As a writer and journalist in Iran, I knew many activists and journalists who spent time in solitary confinement. I noticed that this part of their prison experience was the hardest one for them to put to words, even those keen on sharing their experiences have a much easier time talking about the interrogation room but remain strangely reticent about the solitary cell. When I set out to write a novel about a bus driver who ends up in jail, I decided to dedicate several chapters of the book to his time in solitary confinement. That research sent me down the rabbit hole of interviewing former prisoners and reading widely about the solitary experience.
Charles Dickens the novelist needs no introduction, but not many people appreciate how fine a nonfiction writer he was. The American Notes is a testament to this, especially the famous solitary confinement chapter. Dickens traveled widely in the US, and he visited the first solitary confinement compound in Philadelphia. The people in charge, excited by the arrival of such an esteemed visitor, took him around the premises and allowed him to speak with a few prisoners. After that, Dickens wrote a passionate, brutal attack on solitary confinement as a barbaric form of torture, interspersing his indictment with heart-wrenching accounts of his meetings with the demoralized inmates.
American Notes for General Circulation is a travelogue by Charles Dickens detailing his trip to North America from January to June 1842. While there he acted as a critical observer of North American society, almost as if returning a status report on their progress. This can be compared to the style of his Pictures from Italy written four years later, where he wrote far more like a tourist. His American journey was also an inspiration for his novel Martin Chuzzlewit. Having arrived in Boston, he visited Lowell, New York, and Philadelphia, and travelled as far south as Richmond, as far…
As a writer and journalist in Iran, I knew many activists and journalists who spent time in solitary confinement. I noticed that this part of their prison experience was the hardest one for them to put to words, even those keen on sharing their experiences have a much easier time talking about the interrogation room but remain strangely reticent about the solitary cell. When I set out to write a novel about a bus driver who ends up in jail, I decided to dedicate several chapters of the book to his time in solitary confinement. That research sent me down the rabbit hole of interviewing former prisoners and reading widely about the solitary experience.
The American carceral system is notorious for long, senseless solitary confinement sentences. While this is now public knowledge, we have actually heard very little from the people who have undergone such brutality. Hell Is A Very SmallPlaceaims to give a platform to these people. This book is an invaluable collection of first-person accounts, composed by the people who lived this horror, many of them for unconscionably long periods. In their distinct voices, they articulate myriad ways time in solitary leads to the destruction of the human soul.
Media attention for hardcover: Book got rave reviews in the New York Review of Books, Los Angeles Review of Books, San Francisco Chronicle, and elsewhere. The work that Solitary Watch did to collect the material in this book was profiled in the New Yorker "Talk of the Town" section Ongoing bi-coastal campaign and media outreach: Jean Casella and Jim Ridgeway are still tirelessly fighting against the practice of solitary confinement through their group Solitary Watch, and have recently launched a new campaign, "Letters to Solitary" modeled on the pieces in this book. Sarah Shourd's play about solitary confinement, The Box,…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
I was born in Santa Fe to families with long histories in the southern region of the state. It was my grandfather, Louis Whitlock, a state senator, who headed the legislation that landed Carlsbad this monument of folly.
My childhood was shaped by the reality and beauty of the state. The books I’ve chosen are dear to me because they reflect familial lore. It is a state I love, a state I hope every American visits at least once. Yet much of its reality is obscured by pottery and rugs, Lucchese boots and impressive architecture. These books, I hope, offer a counterbalance, so that anybody touring the state can appreciate its complex culture and history.
I first read Baca at a time when, for whatever reason, I hated memoirs. Me-me-oirs, a fiction professor once called them. A Place to Stand changed my mind.
At age twenty-one, Baca was an illiterate prison inmate. He emerged from lockup as a poet—and a damned good one. Born in Santa Fe, Jimmy Santiago Baca’s memoir is, to my mind, a must-read for anybody who intends to visit The City Different: before hitting the slopes, the art galleries, and jewelry stores; before donning your best Pendleton sweater, read A Place to Stand. It’s a compelling and personal look at how life in Santa Fe is for most.
Jimmy Santiago Baca's harrowing, brilliant memoir of his life before, during, and immediately after the years he spent in a maximum-security prison garnered tremendous critical acclaim and went on to win the prestigious 2001 International Prize. Long considered one of the best poets in America today, Baca was illiterate at the age of twenty-one and facing five to ten years behind bars for selling drugs. A Place to Stand is the remarkable tale of how he emerged after his years in the penitentiary -- much of it spent in isolation -- with the ability to read and a passion for…
I am intrigued by the diversity of human responses to suffering. As a social scientist, I've had the great fortune to carry out research in Israel, Okinawa (Japan), and the US. People in each of these countries have experienced horrific events, and they deal with the suffering they’ve endured in very different ways. In Israel and Okinawa, people seem to understand that suffering is a natural part of life and come together to deal with the aftermath of tragedy. In the US, in contrast, we tend to treat tragedy as an individual trauma that leads to emotional pathology, and our responses tend to be limited to therapy, medicine, and drugs.
