Here are 9 books that Charlie Waldo fans have personally recommended once you finish the Charlie Waldo series.
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I've been hooked on the magic of storytelling since childhood, always eager to go wherever imagination can take me. I think that early fascination led me to become a costume designer – because costume design is about using clothing to help tell a story. I spent 27 years working on the costume design teams for films like Forrest Gump, Apollo 13, Angels & Demons, and The Curious Case of Benjamin Button. When I decided to take what felt like a logical creative step, to write my own stories, I knew I wanted to write murder mysteries. And I thought the world behind the scenes of a movie would make the perfect setting.
This twisty, hypnotic story by the great Ross Macdonald focuses on the dark side of the Hollywood dream.
Private detective Lew Archer is drawn into the search for a missing woman, Hester Campbell-Wall, who seemed poised on the cusp of success via an oblique connection to Helio-Graff Studios when she vanished after a frantic phone call to her estranged husband.
Against his better judgment Archer agrees to look for Hester, a quest that pits him against the powerful and corrupt studio head, Simon Graff. The book is full of complex characters who are neither all good nor all bad, despite their acts of betrayal, deceit, and even murder.
That’s what makes them so poignant and believable: in various ways, they are all broken by dreams that didn’t come true.
The beautiful, high-diving blonde had Hollywood dreams and stars in her eyes but now she seems to have disappeared without a trace. Hired by her hotheaded husband and her rummy “uncle,” Lew Archer sniffs around Malibu and finds the stink of blackmail, blood-money, and murder on every pricey silk shirt. Beset by dirty cops, a bumptious boxer turned silver screen pretty boy and a Hollywood mogul with a dark past, Archer discovers the secret of a grisly murder that just won't stay hidden.Lew Archer navigates through the watery, violent world of wealth and privilege, in this electrifying story of obsession…
I've been hooked on the magic of storytelling since childhood, always eager to go wherever imagination can take me. I think that early fascination led me to become a costume designer – because costume design is about using clothing to help tell a story. I spent 27 years working on the costume design teams for films like Forrest Gump, Apollo 13, Angels & Demons, and The Curious Case of Benjamin Button. When I decided to take what felt like a logical creative step, to write my own stories, I knew I wanted to write murder mysteries. And I thought the world behind the scenes of a movie would make the perfect setting.
In the ninth book featuring Connelly’s iconic character, (now retired) LAPD detective Harry Bosch, the quintessential modern knight errant is working a case that’s haunted him for years – the murder of Angella Benton.
Her death might be linked to a bold and bloody robbery of 2 million dollars from a movie set where she worked as a production assistant, but neither crime was ever solved. Now Harry is intent on finding Angella’s killer.
The story is set against the backdrop of the movie industry and the celebrity-obsessed culture of Hollywood. Unimpressed by the trappings of power, Harry follows his instincts, led only by his guiding principle, “Everybody counts or nobody counts.”
But this time, he’s on his own without a badge or backup, and when his investigation hits very close to home, Harry finds himself facing brutal enemies determined to strike him down.
Award-winning No.1 bestselling author Michael Connelly's ninth Bosch book. Hieronymus (Harry) Bosch has retired from the Los Angeles Police Department - but the discovery of a startling unsolved murder among his old case files means he cannot rest until he finds the killer.
When he left the LAPD, Bosch took a file with him: the case of a production assistant murdered four years earlier during a movie set robbery. The LAPD thinks the stolen money was used to finance a terrorist training camp. Thoughts of the original murder victim were lost in the federal zeal, and when Bosch decides to…
My first book love was Agatha Christie’s And Then There Were None. The game between author and reader that centers a whodunit has always delighted me. The breadcrumb trail of clues, the misdirection, the inevitable I should have seen it! are my jam. Now an author of whodunits—I have one series published and a second on the way, along with several short stories – I read mysteries with greater scrutiny—in admiration and with a selfish desire to learn from other authors’ envious talents. Each of the books on my list excited me for their excellent storytelling. In the end, I found them just plain entertaining. I hope you do too!
