100 Books Like The Heiress

My favorite fantasy novels are those that take place in real and recognizable worlds because they allow me to imagine more clearly what it could be like if the marvelous, the magical, and the mythical were just as real as the kitchen sink and the laundry basket.

Susanna Clark’s iconic first novel, set against the turmoil of the Napoleonic Wars, is built upon a recognizable and very credibly created backdrop of social and economic unrest, bloody conflict, and international politics—at the heart of which is the quest of the eponymous Strange and Norrell to bring real magic back to the world. 

The two magicians are the only people able to make the magic work—and as they become more successful in their endeavors, they become the most famous men of their day—helping the Duke of Wellington to defeat Napoleon and setting the country on its heels with their… show more.

To portray the title character in Bizet’s Carmen is only one of the many transformations American orphan Lilliet Berne’s life requires, both on and offstage, as she ascends to opera stardom in late 19th century Paris. In this immersive novel, the clothes are as richly described as the music, and the music is described with not only sincere emotion but attention to realities and absurdities: Bizet’s early death leads to greatly improved ticket sales, for example. In Chee’s haunting first novel Edinburgh, he made choral music shimmer with both beauty and horror. The Queen of the Night is very different in setting, time, and sweeping sense of adventure, but shares Chee’s ability to movingly explore acts of survival and reinvention.

Months ago, I was on Twitter, openly wishing for a Thin Man remake, with Mahershala Ali and Lupita Nyong'o as Nick and Nora. A friend immediately suggested Nekesa Afia’s Harlem Renaissance Mystery debut, Dead Dead Girls. Afia’s understanding of the tightly-knit community plays an essential role in the story, with main character Louise fighting against perceptions and a cold-blooded murderer. Couple all the expected roadblocks with glam nightlife and Prohibition antics. This entire series comes together like a perfect cocktail.

Mysterious victorian missionaries with dark secrets in the land of the fae. I truly do not know how to sell this book any better. I tend to recommend gothic literature for historical fiction newbies, since the emotional stakes are always so high and the plots often bend close to horror or fantasy, and this one is no different. The worldbuilding is spectacular, and it plays on the tropes of classic gothic novels in a way that’s knowing, clever, and never dry or stilted. No wonder Ng won the Hugo for best new author when she released this book—it deserves it.

I like this because it reveals the dichotomy between what people say and what they do. People think words tell you about a person. What if everything they say is lies? Sally Rooney does that thing I love–she gives you clues as to why people do the things you don’t understand.

She writes imperfect heroes and heroines. You don’t like them, but then you understand them and root for them. A damaged girl who lives in pretense can’t manage life when she no longer has to pretend anymore. So she reverts to self damage rather than expose the chance of total destruction because if she choses what heals she may get destroyed when the expectation of safety gets shattered.

Why give something a chance when life says it never works out? Doing what she’s always done may hurt her, but at least she’s assured of the outcome. The… show more.

Elizabeth Hoyt was the first historical romance writer I read, and she hooked me on the genre. The Raven Prince is probably my favorite of hers. I love how the meet-cute is actually more of a meet-hate, and how Anna pursues her own happiness with guts and determination, even when Edward has his head firmly planted where the sun don’t shine. This book is also notable for the fact the hero has noticeable scars that to the casual eye might make him unattractive. There is a realism to the couple that you don’t find in a lot of historical romances. Definitely a top pick.

Little is more adventurous than a woman who owns a gambling hell, who has forged a path to success, and dares Society to judge her. I love Sarah’s depth of characterization and how she infuses her characters with a background and motivations that make their actions, even the questionable ones, understandable and believable. I find she always takes an insurmountable conflict and uses it to drive the characters toward change. I so admire Sarah’s ability to carry me on a journey that always ends with a sigh of satisfaction, and often a few tears.

An adventurous lady gambler. I enjoy stories where the heroine is taking on the role usually belonging to the hero. Kelly Bowen is so skilled at giving us characters to care about and root for. This story was a delicious read with a heroine equal to the task of taming the hero. I love Kelly’s writing style and how smoothly her stories flow.

Sarah MacLean went to Smith. So did I. Besides, I am famous for saying about myself at parties, “I’m not just a wallflower—I’m the wallpaper.” How could I possibly give a miss to a Smithie and wallflowers? I couldn’t. Three half-siblings hold a dastardly secret amongst themselves about their inheritance and the person to whom it really belongs. Ruling royalty of the darker side of Covent Garden, two of them live by their own code of loyalty, along with their beloved sister. I totally loved the research and detail that had to go into these books. Covent Garden was never so lascivious, and wallflowers never so appealing. The women show their moral backbones right alongside the Bastards and the sparks are illuminating. Go, wallflowers!

Yes, that says “bedding” and not “wedding”! In this Regency Romance novel, the heroine is a scandalous divorcee who’s sworn off romance. She has some income of her own and isn’t penniless. Dipping a toe into society again, she’s wooed by a determined young rake who wants only to bed her. But when he falls in love and proposes, she has to say no. [Spoiler alert] Her abusive former husband paid a man to perjure her as an adulteress so he could divorce her. The story shows the vindictiveness a spurned husband might employ in this era: the divorce decree leaves her forbidden to remarry. Read this book for a different take on the perils of divorce by another skilled romance writer.