I’m a historian of Latin America and a professor at California State University, Los Angeles. I write about Chile’s labor and social history in the twentieth century. As a historian, I am especially interested in understanding how working people relate with public institutions and authorities, what they expect from the state, and how they have organized and expanded social and economic rights. While my research centers in Chile and Latin America, I also look to place regional debates in a transnational framework and see how ideas and people have moved across borders. I like books that bring working people’s diverse voices and experiences.
This is a fantastic book to understand how welfare institutions work. Lynne Haney, a sociologist, looks at the state from the bottom up and analyzes the relationship between welfare recipients and caseworkers in Hungary. It is a book rich in stories that place people, especially women, at the center of debates about welfare and social rights.
Inventing the Needy offers a powerful, innovative analysis of welfare policies and practices in Hungary from 1948 to the last decade of the twentieth century. Using a compelling mix of archival, interview, and ethnographic data, Lynne Haney shows that three distinct welfare regimes succeeded one another during that period and that they were based on divergent conceptions of need. The welfare society of 1948-1968 targeted social institutions, the maternalist welfare state of 1968-1985 targeted social groups, and the liberal welfare state of 1985-1996 targeted impoverished individuals. Because they reflected contrasting conceptions of gender and of state-recognized identities, these three regimes…
My passion for 19th-century French art, literature, and social history was enkindled in academia, but when my doctoral research uncovered the remarkable story of a forgotten 19th-century courtesan, I set out on a career in biography. During the 19th century, the ‘woman question’ was marked by both radical change and fierce dispute. Based on careful research, my writing seeks to lift this history out of the dusty annals of academia and bring its characters and events vividly to life for the 21st-century reader. My books introduce real women, piecing their stories back together in intimate detail so that readers can really share their successes and frustrations.
Every biographer needs a reliable social history, an authority that distils the essential, orders the chronology, and acts as a framework on which to pin all those facts. In his assured style, James F. McMillan artfully weaves the myriad strands of history into a seamless and engaging narrative. From prostitutes to housewives and from workers to salonières, the author spans the whole social spectrum to pinpoint not just what French women did, but why, and crucially, how their actions were received. The scrupulous research, swift pace, and crisp style make this comprehensive study a bible to anyone interested in the history of French women during the long 19th century.
France and Women, 1789-1914 is the first book to offer an authoritative account of women's history throughout the nineteenth century. James McMillan, author of the seminal work Housewife or Harlot, offers a major reinterpretation of the French past in relation to gender throughout these tumultuous decades of revolution and war. This book provides a challenging discussion of the factors which made French political culture so profoundly sexist and in particular, it shows that many of the myths about progress and emancipation associated with modernisation and the coming of mass politics do not stand up to close scrutiny. It also reveals…
This memoir chronicles the lives of three generations of women with a passion for reading, writing, and travel. The story begins in 1992 in an unfinished attic in Brooklyn as the author reads a notebook written by her grandmother nearly 100 years earlier. This sets her on a 30-year search…
I’m a backpacker at heart, a high school English teacher, and a bestselling author with an eye on what’s really happening under the surface and what people are really thinking. My mum taught me early to "watch the quiet ones," and I’ve always been fascinated by the way people can promote a very public self while maintaining something totally different on the inside. Perhaps that’s why I love a good twist! I also think that in the current climate of extremely savvy thriller readers, it’s impressive to wrongfoot readers and stay true to the clues hidden in the pages.
I loved this thriller set high in the hills of a Greek villa, where all the women have secrets up their sleeves.
Told in multiple perspectives, it holds its tension so well, and I wasn’t sure which of the women in the group might turn murderous or which of the secrets might explode. The final twist, however, was so satisfying because I hadn’t spotted it, even when it had been there all along…
The scorching, escapist new thriller from the Sunday Times bestselling author of The Castaways
'An addictive sun-soaked thriller'MARIE CLAIRE 'The perfect holiday read' CLAIRE DOUGLAS 'Brimming with tension' CLARE MACKINTOSH 'Talk about twists and turns' EMMA STONEX 'Utterly addictive . . . her best yet' ERIN KELLY
WE WERE DYING FOR A HOLIDAY
The six of us arrived on that beautiful Greek island dreaming of sun-drenched beaches and blood orange sunsets, ready to lose ourselves in the wild freedom of a weekend away with friends.
On the first night we swam under a blanket of stars.
Juggling roles as a professor, nurse practitioner, author, mother, and grandmother would seem to limit my reading time but instead, I always have a book in my car, on my phone, or in my hands. I read broadly and enjoy all genres, from fiction to nonfiction, poetry to medical comics, as well as the creative essay columns nursing journals are beginning to embrace. In particular, I gravitate toward resources that help nurses create a positive relational workplace where their best efforts can be even more effective. Whether it’s ending the RN-RA (relational aggression) Rut, using poetry to express feelings about caregiving, or writing creatively about the many aspects of nursing, I am ready to read! And of course, the best part of reading is having a discussion with colleagues or friends about what exactly that book was about…
This story about four patients cared for by nurse practitioner and acclaimed poet Cortney Davis reminds me a bit of pandemic narratives in that she works in a public clinic with individuals whose financial, emotional, or social situation puts them at risk. Since her patients are all female, their needs are related to gynecology, but the bigger story is Cortney’s ability to connect with them on a humanistic level and share their hopes, concerns, and fears.
