I’ve loved fantasy and science fiction all my life. At its best, it has a numinous quality rarely seen in other books. I’ve read many of the classic fantasy novels written before fantasy was a genre. The beauty of those old books is that the writers received their inspiration from stories not influenced by The Lord of the Rings, so there’s a refreshing originality to their work. I love modern fantasy as well, especially those demonstrating new, inventive ideas.

In life my motto has always been “The buck stops with me.” There is no room in life for excuses, blame, and victimhood. You need to build your own strength and resilience and not rely on others when it comes to your own successes. I have spent my life putting this mindset into practice and have surrounded myself with people, and books that keep me winning. 

I've been in love with ecological writing, the effort to communicate love for and grief over the destruction of the profound beauty of the natural world, since I wrote my first play about rainforest clear-cutting in fifth grade—if not before. In 2016, I started Reckoning, a nonprofit journal of creative writing about environmental justice, because I wanted to encourage others doing this work, to provide an independent platform for it in ways profit-driven traditional publishing wasn't, and to build a community where those writers could share and inspire each other. Seven years later, that community defines me; it's the most rewarding thing I've ever done.

Growing up, I spent summers and weekends with my grandmother, who introduced me to wild food foraging. Grandma Josie and I harvested purslane and lambs quarters weeds from her garden, dandelions and meadow mushrooms from the pasture, and watercress from a nearby spring. On daily walks we gathered peppermint, yarrow, and other wild herbs for tea. She cooked on a wood stove and kept a pot of tea warm at all times. Grandma nurtured my interest in wild plants, wilderness survival, and self-sufficiency. Inspired by her, I built my own stone and log house, teach survival skills and botany, and I still cook on a wood stove just like she did. 

When I first moved to Portland, Oregon, I heard about the 1988 murder of an Ethiopian student by skinheads of the White Aryan Resistance. A famous trial subsequently bankrupted that white supremacist organization. When I began writing my trilogy, set in 1923, I learned about the strength of the Oregon KKK during the 1920s. I could see a direct line between the bigotry of that era and contemporary Portland. The more I studied the Klan of the 20s, the more I knew this information had to be part of my novels. Besides these book recommendations, I read numerous articles about Klan history. Everyone should learn this history.

I have always been a reader, and with Irish and Scottish families, I’ve grown up hearing beautiful stories of magic and the fair folk. When I discovered romance novels, I was able to combine my love of happily ever afters and the myth and legend of my childhood. I even took classes on the Mythology of Ireland and Britain while I was obtaining my degrees. With a specialty in British Literature, I have been able to ensure my stories, while full of myth and magic, are also steeped in historical accuracy. The lush and vivid descriptions in my stories are paired with magic and time travel, with every story leaving the reader satisfied with the happily ever after the characters have earned.

I am a journalist, the author of 10 works of popular history, and, latterly, a playwright. For nearly 25 years, I have earned a living on the strength of my own writing. I have written one full-length play that was produced at an outdoor summer theatre in July 2023, and I have written three short plays for the Port Hope, Ontario Arts Festival. I now live in Peterborough, Ontario, about 90 miles northeast of Toronto, but have had a lifelong interest in the history of western North America by dint of having grown up in southeastern Saskatchewan and having worked as a journalist in Alberta in the early 1980s.  

I love playing music and games, helping others in therapy, being a father and husband, among other things. It’s taken me some time to figure out how to not only stay on top of them all, but to enjoy myself along the way. The answer to doing so is about finding and guiding play in work. Picasso's statement rings true: "Every child is an artist. The problem is how to remain an artist once he grows up." Mastery and feelings of success flow when work is imbued with play. As a psychoanalyst and now as a writer, I work with both clients and readers to help them find meaning and mastery in the day-to-day.

When I was younger, I turned to fantastical stories of determined, flawed heroes to bring me a world I could understand and control – unlike the scary reality I lived in. Most of the fantasy stories I read as I grew up were, of course, set in a medieval England-type world. But as I got older, I found myself fascinated by the history and mythology of the New World and got the feeling there was a lot of untapped potential there. So, I started studying Mesoamerican and Native American peoples, as well as picking up alternate history fantasies set in America. So of course, I had to write my own. 

I’ve been fascinated by paranormal stories for years. One of the first books I truly loved was A Wrinkle in Time. I loved the Dragons of Pern, as well. As a girl, I read more stories featuring witches and magical creatures than one ought. But I also loved mysteries—Nancy Drew, as well as all the Agatha Christie books. At present, I’m working on my fifth Fairy Garden Mystery, and I recently completed a mystery novella featuring an elf. To round out the experience, I have personally crafted over fifty fairy gardens. I’m pretty certain a fairy spirit had something to do with my obsession... or perhaps it all started when I kissed the Blarney Stone.