Author Greil Marcus’ phrase “the old, weird America” gave me exactly the right words for something I’ve always felt: that there is a specific weirdness to the American landscape, an uncontrollable current of strange that runs beneath the carefully cultivated surface of heroes and neighbors and shared, stable dreams. Of course, as William Faulkner observed, the past isn’t past, and America is as weird as it’s ever been. Maybe weirder. Look at the news. Look out your window. No surprise, then, that I’m drawn to such a perspective when I read other people’s stories, and seldom get completely away from it when I write my own.
When talking with younger writers, sooner or later I ask them to name a writer or a book they can point to and say, “That’s the goal. That’s what I care about. That’s what I want to do.” If I asked myself this question, one of my answers would be Karen Joy Fowler’s first novel, a pitch-perfect account of 19th-century America and the mysterious title character, a weird woman whose weirdness confirms how weird everything else already is.
In the Old West in 1873, a woman of indeterminate age and great ugliness appears without warning in the camp of Chinese railway workers, babbling incomprehensibly. Chin Ah Kin thinks she may be an immortal sent to enchant him - his more practical uncle sees trouble.
When I was at university in the 1980s, I thought I wanted to become the ambassador to France. Then one of my roommates made me promise to take a women’s studies class—any class—before I graduated. I opted for “The History of Women’s Peace Movements.” Descending into historical archives for the first time, I held in my hands crumbling, 100-year-old letters of World War I-era feminists who audaciously insisted that for a peaceful world to flourish, women must participate in its construction. My life changed course. I became a professor and a historian, and I have been following the trail of feminist, internationalist, social justice pioneers ever since.
All authors regretfully leave some things out of their books. If I had written a seventh chapter to mine, it would have focused on Indian feminists like Sarojini Naidu and Herabai and Mithan Tata who conducted a full-throttled campaign for the British Parliament to endorse women’s political rights in the 1919 Government of India Act. Fortunately, Mukherjee’s book tells this story in compelling detail. Based on research into previously ignored sources, this book follows Indian feminists’ battles as they pressed for women’s suffrage, initially within the constraints of the British empire and later, as anticolonial battles intensified, side-by-side with Gandhi and other nationalists fighting for Indian self-determination.
Popular depictions of campaigns for women's suffrage in films and literature have invariably focused on Western suffrage movements. The fact that Indian women built up a vibrant suffrage movement in the twentieth century has been largely neglected. The Indian 'suffragettes' were not only actively involved in campaigns within the Indian subcontinent, they also travelled to Britain, America, Europe, and elsewhere, taking part in transnational discourses on feminism, democracy, and suffrage. Indian Suffragettes focuses on the different geographical spaces in which Indian women were operating. Covering the period from the 1910s until 1950, it shows how Indian women campaigning for suffrage…
I grew up watching my older sister march through the world, pointing out to adults what was wrong with society and how they should change it. She included me in her activism sometimes, like the time she and I leafletted the neighbors, reminding them that they should vote in the next election. I want kids who aren’t lucky enough to grow up with an activist sibling to know that their voices matter. I write books about kids, like Jennifer Keelan-Chaffins, who change the world.
The United States of America has a proud but checkered tradition of freedom. This book gives kids nuance about the past while celebrating expanding access to freedom. The text rhymes and is satisfyingly rhythmic. A refrain carries us through the sweep of history: “We heard ever louder/ Equality’s call:/ A right isn’t right/ Till it’s granted to all.” The illustrations show the slow accumulation of more and more people gaining access to civil rights, culminating in an image of people of all genders, colors, and abilities celebrating their right to vote. The trim size of this book about equal rights is, like my book, a perfect square: 4 perfectly equal sides physically reminding the reader who holds it of the theme of the book.
Learn all about the history of voting rights in the United States—from our nation’s founding to the present day—in this powerful picture book from the New York Times bestselling author of The Pout-Pout Fish.
A right isn’t right till it’s granted to all…
The founders of the United States declared that consent of the governed was a key part of their plan for the new nation. But for many years, only white men of means were allowed to vote. This unflinching and inspiring history of voting rights looks back at the activists who answered equality’s call, working tirelessly to secure…
I have specialised in writing about radicals and non-conformists who seem to me to be the most interesting people in the world. I like books about people doing challenging things and making a difference. I love travelling to obscure archives in other countries and finding the riches of personal papers in dusty old rooms curated by eccentric archivists who greet me like an old friend.