"I cannot ignore the reality of the body, its glorious beginnings and its subtle endings," writes Cortney Davis in this intimate and startlingly original account of her work at a women's clinic. A poet and nurse-practitioner with twenty five years' experience, Davis reveals the beauty of the body's workings by unfolding the lives of four patients who struggle with its natural cycles and unexpected surprises: pregnancy and childbirth, illness and recovery, sexual dysfunction and sexual joy. An abundance of solid medical information imbues every graceful line.
Davis's eternal question to herself is: How do you help someone to not merely…
I am a writer and avid reader of “domestic horror”: stories about the uncomfortable, inhospitable spaces that women inhabit in everyday life. In the past, I worked as a crime victim’s advocate for a national nonprofit. I became a writer because I believe in the power of expression and truth as healing agents. I am passionate about the issues of trauma and taboo, mental illness and motherhood, and the institutional power structures that constrict us all. My short stories, poetry, and essays have been published in many journals and literary magazines, including Witness, Ninth Letter, Identity Theory, Epiphany, Literary Mama, NonBinary Review, and elsewhere.
The title says it all. In this short story collection, simply being a woman is a kind of emergency. These stories are slow burns, full of interiority and character development. The devastation is in the details: tiny moments that reveal deep-seated fears and barely acknowledged longings.
Each story is full of quiet revelations: there’s subtlety in the dangers these women face; in fact, it’s woven into the very fabric of their lives.
A professor finds a photograph of her deceased mother in a compromising position on the wall of a museum. A twenty-something's lucrative remote work sparks paranoia and bigotry. A transplant to a new city must make a choice about who she trusts when her partner reveals a violent history. The summer after her divorce from an older man, an exiled painter's former friends grapple with rumors that she attempted to pass as a teenager.
In this long-awaited debut collection, Kathleen Alcott turns her skills as a stylist on the unfreedoms of American life-as well as the guilt that stalks those…
The relationship between servicewomen and the US military is a complicated one. It’s love, strength, comradery, and also abuse, manipulation, sexual harassment, and soul-crushing institutional betrayal. After leaving the military, I found most books or movies didn’t adequately represent this complex relationship, either ignoring the abuse altogether, or focusing too much on it and erasing the bravery and resilience of women service members. I strive to write books that better represent this conflicting relationship, and I hope this book list helps better reflect women’s experiences in the US military.
This is the gold standard of military memoir written by and about women. Published in 2006, and surrounded by male after male written war memoirs, this is the book that showed me women can write military memoirs, too. It proved to me that our voices matter and people want to hear from us women, as well. It’s powerful, gripping, and poignantly balances on the paradoxical line of the rage women carry towards the Army, but also the love. Filled with humor, camaraderie, as well as the everyday struggles of women in uniform, this is a must-read, penned by an intelligent and extremely accomplished woman.
Kayla Williams is one of the 15 percent of the U.S. Army that is female, and she is a great storyteller. With a voice that is "funny, frank and full of gritty details" (New York Daily News), she tells of enlisting under Clinton; of learning Arabic; of the sense of duty that fractured her relationships; of being surrounded by bravery and bigotry, sexism and fear; of seeing 9/11 on Al-Jazeera; and of knowing she would be going to war.
With a passion that makes her memoir "nearly impossible to put down" (Buffalo News) Williams shares the powerful gamut of her…
This memoir chronicles the lives of three generations of women with a passion for reading, writing, and travel. The story begins in 1992 in an unfinished attic in Brooklyn as the author reads a notebook written by her grandmother nearly 100 years earlier. This sets her on a 30-year search…
Growing up in Philadelphia, History was in the air I breathed. Reading about my surroundings led me to want to understand the times and the ways people lived in the past. The Classics inspired a love for the cadence of language (especially 19th C lit). Visiting local museums and historic places added fuel to my passion for Historical Fiction. I believe we learn best from history and the human experience through empathy and putting ourselves in other’s shoes, which Historical Fiction is able to do by introducing us to a fascinating array of characters, places and times—real and imagined.
How Jane Digby escaped public notoriety in the present day is miraculous and certainly no reflection of the reputation she garnered in her own time.
If Gertrude Bell pushed the Edwardians into the post-colonial future, Digby forged the path for her. I have to wonder if Bell well knew of Digby’s life in the Middle East after she blithely married and liaised across Europe on her way. Gobsmackingly independent, she cared little for public opinion in making her choices.
