Here are 100 books that The Big Rewind fans have personally recommended if you like
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Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment.
Months ago, I was on Twitter, openly wishing for a Thin Man remake, with Mahershala Ali and Lupita Nyong'o as Nick and Nora. A friend immediately suggested Nekesa Afia’s Harlem Renaissance Mystery debut, Dead Dead Girls. Afia’s understanding of the tightly-knit community plays an essential role in the story, with main character Louise fighting against perceptions and a cold-blooded murderer. Couple all the expected roadblocks with glam nightlife and Prohibition antics. This entire series comes together like a perfect cocktail.
“In this terrific series opener, Afia evokes the women’s lives in all their wayward and beautiful glory, especially the abruptness with which their dreams, hopes and fears cease to exist.”--The New York Times
The start of an exciting new historical mystery series set during the Harlem Renaissance from debut author Nekesa Afia
Harlem, 1926. Young Black women like Louise Lloyd are ending up dead.
Following a harrowing kidnapping ordeal when she was in her teens, Louise is doing everything she can to maintain a normal life. She’s succeeding, too. She spends her days working at Maggie’s Café and her nights…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment.
Try as I might, I can’t get into Marple. But T.E. Kinsey’s Lady Hardcastle series, beginning with the debut A Quiet Life in The Country turns the cozy genre on its head. In this case, the dithering, older busybody is Lady Emily Hardcastle, with her trusty ladies’ maid, Florence Armstrong. As the book and series progress, we find that neither woman is quite the helpless Edwardian female the neighbors believe. Come for the murder mystery and stay for the… knife throwing?
Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life.
But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...
As Lady Hardcastle and Flo delve deeper into rural rivalries…
Bad things happen to good people every day, and it seems unfair. I’ve lost friends to cancer, heart disease, and accidents, and I always wonder why it had to be someone who was decent and good and kind. At the same time, other people get away with all sorts of crimes, including murder. I can’t change the way the world works. So, in my own books and the books I like to read, the good guys might have some tough times, but in the end, they win. And the bad guys get what they deserve.
I love learning how people lived in other times via historical fiction, and Cadfael, a Benedictine monk who practiced healing arts in England in the 1100s, is one of my favorite characters.
I like hearing his opinions about the civil war that raged at that time and the church’s role in it. I like the fact that he’s a bit of a maverick who pushes beyond the bounds of his role as a monk to solve mysteries.
In the gentle Shrewsbury spring of 1140 the midnight matins at the Benedictine abbey suddenly reverberates with an unholy sound - a hunt in full cry. Pursued by a drunken mob, the quarry is running for its life. When the frantic creature bursts into the nave to claim sanctuary, Brother Cadfael finds himself fighting off armed townsmen to save a terrified young man. Accused of robbery and murder is Liliwin, a wandering minstrel who performed at the wedding of the local goldsmith's son. But his supposed victim, the miserly craftsman, is still alive, although a strongbox lies empty. Brother Cadfael…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment.
Not a traditional Whodunnit, this queer, YA retelling of Shakespeare’sJulius Caesarleaves the reader wondering what happened to class alpha-lesbian, Jude Cuthbert, when she goes missing under mysterious circumstances. Set just after the 2016 election, this brilliant satire pulls apart the thoughts of each conspirator – Brutus becomes Bronwyn; Cassius, Cass; and Portia is gender-flipped to Bronwyn’s boyfriend, Porter – as well as Jude/Julius’s own perspective on her fall from power.
In this queer YA retelling of Shakespeare’s Julius Caesar,stakes at Augustus Magnet School are cutthroat, scheming is creative, and loyalty is ever-changing.
Overnight, Bronwyn St. James goes from junior class queen to daughter of an imprisoned felon, and she lands in the care of her aunt and younger cousin Cass, a competitive cheerleader who Bronwyn barely knows. Life gets worse when her ex-best friend, the always-cool Jude Cuthbert, ostracizes Bronwyn from the queer social elite for dating a boy, Porter Kendrick.