Before I read this book, I had only the vaguest idea of what happens in supermax prisons or even solitary confinement in regular prisons. In this book, Rhodes shares her observations of a maximum-security prison–really inside. She had incredible access to the guards, the cell blocks, and the prisoners.
I already knew that Rhodes is a brilliant anthropologist–I loved her book Emptying Beds: The Work of an Emergency Psychiatric Unit (the bit that has stayed in my mind is the practice of offering patients a one-way ticket to California to get these pesty mentally ill, homeless people out of the overcrowded Chicago unit).
This book is, in some ways, the next step in that story, but in some ways, the opposite. Where the emergency unit tried to get rid of patients, the supermax prison tried to hold onto them. I was especially fascinated by the detailed descriptions of interactions between…
In this rare firsthand account, Lorna Rhodes takes us into a hidden world that lies at the heart of the maximum security prison. Focusing on the 'supermaximums' - and the mental health units that complement them - Rhodes conveys the internal contradictions of a system mandated to both punish and treat. Her often harrowing, sometimes poignant, exploration of maximum security confinement includes vivid testimony from prisoners and prison workers, describes routines and practices inside prison walls, and takes a hard look at the prison industry. More than an expose, "Total Confinement" is a theoretically sophisticated meditation on what incarceration tells…
I’m Tasmanian. I’ve loved books set in other worlds since I encountered Robert Heinlein’s juveniles in my teens. I often find books set in the mundane world of here-and-now implausible or dull, because the adventures seem contrived or else result from characters doing something stupid or bad. If characters venture to other worlds, or other planets though—that’s a different ballgame! I read a great deal of fantasy and sci-fi, and when I was fourteen, I started writing my own. I enjoy a wide variety of genres, but my favourite stories are those where I can follow relatable characters through wild adventures and believe every line.
The Winter of Enchantment is a fantasy rather than science fiction, but it still carries its protagonist, Sebastian, to another world and it’s a very far world indeed. Through the agency of a dimension travelling cat, a mirror, and a teapot, Sebastian leaves Victorian London and meets a girl named Melissa, a prisoner in the enchanter’s realm. Soon the new friends are on the quest for the items that will release Melissa from her century of solitary confinement, but since Melissa can’t leave her lonely but luxurious prison, Sebastian has to go alone. I’ve loved this book for a long time. There is a sequel, but that rather retcons parts of the first one.
Through a magic mirror Sebastian travels from his Victorian world of winter snow and Mrs. Parkin to a magic world of Melissa, Mantari the cat, a wicked Enchanter, and many other exciting people. Melissa, a pretty young girl, has been imprisoned in a large house by the wicked Enchanter. Sebastian first meets Melissa through the magic mirror and resolves to do everything in his power, and with the help of a little magic, to free her. First published in 1968, this wonderful children's classic is back in hardcover!
As a writer and journalist in Iran, I knew many activists and journalists who spent time in solitary confinement. I noticed that this part of their prison experience was the hardest one for them to put to words, even those keen on sharing their experiences have a much easier time talking about the interrogation room but remain strangely reticent about the solitary cell. When I set out to write a novel about a bus driver who ends up in jail, I decided to dedicate several chapters of the book to his time in solitary confinement. That research sent me down the rabbit hole of interviewing former prisoners and reading widely about the solitary experience.
My list would not be complete without a work of scholarship. Of the texts I encountered during my research, this one stayed with me. It helped me develop a deeper, more philosophical insight into solitary experience. This book begins in the early days of the penitentiary system in the US, analyzing the inmates' experiences through a phenomenological approach. It discusses sensory deprivation, the way the disorienting experience of time in solitary interferes with basic sensory perception, and what this type of confinement does to the human mind. The author shows that all the justifications about the redemptive, corrective or reformative potential of this form of punishment are weak attempts at concealing what it is: an effective tool for the annihilation of human subjectivity.
Prolonged solitary confinement has become a widespread and standard practice in U.S. prisons-even though it consistently drives healthy prisoners insane, makes the mentally ill sicker, and, according to the testimony of prisoners, threatens to reduce life to a living death. In this profoundly important and original book, Lisa Guenther examines the death-in-life experience of solitary confinement in America from the early nineteenth century to today's supermax prisons. Documenting how solitary confinement undermines prisoners' sense of identity and their ability to understand the world, Guenther demonstrates the real effects of forcibly isolating a person for weeks, months, or years.
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
I’ve been fascinated with the macabre since childhood and have always been drawn to the darker sides of humanity. In nearly every story, the villain is my favorite character, and I’m most intrigued with their motives. From The Magic Tree House to Artemis Fowl to The Hunger Games to The Purge, I’ve consumed as much sci-fi, dystopian, thriller fiction as possible my entire life. I’ve written several thriller novels and dystopian books and have worked with Bradley Fuller, the producer of The Purge and A Quiet Place, on the possible movie adaptation of my debut novel. If you also like dystopian thrillers, feel free to check out my recommendations!