The biography of Jane Digby, an 'enthralling tale of a nineteenth-century beauty whose heart - and hormones - ruled her head.' Harpers and Queen
A celebrated aristocratic beauty, Jane Digby married Lord Ellenborough at seventeen. Their divorce a few years later was one of England s most scandalous at that time. In her quest for passionate fulfilment she had lovers which included an Austrian prince, King Ludvig I of Bavaria, and a Greek count whose infidelities drove her to the Orient. In Syria, she found the love of her life, a Bedouin nobleman, Sheikh Medjuel el Mezrab who was twenty…
I like
fiction that is both sad and funny because that approach represents the most
satisfying literary approximation of the contours of real life.
This means I
like Irish writers. Edna O’Brien’s Country
Girls trilogyis a series of three novels that follows the lives of two
friends in 1950s Ireland from the time they were naïve schoolgirls until they became world-weary married women.
The books were banned in Ireland—as much for
O’Brien’s audacity in challenging an entrenched literary patriarchy as for
their frank sexuality—but that (now quaint-seeming) controversy should not
detract a reader’s attention from what is a richly-rewarding, bawdy, sad and funny
work of art.
A treasure of world literature back in print, featuring a new introduction by Eimear McBride
This omnibus edition includes the novels The Country Girls, The Lonely Girl, and Girls in Their Married Bliss.
The country girls are Caithleen “Kate” Brady and Bridget “Baba” Brennan, and their story begins in the repressive atmosphere of a small village in the west of Ireland in the years following World War II. Kate is a romantic, looking for love; Baba is a survivor. Setting out to conquer the bright lights of Dublin, they are rewarded with comical miscommunications, furtive liaisons, bad faith, bad luck,…
As a historian of the Civil War Era, I wanted to find out whether prewar Southern-led schemes for the expansion of slavery continued covertly during the Confederacy. I assumed that publicly at least the Confederacy, being as it was desperate for foreign recognition and fighting for its very existence, had to renounce emphatically anything remotely ambitious. I was, therefore, surprised to discover first in Richmond, Virginia, newspapers that Confederate journalists boldly proclaimed that they were seceding and fighting the war to change the world. Furthermore, they were candidly ambitious for themselves and their new nation.
I love this book because, as a wartime bestseller dedicated to the soldiers of Lee’s Army of Northern Virginia, it captures the Confederate mood during the war. It is at once a remarkable moment in the construction of femininity and masculinity in U.S. history, as Evans charts the headstrong, independent-minded heroine Irene Huntington’s struggles both with her traditionalist slaveholding father and with her self-made lover Russell and, finally, with Electra—her rival in Russell’s affections and whom her philanthropy had raised from poverty.
Irene rejects the traditional passive role of the heiress waiting to get married as she engages in scientific pursuits, educational projects including schools and orphanages, and finally, when war comes at the end of the book in nursing and hospitals. The South in which the characters move is cosmopolitan, a self-conscious advanced civilization in a transatlantic world, including the North and Europe, and driven by evangelical revivalism: the…
First published in 1864, Macaria; or, Altars of Sacrifice was the third novel of Augusta Jane Evans, one of the leading women writers of nineteenth-century domestic fiction. A wartime best seller, with more than twenty thousand copies in circulation in the print-starved Confederacy before the war's end, the novel was also extremely well received along the Union front, so much so that some northern officials thought it should be banned. Long out of print and largely unavailable until now, Macaria is a compelling narrative about women and war. In Macaria, Evans charts the journey of two southern women toward ultimate…
I am a feminist political philosopher (yes, this is a job!). My superpower—and my training—is being able to see “through” public life to the values and arguments that animate it. I have been writing about the ideas behind feminist movements, especially movements in the global South, for almost 15 years. I am also a mom of color who thinks a lot about women’s labor.
I watched in awe in 2015 as thousands of women took to the streets of Buenos Aires to protest the murder of a young woman and the culture of impunity surrounding gender-based violence. This chronicle of the movement, written by one of the founders of the Ni Una Menos collective, offers a passionate reminder that social change can still happen in the streets.
Ni Una Menos began as a movement against femicide, snowballed into a women’s strike, and became one of the driving forces behind the movements that have felled abortion bans all over Latin America in the last five years. In reading, I learned all kinds of lessons about feminist politics—about things like how to connect the concerns of trans and cis women and how to frame abortion restrictions as a form of gender-based violence rather than mere infringements on choice.
On June 3, 2015, massive women's street demonstrations took place in many cities across Argentina to protest against femicide. Under the slogan Ni una menos, Not One (Woman) Less, thousands of women took to the streets to express their outrage at systematic violence against women, giving a face and a voice to women who might otherwise have died in silence.
Maria Pia Lopez, a founding member and active participant in the Not One Less protest, offers in this book a first-hand account of the distinctive aesthetics, characteristics and lineages of this popular feminist movement, while examining the broader issues of…