It’s hard to find a new way into a well-known subject but Jill Liddington does it here with an entire book about just one day, census day 2 April 1911 when radical women disrupted the census by refusing to be enumerated by a state which gave them no rights. Overnight they filled dancehalls, private houses and camped on common land to evade the census takers. This is history as adventure story.
Vanishing for the vote recounts what happened on one night, Sunday 2 April, 1911, when the Liberal government demanded every household comply with its census requirements. Suffragette organisations urged women, all still voteless, to boycott this census.
Many did. Some wrote 'Votes for Women' boldly across their schedules. Others hid in darkened houses or, in the case of Emily Wilding Davison, in a cupboard within the Houses of Parliament.
Yet many did not. Even some suffragettes who might be expected to boycott decided to comply - and completed a perfectly accurate schedule. Why?
We are the creators, writers, lyricists, directors, and producers of the original musical, 19: The Musical. These are the best books we read on the topic of Alice Paul, suffrage, and the fight for the passage of the 19th Amendment. The amendment finally gave women the right to vote, but almost immediately, legislatures around the country began disenfranchising women of color by clawing voting rights back away from them. Researching the background for 19: The Musical was intense. These books were essential background for us to understand the historical landscape enough to write about it and, where necessary, combine events or create composite characters for our musical.
This book is so good that other authors and academics often reference it. It provided us with great background and insight into Alice Paul and how/why she was able to accomplish what she did.
It does a great job of fleshing out the person behind the movement, which helped us humanize Alice in our musical.
Alice Paul redirected the course of American political history. Raised by Quaker parents in Moorestown, New Jersey, she would become a passionate and outspoken leader of the woman suffrage movement. In 1913, she reinvigorated the American campaign for a constitutional suffrage amendment and, in the next seven years, dominated that campaign and drove it to victory with bold, controversial action-wedding courage with resourcefulness and self-mastery.
This riveting account of Paul's early years and suffrage activism offers fresh insight into her private persona and public image, examining for the first time the sources of Paul's ambition and the growth of her…
As both a writer and a reader, I love romance novels set in the late 1800s because many of the problems people faced back then are similar to the problems encountered today. For example, we worry about losing jobs to AI. Back then, workers worried about mechanization. Also, while researching a book, I was fascinated to learn that meetings, dating sites, games, and “text” messages were just as prevalent then as they are today, thanks to the Victorian Internet (aka the telegraph). Another reason I’m fascinated with the Old West is because it caused women to challenge traditional roles and enter into professions previously dominated by males.
I found this book to be incredibly enjoyable. I was captivated by Edythe’s experience as she tackles her first teaching job, which is set in a one-room schoolhouse in Nebraska. Initially, the town folks were delighted, as she replaced a teacher they deemed ruthless. However, their delight soon turned to dismay at Edythe’s teaching style, which made me laugh out loud. Not only did she shock the town by having her students catch bugs, but she also took them on an outrageous field trip to a women’s suffrage rally. Oh, my!
I loved the hero. As a widower, he believed that having a female teacher would provide just the kind of influence his two boys needed. However, with the town up in arms—along with his own uncertainties— he is unsure how much longer he can support her unconventional ways. This caused romantic conflict that kept me turning pages, eager to…
Edythe Amsel is delighted with her first teaching assignment: a one-room schoolhouse in Walnut Hill, Nebraska. Independent, headstrong, and a strong believer in a well-rounded education, Edythe is ready to open the world to the students in this tiny community. But is Walnut Hill ready for her?
Joel Townsend is thrilled to learn the town council hired a female teacher to replace the ruthless man who terrorized his nephews for the past two years. Having raised the boys on his own since their parents' untimely deaths, Joel believes they will benefit from a woman's influence. But he sure didn't bargain…
I’m Marsali Taylor, a retired teacher of English, French and Drama. I’ve always been interested in women’s history—not queens and countesses, but what life was like for ordinary people like me. A chance to research women’s suffrage in the Scottish National Library got me started reading these women’s stories in their own words—and what stories they were, from the first women graduates to the war workers. Women’s Suffrage in Shetlandtook two years of fascinating research, and Ihope it’s the foundation for more work by other researchers, both here in Shetland and in other communities whose women fought for the vote.
