I learned how to write poetry by reading. Books have always been my main teachers. I try to read all kinds of work because there are so many different kinds of minds to learn from. When I discovered poetry as a teenager, it fascinated me on the level of the line. I spent a lot of time just looking at poems, without necessarily even reading them—let alone understanding them—because the form on the page was a revelation. It amazed me that people were allowed to do that! That I could choose to do that with words—to explode a sentence across the white space or smash all the words together.
I love this book, because it fuses personal history with American history in the most searing, heartbreaking, and incisive ways.
I taught this book to high school students, alongside the work of James Baldwin, since they both call to account America's founding, its brutality, the moral injury and legacy of slavery, and also the corrosive nature of popular culture. My students were stunned. It woke them up and demanded that they pay attention.
Winner of the Lannan Literary Award for Poetry (2017)
Acclaimed poet Shane McCrae's latest collection is a book about freedom told through stories of captivity. Historical persona poems and a prose memoir at the center of the book address the illusory freedom of both black and white Americans. In the book's three sequences, McCrae explores the role mass entertainment plays in oppression, he confronts the myth that freedom can be based upon the power to dominate others, and, in poems about the mixed-race child adopted by Jefferson Davis in the last year of the Civil War, he interrogates the infrequently…
Philip Yancey is probably my favourite Christian author of today (C S Lewis comes higher, but is of course from an earlier generation). The style in his other books is always thought-provoking and inspiring, but this autobiography goes deeper. With disarming honesty, it covers his childhood and upbringing in a poor and dysfunctional family in Georgia, laying the foundation for his (earlier) books that focus on suffering and grace. By turns moving and shocking, the story is honestly and graphically told, covering racism, fundamentalist Christianity and familial disharmony. And his choice of words and phrases always delights.
'Not until college days do I discover the shocking secret of my father's death.'
With a journalist's background Philip Yancey is widely admired for taking on the more difficult and confusing aspects of faith. Now in Where the Light Fell he shares, for the first time, the painful details of his own origins - taking us on an evocative journey from the backwoods and Bible-belt pockets of the South to the bustling streets of Philadelphia; from trailer parks to church parking lots; from dark secrets and family oddballs to fire-and-brimstone preachers and interminable church services. Raised by their impoverished single…
Lenore James, a woman of independent means who has outlived three husbands, is determined to disentangle her brother Gilbert from the beguiling Charlotte Eden. Chafing against misogyny and racism in the post-Civil War South, Lenore learns that Charlotte’s husband is enmeshed in the re-enslavement schemes of a powerful judge, and…
I don’t know when I became aware of and bothered by racial inequality but looking back, I see touchstones that lighted my path even before Martin Luther King’s “I Have a Dream” speech stiffened my spine in middle school. I participated in sit-ins at lunch counters and sat in the back of buses. Even though I was a white kid in a predominately white school, it became personal to me. The injustice and unfairness of prejudice and discrimination was the antithesis of what I believed was the promise of America. In recent years, the quiet background noise of racial inequity has amplified to an ugly level. I recommend these books as a start to understanding and rectifying the current unacceptable situation.
A riveting true story about a freed slave and a confederate soldier who fought for justice in the Jim Crow South. The freed slave became the first man to beat a lynch mob in court. His small blow to racism made him a hero but one few know. I cried at his setbacks and cheered for every small victory along the way. Once I started reading, I could not put it down.
After moonrise on the cold night of January 21, 1897, a mob of twenty five white men gathered in a patch of woods near Big Road in southwestern Simpson County, Kentucky. Half carried rifles and shotguns, and a few tucked pistols in their pants. Their target? George Dinning, a freed slave who'd farmed peacefully in the area for 14 years, and had been wrongfully accused of stealing livestock from a neighboring farm. When the mob began firing through the doors and windows of Dinning's house, he fired back in self-defense, shooting and killing the son of a wealthy Kentucky family.…
I fell in love with speculative fiction in high school (1967) when I found LOTR collecting dust on a library shelf in San Marcos, Texas. I majored in philosophy in college, which required a high degree of speculative imagination. Some might call my philosophizing bullshit, but seriously, it’s the only academic field that takes zombies seriously. I taught visual and multimedia design at Austin Community College, helping students commit their imaginations to realized projects. Love in the Ruins inspired me to write three speculative novels and dozens of published short stories.
Okay, I’m a big fan of Lovecraftian lore, but who needs me to recommend Lovecraft? I might as well recommend White Castle to stoners.
While this book (which was also an HBO series) isn’t as funny as Ruff’s Sewer, Gas, and Electric (a wonderful spoof of Atlas Shrugged), I reread it after watching the series and found it as thrilling and exciting as the first read. It plays on science fiction as well as horror, and the chapter depicting Hypolita Freeman’s discovery of a portal to other universes in an observatory has haunted me since I first read it.
