100 Books Like Love My Rifle More Than You

This incredibly well-researched and powerfully written anthology does the one thing I always want to remind people: that women have always served and fought for our country. Women are usually invisible when it comes to military representation, especially in a historical sense. Either ignored or forgotten, our existence has continuously been minimalized. Bell and Crow’s anthology, with acute detail, tells stories of women who served from the birth of our nation up to modern day. In excerpts from diaries, letters, oral histories, published and unpublished memoirs, generations of women reveal why and how they chose to serve their country, often breaking the social norms, even to great personal peril. An excellent reference guide to get that one, random guy to shut up when he complains “women don’t belong in the military.”    

Helen Benedict’s book chronicles the lives of several women serving in Iraq. It is searing and appropriately disturbing. These are stories told by the women themselves, which range from harassment, rape, or manipulation from fellow soldiers and command to the devastating medical issues and battles with the VA afterward. This collection shows that often women’s greatest enemies in wartime are not on the other side of the gate but instead inside the camp with her. While the book does focus single-mindedly on abuse in the military, there’s no denying that these women’s stories are real, poignant, and deserve to be heard.       

Band of Sisters gives us a book full of heroism, valor, combat action, and real sacrifices of women fighting in a foreign war. For me, this book beautifully portrays why women continue to serve—it highlights comradery, the willingness to put oneself in danger for another, the pride in a job well done, the ability to continue on after the unthinkable. Especially after reading a book such as The Lonely Soldier, Band of Sisters shows what The Lonely Soldier is missing—that women, too, want to fiercely fight and fiercely protect. It also proves that there are no front lines in modern war, and that women engage in combat, proving themselves well-suited for the role. A must-have to shut up those people who say, “Well, women don’t actually see combat.”   

There is a very good reason this book has been adapted into a movie—it tells the very real story of women who circumvent Congressional law to fight alongside Army Rangers, Navy SEALS, and other special operations teams in Afghanistan. Female Engagement Teams (FET) take part in secret missions, under the dark of night, “attached” to special ops and not only proving they can keep up, but they are mission essential. It’s about friendship, loss, the bonds made in war, and a march towards equality, as combat roles weren’t open to women at the time—but these women did it anyway. Great to counter those people want to lavish praise on Rangers, SEALs, or Special Ops because they’re “the best of the best” and “only men.” Surprise! Women do it, too. 

When Lauren Cook and I published They Fought Like Demons, we knew that our book, although groundbreaking, was only the tip of the iceberg in the story of women soldiers in the Civil War, and we always hoped that another scholar would pick up the torch and move the story forward.  Shelby Harriel has done just that.  Behind the Rifle is a meticulously researched and ably written account of the distaff soldiers who hailed from Mississippi, or found themselves there.  Citing previously unknown sources along with revealing newly-located photographs, Harriel’s contribution to the history of women soldiers is remarkable.

In many ways, Antonia Fraser's Warrior Queens spurred my long-term interest in women warriors. Fraser not only introduced me to historical women I had never heard of, but to the idea that women had fought as a normal part of the army in far more epochs and far more civilizations than is normally appreciated. Fraser looks at her warring queens as a group as well as individually, trying to understand the tropes that (mostly male) historians have used both to make them bigger than life and to demean them as women. A fascinating read that has held up well over time.

As a writer of feminist myths, Kartika Nair’s exquisite poetic retelling of the Mahabharata from the women’s perspective felt like it was written for me. The title is from the African writer Chinua Achebe’s words, "Until the lions have their own historians, the history of the hunt will always glorify the hunter." Using formal poetry, free verse, and prose, Nair has created a palimpsest of the great Indian epic of kingship and warring dynasties which is several times the length of The Iliad and The Odyssey combined. Here the mothers, wives, sisters, and lovers of the protagonists tell their stories, providing a counterpoint to the much-quoted verse from the epic: "All that is found here can be found elsewhere, but what is not here can be found nowhere."

Faith Ringgold, an acclaimed Black artist who grew up in Harlem, tells about her childhood and explains the process of creating her extraordinary painted quilts such as Tar Beach, Sonny’s Quilt, and Dancing at the Louvre. Each tells a story. “When I was starting out,” she wrote, “there were hardly any galleries that showed the work of black women, or women at all.”  Her quilts are now housed in museums and public collections nationwide. Full-color reproductions of her work, as well as vintage photos, illustrate this inspiring book.

The title says it all. In this short story collection, simply being a woman is a kind of emergency. These stories are slow burns, full of interiority and character development. The devastation is in the details: tiny moments that reveal deep-seated fears and barely acknowledged longings.

Each story is full of quiet revelations: there’s subtlety in the dangers these women face; in fact, it’s woven into the very fabric of their lives.  

In which I discover that St Paul’s was not a misogynist! It is easy to see why we might think otherwise. His first letter to the Corinthians has had a profound and often negative impact on the place of women in Christianity. And just when I thought there was nothing left to say about it, along comes Lucy Peppiatt, and blows my mind!

I loved the complete left-of-field interpretation she offers and the fact that she turns traditional interpretations on their head. She plausibly argues that Paul was not for forcing women to veil and be silent in church. According to Peppiatt, Paul argued against the domineering men who insisted on such things. Wowza! And, by Jove, she could well be right! Invigorating stuff! (The author’s academic version is her Worship and Women at Corinth)