As much as I love this book’s hero, former television commercial star Dayna Anderson, her tight circle of got-your-back friends is what made this mystery really shine.
To say the cast has big personalities is like calling Hollywood’s Dolby Theater a quaint venue. I laughed out loud throughout and wished I could ride along with these ladies (there are some guys involved, a love interest in particular) as they doggedly unravel the deftly plotted mystery.
I am grateful to Garrett that there is a sequel to this first in the series, Hollywood Ending.
Dayna Anderson doesn t set out to solve a murder. All the semi-famous, mega-broke black actress wants is to help her parents keep their house. After witnessing a deadly hit-and-run, she figures pursuing the fifteen-grand reward isn t the craziest thing a Hollywood actress has done for some cash. But what starts as simply trying to remember a speeding car soon blossoms into a full-on investigation. As Dayna digs deeper into the victim s life, she wants more than just reward money. She s determined to find the poor woman's killer too. When she connects the accident to a notorious…
I've been hooked on the magic of storytelling since childhood, always eager to go wherever imagination can take me. I think that early fascination led me to become a costume designer – because costume design is about using clothing to help tell a story. I spent 27 years working on the costume design teams for films like Forrest Gump, Apollo 13, Angels & Demons, and The Curious Case of Benjamin Button. When I decided to take what felt like a logical creative step, to write my own stories, I knew I wanted to write murder mysteries. And I thought the world behind the scenes of a movie would make the perfect setting.
Elmore Leonard knew the vagaries of the movie business back to front, and he serves them up on a platter of delicious satire in this story about an East Coast loan shark, Chili Palmer, who comes to Los Angeles chasing a deadbeat debtor and winds up in his own fractured fairy tale version of the Hollywood dream.
Chili’s an endearing character, street smart with a unique blend of humility and self-confidence. When his collection job throws him into company with a group of movie people, he sees them and their milieu with clear-eyed objectivity.
Talking to an underworld associate, he says, “The movie business, you can do anything you want because there’s nobody in charge.” Leonard’s mastery of dialogue and character, along with his wit and sly affection for the industry he’s skewering combine to make this book a complete delight.
A thriller filled with Leonard's signatures - scathing wit, crackling dialogue, twisted plot, mad scams - and set in the drug sodden world of Hollywood.
I am a British crime writer and am the winner of the CWA Debut Dagger and have been longlisted for the CWA Gold Dagger. I have been reading crime thrillers for most of my life and while I love reading about cops and detectives, I seem to have a special liking for amateur detectives, criminals with good hearts, and ex-cons. In my own novels, two crime thrillers set in west London, my main character, Zaq Khan, is an ex-con who gets caught up in dangerous situations and, along with his best friend, tries to get out of them alive. The books I’ve recommended have all inspired and influenced what I write.
Elmore Leonard was the first crime author I ever read, and his books are what got me hooked on the genre.
Like many of his characters, Jack Foley, despite being a criminal, in this case a bank robber, is just so much fun to spend time with and read about.
The book starts with Foley escaping from prison only to find himself bundled into the trunk of a car with a female US marshal. What follows is a cat-and-mouse, cops and robbers tale, as only Elmore Leonard could have written it.
Fabulous characters, amazing situations, and some of the coolest dialogue in all of fiction. The film was great, but the book is even better.
Read it and you’ll want to read everything else he ever wrote.
OUT OF SIGHT was made into the highly-acclaimed movie starring George Clooney and Jennifer Lopez.
Jack Foley was busting out of Florida's Glades Prison when he ran head-on into Karen Sisco with a shotgun. Suddenly the world-class gentleman felon was sharing a cramped car trunk with a disarmed federal marshal - whose Chanel suit cost more than the take from Foley's last bank job - and the chemistry was working overtime. Here's a lady Jack could fall for in a big way, if she weren't a dedicated representative of the law that he breaks for a living. And as soon…
I’ve made my way in the world as a writer, mostly of TV and movies, mostly of comedy of one stripe or another. As a consumer, though, I’ve always been more drawn to cops and robbers than to material designed primarily to make me laugh. Then, in my 50s, I made an unexpected turn to detective fiction, with a series shaped like traditional, serious mysteries but with satirical undertones and, hopefully, plenty of smiles along the way. My new career made me start thinking more attentively about how comedy and crime worked together, how my work built on what came before, and how it differed from it.
