I’ve always loved fantasy. My mother told me fairy stories and I read every book of myth and legend in my local library. I’ve continued to read and love books of fantasy and magic. I guess it’s not surprising that all four of my novels and most of my short stories have a speculative aspect to them. Having grown up with the traditional view of the aged, ugly crone luring children away to their doom, I especially love stories of witches that come at the topic of witchcraft from a different angle. I live in the East of England, where the infamous witch-hunts of the seventeenth century took place.
If you mention witches, most people think fantasy novels, but this is a factual history about the real life witch-hunts that took place across the East of England in the 17th Century. It unpicks the brutal and most likely self-serving crusade of the original Witchfinder General, Mathew Hopkins and the religious hysteria of the time. It is a worthy counterbalance to classic horror films such as Witchfinder General and to all the varied and imaginative fiction that has been written about witches and witchery over the centuries, my own included.
By spring 1645, two years of civil war had exacted a dreadful toll upon England. People lived in terror as disease and poverty spread, and the nation grew ever more politically divided. In a remote corner of Essex, two obscure gentlemen, Matthew Hopkins and John Stearne, exploited the anxiety and lawlessness of the time and initiated a brutal campaign to drive out the presumed evil in their midst. Touring Suffolk and East Anglia on horseback, they detected demons and idolators everywhere. Through torture, they extracted from terrified prisoners confessions of consorting with Satan and demonic spirits.
I’m a historian who wants to know: Why did people burn other people at the stake for what we think was an impossible crime? It seems so unjust; indeed it was unjust. I mention Amnesty International in my book; as well as being a professional historian, I’ve been writing letters for Amnesty for many years, trying to rectify injustice. Yet witch-hunting made sense to the perpetrators; they weren’t simply ‘wicked’ or ‘crazed’ or ‘ignorant’. We need to understand them on many levels, from the most erudite demonology, all the way down to psychological processes by which we identify enemies. The five books I’ve chosen move gradually downwards, in order, from the highest to the deepest level.
As well as the village witch, we have what might be called the ‘folkloric witch’, and other folkloric traditions.
When interrogators asked witchcraft suspects about the Devil, the answers sometimes surprised them. They uncovered beliefs about nature spirits, practices of magical healing and divination, and visionary experience of otherworlds.
Some of this material fed into ideas about the witches’ sabbat, but these beliefs, practices, and visions were not necessarily about ‘witchcraft’ at all. Ronald Hutton’s ambitious book surveys these beliefs, practices, and visions.
He ranges far back into the ancient history of Europe – and adjacent regions, exploring traditions of ceremonial magic from ancient Egypt. If the idea of the witch is frightening, it is partly because of the folklore brought together in this book.
Why have societies all across the world feared witchcraft? This book delves deeply into its context, beliefs, and origins in Europe's history
"Traces the idea of witches far beyond the Salem witch trials to beliefs and attitudes about witches around the world throughout history."-Los Angeles Times
The witch came to prominence-and often a painful death-in early modern Europe, yet her origins are much more geographically diverse and historically deep. In this landmark book, Ronald Hutton traces witchcraft from the ancient world to the early-modern stake.
This book sets the notorious European witch trials in the widest and deepest possible perspective…
I am an Emeritus Professor of Early Modern History at the University of East Anglia and a Fellow of the Royal Historical Society. I taught history for many years at several UK universities, and I was the Director of Studies in History at Churchill College, Cambridge. I am the author of six books, including Hellish Nell: Last of Britain’s Witches and Witchcraft: A Very Short Introduction. His latest book, The Ruin of All Witches: Life and Death in the New World, will be published in November by Penguin. I live in Cambridge, England, and I am married with three children.
This was the book that got me started over thirty years ago, and which I still turn to today. It’s an absolute mine of information, specifically relating to the written indictments for witchcraft which survive in great numbers for the Home Assize Circuit – that is, the courts that heard felonies in south-eastern England.
Ewen doesn’t provide much in the way of analysis. There is a substantial, very useful, introduction, but the really incredible thing about this book is how Ewen managed to comb through the archives, then held in the Public Records Office in London, and find almost all of the witchcraft indictments hidden there. He was an amazing researcher, who provided raw data for subsequent generations of historians.
Among many findings that can be drawn from his research are that, outside the peculiar spike in trials in the mid-1640s (the subject of my book, Witchfinders), English witch-trials peaked…
Originally published in 1929, the author presents a formidable collection of facts, brought together in a scholarly manner. This is an examination of the general history of witchcraft, its changing laws and legal procedures, as well as methods of interrogation and punishment. This book must be considered an essential reference work for every student of witch lore.