I’ve never read a book that weaves horror and science fiction so seamlessly. (Note: I love the irony of writing a book about a closely-knit black family tackling the horrors inspired by the openly racist Lovecraft.)
Chicago, 1954. When his father Montrose goes missing, 22-year-old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George - publisher of The Safe Negro Travel Guide - and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite - heir to the estate that owned one of Atticus's ancestors - they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.
At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal…
I grew up as a closeted homosexual in a fundamentalist Christian home, enduring nearly two decades in a crisis of faith. Sermons frequently warned of damnation for my natural inclinations, pushing me to fast, pray, and achieve to resist temptation. This crisis gradually resolved over the eight years I spent writing Playing by the Book, the first coming-out novel to win a National IPPY Medal in religious fiction. Although I don’t consider myself a spiritual writer, I am drawn to stories that explore existential struggles and triumphs, including those related to a crisis of faith—much like the characters in the novels on this list.
I recommend this book because James Baldwin’s brilliant voice and profound writing explore the intersection of personal truths and deeply held beliefs. Baldwin masterfully captures the youth and naivety of John Grimes as he wrestles with sexuality, faith, and the pervasive racism of his time.
This book brilliantly brings these struggles to life while showcasing Baldwin’s gift for conveying complex emotions and societal pressures with intimacy and precision.
'Go back to where you started, or as far back as you can, examine all of it, travel your road again and tell the truth about it. Sing or shout or testify or keep it to yourself: but know whence you came.'
Originally published in 1953, Go Tell it on the Mountain was James Baldwin's first major work, based in part on his own childhood in Harlem. With lyrical precision, psychological directness, resonating symbolic power and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson…
Life is pretty dull without passion. Since early childhood I was attracted to Chinese philosophy, then to all the cultural aspects that reflect it. At the same time, I felt the blood in my veins drawing me to ancestral roots. Learning about other cultures helps us learn about our own. I’ve been driven by sympathy for the immigrant experience, the suffering, and sacrifices made for a better, peaceful life. What prepared me to write Wuxia America includes my academic studies, living and working in Asia, and involvement in martial arts. My inspiration for writing stems from a wish to encourage ways to improve human relations.
The life and writings of Iris Chang portray a woman with a passion for learning about her cultural heritage. Like a soldier, she gave her life in the pursuit.
The Chinese in America brings into focus just how it was for early Chinese immigrants to live in this land and their place in America today. The book not only sheds light on the Chinese American experience, but indirectly on all immigrant groups as well.
I value Chang’s encompassing work enlightening for understanding Chinese Americans as much as for understanding my own heritage.
A quintessiantially American story chronicling Chinese American achievement in the face of institutionalized racism by the New York Times bestselling author of The Rape of Nanking
In an epic story that spans 150 years and continues to the present day, Iris Chang tells of a people’s search for a better life—the determination of the Chinese to forge an identity and a destiny in a strange land and, often against great obstacles, to find success. She chronicles the many accomplishments in America of Chinese immigrants and their descendents: building the infrastructure of their adopted country, fighting racist and exclusionary laws and…
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
I grew up in a racially diverse setting on the west side of Cleveland, OH, and have been thinking, speaking, and writing at the intersection of race and the church as a side ministry for the last three decades. After starting a PhD in American Culture Studies in 2008, I focused attention on the concepts of Critical Race Theory, thinking especially about their relationship to the Christian faith. I try to resource white Christians who recognize a deficit in their own thinking about race but aren’t sure what to do about it or who to trust with their story, and these books offer a great place to start.
Surrounded by so many generalities regarding the treacherous merging of white supremacy with Christianity, I needed this deep-dive sociological study into the reality of how “whiteness” has become a subconscious but tangibly verifiable idol within white Evangelicalism.
The assumption of white cultural superiority has become so hardwired into the church across centuries that, like a fish in water, as white folks, we can’t see how “normal” gets weighed down with racial consequences.
The wetness of water is felt by everyone but the fish, and in this case, what seems experientially obvious to most non-white people requires in-depth study and argumentation for white folks to see. I appreciated how this book named specifics and compared the answers to racialized questions between different people groups in their study.
Are most white American Christians actually committed to a Religion of Whiteness?
Recent years have seen a growing recognition of the role that White Christian Nationalism plays in American society. As White Christian Nationalism has become a major force, and as racial and religious attitudes become increasingly aligned among whites--for example, the more likely you are to say that the decline of white people as a share of the population is "bad for society," the more likely you are to believe the government should support religious values--it has become reasonable to wonder which of the adjectives in the phrase "White…
Now it can be said: three decades ago, when Vanity Fair assigned me to write a profile of Miles Davis to accompany an excerpt of his about-to-be-published memoir, I presented myself as a jazz expert — when in fact my enthusiasm for the music far outweighed my knowledge. But in the years since I’ve learned a lot about America’s great art form, in part through researching my Frank Sinatra biography — Sinatra worked with many important jazz musicians — and now in working on my latest book, about Miles and two of the geniuses who collaborated with him on his historic album Kind of Blue, the saxophonist John Coltrane and the pianist Bill Evans.