Like Dortmunder, Grimm is an idea man, and his idea for the perfect bank robbery is a doozy: he’ll dress as a clown, hold all the workers and customers in the vault, shoot out the video cameras, negotiate with the cops, take off the clown suit and makeup, “release” himself and his two accomplices as “hostages,” and waltz out of the bank and right past the entire NYPD. The only problem is, getting out of the city proves a lot harder than getting out of the bank. Cronley owes a lot to Westlake, but I picked Quick Change because he repays that debt and then some, with a smirking wit that lights up every page.
Grimm was the only one in town who knew he had them where he wanted them - overconfident."" The hero of Quick Change is just twenty minutes into a bank robbery, and so far everything is going according to his brilliant, meticulously thought-out plan. The bank's employees and customers are in the vault, the security cameras have all been shot out, and he's bagged close to a million dollars. But the police and a SWAT team are already outside. Can Grimm get out of the bank and out of New York, with the money and his two accomplices, and pull…
I grew up in a family of readers who valued humor above all else. I’ve always sought out novels that weren’t full of themselves or too serious. For example, I don’t actually like literature for the most part (sacrilege?) As a result, I’ve veered toward upmarket genre books that amuse me. My list reflects what I discovered as I explored this realm. It also led me to write mysteries and thrillers that are infused with my version of humor, which I must admit will never match the authors on my list. These guys are amazing.
Westlake’s criminals bumble their way through the intricately plotted story, which I love. Every time they seem to be successful, something comes along that creates a hairy complication and requires a new plan.
The dialogue between the dimwitted gang members is hilarious in a matter-of-fact way. That is, Westlake reports it straight, and the words and actions of his characters provide the fun. I can’t recommend this author enough. This book is part of the Dortmunder series. Check out all the titles.
Edgar Award Finalist: A comical crime caper “filled with action and imagination” (The New York Times Book Review). John Dortmunder leaves jail with ten dollars, a train ticket, and nothing to make money on but his good name. Thankfully, his reputation goes far. No one plans a caper better than Dortmunder. His friend Kelp picks him up in a stolen Cadillac and drives him away from Sing-Sing, telling a story of a $500,000 emerald that they just have to steal. Dortmunder doesn’t hesitate to agree. The emerald is the crown jewel of a former British colony, lately granted independence and…
I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I could have chosen any Raymond Chandler novel for this list; he is such a brilliant stylist, one of the best in the language.
His lugubrious, heavy-drinking, first-person detective Philip Marlowe is my kind of fictional hero, a genre-defining character, perpetually alone though he yearns for the glamorous women he meets.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
I’ve made my way in the world as a writer, mostly of TV and movies, mostly of comedy of one stripe or another. As a consumer, though, I’ve always been more drawn to cops and robbers than to material designed primarily to make me laugh. Then, in my 50s, I made an unexpected turn to detective fiction, with a series shaped like traditional, serious mysteries but with satirical undertones and, hopefully, plenty of smiles along the way. My new career made me start thinking more attentively about how comedy and crime worked together, how my work built on what came before, and how it differed from it.
Tolkin doesn’t hit you with belly laughs so much as tickle the upper corners of your mind with his knowing take on the mores and follies of the Hollywood of the late 1980s. (Of special interest to me, as that’s the moment I arrived there to begin my own TV and film career.) The trenchant satire is exemplified by the crime at its center: studio exec Griffin Mill, badgered by threats from some anonymous screenwriter he’s mistreated, focuses his attention on a different C-list scribe and winds up strangling him to death. Get it? In a business full of writer-killing executives, Tolkin’s big-wig antihero literally kills a writer.
Griffin Mill is senior vice president of production at a Hollywood studio. Obsessed with his career, dedicated to his success and riveted by paranoia, he is the ultimate player. But now he is in trouble. He has been getting postcards from a writer he rejected, who threatens to kill him.