This was the first book I read on women’s suffrage, and it was a revelation. I’d had a hazy impression of cartwheel-hatted women in London chaining themselves to railings as a protest. Huge marches, campaigners travelling round the country, ink in pillar boxes and acid on golf greens, forcible feeding and vigils outside prisons defiantly singing Scots wha hae(can’t be arrested for singing the national anthem!), census refusal—the courage and determination of my countrywomen left me breathless with admiration.
A fascinating book, very emotional and real! It was brought to life by the characters and the author's amazing penmanship. I loved learning about the history of the dictionary and women's suffrage movement as well, and was pleased to learn that many of the characters and events were true to history.
'An enchanting story about love, loss and the power of language' Elizabeth Macneal, author of The Doll Factory
Sometimes you have to start with what's lost to truly find yourself...
Motherless and irrepressibly curious, Esme spends her childhood at her father's feet as he and his team gather words for the very first Oxford English Dictionary.
One day, she sees a slip of paper containing a forgotten word flutter to the floor unclaimed.
And so Esme begins to collect words for another dictionary in secret: The Dictionary of Lost Words. But to do so she must journey into a world…
While a history student at the University of Washington I became aware that courses never included more than a paragraph on the important contributions of women, such as Eleanor Roosevelt or Jane Addams. I longed to know more. What gave some women motivation to defy conventions and use their talents? When I first learned that Helga Estby’s audacious achievement was silenced for over 100 years, it launched me into over 15 years of research trying to recover this forgotten woman’s story. As a writing professor for twenty years, I saw how assigning papers that led to exploring and understanding the women in one’s family background deeply enriched college students' lives.
Jane Kirkpatrick, a New York Times bestselling writer of over 35 books, specializes in fictionalizing true stories of prominent women in history who are often unknown to today’s readers. Something Worth Doing, a historical novel, brings to life the story of Abigail Scott Duniway, an early suffragist and pioneer in the 19th century Pacific Northwest. As a married woman and mother of eight living children, Kirkpatrick weaves together Dunn's challenges as a newspaper publisher, primary breadwinner, and national speaker fighting for the rights of women and the vote.
Kirkpatrick, a psychologist, illustrates the universal pulls between career and family in a male-dominated sphere. One of my favorite genres is historical fiction and Kirkpatrick backs her novels with significant historical research.
In 1853, Abigail Scott was a 19-year-old school teacher in Oregon Territory when she married Ben Duniway. Marriage meant giving up on teaching, but Abigail always believed she was meant to be more than a good wife and mother. When financial mistakes and an injury force Ben to stop working, Abigail becomes the primary breadwinner for her growing family. What she sees as a working woman appalls her, and she devotes her life to fighting for the rights of women, including their right to vote.
Following Abigail as she bears six children, runs a millinery and a private school, helps…
When I talk with many non-romance readers, they’re often surprised to hear that a feminist reads and writes romance. It’s frustrating that so many people still buy into the conventional wisdom that all romance books are inherently anti-feminist, filled with alpha-hole heroes and wilting flower heroines. I challenged that conventional wisdom on my Romance Novels for Feminists review blog and continue to do so now that I’ve turned to writing romance. I’m so passionate about telling everyone I know about romances that feature clear feminist themes. If you share the conventional wisdom about romance, I hope you’ll give one of the books below a try. They’re not your grandmother’s bodice rippers anymore…
I first read Cole’s novella in early 2017, when tensions between white women and women of color over planning the Women’s March were all over the news. This book helped me to understand those tensions in a way that nonfiction accounts simply hadn’t.
In early 20th century Harlem, Black whorehouse owner Bertha takes care to teach her employees how government works, so they’ll be ready to cast their ballots when New York finally grants women the vote. The “good” women of the Colored Women’s Voting League aren’t pleased by the wishes of “bad” Bertha and her girls to join their efforts, especially when Bertha calls out the racism of their purported white “allies.” Bertha’s budding romance with undocumented alien Amir, a Bengali Muslim, compellingly reinforces the larger political themes of the book.
*This novella originally appeared in Daughters of A Nation: A Black Suffragette Historical Romance Anthology*Harlem, 1917After spending half her life pretending to be something she’s not, performance is second nature for cabaret owner Bertha Hines. With the election drawing near and women’s voting rights on the ballot, Bertha decides to use her persuasive skills to push the men of New York City in the right direction.Chef Amir Chowdhury jumped ship in New York to get a taste of the American Dream, only to discover he’s an unwanted ingredient. When ornery Amir reluctantly takes a job at The Cashmere, he thinks…
