It may be obvious by now that I’m drawn to stories about complex characters, stories that aren’t afraid to be both humorous and gut wrenching.

Fourteen-year-old Nephele is another protagonist whose voice is immediately endearing, refreshing, and compelling. She’s an outsider, a brilliant math and science nerd who struggles to adjust socially to high school.

She invents a time travel app in order to relive her freshman year and do it right—but instead she becomes stuck in a time loop for ten years, encountering characters and surprises that help her to overcome her loneliness and find herself.

I love it that this book celebrates a smart, quirky character as she learns to look more deeply into her life and navigate her world. 

I love this book because it blends real science with an incredibly human story about survival and connection.

Andy Weir makes complex physics feel accessible, while still keeping the stakes intense and the pacing fast. What really stands out for me is the unexpected friendship at the heart of the story—it turns what could have been a solitary mission into something deeply emotional.

The characters and world building was fantastic, deep and believable characterisations and organisations and a really interest world which was complex but made sense. The time loop was used to great affect to explore the setting and how different actions effect the world, people and organisations and explore what is happening at different places during the time loop.

I can only speak from my experience and, wow, this book hooked me right at the end of that first chapter, “but it’s happening faster.” Now to go into what that means, I will remain spoiler-free, but my jaw dropped. And the story only ramped up after that.

I love stories where the protagonist finds themselves in genuine peril, and Claire puts Harry August in a particular type of peril that truly had me terrified for his well-being in every chapter. The best type of suspense escalates in every chapter and it escalates here in this book in the best possible ways.

Perhaps the most kindred title to my own book, Here and Now and Then is the story of Kin Stewart, and time-traveling spy from the year 2142, who becomes stranded in the 1990s after a botched mission. Having assimilated to life in the past, even marrying and starting a family, Kin's got a bad bout of brain fog and amnesia resulting from the ordeal, (time travel is hard!). And then, his rescue team shows up 18 years too late. They bring with them the revelation that Kin has only been gone for 2 weeks relative to their time.

While admittedly full of some heavy-handed “this author clearly loves Star Trek and soccer” dialogue in the beginning, once this book finds its feet, it really takes off and is a fun romp, with a cool look into the author's speculative future.

I'm always a sucker for time travel, and Gillian McAllister makes great use of the fantasy element as a wonderful storytelling vehicle for this cozy thriller. This page turner grabbed me right from the start, with the mother gazing out the kitchen window to find her son involved in a murder! We suffer through the inevitable consequences of his actions for the rest of that very long day, but the real story begins when the mother wakes up the next morning at the beginning of the previous day! I really appreciate the author's loyalty to details and the realistic timeline of different tech inventions. I also appreciated the complicated marital dynamics as discoveries are made. But what has me recommending this book to everyone I know is how the mother-son relationship is depicted: rich and layered and quite beautiful.

I love time loop stories. This one was first penned as a short novella, and it’s now a movie. You probably know the setup: seventeen-year-old Mark is caught in a time loop, repeating the same day over and over, a la Groundhog’s Day.

But unlike other time loop stories, Mark accepts his fate; he even enjoys it. After all, there are no consequences for skipping class or telling his dad he’s thinking about a tattoo. Mark just goes with the flow. Until he meets Margaret, she’s the only other person in this time box who remembers the day before.

As they get to know each other, we see that Margaret is hiding something, and there’s more to this story than we knew. When the reveal comes, that’s when the writing in this story really shines.

I loved this book because it has mathematics to the nth degree! Some of it in the form of inside jokes like “easy to use partial differential equations” that made me laugh out loud. Some of it, such as “equations that had sadness as a constant,” are in a “techno-poetic” style that I strive to achieve in my own writing. But this “meta-science fiction” novel is also filled with musings on writing and creativity. The self-referential recursion of a book within a book within a book makes the paradoxes of time travel even more interesting. The “reality portions” in which the main character pursues his quest to “find his father” are as deep and well done a theme as any I have read in sci-fi.

Reconnect is an off-the-books company that will use time travel to rescue people from the moments before their untimely deaths, or place willing customers in the past—for a fee, of course. But when a rescue mission goes badly, Reconnect agents Mark and Seth find themselves stuck in the past with the FBI in hot pursuit. What's more, their own company is looking to cover up their mistake by taking their lives.

This is a really fun graphic novel in the genre of time travel + crime thriller, by creators that have gone on to much success in the comics industry. They also happen to be friends of mine!

It's often said that the movie is not as good as the book it was based on, but All You Need is Kill and Edge of Tomorrow are as good as each other for different reasons. They both share the same premise and a wry and kinetic plot that moves quickly and pulls no punches. Edge of Tomorrow broadens out the world of the book and - as a visual medium - delivers more visceral action scenes, but All You Need is Kill brings us closer to the characters, what made them and what drives them and provides a different story arc and ending - one a Hollywood Tentpole could not and would not attempt - that is at once sad and uplifting and absolutely right.