not a textbook. The books on this list all pull off that trick beautifully, and I hope you enjoy them as much as I do.
Mysterious victorian missionaries with dark secrets in the land of the fae.I truly do not know how to sell this book any better. I tend to recommend gothic literature for historical fiction newbies, since the emotional stakes are always so high and the plots often bend close to horror or fantasy, and this one is no different. The worldbuilding is spectacular, and it plays on the tropes of classic gothic novels in a way that’s knowing, clever, and never dry or stilted. No wonder Ng won the Hugo for best new author when she released this book—it deserves it.
Winner of the John W Campbell Award for Best New Writer, Jeannette Ng brings a stunningly different Victorian fantasy that mixes Crimson Peak with Jonathan Strange & Mr Norrell.
Victorian missionaries travel into the heart of the newly discovered lands of the Fae, in a stunningly different fantasy that mixes Crimson Peak with Jonathan Strange & Mr Norrell.
Catherine Helstone's brother, Laon, has disappeared in Arcadia, legendary land of the magical fae. Desperate for news of him, she makes the perilous journey, but once there, she finds herself alone and isolated in the sinister house of Gethsemane. At last there…
I love historical fiction in all its forms, from the multi-volume family epics to the Dear America middle-grade books I grew up with. And I really, truly don’t understand why historical fiction has a reputation for being dry, dull, or worst of all, like homework. Sure, there are some novels written for history buffs only, but the vast majority aren’t, and neither is mine. When I wrote A Tip for the Hangman, my goal was to write historical fiction that reads like a page-turner, not a textbook. The books on this list all pull off that trick beautifully, and I hope you enjoy them as much as I do.
If you’re not a dyed-in-the-wool historical fiction reader, you might think Jane Austen retellings aren’t for you. That’s only because you haven’t read The Heiress yet. This stunning, dreamy, gothic-infused book takes a minor character from Pride and Prejudice who hardly gets any lines and spins up a story about finding your voice in a world that wants to keep you silent. Anne’s struggle against addiction and desperate desire to embrace the beauty of life feels like it could have taken place yesterday. Also, it’s gotlesbian yearning that’s both sweet and sexy, aka the dream. Give me that queer pining, please and thank you.
'With stunningly lyrical writing, Greeley elevates Austen-inspired fiction onto a whole new plane.' - Natalie Jenner, author of The Jane Austen Society
As a fussy baby, Anne was prescribed laudanum to quiet her and has been given the opium-heavy syrup ever since on account of her continuing ill health. While her mother is outraged when Darcy chooses not to marry Anne, as has been long planned, Anne can barely raise her head to acknowledge the fact.
But little by little, she comes to see that what she has always been told is an affliction of nature might in fact be…
I learned to read music at about the same time I learned to read words. I grew up taking piano lessons, studying almost entirely classical pieces that came weighted with history: everything I ever played had been played better by someone else. I still enjoyed my attempts, but realized that the relationship I had with those notes was not the one I wanted to have with words, which I felt drawn to assemble into my own arrangements, my own stories. So, as a weirdo who’s been thinking about interpretation and creation since childhood, I love books that delve into the challenges and emotional complexities of making music.
To portray the title character in Bizet’s Carmenis only one of the many transformations American orphan Lilliet Berne’s life requires, both on and offstage, as she ascends to opera stardom in late 19th century Paris. In this immersive novel, the clothes are as richly described as the music, and the music is described with not only sincere emotion but attention to realities and absurdities: Bizet’s early death leads to greatly improved ticket sales, for example. In Chee’s haunting first novel Edinburgh, he made choral music shimmer with both beauty and horror.The Queen of the Night is very different in setting, time, and sweeping sense of adventure, but shares Chee’s ability to movingly explore acts of survival and reinvention.
'One doesn't so much read it, as one is bewitched by it. Epic, gorgeous, haunting' HANYA YANAGIHARA, author of A Little Life
When it begins, it begins as an opera should begin: in a palace, at a ball, in an encounter with a stranger, who you discover has your fate in his hands . . .
She is Lilliet Berne. And she is the soprano.
1882. One warm autumn evening in Paris, Lilliet is finally offered an original role, though it comes at a price. The part is based on her deepest secret.…
I write because I want to tell stories–and I also want to share great stories with others. An avid reader and writer of fantasy and speculative fiction, I have a love of the fantastic, the remarkable and the supernatural, which I have managed to sustain and develop alongside a successful working life in government and social administration. If you want to know about power–and what you need to wield it and control it, just give me a call. Great fantasy should tell universal truths, and sometimes, more difficult messages can be told more effectively using a supernatural metaphor. Telling those stories is what I do.
My favorite fantasy novels are those that take place in real and recognizable worlds because they allow me to imagine more clearly what it could be like if the marvelous, the magical, and the mythical were just as real as the kitchen sink and the laundry basket.
Susanna Clark’s iconic first novel, set against the turmoil of the Napoleonic Wars, is built upon a recognizable and very credibly created backdrop of social and economic unrest, bloody conflict, and international politics—at the heart of which is the quest of the eponymous Strange and Norrell to bring real magic back to the world.
The two magicians are the only people able to make the magic work—and as they become more successful in their endeavors, they become the most famous men of their day—helping the Duke of Wellington to defeat Napoleon and setting the country on its heels with their…
Two magicians shall appear in England. The first shall fear me; the second shall long to behold me The year is 1806. England is beleaguered by the long war with Napoleon, and centuries have passed since practical magicians faded into the nation's past. But scholars of this glorious history discover that one remains: the reclusive Mr Norrell whose displays of magic send a thrill through the country. Proceeding to London, he raises a beautiful woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious, fussy Norrell is challenged by the emergence of…