Bronwyn and Jude are both running for student body president, and that means war. But after Bronwyn, Porter, and…
I loved graphic novels even before I became an author/illustrator. But because I create for young readers, I also read a lot of graphic novels aimed at them. I am also a big believer that books with female protagonists are important for all readers: male, female, and non-binary. All of the books I’ve recommended are books I plucked off my own bookshelf, and that I’ve read several times and I think are exceptional in some way.
One night, eleven-year-old Effie (a recent orphan) is dropped off at her aunts’ house.
She doesn’t really want to be there until she discovers that her aunts are witches and she may be one too! This female-driven graphic novel is full of colorful characters who help Effie find the magic within herself.
Graphic novels tell half the story through the art and Witches of Brooklyn beautifully rendered with lines that communicate energy and grace.
There's a new witch in town! Life in Brooklyn takes a strange turn when Effie discovers MAGIC runs in the family.
A middle-grade graphic novel adventure filled with magical hjinks for fans of Phoebe and Her Unicorn and Making Friends.
Could there really be witches in Brooklyn?!
Effie's aunts are weird. Like, really WEIRD. Really, really, really WEIRD! The secretly-magic kind of weird and that makes Effie wonder . . . does this mean she can do magic, too?
Life in Brooklyn takes a strange twist for Effie as she learns more about her family and herself. With new friends…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Some first person voices are just so naturally nostalgic, like you’re sitting around a campfire listening to someone telling you a story.
“The year my mother started hearing voices from her dead brother Clyde,” or “But Gigi was the first to fly.” So many moments to hold onto in this novel, each an introduction to another tale, or a memory you can’t wait to listen to and run off down the street to share it for yourself.
The voice of August is so real and clear and poetic that one forgets there’s even a writer behind it. This close first-person voice lets us in, welcomes us into the secrets of the street. “Everywhere we looked we saw the people trying to dream themselves out.” And dream I did, along every glorious page, only I never wanted out.
THE NEW YORK TIMES BESTSELLER FROM A NATIONAL BOOK AWARD WINNING AUTHOR
A TIME MAGAZINE TOP 10 NOVEL OF 2016 | SHORTLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2016
FROM THE WINNER OF THE ASTRID LINDGREN MEMORIAL AWARD 2018
They used to be inseparable. They used to be young, brave and brilliant - amazingly beautiful and terrifyingly alone. August, Sylvia, Angela and Gigi shared everything: songs, secrets, fears and dreams. But 1970s Brooklyn was also a dangerous place, where grown men reached for innocent girls, where mothers disappeared and futures vanished at the turn of a street corner.
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I consider myself a disruptor of sorts, both in my life and in the art I make (I’m an actor, too). So I am by nature drawn to novels that bend and reshape (and sometimes ignore altogether) the rules and conventions that are supposed to govern the novelist’s craft and lead me to experience the world—and often the art of writing fiction itself—in ways I have never experienced either before. The novels on my list do just that.
I once heard a friend of mine describe Last Exit to Brooklyn as “a significant minor novel.” He was wrong. It’s a good deal more than that.
Set in the same Brooklyn in which one will find Herschel Cain, the main character in my own novel, before he becomes professional wrestler Haystacks Kane, yet light years away, Last Exit is a searing portrayal of life in the raw amongst the American underclass, profoundly disturbing and terribly, terribly sad. It shook me to my core when I read it not long after it was published in the mid-1960s, and has remained with me ever since.
In countless ways, Selby’s novel thumbs its nose at traditional novel structure and the customary rules of grammar, spelling, and punctuation in order to present virtually every moment of its bleak and upsetting narrative with a ferocious immediacy rarely found anywhere else.
Last Exit to Brooklyn remains undiminished in its awesome power and magnitude as the novel that first showed us the fierce, primal rage seething in America’s cities. Selby brings out the dope addicts, hoodlums, prostitutes, workers, and thieves brawling in the back alleys of Brooklyn. This explosive best-seller has come to be regarded as a classic of modern American writing.
As a past award-winning weekly newspaper columnist turned business owner, I eventually embraced the love of writing following an auto accident that necessitated more than eight years of rehabilitative therapy. Scripting my first novel proved more of a therapeutic undertaking and it was released in 2020 to moderate success. That experience then compelled me to learn more about the craft of being a novelist. Two years later, the original work was modified and Revised Edition Family Ties: Thicker Than Blood was launched in June of 2022.