I have always loved fairy tales, myths, and fantasy, having developed a vivid imagination during childhood because we lived far from friends. When I began studying French, I discovered a love for medieval legends such as Tristan et Yseult. During trips to France, I explored troglodyte caves of the Loire Valley and prehistoric grottos, such as La Grotte de Lascaux. The more I researched legends and myths, the more my fantasy world of paranormal romance and shapeshifting warriors evolved.
A passionate, paranormal romance between a witch and the chasseur who hunts her, Blood & Honey is filled with shapeshifting warriors, werewolves, and mermaids. As a French teacher, I loved the fantasy setting reminiscent of medieval France, the places like La Forêt des Yeux, and the two opposing families of witches—les Dames Blanches and les Dames Rouges—the French names of the colors depicting the distinction in the magic practiced.
The stakes are higher. The witches are deadlier. And the romance is red-hot. The eagerly anticipated sequel to the New York Times and Indiebound bestseller Serpent & Dove is perfect for fans of Sarah J. Maas and is an instant New York Times bestseller!
Lou, Reid, Coco, and Ansel are on the run from coven, kingdom, and church-fugitives with nowhere to hide.
To survive, they need allies. Strong ones. But as Lou becomes increasingly desperate to save those she loves, she turns to a darker side of magic that may cost Reid the one thing he can't bear to lose.…
As an author and activist, I use fiction as a way of exploring social issues which mean a lot to me. As a woman of color, that means writing protagonists who encounter sexism, racism, class, and geographic inequality—but who combat those injustices in inventive and heroic ways. For me, the story is always about being human: trying to understand why a character acts a certain way in a certain situation. After all, aren’t we all trying to pursue our own desires against a backdrop of societal expectations? A good story—whether fiction or non-fiction—brings these conflicts to emotional, vivid life, and roots them in a reality we can all relate to.
Based on the Essex witch hunts during the English Civil War in 1644, this is so much more than a historical novel. The writing is poetic and fierce, the emotions riveting and unexpectedly moving. And our heroine, clever Rebecca West faces the danger of simply being a low-born, impoverished woman when ‘The Witchfinder General’ (a real historical figure) launches a patriarchal inquisition to ‘clean up’ society. How will Rebecca learn to protect both herself and her cantankerous mother in a cruel world hungry to claim marginalized women as scapegoats? Betrayal and heartbreak, solidarity, and mercy are all brought to vivid, unforgettable life in this literary gem.
Wolf Hall meets The Favourite in this beguiling debut novel that brilliantly brings to life the residents of a small English town in the grip of the seventeenth-century witch trials and the young woman tasked with saving them all from themselves.
"This is an intimate portrait of a clever if unworldly heroine who slides from amused observation of the 'moribund carnival atmosphere' in the household of a 'possessed' child to nervous uncertainty about the part in the proceedings played by her adored tutor to utter despair as a wagon carts her off to prison." —Alida Becker, The New York Times…
Jack Holland was an incredible writer. When he told men he was writing a book about misogyny, one group expressed surprise that a man would write such a book. His reply was, “Why? We invented it.” How can you not thoroughly love a man who could answer that? More, he’s done his homework, and done it exceedingly well.
He takes us through the history of this dreadful manifestation of patriarchy sympathetically and carefully. The links he creates historically are breath-taking, and cage-rattling they’re so sensible. Every woman in the world should read this book, and so should every human who knows a woman.
In this compelling, powerful book, highly respected writer and commentator Jack Holland sets out to answer a daunting question: how do you explain the oppression and brutalization of half the world's population by the other half, throughout history?
The result takes the reader on an eye-opening journey through centuries, continents and civilizations as it looks at both historical and contemporary attitudes to women. Encompassing the Church, witch hunts, sexual theory, Nazism and pro-life campaigners, we arrive at today's developing world, where women are increasingly and disproportionately at risk because of radicalised religious belief, famine, war and disease. Well-informed and researched,…
Addie is a young, autistic girl in Scotland. She learns dozens of women were executed for witchcraft right in her own village. She is horrified even though it took place hundreds of years before.
Addie feels a kinship with the women and becomes determined to create a memorial for them. Unfortunately, other than her big sister and her best friend, no one else understands her passion for women who died so long ago.
The story is written in first person, and is an #ownvoices book, as the author, Elle McNicoll, is autistic herself. Neurodiverse people are under-represented in literature, but A Kind of Spark helps readers see that autistic people can be the heroes of their own stories.