Crouch (1945-2020) was many things: jazz drummer, poet, philosopher, novelist, biographer,
critic. In that last role he was, as the publisher’s notes to this indispensable book of essays on
jazz and related matters puts it, “the perennial bull in the china shop of African-American
intelligentsia.” Crouch relished controversy — he hated fusion, the popular blend of jazz and
rock that came along in the 1970s; he abhorred rap; he even had unkind words to say about
Toni Morrison’s Beloved. He was passionately contrarian on racial matters, refusing
to hew to any politically correct line. He detested simplistic thinking in any form. Calling
Bird, Clint Eastwood’s widely praised 1988 biopic of Charlie Parker “very bad,” Crouch
wrote of the “stack of glowing reviews… that reveal the extent to which many who would be
sympathetic to Negroes are prone to an unintentional, liberal racism. That racism reduces the
complexities of…
Stanley Crouch-MacArthur Genius" Award recipient, co-founder of Jazz at Lincoln centre, National Book Award nominee, and perennial bull in the china shop of black intelligentsia-has been writing about jazz and jazz artists for more than thirty years. His reputation for controversy is exceeded only by a universal respect for his intellect and passion. As Gary Giddons notes: Stanley may be the only jazz writer out there with the kind of rhinoceros hide necessary to provoke and outrage and then withstand the fulminations that come back." In Considering Genius , Crouch collects some of his best loved, most influential, and most…
As a long-time reader of mysteries, thrillers, and pulp fiction, I’ve lived a double life. By day, a scholar and a serious biographer, tackling heavyweight literary subjects, fighting the good feminist fight. By night, I devoured crime writing as a secret pleasure. Writing my book confirmed my belief that there have always been authors who transform genre fiction into literary magic – and that I could have fun telling their stories. Whether in my writing or mentoring, I want to celebrate neglected creators and explore how literary magic is made. The authors in this list are brave, authentic, and a damn good read. I wish you the joy of them all!
Once I’d belatedly realised that women wrote noir, it was a short step to becoming obsessed with Margaret Millar, a Canadian/American counterpart to British Celia Fremlin.
This book kept me guessing right to the end. It has a psychological complexity that means the characters got under my skin, and it is crammed with razor-sharp insights into dysfunctional relationships. I just love Millar’s spare prose: "The smile meant nothing. It was one of habit. She put it on in the morning along with her lipstick and removed it at night when she washed her face. Jim liked this smile of Daisy’s…"
It is easy to see why Millar was celebrated in her own time – and, sadly, equally easy to guess the reasons she now needs "rediscovering."
Young housewife Daisy Harker’s world is upended when a blank spot in her memory and a reoccurring nightmare link her to an unsolved murder and a decades-old conspiracy
Jim and Daisy Harker are a young, well-to-do couple in San Felice, California, and though childless they maintain the sort of domestic happiness that others can only aspire to. But a darkness exists at the outer edges of Daisy’s mind and she has no idea why it’s there. In a series of reoccurring nightmares she wanders a cemetery, eventually finding her own gravestone. According to the dream, December 2nd, 1955 is the…
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Although the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they are linked by an exploration of identity and the ways personhood is shaped through…
I have been a writer for more than twenty years and have favored pursuing “truth in fiction” rather than “money in formula.” As author Edward St. Aubyn quotes: “Money has value because it can be exchanged for something else. Art only has value because it can’t.” I find books about writers are closer to my lived experience and connect me intimately with both the characters and their author.
A series of essays and observations by one of literature’s most incendiary writers, written during the decade of his greatest creativity which ended in a life-changing fatwa. Rushdie takes aim at diverse subjects such as racism in Britain, religious fanaticism and literature, the cult of individualism, writers conferences, and trivia about other writers. He holds a candle for the colonial writer who infused the English language with a multitude of thoughts, words, and phrases, and claims that the novel should be subversive, not representative. He also punches back at accusers and justifies his most vilified novel, The Satanic Verses, as a work of dissent not of abuse or insult, and explains its imagery and symbols.
Containing 74 essays written over the last ten years, this book covers a range of subjects including the literature of the perceived masters and of Rushdie's contemporaries, the politics of colonialism and the ironies of culture, film, politicians, the Labour Party, religious fundamentalism in America, racial prejudice and the preciousness of the imagination and of free expression.