I love this book because it’s a classic and engaging sci-fi thriller with an original twist that kept me on my toes, a remarkable main character, and a compelling supporting cast. The dystopian element kept me hooked throughout, and the masterful storytelling often made me forget I was reading.
It is not only gripping but thought-provoking, with commentary on societal issues, much like YA dystopian novels from my childhood. What’s most frightening about this book is that it's easy to see that this sort of thing could happen today.
"Echoes of One Flew over the Cuckoo's Nest reverberate through this cinematic tale...readers looking for an adrenaline-inducing resistance plot will find this worth their time." --Publishers Weekly
From award-winning author J. Michael Straczynski, The Glass Box is a hard-hitting, fast-paced sci-fi novel about the choices we make and the ramifications we face.
Riley Diaz was born to fight back.
When she's incarcerated under the authority of a shadowy new defense act, Riley is sent to one of a growing number of American Renewal Centers (ARCs)--institutions modeled after psychiatric facilities--for mandatory reeducation.
Teresa Fava Thomas, Ph.D. is a professor of history at Fitchburg State University and author of American Arabists in theCold War Middle East, 1946-75: From Orientalism to Professionalismfor Anthem Press. I became interested in people who became area experts for the US State Department and how their study of hard languages like Arabic shaped their interactions with people in the region.
Journalist Terry Anderson was working for the Associated Press, as part of a small contingent of American and British reporters living and working during the war in Lebanon. Taken hostage in 1985 and held for seven years Anderson describes how he coped with long years of punishment, extremes of loneliness, and isolation, then ultimately reached freedom.
On March 16, 1985, Associated Press's Chief Middle East Correspondent, Terry Anderson, was kidnapped on the streets of Beirut. 2454 days - nearly seven years - later, he emerged into the light. "Den of Lions" is his memoir of that harrowing time; months of solitary confinement, beatings and daily humiliation. It is a story of personal courage, of brave and unflinching support for his fellow prisoners, but it is above all a love story - Madeleine Bassil, his fiancee, contributes her own chapters to their story, bringing up their child, Sulome, who never saw her father until she was six…
I am Karen Slater the author of My Journey Through Hell. It’s a memoir of addiction and generational abuse. A story about my dysfunctional childhood and the negative consequences that took me to hell and back. The books I love the most are the stories that inspire me. The true stories of real people overcoming tragedy and adversity give me such hope and motivation to keep on doing what I do and reach other people still struggling. I like to think these are the books that radiate courage and optimism and let others know that we all have our crosses to bear but we can bear them nonetheless.
This is my all-time favourite book. I heard the author tell her story and her resilience over a zoom conference and I immediately knew that my life would never be the same. I didn’t know how but I knew I would be different.
Stolen Time is about a woman wrongly convicted for murder who spent 17 years incarcerated, five of those years were spent in solitary confinement on death row. Her partner was also sentenced and in fact executed two years before Sunny was exonerated. It's the beautiful way Sunny speaks that made this my all-time favourite read. It’s a love story with real tragedy but told in the most resilient and forgiving way. I found it totally inspiring. Sunny taught me that no matter what the circumstances we have a duty to love and forgive no matter what if we want to live free. No one can steal our…
'In a world of one, I am alone, more alone than I have ever been in my life.Locked up in a box within a box where no one can enter and I cannot leave. I am to await my death.' In 1976 a twenty-eight-year-old mother of two and her partner were wrongfully sentenced to death by the Florida courts for the murder of two police officers. Sunny Jacobs would not taste freedom again for seventeen years, by which time her two children were estranged, her parents were dead and her beloved partner, Jesse Tafero, had been executed. Sunny spent five…
The idea for my first novel came from a 1946 study of Alabama parolees, linking individual characteristics to the likelihood of recidivism. The outcomes were surprising in many instances: “promising factors” such as education, profession, and intelligence didn’t correlate with good behavior. This got me thinking about the lasting effectsof imprisonment. Sentences don’t necessarily end when an inmate walks out the prison door. I see this again and again in the previously incarcerated students I teach at Helena College—they’ve been released from an institution, but mental and physical imprisonment lingers, and sometimes grows. The books on this list don’t shy away from that hard reality.
Set during the 2005 bus-driver strikes in Iran, this book explores imprisonment at nearly every level—from the confinement of a totalitarian regime to the physical and psychological torture of a political prisoner, to the locked doors of one’s own mind, to the escape sought (and sometimes found) in heroine. What sticks with me most, however, is the interior exploration of the main character, Yunus, and the way seemingly small decisions lead to enormous consequences.
An critically-acclaimed Iranian author makes his American literary debut with this powerful and harrowing psychological portrait of modern Iran-an unprecedented and urgent work of fiction with echoes of The Stranger, 1984, and The Orphan Master's Son-that exposes the oppressive and corrosive power of the state to bend individual lives.
Yunus Turabi, a bus driver in Tehran, leads an unremarkable life. A solitary man since the unexpected deaths of his father and mother years ago, he is decidedly apolitical-even during the driver's strike and its bloody end. But everyone has their breaking point, and Yunus has reached his.