Perfect for readers of Song for a Whale and Counting by 7s, a neurodivergent girl campaigns for a memorial when she learns that her small Scottish town used to burn witches simply because they were different.
"A must-read for students and adults alike." -School Library Journal, Starred Review
Ever since Ms. Murphy told us about the witch trials that happened centuries ago right here in Juniper, I can’t stop thinking about them. Those people weren’t magic. They were like me. Different like me.
I’m autistic. I see things that others do not. I hear sounds that they can ignore. And…
We have always been fascinated by literary masterworks that stage the plague as a pivotal factor in the plot. We added the next ingredients: a whodunnit with a claustrophobic setting, the Baroque Age, a (real) financial thriller between Rome and London, and an unusual protagonist. Rita is a historian of religions, Francesco is a musicologist. After working as journalists, meeting in a newspaper bureau, and getting happily married, we started a writing career publishing 11 novels translated into 26 languages and 60 countries with more than 2 million copies sold. Our novels are a mix of literary creativity and meticulous research, characters and settings are strictly based on original documents and eyewitness accounts.
This epic novel in Walter Scott’s good tradition, but with a plus of philosophical depth, taught us (and generations of authors) how to wave together love and hope, freedom and destiny, pride and courage. The plague’s tragic outcome around 1630 in northern Italy offered such a powerful literary palette that Manzoni had to spin off a chapter about the epidemic and publish it separately. Nevertheless, The Betrothed is still marked by death and devastation, the hysterical witch-hunt against the alleged “plague-spreaders” and the impressive scenes in the lazarettos.
Set in Lombardy during the Spanish occupation of the late 1620s, The Betrothed tells the story of two young lovers, Renzo and Lucia, prevented from marrying by the petty tyrant Don Rodrigo, who desires Lucia for himself. Forced to flee, they are then cruelly separated, and must face many dangers including plague, famine and imprisonment, and confront a variety of strange characters - the mysterious Nun of Monza, the fiery Father Cristoforo and the sinister 'Unnamed' - in their struggle to be reunited. A vigorous portrayal of enduring passion,
I have been writing formally since I started my first book in high school. Even then, I was writing with dual POVs. Having multiple perspectives throughout my stories has been essential to all my books. I believe it adds so much more than a single POV can, and I love the process of it. You must decide what each of the characters’ motivations, and defining characteristics are and relate them back to the story. My most recent novel, below, has four POVs, each of which is as important as the others.
Serpent and Dove is a story about a witch, Lou Le Blanc, who is forced to marry a witch hunter, Reid Diggory. I loved this book because it does a good job of showing the relationship between these two polar opposite characters. But it also shows how even people I thought could never have anything in common can find things that tie them together.
The use of dual POVs in this story is a great way to see both sides of the war between witches and witch hunters so that I could understand why things are the way they are and the methods used to keep things that way.
New York Times Bestseller * Indiebound Bestseller * An Amazon Best Book of 2019 * B&N's YA Book Club Pick
"A brilliant debut, full of everything I love: a sparkling and fully realized heroine, an intricate and deadly system of magic, and a searing romance that kept me reading long into the night. Serpent & Dove is an absolute gem of a book." -Sarah J. Maas, #1 New York Times bestselling author of A Court of Thorns and Roses series
Bound as one, to love, honor, or burn. Book one of a stunning fantasy trilogy, this tale of witchcraft and…
I am a historian of early modern Europe, with a research focus on Spain and Italy. I first encountered archival documents from the Spanish Inquisition during research for my first book: I was already a fan of religious history but quickly became a fan of studying the law. I am fascinated by the ways in which people between the 1500s and 1700s used the legal systems at their disposal to recapture honor and pursue enemies. I am always on the lookout for ways in which religious prescriptions from centralized authorities did not match what was happening on the ground with ordinary, usually illiterate people.
This book should never go out of print, and for good reason: it is so smart and so very readable.
Briggs persuasively assesses the village contexts that played into witchcraft accusations and confessions in early modern Europe.
He clearly explains the crucial contexts of debt, feuds, and local relationships behind witchcraft allegations, and provides important insights into questions of gender and age. His evidence is compelling.
In his remarkable and compelling interpretation of the course and causes of the fear and persecution of witches that bedeviled Europe for centuries, Briggs draws on the latest research into the local realities underlying the phenomenon. In particular, he employs his own extensive work in the rich archives hidden away in those Franco-German borderlands in which so many cases became known. Briggs reveals how ordinary people diverted ordinary and not-so-ordinary grievances into a complex structure of blaming and scapegoating. Villagers inhabited a harsh and dangerous world, where real and fantastic fears mingled. Through his study of real cases and real…