This novel is an invigorating thrill ride along the streets of “Old Brooklyn” in a modern-day setting. As a former New Yorker who once listed Brooklyn as a hangout, it is rather easy to empathize with Sydney Green while she witnesses her cherished neighborhood being overtaken by invader investors perusing the streets in the guise of tourists. Something strikes her as peculiar when For Sale signs continue popping up at the existing homes with long-time neighbors suspiciously relocating to the suburbs.
Ironically, Sydney encounters an unlikely helpmate in the form of someone whom she considers one of the intruders; Theo, a new neighbor. There’s a mutual distrust between them but it is not enough to override their suspicions about the things that are taking place. Is it overly accentuated paranoia or a genuine fear that compels the unlikely pair of sleuths to discover what is actually happening? Will their homes…
An instant NEW YORK TIMES and USA TODAY BESTSELLER!
"I was knocked over by the momentum of an intense psychological thriller that doesn't let go until the final page. This is a terrific read." - Alafair Burke, New York Times bestselling author
*Marie Claire's September Book Club Pick*
Rear Window meets Get Out in this gripping thriller from a critically acclaimed and New York Times Notable author, in which the gentrification of a Brooklyn neighborhood takes on a sinister new meaning...
Sydney Green is Brooklyn born and raised, but her beloved neighborhood seems to change every time she blinks. Condos…
A missing child is every parent’s worst nightmare. Emotionally driven, tense, full of despair and hope, these stories captivate me. When I decided to include a cold case mystery of a toddler’s disappearance in my debut novel, I dove deep into both true crime and fictional novels on the subject. These books represent a range of gripping mysteries about not only finding missing children, but the scrutiny and heartache their mothers face. I hope you find these stories as absorbing, powerful, and suspenseful as I do!
Remember Mia is dark, emotional, and twisty. What I liked most about this book is how much the main character riled me up!
She’s an unsympathetic and unreliable narrator, and it propels the story forward. As this story unravelled, I questioned everything: Is the mother’s postpartum psychosis to blame for the missing child? Why didn’t she report the baby missing? Is there even a missing baby in the first place?
I enjoy when a novel makes me question what I thought I knew.
Like Girl on the Train and Gone Girl, Remember Mia is a riveting psychological suspense, exploring what happens when a young mother’s worst nightmare becomes devastatingly real…
First I remember the darkness. Then I remember the blood. I don’t know where my daughter is.
Estelle Paradise wakes up in a hospital after being found near dead at the bottom of a ravine with a fragmented memory and a vague sense of loss. Then a terrifying reality sets in: her daughter is missing.
Days earlier, Estelle discovered her baby’s crib empty in their Brooklyn apartment. There was no sign of a…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I've lived in Brooklyn for over 30 years now. I've always had a weakness for fun, snarky urban fantasy where the city is always a supporting character—and sometimes a major one. One day I decided to write a short story in the style of Simon R. Green's Nightside books, only instead of London, it'd feature New York City. And thus, the Conradverse was born. I tend to combine action, humor, real Brooklyn and NYC locations and history, and copious pop culture references when writing in this setting, and I seek out other books that do a great job at handling some or all of these elements.
If Indiana Jones was based in Brooklyn and was also an expert at magic and arcane lore, you'd have Piers Knight, the titular character of this book. Although a bit lighter on humor than the other entries here, I found this book to be fun and snappy, and as an additional bonus delves into the real (and weird!) historical factoids about New York City.
Professor Piers Knight, an esteemed curator at the Brooklyn Museum, is regarded by many on the staff as a revered institution of his own, if not an outright curiosity. Knight's portfolio includes lost civilizations; arcane cultures, languages, and belief; and, more than a little bit of the history of magic and mysticism. His colleagues don't know that, in addition to being a scholar of all things ancient, he is schooled in the uses of magical artefacts, the teachings of forgotten deities, and the threats of unseen dangers. If a mysterious object surfaces, Professor Knight makes it his job to figure…
