Joseph Wood creatively uses landscape, settlement patterns, and the built environment to challenge a fabled view of the Currier and Ives New England village. The compact village center, with a steepled church, tidy white homes, and quaint shops surrounding the village green has too long colored our historical imaginings about an idealized New England past. But these forms, Wood convincingly argues, do not describe our colonial past. They are a 19th c invention that both romanticizes and obscures the actual colonial landscape of scattered farmsteads, meadows, and pastures. Early New England was shaped by a land-hungry people who sought competency & security in an expansive countryside. Richly illustrated with maps and images, this book is a model of how to use unusual evidence to recover the past. 

Stumpf was an ordinary seaman in the German Imperial Navy.

He tells the story of the war at sea from a personal perspective. His autobiography shows how the gap between officers and men, poor food, a sense of inferiority to the Royal Navy and limited scope for naval action all contributed to the decline of the morale of the Imperial Fleet, leading to mutiny in 1918. It is necessary reading if you want to begin to understand the war at sea from a non-British perspective.

Wilhelm is credited with having the best writing that inhabits “speculative fiction” (Robert Heinlein's coined term in 1947). I agree with that wholeheartedly, even though many others have contributed. She has dozens of novels, including mystery, suspense, and speculative sci-fi, but start with this book. Each story is unique and they don't actually connect in any way except that she put them all into this book, so I can't summarize them. Please read them all: every single one is a gem and an amazing example of great sci-fi writing.

This eloquent autobiography was written in the mid-1930s while the author was jailed by the British. It offers a detailed and convincing account of the experience of India’s people under the regime of British imperialism, and is relevant to other countries under foreign occupation, but also to US society because of its emphasis on religious conflict.

I re-read this in the wake of writing an introduction and afterword to a forthcoming edition of Julian Maclaren-Ross’s humorous yet melancholy Memoirs of the Forties, which could be described as a 1940s Withnail & I.

First published in 1944, The Stuff To Give The Troops collects his often very brief short stories about his far-from-heroic experiences as a conscript in the British army during World War II. They’re written in a conversational style that still feels fresh and modern. So too does their jaundiced tone, which prefigures M*A*S*H and Catch-22.

You can see why these stories quickly established him as a rising star whose admirers included George Orwell, Evelyn Waugh, and Graham Greene.

In this tour de force history of Great Britain’s 19th century ‘liberal empire,’ Elkins demonstrates the glaring contradiction between the official claim that British society and its colonies were governed by liberal principles of ‘the rule of law’ and the systematic violence that lay at its core. “Violence,” Elkins argues, “was not just the British Empire’s midwife; it was endemic to the structures and systems of British rule.”

In an age when liberal rights were ostensibly universal, race became how the empire was able to exclude black and brown people (which included ‘racialized’ groups such as the Irish and Afrikaners) from the ranks of ‘civilized’ peoples. The so-called ‘civilizing mission,’ in which ‘uncivilized’ peoples would be welcomed into the ranks of the ‘civilized’ at some unspecified point, was draped in the trappings of noble enterprise and moral duty. However, while this thinly veiled ideology may have served the interests of… show more.

New Amsterdam is a collection of noir detective fantasy set in an alternate New World with sorcery, magical creatures, and terrifying evil.

The main character is a fallen figure, Abigail Garrett, who self-medicates with booze while trying to fulfill her duties as a forensic sorceress. She investigates heinous crimes with a voice and motivation that I absolutely loved. Add to this character and world a scenario similar to Murder on the Orient Express and I had to pick this one up.

Abigail is not Hercule Poirot – she’s much more interesting. Her motivations and resigned duty resonated with me and I loved the textured world she inhabited. Fun alternate history with very interesting magic and setting.

The British Empire underwent a profound transformation in the eighteenth century—so much so that historians sometimes draw a line between the “first” and “second” British Empires.

One aspect of that transformation concerned how colonies were governed. Until the 1760s, most British colonies enjoyed strong legislatures, a limited role for the military in everyday life, and the protections of English law. That changed during the Age of Revolutions, as Britain embraced an increasingly autocratic style of colonial rule.

The King’s Peace charts this transformation in an engaging and accessible way by weaving its arresting case studies into an ambitious argument about how modern states exercise authority. It gave me a keen sense of how the empire could simultaneously feel fragile and crushingly strong.

If you know of Gyles Brandreth, the writer, broadcaster, and polymath you will know what to expect from any work of his. Subtitled The Diary of a Lifetime it contains extracts from his diaries from 1959 to the year 2000. It is a wonderful book to dip into, one that is full of enthusiasm and positivity. It is quite amazing the number of famous people that Brandreth has encountered over the years—not just names from showbusiness but artists, writers, politicians, sportspeople, and royalty. The book is stuffed with anecdotes most of which are highly amusing and are often presented in a self-deprecating manner.

This book literally changed my life.

When I was 28 I chanced upon H. Rider Haggard’s book when it was republished by Ballantine’s iconic Adult Fantasy Series. The story is about Leonard Outram, who, in an attempt to restore his family's fortune, commits to a perilous journey to Africa, where he discovers a lost city and is tempted by its treasures.

This was my first encounter with Haggard, and it affected me deeply; there was a mysterious something permeating that novel that I found refreshing and illuminating. It seemed to me that the story did not come alive due to characterizations or plot developments so much as it did to turnings of fate. I collected all 68 of his books. Thereafter, 80 percent of all my own writing has emulated Rider Haggard.